Question: What was Van Halen's last album with Sammy Hagar?

Answer: Balance

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. <hl> In 1995 Van Halen released Balance , a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. <hl> In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released <hl> Balance <hl>, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

In 1995 Van Halen released <hl> Balance <hl> , a multi-platinum seller that would be the band's last with Sammy Hagar on vocals.

question: What was Van Halen's last album with Sammy Hagar?, context: In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.


Question: Who was the Guns N Roses drummer who was fired by the band?

Answer: Steven Adler

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. <hl> Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. <hl> Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer <hl> Steven Adler <hl> was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

question: Who was the Guns N Roses drummer who was fired by the band?, context: In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.


Question: What former member of Extreme briefly served as the lead singer for Van Halen?

Answer: Gary Cherone

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. <hl> In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone , was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. <hl> Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer <hl> Gary Cherone <hl>, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer <hl> Gary Cherone <hl> , was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004.

question: What former member of Extreme briefly served as the lead singer for Van Halen?, context: In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.


Question: Who was the only original member left in Guns N Roses?

Answer: Axl Rose

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. <hl> Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? <hl> Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer <hl> Axl Rose <hl> continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

question: Who was the only original member left in Guns N Roses?, context: In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.


Question: Slash left Guns N Roses in what year?

Answer: 1996

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. <hl> In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. <hl> Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In <hl> 1996 <hl> David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.

question: Slash left Guns N Roses in what year?, context: In the new commercial climate glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released Balance, a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album Van Halen III and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording Use Your Illusion I and II with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album The Spaghetti Incident? Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly changing lineup in recording an album that would take over fifteen years to complete.


Question: By the late 60s, what term was synonymous with hard rock?

Answer: heavy metal

<hl> In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. <hl> While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

In the late 1960s, the term <hl> heavy metal <hl> was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

question: By the late 60s, what term was synonymous with hard rock?, context: In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.


Question: What heavy metal group introduced darker themes to the music?

Answer: Black Sabbath

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. <hl> Heavy metal took on "darker" characteristics after Black Sabbath 's breakthrough at the beginning of the 1970s. <hl> In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after <hl> Black Sabbath <hl>'s breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

Heavy metal took on "darker" characteristics after <hl> Black Sabbath <hl> 's breakthrough at the beginning of the 1970s.

question: What heavy metal group introduced darker themes to the music?, context: In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.


Question: What genre was an influence on extreme metal in the 1980s?

Answer: hardcore punk

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. <hl> In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk , <hl> and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by <hl> hardcore punk <hl>, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by <hl> hardcore punk <hl> ,

question: What genre was an influence on extreme metal in the 1980s?, context: In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.


Question: Hard rock is differentiated from heavy metal by containing more of an influence of what genre?

Answer: bluesy

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. <hl> While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. <hl> Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a <hl> bluesy <hl> rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

question: Hard rock is differentiated from heavy metal by containing more of an influence of what genre?, context: In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.


Question: In heavy metal, riffs typically form what element of a song?

Answer: stand-alone melodies

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. <hl> While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. <hl> Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as <hl> stand-alone melodies <hl> and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.

question: In heavy metal, riffs typically form what element of a song?, context: In the late 1960s, the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s. In the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.


Question: Led Zeppelin's first two albums both came out in what year?

Answer: 1969

<hl> By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin ( 1969 ) <hl> and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (<hl> 1969 <hl>) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin ( <hl> 1969 <hl> )

question: Led Zeppelin's first two albums both came out in what year?, context: By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.


Question: What was the title of Deep Purple's hard rock 1970 album?

Answer: In Rock

<hl> By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). <hl> Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, <hl> In Rock <hl> (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

question: What was the title of Deep Purple's hard rock 1970 album?, context: By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.


Question: Black Sabbath's lyrics contained references to what cultural touchstones?

Answer: occult and elements of Gothic horror

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). <hl> Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror . <hl> All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the <hl> occult and elements of Gothic horror <hl>. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the <hl> occult and elements of Gothic horror <hl> .

question: Black Sabbath's lyrics contained references to what cultural touchstones?, context: By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.


Question: What is the title of Black Sabbath's 1970 album?

Answer: Paranoid

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). <hl> Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. <hl> All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's <hl> Paranoid <hl> (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

question: What is the title of Black Sabbath's 1970 album?, context: By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.


Question: What is one band directly influenced by Black Sabbath?

Answer: Judas Priest

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. <hl> All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music. <hl>

By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like <hl> Judas Priest <hl> following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.

question: What is one band directly influenced by Black Sabbath?, context: By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums Led Zeppelin (1969) and Led Zeppelin II (1969), and Deep Purple, who began as a progressive rock group but achieved their commercial breakthrough with their fourth and distinctively heavier album, In Rock (1970). Also significant was Black Sabbath's Paranoid (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.


Question: What two genres made inroads on hard rock in the 1970s?

Answer: disco in the US and punk rock in the UK

<hl> With the rise of disco in the US and punk rock in the UK , hard rock's mainstream dominance was rivalled toward the later part of the decade. <hl> Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

With the rise of <hl> disco in the US and punk rock in the UK <hl>, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

With the rise of <hl> disco in the US and punk rock in the UK <hl> , hard rock's mainstream dominance was rivalled toward the later part of the decade.

question: What two genres made inroads on hard rock in the 1970s?, context: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.


Question: What punk band's songs rarely exceeded two minutes in length?

Answer: The Ramones

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. <hl> Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. <hl> However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like <hl> The Ramones <hl> explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

question: What punk band's songs rarely exceeded two minutes in length?, context: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.


Question: What were three midwestern hard rock bands?

Answer: Kansas, REO Speedwagon and Styx

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. <hl> Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. <hl> In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like <hl> Kansas, REO Speedwagon and Styx <hl> helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

question: What were three midwestern hard rock bands?, context: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.


Question: What city was Van Halen originally from?

Answer: Los Angeles

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. <hl> In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. <hl> He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the <hl> Los Angeles <hl> music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

question: What city was Van Halen originally from?, context: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.


Question: Which Van Halen instrumental showcased the guitar mastery of Eddie Van Halen?

Answer: "Eruption"

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. <hl> He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar. <hl>

With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song <hl> "Eruption" <hl> from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.

question: Which Van Halen instrumental showcased the guitar mastery of Eddie Van Halen?, context: With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid-1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar-playing technique of two-handed hammer-ons and pull-offs called tapping, showcased on the song "Eruption" from the album Van Halen, which was highly influential in re-establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.


Question: How many copies did Whitesnake's 1987 self title album sell?

Answer: 17 million

<hl> Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. <hl> It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.

Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over <hl> 17 million <hl> copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.

question: How many copies did Whitesnake's 1987 self title album sell?, context: Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.


Question: What was the title of Aerosmith's 1987 comeback album?

Answer: Permanent Vacation

Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". <hl> Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. <hl> Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.

Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album <hl> Permanent Vacation <hl> (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.

question: What was the title of Aerosmith's 1987 comeback album?, context: Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.


Question: Def Leppard's album Hysteria churned out how many hit singles?

Answer: seven

Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. <hl> Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). <hl> Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.

Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing <hl> seven <hl> hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.

question: Def Leppard's album Hysteria churned out how many hit singles?, context: Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up Slip of the Tongue (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of Whitesnake". Aerosmith's comeback album Permanent Vacation (1987) would begin a decade long revival of their popularity. Crazy Nights (1987) by Kiss was the band's highest charting release in the US since 1979 and the highest of their career in the UK. Mötley Crüe with Girls, Girls, Girls (1987) continued their commercial success and Def Leppard with Hysteria (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, Appetite for Destruction (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number one "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums Pride (1987) and Long Cold Winter (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were New Jersey (1988) by Bon Jovi, OU812 (1988) by Van Halen, Open Up and Say... Ahh! (1988) by Poison, Pump (1989) by Aerosmith, and Mötley Crüe's most commercially successful album Dr. Feelgood (1989). New Jersey spawned five Top 10 singles, a record for a hard rock act. In 1988 from 25 June to 5 November, the number one spot on the Billboard 200 album chart was held by a hard rock album for 18 out of 20 consecutive weeks; the albums were OU812, Hysteria, Appetite for Destruction, and New Jersey. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number six on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.