Question: What language is official in Valencia besides Valencian?

Answer: Spanish

<hl> Valencia is a bilingual city: Valencian and Spanish are the two official languages. <hl> Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines.

Valencia is a bilingual city: Valencian and <hl> Spanish <hl> are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines.

question: What language is official in Valencia besides Valencian?, context: Valencia is a bilingual city: Valencian and Spanish are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines.


Question: How many schools offer education completely in Valencian?

Answer: more than 70

Valencia is a bilingual city: Valencian and Spanish are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. <hl> Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines. <hl>

Valencia is a bilingual city: Valencian and Spanish are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in <hl> more than 70 <hl> state-owned schools in the city, as well as by the University of Valencia across all disciplines.

question: How many schools offer education completely in Valencian?, context: Valencia is a bilingual city: Valencian and Spanish are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines.


Question: When did Valencian regain its offical status?

Answer: 1978

Valencia is a bilingual city: Valencian and Spanish are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. <hl> Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978 . <hl> However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines.

Valencia is a bilingual city: Valencian and Spanish are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in <hl> 1978 <hl>. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines.

Valencian recovered its official status, prestige and use in education after the transition to democracy in <hl> 1978 <hl> .

question: When did Valencian regain its offical status?, context: Valencia is a bilingual city: Valencian and Spanish are the two official languages. Spanish is official in all of Spain, whereas Valencian is official in the Valencian Country, as well as in Catalonia and the Balearic Islands, where it receives the name of Catalan. Despite the differentiated denomination, the distinct dialectal traits and political tension between Catalonia and the Valencian Country, Catalan and Valencian are mutually intelligible and are considered two varieties of the same language. Valencian has been historically repressed in favour of Spanish. The effects have been more noticeable in the city proper, whereas the language has remained active in the rural and metropolitan areas. After the Castille-Aragon unification, a Spanish-speaking elite established itself in the city. In more recent history, the establishment of Franco's military and administrative apparatus in Valencia further excluded Valencian from public life. Valencian recovered its official status, prestige and use in education after the transition to democracy in 1978. However, due to industrialisation in recent decades, Valencia has attracted immigration from other regions in Spain, and hence there is also a demographic factor for its declining social use. Due to a combination of these reasons, Valencia has become the bastion of anti-Catalan blaverism, which celebrates Valencian as merely folkloric, but rejects the existing standard which was adapted from Catalan orthography. Spanish is currently the predominant language in the city proper but, thanks to the education system, most Valencians have basic knowledge of both Spanish and Valencian, and either can be used in the city. Valencia is therefore the second biggest Catalan-speaking city after Barcelona. Institutional buildings and streets are named in Valencian. The city is also home to many pro-Valencian political and civil organisations. Furthermore, education entirely in Valencian is offered in more than 70 state-owned schools in the city, as well as by the University of Valencia across all disciplines.


Question: During what period has Valencia had a cultural surge?

Answer: the last thirty years

<hl> Valencia has experienced a surge in its cultural development during the last thirty years , exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). <hl> The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

Valencia has experienced a surge in its cultural development during <hl> the last thirty years <hl>, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

Valencia has experienced a surge in its cultural development during <hl> the last thirty years <hl> , exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno).

question: During what period has Valencia had a cultural surge?, context: Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.


Question: Which structural engineer's work has helped Valencia's reputation?

Answer: Santiago Calatrava

Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). <hl> The various productions of Santiago Calatrava , a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. <hl> These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of <hl> Santiago Calatrava <hl>, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

The various productions of <hl> Santiago Calatrava <hl> , a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation.

question: Which structural engineer's work has helped Valencia's reputation?, context: Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.


Question: Which architect other than Calatrava has helped Valencia's reputation?

Answer: Félix Candela

Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). <hl> The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. <hl> These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect <hl> Félix Candela <hl> have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

question: Which architect other than Calatrava has helped Valencia's reputation?, context: Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.


Question: What part of Valencia is undergoing improvements?

Answer: Old City

Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. <hl> These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing. <hl>

Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the <hl> Old City <hl> (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

question: What part of Valencia is undergoing improvements?, context: Valencia has experienced a surge in its cultural development during the last thirty years, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Instituto Valenciano de Arte Moderno). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.


Question: What church holds some of Spain's greatest frescoes?

Answer: Saints John

<hl> Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction. <hl>

Among the parish churches are <hl> Saints John <hl> (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

question: What church holds some of Spain's greatest frescoes?, context: Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.


Question: Who decorated the Saints John's dome?

Answer: Palonino

<hl> Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino , contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction. <hl>

Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by <hl> Palonino <hl>, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by <hl> Palonino <hl> , contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

question: Who decorated the Saints John's dome?, context: Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.


Question: Who destroyed the Jesuit college?

Answer: the revolutionary Committee of the Popular Front

<hl> Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front , but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction. <hl>

Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by <hl> the revolutionary Committee of the Popular Front <hl>, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by <hl> the revolutionary Committee of the Popular Front <hl> , but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

question: Who destroyed the Jesuit college?, context: Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.


Question: What was once headquartered in the former Dominican convent?

Answer: Capital General

<hl> Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General , the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction. <hl>

Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the <hl> Capital General <hl>, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the <hl> Capital General <hl> , the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

question: What was once headquartered in the former Dominican convent?, context: Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.


Question: What was once a college for nobles and is now a place of secondary education?

Answer: Colegio de San Juan

<hl> Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction. <hl>

Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the <hl> Colegio de San Juan <hl> (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

question: What was once a college for nobles and is now a place of secondary education?, context: Among the parish churches are Saints John (Baptist and Evangelist), rebuilt in 1368, whose dome, decorated by Palonino, contains some of the best frescoes in Spain; El Templo (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capital General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.


Question: When did the Byzantines invade the Iberian peninsula?

Answer: 554

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. <hl> With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. <hl> After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in <hl> 554 <hl> the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

question: When did the Byzantines invade the Iberian peninsula?, context: A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.


Question: When were the Byzantines expelled?

Answer: 625

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. <hl> After the expulsion of the Byzantines in 625 , Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. <hl> Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in <hl> 625 <hl>, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

After the expulsion of the Byzantines in <hl> 625 <hl> , Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified.

question: When were the Byzantines expelled?, context: A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.


Question: What archdiocese was Valencia under during the time of the Visigoths?

Answer: Toledo

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. <hl> During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo , comprising the ancient Roman province of Carthaginensis in Hispania. <hl>

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of <hl> Toledo <hl>, comprising the ancient Roman province of Carthaginensis in Hispania.

During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of <hl> Toledo <hl> , comprising the ancient Roman province of Carthaginensis in Hispania.

question: What archdiocese was Valencia under during the time of the Visigoths?, context: A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.


Question: Who took power in Valencia after the Roman administration was gone?

Answer: the church

<hl> A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. <hl> With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, <hl> the church <hl> assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

question: Who took power in Valencia after the Roman administration was gone?, context: A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.


Question: After the Byzantines left, who was stationed in Valencia?

Answer: Visigothic military contingents

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. <hl> After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. <hl> Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, <hl> Visigothic military contingents <hl> were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.

question: After the Byzantines left, who was stationed in Valencia?, context: A few centuries later, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths) and the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city and replaced the old Roman temples with religious buildings. With the Byzantine invasion of the southwestern Iberian peninsula in 554 the city acquired strategic importance. After the expulsion of the Byzantines in 625, Visigothic military contingents were posted there and the ancient Roman amphitheatre was fortified. Little is known of its history for nearly a hundred years; although this period is only scarcely documented by archeology, excavations suggest that there was little development of the city. During Visigothic times Valencia was an episcopal See of the Catholic Church, albeit a suffragan diocese subordinate to the archdiocese of Toledo, comprising the ancient Roman province of Carthaginensis in Hispania.


Question: When was the dome built?

Answer: 15th century

<hl> In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. <hl> Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

In the <hl> 15th century <hl> the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

question: When was the dome built?, context: In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).


Question: Who started the construction of the main chapel?

Answer: Archbishop Luis Alfonso de los Cameros

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. <hl> Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. <hl> At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. <hl> Archbishop Luis Alfonso de los Cameros <hl> began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

question: Who started the construction of the main chapel?, context: In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).


Question: When was the main entrance constructed?

Answer: beginning of the 18th century

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. <hl> At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. <hl> The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the <hl> beginning of the 18th century <hl> the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

question: When was the main entrance constructed?, context: In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).


Question: In what style is the door of the Apostles?

Answer: Gothic

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. <hl> The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic , dates from the 14th century, the other is that of the Paláu. <hl> The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed <hl> Gothic <hl>, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

The other two doors lead into the transept; one, that of the Apostles in pure pointed <hl> Gothic <hl> , dates from the 14th century, the other is that of the Paláu.

question: In what style is the door of the Apostles?, context: In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).


Question: Who painted the pictures that are in the San Francesco chapel?

Answer: Francisco Goya

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. <hl> There are two paintings by Francisco Goya in the San Francesco chapel. <hl> Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by <hl> Francisco Goya <hl> in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).

question: Who painted the pictures that are in the San Francesco chapel?, context: In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Paláu. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls. The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Virgen de los desamparados or Mare de Déu dels Desamparats).


Question: What ruler attacked Valencia in 1238?

Answer: King James I of Aragon

<hl> In 1238, King James I of Aragon , with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. <hl> Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

In 1238, <hl> King James I of Aragon <hl>, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

In 1238, <hl> King James I of Aragon <hl> , with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender.

question: What ruler attacked Valencia in 1238?, context: In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.


Question: When did Valencia surrender?

Answer: 28 September

<hl> In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. <hl> Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on <hl> 28 September <hl> obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

question: When did Valencia surrender?, context: In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.


Question: Who was expelled from Valencia after James I's victory?

Answer: the Muslim population

In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. <hl> After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). <hl> James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of <hl> the Muslim population <hl> the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

question: Who was expelled from Valencia after James I's victory?, context: In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.


Question: What were Valencia's new charters called?

Answer: Furs of Valencia

In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). <hl> James I granted the city new charters of law, the Furs of Valencia , which later were extended to the whole kingdom of Valencia. <hl> Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the <hl> Furs of Valencia <hl>, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.

James I granted the city new charters of law, the <hl> Furs of Valencia <hl> , which later were extended to the whole kingdom of Valencia.

question: What were Valencia's new charters called?, context: In 1238, King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave. Poets such as Ibn al-Abbar and Ibn Amira mourned this exile from their beloved Valencia. After the Christian victory and the expulsion of the Muslim population the city was divided between those who had participated in the conquest, according to the testimony in the Llibre del Repartiment (Book of Distribution). James I granted the city new charters of law, the Furs of Valencia, which later were extended to the whole kingdom of Valencia. Thenceforth the city entered a new historical stage in which a new society and a new language developed, forming the basis of the character of the Valencian people as they are known today.