Question: Which direction does the M6 motorway run?

Answer: north to south

<hl> The Lancashire economy relies strongly on the M6 motorway which runs from north to south , past Lancaster and Preston. <hl> The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.

The Lancashire economy relies strongly on the M6 motorway which runs from <hl> north to south <hl>, past Lancaster and Preston. The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.

The Lancashire economy relies strongly on the M6 motorway which runs from <hl> north to south <hl> , past Lancaster and Preston.

question: Which direction does the M6 motorway run?, context: The Lancashire economy relies strongly on the M6 motorway which runs from north to south, past Lancaster and Preston. The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.


Question: What road connects Preston to Blackpool?

Answer: The M55

The Lancashire economy relies strongly on the M6 motorway which runs from north to south, past Lancaster and Preston. <hl> The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. <hl> The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.

The Lancashire economy relies strongly on the M6 motorway which runs from north to south, past Lancaster and Preston. <hl> The M55 <hl> connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.

question: What road connects Preston to Blackpool?, context: The Lancashire economy relies strongly on the M6 motorway which runs from north to south, past Lancaster and Preston. The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.


Question: Which road crosses the part of the county furthest south?

Answer: M58

The Lancashire economy relies strongly on the M6 motorway which runs from north to south, past Lancaster and Preston. The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. <hl> The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale. <hl>

The Lancashire economy relies strongly on the M6 motorway which runs from north to south, past Lancaster and Preston. The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The <hl> M58 <hl> crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.

question: Which road crosses the part of the county furthest south?, context: The Lancashire economy relies strongly on the M6 motorway which runs from north to south, past Lancaster and Preston. The M55 connects Preston to Blackpool and is 11.5 miles (18.3 km) long. The M65 motorway from Colne, connects Burnley, Accrington, Blackburn to Preston. The M61 from Preston via Chorley and the M66 starting 500 metres (0.3 mi) inside the county boundary near Edenfield, provide links between Lancashire and Manchester] and the trans-Pennine M62. The M58 crosses the southernmost part of the county from the M6 near Wigan to Liverpool via Skelmersdale.


Question: Where are the major settlements in the ceremonial county located?

Answer: Fylde coast

<hl> The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. <hl> South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

The major settlements in the ceremonial county are concentrated on the <hl> Fylde coast <hl> (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

question: Where are the major settlements in the ceremonial county located?, context: The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.


Question: Where is the Fylde coast?

Answer: Blackpool Urban Area

<hl> The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area ), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. <hl> South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

The major settlements in the ceremonial county are concentrated on the Fylde coast (the <hl> Blackpool Urban Area <hl>), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

The major settlements in the ceremonial county are concentrated on the Fylde coast (the <hl> Blackpool Urban Area <hl> ), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne.

question: Where is the Fylde coast?, context: The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.


Question: Which part of the county is rural and sparsely populated?

Answer: north

The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. <hl> The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. <hl> Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The <hl> north <hl> of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

question: Which part of the county is rural and sparsely populated?, context: The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.


Question: How many people live in Lancaster and Morecambe?

Answer: 100,000

The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. <hl> The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. <hl> Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost <hl> 100,000 <hl> people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.

question: How many people live in Lancaster and Morecambe?, context: The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.


Question: What percentage of Lancashire is Asian?

Answer: 6%

The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. <hl> Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east. <hl>

The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and <hl> 6% <hl> of the county's population, and concentrated largely in the former cotton mill towns in the south east.

question: What percentage of Lancashire is Asian?, context: The major settlements in the ceremonial county are concentrated on the Fylde coast (the Blackpool Urban Area), and a belt of towns running west-east along the M65: Preston, Blackburn, Accrington, Burnley, Nelson and Colne. South of Preston are the towns of Leyland and Chorley; the three formed part of the Central Lancashire New Town designated in 1970. The north of the county is predominantly rural and sparsely populated, except for the towns of Lancaster and Morecambe which form a large conurbation of almost 100,000 people. Lancashire is home to a significant Asian population, numbering over 70,000 and 6% of the county's population, and concentrated largely in the former cotton mill towns in the south east.


Question: Where was pop star Frankie Vaughan from?

Answer: Liverpool

<hl> Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. <hl> Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

<hl> Liverpool <hl> produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

question: Where was pop star Frankie Vaughan from?, context: Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.


Question: How many bands were active in the Liverpool area in the 1960s?

Answer: 350

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. <hl> It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. <hl> After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around <hl> 350 <hl> bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

question: How many bands were active in the Liverpool area in the 1960s?, context: Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.


Question: What was the first act to break through in the UK, not from Liverpool or managed by Brian Epstein?

Answer: Freddie and the Dreamers

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. <hl> The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers , who were based in Manchester, as were Herman's Hermits and the Hollies. <hl> Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were <hl> Freddie and the Dreamers <hl>, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were <hl> Freddie and the Dreamers <hl> , who were based in Manchester, as were Herman's Hermits and the Hollies.

question: What was the first act to break through in the UK, not from Liverpool or managed by Brian Epstein?, context: Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.


Question: Where were Freddie and the Dreamers based?

Answer: Manchester

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. <hl> Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester . <hl> It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and <hl> Manchester <hl>. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and <hl> Manchester <hl> .

question: Where were Freddie and the Dreamers based?, context: Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.


Question: Where were Herman's Hermints and the Hollies from?

Answer: Manchester

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. <hl> Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester . <hl> It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and <hl> Manchester <hl>. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.

Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and <hl> Manchester <hl> .

question: Where were Herman's Hermints and the Hollies from?, context: Liverpool produced a number of nationally and internationally successful popular singers in the 1950s, including traditional pop stars Frankie Vaughan and Lita Roza, and one of the most successful British rock and roll stars in Billy Fury. Many Lancashire towns had vibrant skiffle scenes in the late 1950s, out of which by the early 1960s a flourishing culture of beat groups began to emerge, particularly around Liverpool and Manchester. It has been estimated that there were around 350 bands active in and around Liverpool in this era, often playing ballrooms, concert halls and clubs, among them the Beatles. After their national success from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & the Pacemakers, the Searchers and Cilla Black. The first act to break through in the UK who were not from Liverpool, or managed by Brian Epstein, were Freddie and the Dreamers, who were based in Manchester, as were Herman's Hermits and the Hollies. Led by the Beatles, beat groups from the region spearheaded the British Invasion of the US, which made a major contribution to the development of rock music. After the decline of beat groups in the late 1960s the centre of rock culture shifted to London and there were relatively few local bands who achieved national prominence until the growth of a disco funk scene and the punk rock revolution in the mid and late 1970s.


Question: Who was "The Ballad of Chevy Chase" composed by?

Answer: Richard Sheale

Lancashire has a long and highly productive tradition of music making. <hl> In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale . <hl> The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel <hl> Richard Sheale <hl>. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel <hl> Richard Sheale <hl> .

question: Who was "The Ballad of Chevy Chase" composed by?, context: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.


Question: Where was Richard Sheale from?

Answer: Lancashire

<hl> Lancashire has a long and highly productive tradition of music making. <hl> In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

<hl> Lancashire <hl> has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

question: Where was Richard Sheale from?, context: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.


Question: What did the county share with it's national traditions?

Answer: balladry

Lancashire has a long and highly productive tradition of music making. <hl> In the early modern era the county shared in the national tradition of balladry , including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. <hl> The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of <hl> balladry <hl>, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

In the early modern era the county shared in the national tradition of <hl> balladry <hl> , including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale.

question: What did the county share with it's national traditions?, context: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.


Question: What is Lancashire's long and productive tradition?

Answer: music making

<hl> Lancashire has a long and highly productive tradition of music making . <hl> In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

Lancashire has a long and highly productive tradition of <hl> music making <hl>. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

Lancashire has a long and highly productive tradition of <hl> music making <hl> .

question: What is Lancashire's long and productive tradition?, context: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.


Question: What is the finest border ballad?

Answer: The Ballad of Chevy Chase

Lancashire has a long and highly productive tradition of music making. <hl> In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, " The Ballad of Chevy Chase ", thought to have been composed by the Lancashire-born minstrel Richard Sheale. <hl> The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "<hl> The Ballad of Chevy Chase <hl>", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.

In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, " <hl> The Ballad of Chevy Chase <hl> ", thought to have been composed by the Lancashire-born minstrel Richard Sheale.

question: What is the finest border ballad?, context: Lancashire has a long and highly productive tradition of music making. In the early modern era the county shared in the national tradition of balladry, including perhaps the finest border ballad, "The Ballad of Chevy Chase", thought to have been composed by the Lancashire-born minstrel Richard Sheale. The county was also a common location for folk songs, including "The Lancashire Miller", "Warrington Ale" and "The soldier's farewell to Manchester", while Liverpool, as a major seaport, was the subject of many sea shanties, including "The Leaving of Liverpool" and "Maggie May", beside several local Wassailing songs. In the Industrial Revolution changing social and economic patterns helped create new traditions and styles of folk song, often linked to migration and patterns of work. These included processional dances, often associated with rushbearing or the Wakes Week festivities, and types of step dance, most famously clog dancing.


Question: When was Lancashire established?

Answer: 1182

<hl> The county was established in 1182 , later than many other counties. <hl> During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

The county was established in <hl> 1182 <hl>, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

The county was established in <hl> 1182 <hl> , later than many other counties.

question: When was Lancashire established?, context: The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.


Question: When was the area part of Brigantes tribal area?

Answer: Roman times

The county was established in 1182, later than many other counties. <hl> During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. <hl> The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

The county was established in 1182, later than many other counties. During <hl> Roman times <hl> the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

question: When was the area part of Brigantes tribal area?, context: The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.


Question: In what year did the northern parts of the country form the Brythonic kingdom of Rheged?

Answer: 410AD

The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. <hl> In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. <hl> During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in <hl> 410AD <hl> the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

question: In what year did the northern parts of the country form the Brythonic kingdom of Rheged?, context: The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.


Question: What is the Brythonic kingdom of Rheged?

Answer: a successor entity to the Brigantes tribe

The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. <hl> In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe . <hl> During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, <hl> a successor entity to the Brigantes tribe <hl>. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, <hl> a successor entity to the Brigantes tribe <hl> .

question: What is the Brythonic kingdom of Rheged?, context: The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.


Question: When was the area incorporated into Northumbria?

Answer: mid-8th century

The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. <hl> During the mid-8th century , the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century. <hl>

The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the <hl> mid-8th century <hl>, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

During the <hl> mid-8th century <hl> , the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.

question: When was the area incorporated into Northumbria?, context: The county was established in 1182, later than many other counties. During Roman times the area was part of the Brigantes tribal area in the military zone of Roman Britain. The towns of Manchester, Lancaster, Ribchester, Burrow, Elslack and Castleshaw grew around Roman forts. In the centuries after the Roman withdrawal in 410AD the northern parts of the county probably formed part of the Brythonic kingdom of Rheged, a successor entity to the Brigantes tribe. During the mid-8th century, the area was incorporated into the Anglo-Saxon Kingdom of Northumbria, which became a part of England in the 10th century.


Question: How many people lived in Lancashire in 1971?

Answer: 5,129,416

<hl> By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416 , making it the most populous geographic county in the UK. <hl> The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.

By the census of 1971, the population of Lancashire and its county boroughs had reached <hl> 5,129,416 <hl>, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.

By the census of 1971, the population of Lancashire and its county boroughs had reached <hl> 5,129,416 <hl> , making it the most populous geographic county in the UK.

question: How many people lived in Lancashire in 1971?, context: By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.


Question: What is the most populous geographic county in the UK?

Answer: Lancashire

<hl> By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. <hl> The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.

By the census of 1971, the population of <hl> Lancashire <hl> and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.

question: What is the most populous geographic county in the UK?, context: By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.


Question: When was the administrative county abolished?

Answer: 1 April 1974

By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. <hl> On 1 April 1974 , under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. <hl> The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.

By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On <hl> 1 April 1974 <hl>, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.

On <hl> 1 April 1974 <hl> , under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs.

question: When was the administrative county abolished?, context: By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.


Question: What incorporated the Furness exclave?

Answer: Cumbria

By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. <hl> The new county of Cumbria incorporates the Furness exclave. <hl>

By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of <hl> Cumbria <hl> incorporates the Furness exclave.

question: What incorporated the Furness exclave?, context: By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.


Question: What did the southern part of Lancashire turn into?

Answer: Merseyside and Greater Manchester

By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. <hl> The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester . <hl> The new county of Cumbria incorporates the Furness exclave.

By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, <hl> Merseyside and Greater Manchester <hl>. The new county of Cumbria incorporates the Furness exclave.

The urbanised southern part largely became part of two metropolitan counties, <hl> Merseyside and Greater Manchester <hl> .

question: What did the southern part of Lancashire turn into?, context: By the census of 1971, the population of Lancashire and its county boroughs had reached 5,129,416, making it the most populous geographic county in the UK. The administrative county was also the most populous of its type outside London, with a population of 2,280,359 in 1961. On 1 April 1974, under the Local Government Act 1972, the administrative county was abolished, as were the county boroughs. The urbanised southern part largely became part of two metropolitan counties, Merseyside and Greater Manchester. The new county of Cumbria incorporates the Furness exclave.


Question: Who was a local pioneer of folk song collection?

Answer: James Orchard Halliwell

<hl> A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell , but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. <hl> The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar <hl> James Orchard Halliwell <hl>, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar <hl> James Orchard Halliwell <hl> , but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention.

question: Who was a local pioneer of folk song collection?, context: A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.


Question: Who did the most to popularize folk songs of the county?

Answer: Harry Boardman

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. <hl> The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman , who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. <hl> Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in <hl> Harry Boardman <hl>, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.

The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in <hl> Harry Boardman <hl> , who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county.

question: Who did the most to popularize folk songs of the county?, context: A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.


Question: Who were the most influential fold artists from the region in the 20th century?

Answer: The Spinners

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. <hl> Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners , and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. <hl> The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group <hl> The Spinners <hl>, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.

Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group <hl> The Spinners <hl> , and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding.

question: Who were the most influential fold artists from the region in the 20th century?, context: A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.


Question: Who do the many folk clubs today cater to?

Answer: Irish and Scottish folk music

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. <hl> The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music . <hl> Regular folk festivals include the Fylde Folk Festival at Fleetwood.

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to <hl> Irish and Scottish folk music <hl>. Regular folk festivals include the Fylde Folk Festival at Fleetwood.

The region is home to numerous folk clubs, many of them catering to <hl> Irish and Scottish folk music <hl> .

question: Who do the many folk clubs today cater to?, context: A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.


Question: What is one of the regular folk festivals called?

Answer: Fylde Folk Festival

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. <hl> Regular folk festivals include the Fylde Folk Festival at Fleetwood. <hl>

A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the <hl> Fylde Folk Festival <hl> at Fleetwood.

question: What is one of the regular folk festivals called?, context: A local pioneer of folk song collection in the first half of the 19th century was Shakespearean scholar James Orchard Halliwell, but it was not until the second folk revival in the 20th century that the full range of song from the county, including industrial folk song, began to gain attention. The county produced one of the major figures of the revival in Ewan MacColl, but also a local champion in Harry Boardman, who from 1965 onwards probably did more than anyone to popularise and record the folk song of the county. Perhaps the most influential folk artists to emerge from the region in the late 20th century were Liverpool folk group The Spinners, and from Manchester folk troubadour Roy Harper and musician, comedian and broadcaster Mike Harding. The region is home to numerous folk clubs, many of them catering to Irish and Scottish folk music. Regular folk festivals include the Fylde Folk Festival at Fleetwood.


Question: What is the county flower of Lancaster?

Answer: The Red Rose of Lancaster

<hl> The Red Rose of Lancaster is the county flower found on the county's heraldic badge and flag. <hl> The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, a red rose on a white field, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.

<hl> The Red Rose of Lancaster <hl> is the county flower found on the county's heraldic badge and flag. The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, a red rose on a white field, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.

question: What is the county flower of Lancaster?, context: The Red Rose of Lancaster is the county flower found on the county's heraldic badge and flag. The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, a red rose on a white field, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.


Question: Where can the red rose of lancaster be found?

Answer: on the county's heraldic badge and flag

<hl> The Red Rose of Lancaster is the county flower found on the county's heraldic badge and flag . <hl> The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, a red rose on a white field, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.

The Red Rose of Lancaster is the county flower found <hl> on the county's heraldic badge and flag <hl>. The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, a red rose on a white field, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.

The Red Rose of Lancaster is the county flower found <hl> on the county's heraldic badge and flag <hl> .

question: Where can the red rose of lancaster be found?, context: The Red Rose of Lancaster is the county flower found on the county's heraldic badge and flag. The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, a red rose on a white field, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.


Question: What is on the traditional Lancashire flag?

Answer: a red rose on a white field

The Red Rose of Lancaster is the county flower found on the county's heraldic badge and flag. The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). <hl> The traditional Lancashire flag, a red rose on a white field , was not officially registered. <hl> When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.

The Red Rose of Lancaster is the county flower found on the county's heraldic badge and flag. The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, <hl> a red rose on a white field <hl>, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.

The traditional Lancashire flag, <hl> a red rose on a white field <hl> , was not officially registered.

question: What is on the traditional Lancashire flag?, context: The Red Rose of Lancaster is the county flower found on the county's heraldic badge and flag. The rose was a symbol of the House of Lancaster, immortalised in the verse "In the battle for England's head/York was white, Lancaster red" (referring to the 15th-century Wars of the Roses). The traditional Lancashire flag, a red rose on a white field, was not officially registered. When an attempt was made to register it with the Flag Institute it was found that it was officially registered by Montrose in Scotland, several hundred years earlier with the Lyon Office. Lancashire's official flag is registered as a red rose on a gold field.