Question: Prior to the Persian Gulf War, where and when was the last major American military conflict?

Answer: Vietnam nearly 20 years earlier

Before the war, many observers believed the US and its allies could win but might suffer substantial casualties (certainly more than any conflict since Vietnam), and that the tank battles across the harsh desert might rival those of North Africa during World War II. After nearly 50 years of proxy wars, and constant fears of another war in Europe between NATO and the Warsaw Pact, some thought the Persian Gulf War might finally answer the question of which military philosophy would have reigned supreme. <hl> Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but the antiaircraft weapons were crippled; in comparison, the US had no large-scale combat experience since its withdrawal from Vietnam nearly 20 years earlier , and major changes in US doctrine, equipment and technology since then had never been tested under fire. <hl>

Before the war, many observers believed the US and its allies could win but might suffer substantial casualties (certainly more than any conflict since Vietnam), and that the tank battles across the harsh desert might rival those of North Africa during World War II. After nearly 50 years of proxy wars, and constant fears of another war in Europe between NATO and the Warsaw Pact, some thought the Persian Gulf War might finally answer the question of which military philosophy would have reigned supreme. Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but the antiaircraft weapons were crippled; in comparison, the US had no large-scale combat experience since its withdrawal from <hl> Vietnam nearly 20 years earlier <hl>, and major changes in US doctrine, equipment and technology since then had never been tested under fire.

Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but the antiaircraft weapons were crippled; in comparison, the US had no large-scale combat experience since its withdrawal from <hl> Vietnam nearly 20 years earlier <hl> , and major changes in US doctrine, equipment and technology since then had never been tested under fire.

question: Prior to the Persian Gulf War, where and when was the last major American military conflict?, context: Before the war, many observers believed the US and its allies could win but might suffer substantial casualties (certainly more than any conflict since Vietnam), and that the tank battles across the harsh desert might rival those of North Africa during World War II. After nearly 50 years of proxy wars, and constant fears of another war in Europe between NATO and the Warsaw Pact, some thought the Persian Gulf War might finally answer the question of which military philosophy would have reigned supreme. Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but the antiaircraft weapons were crippled; in comparison, the US had no large-scale combat experience since its withdrawal from Vietnam nearly 20 years earlier, and major changes in US doctrine, equipment and technology since then had never been tested under fire.


Question: What problem did the Iraqi forces have?

Answer: the antiaircraft weapons were crippled

Before the war, many observers believed the US and its allies could win but might suffer substantial casualties (certainly more than any conflict since Vietnam), and that the tank battles across the harsh desert might rival those of North Africa during World War II. After nearly 50 years of proxy wars, and constant fears of another war in Europe between NATO and the Warsaw Pact, some thought the Persian Gulf War might finally answer the question of which military philosophy would have reigned supreme. <hl> Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but the antiaircraft weapons were crippled ; in comparison, the US had no large-scale combat experience since its withdrawal from Vietnam nearly 20 years earlier, and major changes in US doctrine, equipment and technology since then had never been tested under fire. <hl>

Before the war, many observers believed the US and its allies could win but might suffer substantial casualties (certainly more than any conflict since Vietnam), and that the tank battles across the harsh desert might rival those of North Africa during World War II. After nearly 50 years of proxy wars, and constant fears of another war in Europe between NATO and the Warsaw Pact, some thought the Persian Gulf War might finally answer the question of which military philosophy would have reigned supreme. Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but <hl> the antiaircraft weapons were crippled <hl>; in comparison, the US had no large-scale combat experience since its withdrawal from Vietnam nearly 20 years earlier, and major changes in US doctrine, equipment and technology since then had never been tested under fire.

Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but <hl> the antiaircraft weapons were crippled <hl> ; in comparison, the US had no large-scale combat experience since its withdrawal from Vietnam nearly 20 years earlier, and major changes in US doctrine, equipment and technology since then had never been tested under fire.

question: What problem did the Iraqi forces have?, context: Before the war, many observers believed the US and its allies could win but might suffer substantial casualties (certainly more than any conflict since Vietnam), and that the tank battles across the harsh desert might rival those of North Africa during World War II. After nearly 50 years of proxy wars, and constant fears of another war in Europe between NATO and the Warsaw Pact, some thought the Persian Gulf War might finally answer the question of which military philosophy would have reigned supreme. Iraqi forces were battle-hardened after 8 years of war with Iran, and they were well equipped with late model Soviet tanks and jet fighters, but the antiaircraft weapons were crippled; in comparison, the US had no large-scale combat experience since its withdrawal from Vietnam nearly 20 years earlier, and major changes in US doctrine, equipment and technology since then had never been tested under fire.


Question: What organization captured significant segments of Iraq and Syria?

Answer: ISIL

<hl> With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. <hl> ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.

With the emergence of <hl> ISIL <hl> and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.

question: What organization captured significant segments of Iraq and Syria?, context: With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.


Question: What legal ethos does ISIL operate under?

Answer: Sharia law

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. <hl> Cities were taken over by the terrorist group which enforced its brand of Sharia law . <hl> The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of <hl> Sharia law <hl>. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.

Cities were taken over by the terrorist group which enforced its brand of <hl> Sharia law <hl> .

question: What legal ethos does ISIL operate under?, context: With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.


Question: What actions did ISIL take against Western journalists and aid workers?

Answer: kidnapping and decapitation

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. <hl> The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. <hl> The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The <hl> kidnapping and decapitation <hl> of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.

question: What actions did ISIL take against Western journalists and aid workers?, context: With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.


Question: How did the US intervene against ISIL?

Answer: airstrikes in Iraq over ISIL held territories

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. <hl> The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory. <hl>

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with <hl> airstrikes in Iraq over ISIL held territories <hl> and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.

question: How did the US intervene against ISIL?, context: With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.


Question: What was the goal of US and coalition airstrikes in Syria?

Answer: degrading and destroying ISIL and Al-Nusra-held territory

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. <hl> The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory . <hl>

With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at <hl> degrading and destroying ISIL and Al-Nusra-held territory <hl>.

The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at <hl> degrading and destroying ISIL and Al-Nusra-held territory <hl> .

question: What was the goal of US and coalition airstrikes in Syria?, context: With the emergence of ISIL and its capture of large areas of Iraq and Syria, a number of crises resulted that sparked international attention. ISIL had perpetrated sectarian killings and war crimes in both Iraq and Syria. Gains made in the Iraq war were rolled back as Iraqi army units abandoned their posts. Cities were taken over by the terrorist group which enforced its brand of Sharia law. The kidnapping and decapitation of numerous Western journalists and aid-workers also garnered interest and outrage among Western powers. The US intervened with airstrikes in Iraq over ISIL held territories and assets in August, and in September a coalition of US and Middle Eastern powers initiated a bombing campaign in Syria aimed at degrading and destroying ISIL and Al-Nusra-held territory.


Question: Where was the band Blue Cheer from?

Answer: San Francisco

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. <hl> San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. <hl> The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. <hl> San Francisco <hl> band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

question: Where was the band Blue Cheer from?, context: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.


Question: What classic song did Blue Cheer cover?

Answer: "Summertime Blues"

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. <hl> San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues" , from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. <hl> The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic <hl> "Summertime Blues" <hl>, from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic <hl> "Summertime Blues" <hl> , from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound.

question: What classic song did Blue Cheer cover?, context: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.


Question: What was the hit off Steppenwolf's self-titled debut lp?

Answer: "Born to Be Wild"

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. <hl> The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild" , which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). <hl> Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including <hl> "Born to Be Wild" <hl>, which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

The same month, Steppenwolf released its self-titled debut album, including <hl> "Born to Be Wild" <hl> , which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969).

question: What was the hit off Steppenwolf's self-titled debut lp?, context: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.


Question: What movie featured that Steppenwolf single?

Answer: Easy Rider

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. <hl> The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). <hl> Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film <hl> Easy Rider <hl> (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

question: What movie featured that Steppenwolf single?, context: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.


Question: The lyrics to "Born To Be Wild" contain the first reference to what hard rock style?

Answer: heavy metal

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. <hl> San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. <hl> The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and <hl> heavy metal <hl> sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.

question: The lyrics to "Born To Be Wild" contain the first reference to what hard rock style?, context: Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album Vincebus Eruptum, that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film Easy Rider (1969). Iron Butterfly's In-A-Gadda-Da-Vida (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.


Question: The band Rush is what nationality?

Answer: Canadian

<hl> From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. <hl> The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

From outside the United Kingdom and the United States, the <hl> Canadian <hl> trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

question: The band Rush is what nationality?, context: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.


Question: What are the first three Rush albums?

Answer: Rush, Fly by Night and Caress of Steel

<hl> From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 ( Rush, Fly by Night and Caress of Steel ) before moving toward a more progressive sound with the 1976 album 2112. <hl> The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (<hl> Rush, Fly by Night and Caress of Steel <hl>) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 ( <hl> Rush, Fly by Night and Caress of Steel <hl> ) before moving toward a more progressive sound with the 1976 album 2112.

question: What are the first three Rush albums?, context: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.


Question: What nationality was Thin Lizzy?

Answer: Irish

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. <hl> The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. <hl> Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The <hl> Irish <hl> band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

question: What nationality was Thin Lizzy?, context: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.


Question: What was Thin Lizzy's hit single?

Answer: "The Boys Are Back in Town"

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. <hl> The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town" , which reached number 8 in the UK and number 12 in the US. <hl> Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit <hl> "The Boys Are Back in Town" <hl>, which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit <hl> "The Boys Are Back in Town" <hl> , which reached number 8 in the UK and number 12 in the US.

question: What was Thin Lizzy's hit single?, context: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.


Question: The Scorpions hailed from what country?

Answer: Germany

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). <hl> The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. <hl> Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from <hl> Germany <hl> marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.

question: The Scorpions hailed from what country?, context: From outside the United Kingdom and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (Rush, Fly by Night and Caress of Steel) before moving toward a more progressive sound with the 1976 album 2112. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album Jailbreak and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with Black Rose: A Rock Legend (1979). The arrival of Scorpions from Germany marked the geographical expansion of the subgenre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums Let There Be Rock (1977) and Highway to Hell (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.


Question: What is the title of Bon Jovi's third lp?

Answer: Slippery When Wet

<hl> Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. <hl> The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

Bon Jovi's third album, <hl> Slippery When Wet <hl> (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

question: What is the title of Bon Jovi's third lp?, context: Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.


Question: How many copies did this record sell?

Answer: 12 million

<hl> Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. <hl> The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling <hl> 12 million <hl> copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

question: How many copies did this record sell?, context: Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.


Question: What was the band Europe's international hit?

Answer: The Final Countdown

Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. <hl> The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. <hl> This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic <hl> The Final Countdown <hl> (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

question: What was the band Europe's international hit?, context: Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.


Question: What was Van Halen's 1986 album called?

Answer: 5150

Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. <hl> Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. <hl> By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released <hl> 5150 <hl> (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

question: What was Van Halen's 1986 album called?, context: Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.


Question: Who was the new lead singer for Van Halen on 5150?

Answer: Sammy Hagar

Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. <hl> Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. <hl> By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with <hl> Sammy Hagar <hl> on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.

question: Who was the new lead singer for Van Halen on 5150?, context: Bon Jovi's third album, Slippery When Wet (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies in the US while becoming the first hard rock album to spawn three top 10 singles — two of which reached number one. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic The Final Countdown (1986) by Swedish group Europe was an international hit, reaching number eight on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released 5150 (1986), their first album with Sammy Hagar on lead vocals, which was number one in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.


Question: What Aerosmith ballad debuted at number one on the charts?

Answer: "I Don't Want to Miss a Thing"

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). <hl> In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing" , which remains the only single by a hard rock band to debut at number one. <hl> AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit <hl> "I Don't Want to Miss a Thing" <hl>, which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

In 1998, Aerosmith released the number one hit <hl> "I Don't Want to Miss a Thing" <hl> , which remains the only single by a hard rock band to debut at number one.

question: What Aerosmith ballad debuted at number one on the charts?, context: Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.


Question: What was the title of AC/DC's 1995 double lp?

Answer: Ballbreaker

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. <hl> AC/DC produced the double platinum Ballbreaker (1995). <hl> Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum <hl> Ballbreaker <hl> (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

question: What was the title of AC/DC's 1995 double lp?, context: Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.


Question: Bon Jovi's 1995 album was called what?

Answer: These Days

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). <hl> Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. <hl> Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album <hl> These Days <hl> was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

question: Bon Jovi's 1995 album was called what?, context: Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.


Question: What commercially successful sub-genre emerged from the grunge movement?

Answer: post-grunge

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. <hl> As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. <hl> They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, <hl> post-grunge <hl> bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.

question: What commercially successful sub-genre emerged from the grunge movement?, context: Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.