Question: What was the title of Buckcherry's 2007 hit single?

Answer: "Sorry"

Although Foo Fighters continued to be one of the most successful rock acts, with albums like In Your Honor (2005) reaching number two in the US and UK, many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed, Staind, Puddle of Mudd and Nickelback took the genre into the 2000s with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether. <hl> Acts with more conventional hard rock sounds included Andrew W.K., Beautiful Creatures and Buckcherry, whose breakthrough album 15 (2006) went platinum and spawned the single "Sorry" (2007), which made the Top 10 of the Billboard 100. <hl> These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock or post punk revival, including Black Rebel Motorcycle Club and Kings of Leon, and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures, a supergroup that brought together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that reached the top 20 in the US and UK and the top ten in several other countries.

Although Foo Fighters continued to be one of the most successful rock acts, with albums like In Your Honor (2005) reaching number two in the US and UK, many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed, Staind, Puddle of Mudd and Nickelback took the genre into the 2000s with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether. Acts with more conventional hard rock sounds included Andrew W.K., Beautiful Creatures and Buckcherry, whose breakthrough album 15 (2006) went platinum and spawned the single <hl> "Sorry" <hl> (2007), which made the Top 10 of the Billboard 100. These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock or post punk revival, including Black Rebel Motorcycle Club and Kings of Leon, and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures, a supergroup that brought together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that reached the top 20 in the US and UK and the top ten in several other countries.

question: What was the title of Buckcherry's 2007 hit single?, context: Although Foo Fighters continued to be one of the most successful rock acts, with albums like In Your Honor (2005) reaching number two in the US and UK, many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed, Staind, Puddle of Mudd and Nickelback took the genre into the 2000s with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether. Acts with more conventional hard rock sounds included Andrew W.K., Beautiful Creatures and Buckcherry, whose breakthrough album 15 (2006) went platinum and spawned the single "Sorry" (2007), which made the Top 10 of the Billboard 100. These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock or post punk revival, including Black Rebel Motorcycle Club and Kings of Leon, and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures, a supergroup that brought together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that reached the top 20 in the US and UK and the top ten in several other countries.


Question: What instrument is usually at the center of a hard rock sound?

Answer: The electric guitar

Hard rock is a form of loud, aggressive rock music. <hl> The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. <hl> Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

Hard rock is a form of loud, aggressive rock music. <hl> The electric guitar <hl> is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

question: What instrument is usually at the center of a hard rock sound?, context: Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.


Question: Rhythm guitar in hard rock usually plays what?

Answer: repetitive riffs with a varying degree of complexity

Hard rock is a form of loud, aggressive rock music. <hl> The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity , and as a solo lead instrument. <hl> Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using <hl> repetitive riffs with a varying degree of complexity <hl>, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using <hl> repetitive riffs with a varying degree of complexity <hl> , and as a solo lead instrument.

question: Rhythm guitar in hard rock usually plays what?, context: Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.


Question: In hard rock, an electric guitar can also be used for what?

Answer: a solo lead instrument

Hard rock is a form of loud, aggressive rock music. <hl> The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument . <hl> Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as <hl> a solo lead instrument <hl>. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as <hl> a solo lead instrument <hl> .

question: In hard rock, an electric guitar can also be used for what?, context: Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.


Question: What carries the backbeat in hard rock drumming?

Answer: snare

Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. <hl> Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare , sometimes using cymbals for emphasis. <hl> The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on <hl> snare <hl>, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on <hl> snare <hl> , sometimes using cymbals for emphasis.

question: What carries the backbeat in hard rock drumming?, context: Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.


Question: What instrument works in tandem with the drums to provide hard rock rhythms?

Answer: The bass guitar

Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. <hl> The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. <hl> Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. <hl> The bass guitar <hl> works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.

question: What instrument works in tandem with the drums to provide hard rock rhythms?, context: Hard rock is a form of loud, aggressive rock music. The electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong bass drum and a backbeat on snare, sometimes using cymbals for emphasis. The bass guitar works in conjunction with the drums, occasionally playing riffs, but usually providing a backing for the rhythm and lead guitars. Vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice.


Question: Who was the guitarist for the band Cream?

Answer: Eric Clapton

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. <hl> Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton . <hl> Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of <hl> Eric Clapton <hl>. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of <hl> Eric Clapton <hl> .

question: Who was the guitarist for the band Cream?, context: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."


Question: Who was the guitarist in the Kinks?

Answer: Dave Davies

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. <hl> Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. <hl> The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. <hl> Dave Davies <hl> of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

question: Who was the guitarist in the Kinks?, context: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."


Question: Who played guitar in The Who?

Answer: Pete Townshend

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. <hl> Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. <hl> The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, <hl> Pete Townshend <hl> of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

question: Who played guitar in The Who?, context: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."


Question: When did The White Album come out?

Answer: 1968

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. <hl> The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. <hl> Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in <hl> 1968 <hl> and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

question: When did The White Album come out?, context: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."


Question: Keith Richards is the guitarist of what band?

Answer: The Rolling Stones

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. <hl> Dave Davies of The Kinks, Keith Richards of The Rolling Stones , Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. <hl> The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of <hl> The Rolling Stones <hl>, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."

Dave Davies of The Kinks, Keith Richards of <hl> The Rolling Stones <hl> , Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion.

question: Keith Richards is the guitarist of what band?, context: Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. The Beatles began producing songs in the new hard rock style beginning with the White Album in 1968 and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who. Stephen Thomas Erlewine of AllMusic has described the "proto-metal roar" of "Helter Skelter," while Ian MacDonald argued that "their attempts at emulating the heavy style were without exception embarrassing."


Question: Who recorded the album School's Out?

Answer: Alice Cooper

<hl> In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). <hl> In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

In the United States, macabre-rock pioneer <hl> Alice Cooper <hl> achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

question: Who recorded the album School's Out?, context: In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).


Question: Tres Hombres is the name of an album by what band?

Answer: ZZ Top

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). <hl> In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. <hl> Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers <hl> ZZ Top <hl> released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

question: Tres Hombres is the name of an album by what band?, context: In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).


Question: Who was the lead singer of Montrose?

Answer: Sammy Hagar

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. <hl> Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. <hl> Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of <hl> Sammy Hagar <hl> and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

question: Who was the lead singer of Montrose?, context: In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).


Question: Kiss' double live album Alive! came out in what year?

Answer: 1975

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! <hl> in 1975 and helping to take hard rock into the stadium rock era. <hl> In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in <hl> 1975 <hl> and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

question: Kiss' double live album Alive! came out in what year?, context: In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).


Question: Who had a hit single with "(Don't Fear) The Reaper"?

Answer: Blue Öyster Cult

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. <hl> Blue Öyster Cult , formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) <hl> The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. <hl> Blue Öyster Cult <hl>, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).

<hl> Blue Öyster Cult <hl> , formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear)

question: Who had a hit single with "(Don't Fear) The Reaper"?, context: In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album School's Out (1972). In the following year blues rockers ZZ Top released their classic album Tres Hombres and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album Alive! in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with Toys in the Attic (1975), which reached number 11 in the American album chart, and Rocks (1976), which peaked at number three. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album On Your Feet or on Your Knees (1975), followed by their first platinum album, Agents of Fortune (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released Dreamboat Annie and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Center of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between Ted Nugent (1975) and his best selling Double Live Gonzo (1978).


Question: What was the title of Deep Purple's 1980s reunion album?

Answer: Perfect Strangers

Established bands made something of a comeback in the mid-1980s. <hl> After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. <hl> After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce <hl> Perfect Strangers <hl> (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).

question: What was the title of Deep Purple's 1980s reunion album?, context: Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).


Question: What album was Van Halen's commercial high point?

Answer: 1984

Established bands made something of a comeback in the mid-1980s. <hl> After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers ( 1984 ), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. <hl> After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (<hl> 1984 <hl>), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).

After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers ( <hl> 1984 <hl> ), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US.

question: What album was Van Halen's commercial high point?, context: Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).


Question: In what year did ZZ Top release Eliminator?

Answer: 1983

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. <hl> Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" ( 1983 ), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. <hl> Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (<hl> 1983 <hl>), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).

Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" ( <hl> 1983 <hl> ), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively.

question: In what year did ZZ Top release Eliminator?, context: Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).


Question: What band recorded "Keep On Loving You"?

Answer: REO Speedwagon

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. <hl> Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986). <hl>

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including <hl> REO Speedwagon <hl> with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).

question: What band recorded "Keep On Loving You"?, context: Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).


Question: The hit single "Amanda" was recorded by what band?

Answer: Boston

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. <hl> Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston 's "Amanda" (1986). <hl>

Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and <hl> Boston <hl>'s "Amanda" (1986).

Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and <hl> Boston <hl> 's "Amanda" (1986).

question: The hit single "Amanda" was recorded by what band?, context: Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic Machine Head line-up to produce Perfect Strangers (1984), which reached number five in the UK, hit the top five in five other countries, and was a platinum-seller in the US. After somewhat slower sales of its fourth album, Fair Warning, Van Halen rebounded with the Top 3 album Diver Down in 1982, then reached their commercial pinnacle with 1984. It reached number two on the Billboard album chart and provided the track "Jump", which reached number one on the singles chart and remained there for several weeks. Heart, after floundering during the first half of the decade, made a comeback with their eponymous ninth studio album which hit number one and contained four Top 10 singles including their first number one hit. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues rock with new wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums Eliminator (1983) and Afterburner (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions' "Still Loving You" (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).