Question: Explorers in the employ of what nation discovered the Azores?

Answer: Portugal

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. <hl> Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. <hl> After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of <hl> Portugal <hl> (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

question: Explorers in the employ of what nation discovered the Azores?, context: In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: What leader sponsored the expedition that discovered Cape Verde?

Answer: Prince Henry the Navigator

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. <hl> Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. <hl> After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. <hl> Prince Henry the Navigator <hl> of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

question: What leader sponsored the expedition that discovered Cape Verde?, context: In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: What Portuguese explorer visited India in 1498?

Answer: Vasco da Gama

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. <hl> After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. <hl> The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and <hl> Vasco da Gama <hl> (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

question: What Portuguese explorer visited India in 1498?, context: In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: What did Christopher Columbus discover in 1492?

Answer: the Americas

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. <hl> The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas . <hl> The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered <hl> the Americas <hl>. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered <hl> the Americas <hl> .

question: What did Christopher Columbus discover in 1492?, context: In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: What English monarch financed John Cabot?

Answer: Henry VII

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. <hl> The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island. <hl>

In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under <hl> Henry VII <hl> sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.

question: What English monarch financed John Cabot?, context: In the early 15th century, the countries of the Iberian peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486 and Vasco da Gama (d. 1524) sailed around Africa to India in 1498. The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas. The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.


Question: Along with light cavalry, what military arm was used with increasing frequency in the Late Middle Ages?

Answer: infantry

<hl> One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. <hl> The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of <hl> infantry <hl> and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

question: Along with light cavalry, what military arm was used with increasing frequency in the Late Middle Ages?, context: One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.


Question: What troops were uniquely successful in English service?

Answer: longbowmen

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. <hl> The English also employed longbowmen , but other countries were unable to create similar forces with the same success. <hl> Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed <hl> longbowmen <hl>, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

The English also employed <hl> longbowmen <hl> , but other countries were unable to create similar forces with the same success.

question: What troops were uniquely successful in English service?, context: One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.


Question: What influenced the increasing development of armor?

Answer: the increasing power of crossbows

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. <hl> Armour continued to advance, spurred by the increasing power of crossbows , and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. <hl> Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by <hl> the increasing power of crossbows <hl>, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

Armour continued to advance, spurred by <hl> the increasing power of crossbows <hl> , and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed.

question: What influenced the increasing development of armor?, context: One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.


Question: What weapons were notably employed by the Swiss infantry?

Answer: pikes

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. <hl> Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears. <hl>

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with <hl> pikes <hl> and other long spears.

question: What weapons were notably employed by the Swiss infantry?, context: One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.


Question: Along with crossbows, what was plate armor designed to defend against?

Answer: hand-held guns

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. <hl> Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. <hl> Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the <hl> hand-held guns <hl> that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.

question: Along with crossbows, what was plate armor designed to defend against?, context: One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry. The English also employed longbowmen, but other countries were unable to create similar forces with the same success. Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed. Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.


Question: What was replaced by the spinning wheel?

Answer: the traditional distaff

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. <hl> In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. <hl> Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced <hl> the traditional distaff <hl> for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

question: What was replaced by the spinning wheel?, context: In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.


Question: What invention replaced laces on clothing?

Answer: buttons

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. <hl> In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. <hl> Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of <hl> buttons <hl> as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

question: What invention replaced laces on clothing?, context: In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.


Question: What new type of windmill was invented in this period?

Answer: the tower mill

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. <hl> Windmills were refined with the creation of the tower mill , allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. <hl> The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of <hl> the tower mill <hl>, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

Windmills were refined with the creation of <hl> the tower mill <hl> , allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing.

question: What new type of windmill was invented in this period?, context: In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.


Question: In what country did the blast furnace first appear?

Answer: Sweden

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. <hl> The blast furnace appeared around 1350 in Sweden , increasing the quantity of iron produced and improving its quality. <hl> The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in <hl> Sweden <hl>, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.

The blast furnace appeared around 1350 in <hl> Sweden <hl> , increasing the quantity of iron produced and improving its quality.

question: In what country did the blast furnace first appear?, context: In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.


Question: Where did patent law originate?

Answer: Venice

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. <hl> The first patent law in 1447 in Venice protected the rights of inventors to their inventions. <hl>

In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in <hl> Venice <hl> protected the rights of inventors to their inventions.

question: Where did patent law originate?, context: In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[AI] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer. Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing. The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality. The first patent law in 1447 in Venice protected the rights of inventors to their inventions.


Question: Around what year did the International Gothic style flourish?

Answer: 1400

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. <hl> International Gothic was a courtly style that reached much of Europe in the decades around 1400 , producing masterpieces such as the Très Riches Heures du Duc de Berry. <hl> All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around <hl> 1400 <hl>, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

International Gothic was a courtly style that reached much of Europe in the decades around <hl> 1400 <hl> , producing masterpieces such as the Très Riches Heures du Duc de Berry.

question: Around what year did the International Gothic style flourish?, context: The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.


Question: What is a notable masterpiece of the International Gothic style?

Answer: the Très Riches Heures du Duc de Berry

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. <hl> International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry . <hl> All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as <hl> the Très Riches Heures du Duc de Berry <hl>. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as <hl> the Très Riches Heures du Duc de Berry <hl> .

question: What is a notable masterpiece of the International Gothic style?, context: The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.


Question: Along with the Trecento, what period occurred in Italy during the Late Middle Ages?

Answer: Early Renaissance

<hl> The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. <hl> Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and <hl> Early Renaissance <hl> cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

question: Along with the Trecento, what period occurred in Italy during the Late Middle Ages?, context: The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.


Question: Who produced most of the Hispano-Moresque pottery?

Answer: Mudéjar potters

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. <hl> These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. <hl> Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly <hl> Mudéjar potters <hl> in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

question: Who produced most of the Hispano-Moresque pottery?, context: The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.


Question: What is a notable piece of surviving Late Middle Age royal plate?

Answer: the Royal Gold Cup

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. <hl> Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup . <hl> Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for <hl> the Royal Gold Cup <hl>. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.

Although royalty owned huge collections of plate, little survives except for <hl> the Royal Gold Cup <hl> .

question: What is a notable piece of surviving Late Middle Age royal plate?, context: The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry. All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup. Italian silk manufacture developed, so that western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.


Question: Who carved the Pulpit in Sant'Andrea?

Answer: Giovanni Pisano

<hl> The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. <hl> Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by <hl> Giovanni Pisano <hl> in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

question: Who carved the Pulpit in Sant'Andrea?, context: The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: Along with being carved, how were altarpieces often decorated in this period?

Answer: Painted

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. <hl> Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. <hl> Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. <hl> Painted <hl> or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

question: Along with being carved, how were altarpieces often decorated in this period?, context: The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: When did Rogier van der Weyden die?

Answer: 1464

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. <hl> 1464 ) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. <hl> From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. <hl> 1464 <hl>) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

<hl> 1464 <hl> ) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories.

question: When did Rogier van der Weyden die?, context: The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: Of what nationality was Jan van Eyck?

Answer: Netherlandish

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. <hl> Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. <hl> From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early <hl> Netherlandish <hl> painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

question: Of what nationality was Jan van Eyck?, context: The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: What does incunabula refer to?

Answer: works printed before 1500

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. <hl> There were around 30,000 different editions of incunabula, or works printed before 1500 , by which time illuminated manuscripts were commissioned only by royalty and a few others. <hl> Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or <hl> works printed before 1500 <hl>, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.

There were around 30,000 different editions of incunabula, or <hl> works printed before 1500 <hl> , by which time illuminated manuscripts were commissioned only by royalty and a few others.

question: What does incunabula refer to?, context: The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500, by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.


Question: Along with the Renaissance, during what period were the Middle Ages disparaged?

Answer: Enlightenment

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." <hl> This is a legacy from both the Renaissance and Enlightenment , when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and <hl> Enlightenment <hl>, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

This is a legacy from both the Renaissance and <hl> Enlightenment <hl> , when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages.

question: Along with the Renaissance, during what period were the Middle Ages disparaged?, context: The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.


Question: What era did Renaissance scholars negatively compare the Middle Ages to?

Answer: the Classical world

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world ; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition. <hl>

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of <hl> the Classical world <hl>; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of <hl> the Classical world <hl> ; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.

question: What era did Renaissance scholars negatively compare the Middle Ages to?, context: The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.


Question: How did scholars of the Enlightenment see the Middle Ages?

Answer: as a time of ignorance and superstition

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition . <hl>

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages <hl> as a time of ignorance and superstition <hl>.

Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages <hl> as a time of ignorance and superstition <hl> .

question: How did scholars of the Enlightenment see the Middle Ages?, context: The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.


Question: What did Enlightenment scholars consider to be inferior to reason?

Answer: faith

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. <hl> Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith , and thus viewed the Middle Ages as a time of ignorance and superstition. <hl>

The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to <hl> faith <hl>, and thus viewed the Middle Ages as a time of ignorance and superstition.

Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to <hl> faith <hl> , and thus viewed the Middle Ages as a time of ignorance and superstition.

question: What did Enlightenment scholars consider to be inferior to reason?, context: The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity." This is a legacy from both the Renaissance and Enlightenment, when scholars contrasted their intellectual cultures with those of the medieval period, to the detriment of the Middle Ages. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world; Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.


Question: What is Edward Grant a historian of?

Answer: Science

Others argue that reason was generally held in high regard during the Middle Ages. <hl> Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". <hl> Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

Others argue that reason was generally held in high regard during the Middle Ages. <hl> Science <hl> historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

question: What is Edward Grant a historian of?, context: Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".


Question: Who argued that scholars in the Middle Ages were rarely coerced by the Church?

Answer: David Lindberg

Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". <hl> Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led". <hl>

Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, <hl> David Lindberg <hl> writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

question: Who argued that scholars in the Middle Ages were rarely coerced by the Church?, context: Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".


Question: According to Grant, the medieval use of reason was the forerunner the revolutionary rationalism of what century?

Answer: 18th

Others argue that reason was generally held in high regard during the Middle Ages. <hl> Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". <hl> Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the <hl> 18th <hl> century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".

question: According to Grant, the medieval use of reason was the forerunner the revolutionary rationalism of what century?, context: Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities". Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".


Question: During what century was it first proposed that people in the Middle Ages thought the Earth was flat?

Answer: 19th

The caricature of the period is also reflected in some more specific notions. <hl> One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. <hl> This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the <hl> 19th <hl> century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

question: During what century was it first proposed that people in the Middle Ages thought the Earth was flat?, context: The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.


Question: Along with autopsies, what is it erroneously believed that the medieval Church forbade?

Answer: dissections

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". <hl> Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research. <hl>

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and <hl> dissections <hl> during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

question: Along with autopsies, what is it erroneously believed that the medieval Church forbade?, context: The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.


Question: According to a misconception, what did the rise of Christianity destroy?

Answer: ancient science

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". <hl> Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science ", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research. <hl>

The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off <hl> ancient science <hl>", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off <hl> ancient science <hl> ", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.

question: According to a misconception, what did the rise of Christianity destroy?, context: The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century and still very common, is that all people in the Middle Ages believed that the Earth was flat. This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere. Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference". Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by current historical research.