Question: Kind Edward VII and Queen Alexandra's friends were know as what?

Answer: "the Marlborough House Set"

In 1901 the accession of Edward VII saw new life breathed into the palace. <hl> The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set" , were considered to be the most eminent and fashionable of the age. <hl> Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as <hl> "the Marlborough House Set" <hl>, were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.

The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as <hl> "the Marlborough House Set" <hl> , were considered to be the most eminent and fashionable of the age.

question: Kind Edward VII and Queen Alexandra's friends were know as what?, context: In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


Question: Some thought that King Edward VII's redecoration choices were at odds with whose prior work?

Answer: Nash's

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. <hl> Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work. <hl>

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with <hl> Nash's <hl> original work.

question: Some thought that King Edward VII's redecoration choices were at odds with whose prior work?, context: In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


Question: Which king commissioned massive redecoration in the Belle Epoque cream and gold color scheme?

Answer: King Edward

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. <hl> Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward 's <hl> heavy redecorations were at odds with Nash's original work.

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel <hl> King Edward <hl>'s heavy redecorations were at odds with Nash's original work.

Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel <hl> King Edward <hl> 's

question: Which king commissioned massive redecoration in the Belle Epoque cream and gold color scheme?, context: In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


Question: What were the group of friends of King Edward VII and Queen Alexandra called?

Answer: the Marlborough House Set

In 1901 the accession of Edward VII saw new life breathed into the palace. <hl> The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as " the Marlborough House Set ", were considered to be the most eminent and fashionable of the age. <hl> Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "<hl> the Marlborough House Set <hl>", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.

The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as " <hl> the Marlborough House Set <hl> ", were considered to be the most eminent and fashionable of the age.

question: What were the group of friends of King Edward VII and Queen Alexandra called?, context: In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


Question: What was at odds with Nash's original work in the palace?

Answer: King Edward's heavy redecorations

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. <hl> Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work. <hl>

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel <hl> King Edward's heavy redecorations <hl> were at odds with Nash's original work.

question: What was at odds with Nash's original work in the palace?, context: In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


Question: When did King Edward VII take the throne?

Answer: 1901

<hl> In 1901 the accession of Edward VII saw new life breathed into the palace. <hl> The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.

In <hl> 1901 <hl> the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.

question: When did King Edward VII take the throne?, context: In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


Question: What colors were used in the redecorations overseen by King Edward VII?

Answer: Belle époque cream and gold

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. <hl> Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work. <hl>

In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the <hl> Belle époque cream and gold <hl> colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.

question: What colors were used in the redecorations overseen by King Edward VII?, context: In 1901 the accession of Edward VII saw new life breathed into the palace. The new King and his wife Queen Alexandra had always been at the forefront of London high society, and their friends, known as "the Marlborough House Set", were considered to be the most eminent and fashionable of the age. Buckingham Palace—the Ballroom, Grand Entrance, Marble Hall, Grand Staircase, vestibules and galleries redecorated in the Belle époque cream and gold colour scheme they retain today—once again became a setting for entertaining on a majestic scale but leaving some to feel King Edward's heavy redecorations were at odds with Nash's original work.


Question: Under whose reign did the last major building works take place?

Answer: King George V

<hl> The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. <hl> This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of <hl> King George V <hl> when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

question: Under whose reign did the last major building works take place?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: The principle facade of the East Front is made from what type of stone?

Answer: Portland stone

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. <hl> This new, refaced principal façade (of Portland stone ) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. <hl> George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of <hl> Portland stone <hl>) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

This new, refaced principal façade (of <hl> Portland stone <hl> ) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates.

question: The principle facade of the East Front is made from what type of stone?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: Which king preferred official entertaining and royal duties to lavish parties?

Answer: George V

<hl> The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. <hl> This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King <hl> George V <hl> when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

question: Which king preferred official entertaining and royal duties to lavish parties?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: Who added and restored furniture to The Royal Collection?

Answer: Queen Mary

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. <hl> George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. <hl> Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife <hl> Queen Mary <hl> was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

question: Who added and restored furniture to The Royal Collection?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: Who was responsible for decorating The Blue Drawing Room?

Answer: Queen Mary

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. <hl> George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. <hl> Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife <hl> Queen Mary <hl> was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

question: Who was responsible for decorating The Blue Drawing Room?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: Who redesigned Blore's 1850 East Front?

Answer: Sir Aston Webb

<hl> The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. <hl> This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King George V when, in 1913, <hl> Sir Aston Webb <hl> redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

question: Who redesigned Blore's 1850 East Front?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: The refaced facade was made from what type of stone?

Answer: Portland stone

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. <hl> This new, refaced principal façade (of Portland stone ) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. <hl> George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of <hl> Portland stone <hl>) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

This new, refaced principal façade (of <hl> Portland stone <hl> ) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates.

question: The refaced facade was made from what type of stone?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: Which king placed more emphasis on official entertaining and royal duties instead of lavish parties?

Answer: George V

<hl> The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. <hl> This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King <hl> George V <hl> when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

question: Which king placed more emphasis on official entertaining and royal duties instead of lavish parties?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: What collection did Queen Mary take an interest in by adding and restoring pieces?

Answer: Royal Collection of furniture and art

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. <hl> George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art , both restoring and adding to it. <hl> Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the <hl> Royal Collection of furniture and art <hl>, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the <hl> Royal Collection of furniture and art <hl> , both restoring and adding to it.

question: What collection did Queen Mary take an interest in by adding and restoring pieces?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: Who decorated the Blue Drawing Room?

Answer: Queen Mary

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. <hl> George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. <hl> Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife <hl> Queen Mary <hl> was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.

question: Who decorated the Blue Drawing Room?, context: The last major building work took place during the reign of King George V when, in 1913, Sir Aston Webb redesigned Blore's 1850 East Front to resemble in part Giacomo Leoni's Lyme Park in Cheshire. This new, refaced principal façade (of Portland stone) was designed to be the backdrop to the Victoria Memorial, a large memorial statue of Queen Victoria, placed outside the main gates. George V, who had succeeded Edward VII in 1910, had a more serious personality than his father; greater emphasis was now placed on official entertaining and royal duties than on lavish parties. He arranged a series of command performances featuring jazz musicians such as the Original Dixieland Jazz Band (1919) – the first jazz performance for a head of state, Sidney Bechet, and Louis Armstrong (1932), which earned the palace a nomination in 2009 for a (Kind of) Blue Plaque by the Brecon Jazz Festival as one of the venues making the greatest contribution to jazz music in the United Kingdom. George V's wife Queen Mary was a connoisseur of the arts, and took a keen interest in the Royal Collection of furniture and art, both restoring and adding to it. Queen Mary also had many new fixtures and fittings installed, such as the pair of marble Empire-style chimneypieces by Benjamin Vulliamy, dating from 1810, which the Queen had installed in the ground floor Bow Room, the huge low room at the centre of the garden façade. Queen Mary was also responsible for the decoration of the Blue Drawing Room. This room, 69 feet (21 metres) long, previously known as the South Drawing Room, has a ceiling designed specially by Nash, coffered with huge gilt console brackets.


Question: Who lived at Buckingham Palace during WWI?

Answer: King George V and Queen Mary

<hl> During World War I, the palace, then the home of King George V and Queen Mary , escaped unscathed. <hl> Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of <hl> King George V and Queen Mary <hl>, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of <hl> King George V and Queen Mary <hl> , escaped unscathed.

question: Who lived at Buckingham Palace during WWI?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: Where were valuable items from Buckingham Palace taken during WWI?

Answer: Windsor

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. <hl> Its more valuable contents were evacuated to Windsor but the royal family remained in situ. <hl> The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to <hl> Windsor <hl> but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

question: Where were valuable items from Buckingham Palace taken during WWI?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: The king refrained from doing what during the war?

Answer: alcohol

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. <hl> To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol , to set a good example to the supposedly inebriated working class. <hl> The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from <hl> alcohol <hl>, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from <hl> alcohol <hl> , to set a good example to the supposedly inebriated working class.

question: The king refrained from doing what during the war?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: In what year was the north-west pavilion turned into a swimming pool?

Answer: 1938

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. <hl> In 1938 , the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool. <hl>

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In <hl> 1938 <hl>, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

In <hl> 1938 <hl> , the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

question: In what year was the north-west pavilion turned into a swimming pool?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: Who persuaded the king to lock the wine cellars during WWI?

Answer: David Lloyd George

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. <hl> To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. <hl> The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, <hl> David Lloyd George <hl> persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

question: Who persuaded the king to lock the wine cellars during WWI?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: Buckingham Palace was untouched during which war?

Answer: World War I

<hl> During World War I , the palace, then the home of King George V and Queen Mary, escaped unscathed. <hl> Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During <hl> World War I <hl>, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During <hl> World War I <hl> , the palace, then the home of King George V and Queen Mary, escaped unscathed.

question: Buckingham Palace was untouched during which war?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: Where were valuables evacuated to during the war?

Answer: Windsor

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. <hl> Its more valuable contents were evacuated to Windsor but the royal family remained in situ. <hl> The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to <hl> Windsor <hl> but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

question: Where were valuables evacuated to during the war?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: What did the King give up during the war?

Answer: alcohol

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. <hl> To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol , to set a good example to the supposedly inebriated working class. <hl> The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from <hl> alcohol <hl>, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from <hl> alcohol <hl> , to set a good example to the supposedly inebriated working class.

question: What did the King give up during the war?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: Who convinced the king to lock the wine cellars?

Answer: David Lloyd George

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. <hl> To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. <hl> The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, <hl> David Lloyd George <hl> persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.

question: Who convinced the king to lock the wine cellars?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: What was the north-west pavilion converted into in 1938?

Answer: swimming pool

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. <hl> In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool . <hl>

During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a <hl> swimming pool <hl>.

In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a <hl> swimming pool <hl> .

question: What was the north-west pavilion converted into in 1938?, context: During World War I, the palace, then the home of King George V and Queen Mary, escaped unscathed. Its more valuable contents were evacuated to Windsor but the royal family remained in situ. The King imposed rationing at the palace, much to the dismay of his guests and household. To the King's later regret, David Lloyd George persuaded him to go further by ostentatiously locking the wine cellars and refraining from alcohol, to set a good example to the supposedly inebriated working class. The workers continued to imbibe and the King was left unhappy at his enforced abstinence. In 1938, the north-west pavilion, designed by Nash as a conservatory, was converted into a swimming pool.


Question: How many times was the palace bombed in WWII?

Answer: nine times

<hl> During World War II, the palace was bombed nine times , the most serious and publicised of which resulted in the destruction of the palace chapel in 1940. <hl> Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:

During World War II, the palace was bombed <hl> nine times <hl>, the most serious and publicised of which resulted in the destruction of the palace chapel in 1940. Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:

During World War II, the palace was bombed <hl> nine times <hl> , the most serious and publicised of which resulted in the destruction of the palace chapel in 1940.

question: How many times was the palace bombed in WWII?, context: During World War II, the palace was bombed nine times, the most serious and publicised of which resulted in the destruction of the palace chapel in 1940. Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:


Question: What was destroyed in 1940?

Answer: the palace chapel

<hl> During World War II, the palace was bombed nine times, the most serious and publicised of which resulted in the destruction of the palace chapel in 1940. <hl> Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:

During World War II, the palace was bombed nine times, the most serious and publicised of which resulted in the destruction of <hl> the palace chapel <hl> in 1940. Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported:

question: What was destroyed in 1940?, context: During World War II, the palace was bombed nine times, the most serious and publicised of which resulted in the destruction of the palace chapel in 1940. Coverage of this event was played in cinemas all over the UK to show the common suffering of rich and poor. One bomb fell in the palace quadrangle while King George VI and Queen Elizabeth were in residence, and many windows were blown in and the chapel destroyed. War-time coverage of such incidents was severely restricted, however. The King and Queen were filmed inspecting their bombed home, the smiling Queen, as always, immaculately dressed in a hat and matching coat seemingly unbothered by the damage around her. It was at this time the Queen famously declared: "I'm glad we have been bombed. Now I can look the East End in the face". The royal family were seen as sharing their subjects' hardship, as The Sunday Graphic reported: