Question: dada nada was the moniker for what artist's solo act?

Answer: Ozn

By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. <hl> In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. <hl> The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno.

By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert <hl> Ozn <hl> started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno.

question: dada nada was the moniker for what artist's solo act?, context: By the late 80s, House had moved West, particularly to San Francisco, Oakland, Los Angeles, Fresno, San Diego and Seattle. Los Angeles saw a huge explosion of underground raves and DJs, notably DJs Marques Wyatt and Billy Long, who spun at Jewel's Catch One, the oldest dance club in America. In 1989, the L.A. based, former EBN-OZN singer/rapper Robert Ozn started indie house label One Voice Records, releasing the Mike "Hitman" Wilson remix of Dada Nada's "Haunted House," which garnered instant club and mix show radio play in Chicago, Detroit and New York as well as in the U.K. and France. The record shot up to Number Five on the Billboard Club Chart, marking it as the first House record by a white artist to chart in the U.S. Dada Nada, the moniker for Ozn's solo act, released in 1990, what has become a classic example of jazz-based Deep House, the Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records/US, Polydor/UK), featuring Ozn's lush, crooning vocals and muted trumpet improvisational solos, underscoring Deep House's progression into a genre that integrated jazz and pop songwriting structures – a feature which continued to set it apart from Acid House and Techno.


Question: what madonna single is credited as helping bring house music to the mainstream?

Answer: Vogue

The early 1990s additionally saw the rise in mainstream US popularity for house music. <hl> Pop recording artist Madonna's 1990 single " Vogue " became an international hit single and topped the US charts. <hl> The single is credited as helping to bring house music to the US mainstream.

The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "<hl> Vogue <hl>" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

Pop recording artist Madonna's 1990 single " <hl> Vogue <hl> " became an international hit single and topped the US charts.

question: what madonna single is credited as helping bring house music to the mainstream?, context: The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.


Question: when was madonna's hit single "vogue" released?

Answer: 1990

<hl> The early 1990 s additionally saw the rise in mainstream US popularity for house music. <hl> Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

The early <hl> 1990 <hl>s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

The early <hl> 1990 <hl> s additionally saw the rise in mainstream US popularity for house music.

question: when was madonna's hit single "vogue" released?, context: The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.


Question: what decade did house music hit the mainstream in the us?

Answer: 1990s

<hl> The early 1990s additionally saw the rise in mainstream US popularity for house music. <hl> Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

The early <hl> 1990s <hl> additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

question: what decade did house music hit the mainstream in the us?, context: The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.


Question: who sang the hit single "vogue"?

Answer: Madonna

The early 1990s additionally saw the rise in mainstream US popularity for house music. <hl> Pop recording artist Madonna 's 1990 single "Vogue" became an international hit single and topped the US charts. <hl> The single is credited as helping to bring house music to the US mainstream.

The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist <hl> Madonna <hl>'s 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.

Pop recording artist <hl> Madonna <hl> 's 1990 single "Vogue" became an international hit single and topped the US charts.

question: who sang the hit single "vogue"?, context: The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.


Question: how well did madonna's single "vogue" do in the us?

Answer: topped the US charts

The early 1990s additionally saw the rise in mainstream US popularity for house music. <hl> Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts . <hl> The single is credited as helping to bring house music to the US mainstream.

The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and <hl> topped the US charts <hl>. The single is credited as helping to bring house music to the US mainstream.

Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and <hl> topped the US charts <hl> .

question: how well did madonna's single "vogue" do in the us?, context: The early 1990s additionally saw the rise in mainstream US popularity for house music. Pop recording artist Madonna's 1990 single "Vogue" became an international hit single and topped the US charts. The single is credited as helping to bring house music to the US mainstream.


Question: What gospel/R&B-influenced group released "Time Passes On" in 1993?

Answer: Aly-us

<hl> Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. <hl> Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Influential gospel/R&B-influenced <hl> Aly-us <hl> released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

question: What gospel/R&B-influenced group released "Time Passes On" in 1993?, context: Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.


Question: who released the hit single "time for the perculator" in the us?

Answer: Cajmere

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. <hl> Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere , which became the prototype of ghetto house subgenre. <hl> Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by <hl> Cajmere <hl>, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Another U.S. hit which received radio play was the single "Time for the Perculator" by <hl> Cajmere <hl> , which became the prototype of ghetto house subgenre.

question: who released the hit single "time for the perculator" in the us?, context: Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.


Question: what was cajmere's alternate name?

Answer: Green Velvet

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). <hl> By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. <hl> The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as <hl> Green Velvet <hl> and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

question: what was cajmere's alternate name?, context: Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.


Question: what was the name of the label operated by dj funk in chicago?

Answer: Dance Mania

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. <hl> The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania . <hl> Ghetto house and acid house were other house music styles that were also started in Chicago.

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called <hl> Dance Mania <hl>. Ghetto house and acid house were other house music styles that were also started in Chicago.

The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called <hl> Dance Mania <hl> .

question: what was the name of the label operated by dj funk in chicago?, context: Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.


Question: what was the prototype of ghetto house?

Answer: "Time for the Perculator" by Cajmere

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. <hl> Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere , which became the prototype of ghetto house subgenre. <hl> Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single <hl> "Time for the Perculator" by Cajmere <hl>, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.

Another U.S. hit which received radio play was the single <hl> "Time for the Perculator" by Cajmere <hl> , which became the prototype of ghetto house subgenre.

question: what was the prototype of ghetto house?, context: Influential gospel/R&B-influenced Aly-us released "Time Passes On" in 1993 (Strictly Rhythm), then later, "Follow Me" which received radio airplay as well as being played in clubs. Another U.S. hit which received radio play was the single "Time for the Perculator" by Cajmere, which became the prototype of ghetto house subgenre. Cajmere started the Cajual and Relief labels (amongst others). By the early 1990s artists such as Cajmere himself (under that name as well as Green Velvet and as producer for Dajae), DJ Sneak, Glenn Underground and others did many recordings. The 1990s saw new Chicago house artists emerge such as DJ Funk, who operates a Chicago house record label called Dance Mania. Ghetto house and acid house were other house music styles that were also started in Chicago.


Question: where did the "chilling out" concept develop?

Answer: Britain

<hl> In Britain , further experiments in the genre boosted its appeal. <hl> House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

In <hl> Britain <hl>, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

In <hl> Britain <hl> , further experiments in the genre boosted its appeal.

question: where did the "chilling out" concept develop?, context: In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.


Question: who released the album analogue bubblebath?

Answer: Aphex Twin

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. <hl> The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin . <hl> The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by <hl> Aphex Twin <hl>. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by <hl> Aphex Twin <hl> .

question: who released the album analogue bubblebath?, context: In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.


Question: where was the band deee-lite based?

Answer: New York

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. <hl> In New York , bands such as Deee-Lite furthered house's international influence. <hl> Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In <hl> New York <hl>, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

In <hl> New York <hl> , bands such as Deee-Lite furthered house's international influence.

question: where was the band deee-lite based?, context: In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.


Question: who released the track "little fluffy clouds"?

Answer: Orb

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. <hl> Two distinctive tracks from this era were the Orb 's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke. <hl>

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the <hl> Orb <hl>'s "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

Two distinctive tracks from this era were the <hl> Orb <hl> 's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.

question: who released the track "little fluffy clouds"?, context: In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.


Question: who transformed happy mondays' "wrote for luck" into a dance hit?

Answer: Vince Clarke

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. <hl> Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke . <hl>

In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by <hl> Vince Clarke <hl>.

Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by <hl> Vince Clarke <hl> .

question: who transformed happy mondays' "wrote for luck" into a dance hit?, context: In Britain, further experiments in the genre boosted its appeal. House and rave clubs such as Lakota and Cream emerged across Britain, hosting house and dance scene events. The 'chilling out' concept developed in Britain with ambient house albums such as The KLF's Chill Out and Analogue Bubblebath by Aphex Twin. The Godskitchen superclub brand also began in the midst of the early 90's rave scene. After initially hosting small nights in Cambridge and Northampton, the associated events scaled up in Milton Keynes, Birmingham and Leeds. A new indie dance scene also emerged in the 90's. In New York, bands such as Deee-Lite furthered house's international influence. Two distinctive tracks from this era were the Orb's "Little Fluffy Clouds" (with a distinctive vocal sample from Rickie Lee Jones) and the Happy Mondays' "Wrote for Luck" ("WFL") which was transformed into a dance hit by Vince Clarke.


Question: what act was passed in england in an attempt to ban large rave dance events?

Answer: Criminal Justice and Public Order Act 1994

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. <hl> The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". <hl> There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The <hl> Criminal Justice and Public Order Act 1994 <hl> was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

question: what act was passed in england in an attempt to ban large rave dance events?, context: In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.


Question: what was the nail in the coffin for illegal raves?

Answer: The Spiral Tribe at Castle Morten

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. <hl> The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. <hl> The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. <hl> The Spiral Tribe at Castle Morten <hl> was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

question: what was the nail in the coffin for illegal raves?, context: In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.


Question: when did the bill become a law?

Answer: November 1994

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. <hl> The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994 . <hl> The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in <hl> November 1994 <hl>. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in <hl> November 1994 <hl> .

question: when did the bill become a law?, context: In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.


Question: what single introduced dub and reggae into the house sound?

Answer: "Release the Pressure"

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. <hl> The music continued to grow and change, as typified by Leftfield with "Release the Pressure" , which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. <hl>

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with <hl> "Release the Pressure" <hl>, which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

The music continued to grow and change, as typified by Leftfield with <hl> "Release the Pressure" <hl> , which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

question: what single introduced dub and reggae into the house sound?, context: In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.


Question: who recorded the hit single "release the pressure"?

Answer: Leftfield

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. <hl> The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. <hl>

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by <hl> Leftfield <hl> with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

question: who recorded the hit single "release the pressure"?, context: In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.


Question: where was a new type of club called Cream located?

Answer: Liverpool

<hl> A new generation of clubs such as Liverpool 's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. <hl> Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as <hl> Liverpool <hl>'s Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as <hl> Liverpool <hl> 's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds.

question: where was a new type of club called Cream located?, context: A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: what was a new subgenre of house in chicago, developed by bad boy bill and others, called?

Answer: Chicago hard house

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. <hl> A new subgenre, Chicago hard house , was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. <hl> Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, <hl> Chicago hard house <hl>, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new subgenre, <hl> Chicago hard house <hl> , was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together.

question: what was a new subgenre of house in chicago, developed by bad boy bill and others, called?, context: A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city?

Answer: Los Angeles

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. <hl> Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. <hl> Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the <hl> Los Angeles <hl> Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

question: george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city?, context: A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: what was another name for hardcore techno from the netherlands?

Answer: gabber

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. <hl> Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. <hl> These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to <hl> gabber <hl> or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

question: what was another name for hardcore techno from the netherlands?, context: A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: who began opening "superclubs"?

Answer: Major record companies

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. <hl> Major record companies began to open "superclubs" promoting their own acts. <hl> These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. <hl> Major record companies <hl> began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

question: who began opening "superclubs"?, context: A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: Daft Punk began producing a new sound out of what european city?

Answer: Paris

<hl> Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris 's <hl> house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris <hl>'s house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris <hl> 's

question: Daft Punk began producing a new sound out of what european city?, context: Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.


Question: When did Daft Punk begin producing a new sound?

Answer: end of the 1990s and into the 2000s

<hl> Towards the end of the 1990s and into the 2000s , producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. <hl> Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the <hl> end of the 1990s and into the 2000s <hl>, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the <hl> end of the 1990s and into the 2000s <hl> , producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene.

question: When did Daft Punk begin producing a new sound?, context: Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.


Question: Daft Punk, Stardust, Cassius, St. Germain, and DJ Falcon all came from what scene?

Answer: Paris's house scene

<hl> Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene . <hl> Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris's house scene <hl>. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris's house scene <hl> .

question: Daft Punk, Stardust, Cassius, St. Germain, and DJ Falcon all came from what scene?, context: Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.


Question: When was House Unity Day in Chicago?

Answer: August 10, 2005

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

Chicago Mayor Richard M. Daley proclaimed <hl> August 10, 2005 <hl> to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

question: When was House Unity Day in Chicago?, context: Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: Who proclaimed House Unity Day in Chicago?

Answer: Chicago Mayor Richard M. Daley

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

<hl> Chicago Mayor Richard M. Daley <hl> proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

question: Who proclaimed House Unity Day in Chicago?, context: Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: In 2005, what anniversary was house music celebrating?

Answer: "21st anniversary of house music"

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the <hl> "21st anniversary of house music" <hl> (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

question: In 2005, what anniversary was house music celebrating?, context: Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: what was recognized as the original home of house music in 2005?

Answer: Chicago

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

<hl> Chicago <hl> Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

question: what was recognized as the original home of house music in 2005?, context: Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: What event was organized by Chicago's Department of Cultural Affairs to celebrate house music?

Answer: Summer Dance Series

Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". <hl> DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series , an event organized by Chicago's Department of Cultural Affairs. <hl>

Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the <hl> Summer Dance Series <hl>, an event organized by Chicago's Department of Cultural Affairs.

DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the <hl> Summer Dance Series <hl> , an event organized by Chicago's Department of Cultural Affairs.

question: What event was organized by Chicago's Department of Cultural Affairs to celebrate house music?, context: Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: Defected Records was at the forefront of what type of house music?

Answer: vocal house

<hl> It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that <hl> vocal house <hl> became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

question: Defected Records was at the forefront of what type of house music?, context: It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.


Question: Roule and Om was at the forefront of what type of house music?

Answer: vocal house

<hl> It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that <hl> vocal house <hl> became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

question: Roule and Om was at the forefront of what type of house music?, context: It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.


Question: Dennis Ferrer produced what type of house fusion?

Answer: electro house and fidget house

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] <hl> This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as <hl> electro house and fidget house <hl> emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

question: Dennis Ferrer produced what type of house fusion?, context: It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.


Question: in what time period did fusion genres of house emerge?

Answer: mid-2000s

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s , fusion genres such as electro house and fidget house emerged.[citation needed] <hl> This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the <hl> mid-2000s <hl>, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

In the <hl> mid-2000s <hl> , fusion genres such as electro house and fidget house emerged.[citation needed]

question: in what time period did fusion genres of house emerge?, context: It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.


Question: Where did the Winter Music Conference take place?

Answer: Miami

<hl> Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami 's <hl> Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like <hl> Miami <hl>'s Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like <hl> Miami <hl> 's

question: Where did the Winter Music Conference take place?, context: Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.


Question: The Shambhala Music Festival was dedicated to what?

Answer: house music

<hl> Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to <hl> house music <hl> were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

question: The Shambhala Music Festival was dedicated to what?, context: Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.


Question: where did house music gain popularity in the middle east?

Answer: Dubai & Abu Dhabi

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi [citation needed] and at events like Creamfields. <hl>

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as <hl> Dubai & Abu Dhabi <hl>[citation needed] and at events like Creamfields.

The genre even gained popularity in the Middle East in cities such as <hl> Dubai & Abu Dhabi <hl> [citation needed] and at events like Creamfields.

question: where did house music gain popularity in the middle east?, context: Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.


Question: what event led to an increase in popularity for house music in the middle east?

Answer: Creamfields

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields . <hl>

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like <hl> Creamfields <hl>.

The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like <hl> Creamfields <hl> .

question: what event led to an increase in popularity for house music in the middle east?, context: Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.


Question: what large event in Miami was industry sponsored?

Answer: Shambhala Music Festival

<hl> Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to house music were founded during the course of the decade, including <hl> Shambhala Music Festival <hl> and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

question: what large event in Miami was industry sponsored?, context: Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.