Question: On what date was the Billboard easy listening chart first published?

Answer: July 17, 1961

Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. <hl> Billboard first published the Easy Listening chart July 17, 1961 , with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton. <hl> The chart described itself as "not too far out in either direction".

Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. Billboard first published the Easy Listening chart <hl> July 17, 1961 <hl>, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton. The chart described itself as "not too far out in either direction".

Billboard first published the Easy Listening chart <hl> July 17, 1961 <hl> , with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton.

question: On what date was the Billboard easy listening chart first published?, context: Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton. The chart described itself as "not too far out in either direction".


Question: How many songs were on the first Billboard easy listening chart?

Answer: 20

<hl> Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20 -30% vocal mix. <hl> A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton. The chart described itself as "not too far out in either direction".

Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - <hl> 20 <hl>-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton. The chart described itself as "not too far out in either direction".

Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - <hl> 20 <hl> -30% vocal mix.

question: How many songs were on the first Billboard easy listening chart?, context: Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton. The chart described itself as "not too far out in either direction".


Question: Who performed the first #1 on the easy listening chart?

Answer: Brook Benton

Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. <hl> Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton . <hl> The chart described itself as "not too far out in either direction".

Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by <hl> Brook Benton <hl>. The chart described itself as "not too far out in either direction".

Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by <hl> Brook Benton <hl> .

question: Who performed the first #1 on the easy listening chart?, context: Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70-80% instrumental - 20-30% vocal mix. A few offered 90% instrumentals, and a handful were entirely instrumental. The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations. Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton. The chart described itself as "not too far out in either direction".


Question: Along with Frank Sinatra, Doris Day, Johnny Mathis, Nat King Cole, and Perry Como, who was a prominent early adult contemporary radio artist?

Answer: Connie Francis

<hl> Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis , Nat King Cole, Perry Como, and others. <hl> The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s.

Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, <hl> Connie Francis <hl>, Nat King Cole, Perry Como, and others. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s.

Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, <hl> Connie Francis <hl> , Nat King Cole, Perry Como, and others.

question: Along with Frank Sinatra, Doris Day, Johnny Mathis, Nat King Cole, and Perry Como, who was a prominent early adult contemporary radio artist?, context: Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s.


Question: What type of covers of pop and rock songs were usually played on adult contemporary?

Answer: instrumental

Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. <hl> The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. <hl> Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s.

Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. The custom recordings were usually <hl> instrumental <hl> versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s.

question: What type of covers of pop and rock songs were usually played on adult contemporary?, context: Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s.


Question: What songs from the 1940s and 1950s would adult contemporary stations play?

Answer: big band-era recordings

Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. <hl> Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s. <hl>

Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier <hl> big band-era recordings <hl> from the 1940s and early 1950s.

question: What songs from the 1940s and 1950s would adult contemporary stations play?, context: Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others. The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out. Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s.


Question: What chart did the Easy Listening chart begin to diverge from?

Answer: the Hot 100 chart

<hl> After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. <hl> Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.

After 1965, differences between <hl> the Hot 100 chart <hl> and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.

question: What chart did the Easy Listening chart begin to diverge from?, context: After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.


Question: In what year did the Easy Listening and Hot 100 charts begin to diverge?

Answer: 1965

<hl> After 1965 , differences between the Hot 100 chart and the Easy Listening chart became more pronounced. <hl> Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.

After <hl> 1965 <hl>, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.

After <hl> 1965 <hl> , differences between the Hot 100 chart and the Easy Listening chart became more pronounced.

question: In what year did the Easy Listening and Hot 100 charts begin to diverge?, context: After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.


Question: Along with Roger Miller and Barbra Streisand, who was a successful Easy Listening artist in this era?

Answer: Bobby Vinton

After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. <hl> Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers. <hl>

After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and <hl> Bobby Vinton <hl> were among the chart's most popular performers.

question: Along with Roger Miller and Barbra Streisand, who was a successful Easy Listening artist in this era?, context: After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.


Question: Why did the crossover between Hot 100 and Easy Listening decrease?

Answer: rock music continued to harden

After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. <hl> As rock music continued to harden , there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. <hl> Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.

After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As <hl> rock music continued to harden <hl>, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.

As <hl> rock music continued to harden <hl> , there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s.

question: Why did the crossover between Hot 100 and Easy Listening decrease?, context: After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced. Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically. As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s. Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers.


Question: During what decade did rock and roll music first rise to popularity?

Answer: 1950s

<hl> One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid- 1950s , many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. <hl> These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs.

One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-<hl> 1950s <hl>, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs.

One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid- <hl> 1950s <hl> , many more conservative radio stations wanted to continue to play current hit songs while shying away from rock.

question: During what decade did rock and roll music first rise to popularity?, context: One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs.


Question: What does the acronym MOR stand for?

Answer: middle of the road

One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. <hl> These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs. <hl>

One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. These <hl> middle of the road <hl> (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs.

question: What does the acronym MOR stand for?, context: One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs.


Question: Along with pre-rock standards, what type of older songs did MOR stations play?

Answer: big band titles

One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. <hl> These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs. <hl>

One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and <hl> big band titles <hl> to further appeal to adult listeners who had grown up with those songs.

question: Along with pre-rock standards, what type of older songs did MOR stations play?, context: One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock. These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs.


Question: What was another term for easy listening stations?

Answer: beautiful music

<hl> Another big impetus for the evolution of the AC radio format was the popularity of easy listening or " beautiful music " stations, stations with music specifically designed to be purely ambient. <hl> Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "<hl> beautiful music <hl>" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or " <hl> beautiful music <hl> " stations, stations with music specifically designed to be purely ambient.

question: What was another term for easy listening stations?, context: Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.


Question: Easy listening was predominately what type of music?

Answer: instrumental

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. <hl> Whereas most easy listening music was instrumental , created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists. <hl>

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was <hl> instrumental <hl>, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.

Whereas most easy listening music was <hl> instrumental <hl> , created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.

question: Easy listening was predominately what type of music?, context: Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.


Question: What types of tracks from popular artists did adult contemporary radio play?

Answer: hit singles and album cuts

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. <hl> Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts ) of popular artists. <hl>

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both <hl> hit singles and album cuts <hl>) of popular artists.

Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both <hl> hit singles and album cuts <hl> ) of popular artists.

question: What types of tracks from popular artists did adult contemporary radio play?, context: Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.


Question: What type of format were adult contemporary and easy listening stations meant to share?

Answer: lite

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. <hl> Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar " lite " format by choosing certain tracks (both hit singles and album cuts) of popular artists. <hl>

Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "<hl> lite <hl>" format by choosing certain tracks (both hit singles and album cuts) of popular artists.

Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar " <hl> lite <hl> " format by choosing certain tracks (both hit singles and album cuts) of popular artists.

question: What type of format were adult contemporary and easy listening stations meant to share?, context: Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient. Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased, AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists.


Question: As of what year was hard rock a mainstream type of music?

Answer: 1965

<hl> Hard rock had been established as a mainstream genre by 1965 . <hl> From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

Hard rock had been established as a mainstream genre by <hl> 1965 <hl>. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

Hard rock had been established as a mainstream genre by <hl> 1965 <hl> .

question: As of what year was hard rock a mainstream type of music?, context: Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.


Question: Along with soft rock, what type of music made up mainstream rock music in the late 1960s?

Answer: hard rock

Hard rock had been established as a mainstream genre by 1965. <hl> From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock , with both emerging as major radio formats in the US. <hl> Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and <hl> hard rock <hl>, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

From the end of the 1960s, it became common to divide mainstream rock music into soft and <hl> hard rock <hl> , with both emerging as major radio formats in the US.

question: Along with soft rock, what type of music made up mainstream rock music in the late 1960s?, context: Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.


Question: What type of instruments were prominent in soft rock?

Answer: acoustic

Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. <hl> Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. <hl> Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using <hl> acoustic <hl> instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

question: What type of instruments were prominent in soft rock?, context: Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.


Question: What genre of music was soft rock descended from?

Answer: folk rock

Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. <hl> Soft rock was often derived from folk rock , using acoustic instruments and putting more emphasis on melody and harmonies. <hl> Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from <hl> folk rock <hl>, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.

Soft rock was often derived from <hl> folk rock <hl> , using acoustic instruments and putting more emphasis on melody and harmonies.

question: What genre of music was soft rock descended from?, context: Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.


Question: Along with Barbra Streisand, Carole King, Cat Stevens and Bread, who was a prominent soft rock artist of this era?

Answer: James Taylor

Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. <hl> Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread. <hl>

Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, <hl> James Taylor <hl> and Bread.

question: Along with Barbra Streisand, Carole King, Cat Stevens and Bread, who was a prominent soft rock artist of this era?, context: Hard rock had been established as a mainstream genre by 1965. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. Major artists included Barbra Streisand, Carole King, Cat Stevens, James Taylor and Bread.


Question: At the end of what decade did the Hot 100 and Easy Listening charts begin to converge?

Answer: 1960s

<hl> The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. <hl> The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.

The Hot 100 and Easy Listening charts became more similar again toward the end of the <hl> 1960s <hl> and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.

question: At the end of what decade did the Hot 100 and Easy Listening charts begin to converge?, context: The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.


Question: During the middle and early parts of what decade did the similarity of Easy Listening and Hot 100 increase?

Answer: 1970s

<hl> The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid- 1970s , when the texture of much of the music played on Top 40 radio once more began to soften. <hl> The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.

The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-<hl> 1970s <hl>, when the texture of much of the music played on Top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.

The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid- <hl> 1970s <hl> , when the texture of much of the music played on Top 40 radio once more began to soften.

question: During the middle and early parts of what decade did the similarity of Easy Listening and Hot 100 increase?, context: The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.


Question: How did Top 40 radio what ifmusic change during this era?

Answer: began to soften

<hl> The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften . <hl> The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.

The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more <hl> began to soften <hl>. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.

The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more <hl> began to soften <hl> .

question: How did Top 40 radio what ifmusic change during this era?, context: The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.


Question: With Elton John and the Eagles, what was a prominent adult contemporary artist in this period?

Answer: Chicago

The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. <hl> The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago , The Eagles, and Elton John becoming associated with the format. <hl>

The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as <hl> Chicago <hl>, The Eagles, and Elton John becoming associated with the format.

The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as <hl> Chicago <hl> , The Eagles, and Elton John becoming associated with the format.

question: With Elton John and the Eagles, what was a prominent adult contemporary artist in this period?, context: The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s, when the texture of much of the music played on Top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, The Eagles, and Elton John becoming associated with the format.


Question: During what period was adult contemporary its most commercially successful?

Answer: the mid-to-late 1970s

<hl> Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. <hl> By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

Soft rock reached its commercial peak in <hl> the mid-to-late 1970s <hl> with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

question: During what period was adult contemporary its most commercially successful?, context: Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day


Question: What artist released the best selling album of the 1970s?

Answer: Fleetwood Mac

<hl> Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac , whose Rumours (1977) was the best-selling album of the decade. <hl> By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed <hl> Fleetwood Mac <hl>, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed <hl> Fleetwood Mac <hl> , whose Rumours (1977) was the best-selling album of the decade.

question: What artist released the best selling album of the 1970s?, context: Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day


Question: In what year was the best selling album of the 1970s released?

Answer: 1977

<hl> Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours ( 1977 ) was the best-selling album of the decade. <hl> By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (<hl> 1977 <hl>) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours ( <hl> 1977 <hl> ) was the best-selling album of the decade.

question: In what year was the best selling album of the 1970s released?, context: Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day


Question: What radio stationed owned by NBC played only soft rock?

Answer: WYNY

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. <hl> By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY , had switched to an all-soft rock format. <hl> By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned <hl> WYNY <hl>, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

By 1977, some radio stations, like New York's WTFM and NBC-owned <hl> WYNY <hl> , had switched to an all-soft rock format.

question: What radio stationed owned by NBC played only soft rock?, context: Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day


Question: Who was a prominent figure at NBC's radio division?

Answer: Walter Sabo

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. <hl> Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. <hl> The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. <hl> Walter Sabo <hl> and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day

question: Who was a prominent figure at NBC's radio division?, context: Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade. By 1977, some radio stations, like New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format. By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey. Walter Sabo and his team at NBC brought in major personalities from the AM Band to the FM Band taking the format from a background to a foreground listening experience. The addition of major radio stars such as Dan Daniel, Steve O'Brien, Dick Summers, Don Bleu and Tom Parker made it possible to fully monetize the format and provide the foundation for financial success enjoyed to this day


Question: What genre of music was was listening to by a different demographic than hard rock?

Answer: disco

<hl> Radio stations played Top 40 hits regardless of genre; although, most were in the same genre until the mid-1970s when different forms of popular music started to target different demographic groups, such as disco vs. hard rock. <hl> This evolved into specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres.

Radio stations played Top 40 hits regardless of genre; although, most were in the same genre until the mid-1970s when different forms of popular music started to target different demographic groups, such as <hl> disco <hl> vs. hard rock. This evolved into specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres.

question: What genre of music was was listening to by a different demographic than hard rock?, context: Radio stations played Top 40 hits regardless of genre; although, most were in the same genre until the mid-1970s when different forms of popular music started to target different demographic groups, such as disco vs. hard rock. This evolved into specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres.


Question: In what decade did genres begin to diverge on the basis of demographic groups?

Answer: 1970s

<hl> Radio stations played Top 40 hits regardless of genre; although, most were in the same genre until the mid- 1970s when different forms of popular music started to target different demographic groups, such as disco vs. hard rock. <hl> This evolved into specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres.

Radio stations played Top 40 hits regardless of genre; although, most were in the same genre until the mid-<hl> 1970s <hl> when different forms of popular music started to target different demographic groups, such as disco vs. hard rock. This evolved into specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres.

Radio stations played Top 40 hits regardless of genre; although, most were in the same genre until the mid- <hl> 1970s <hl> when different forms of popular music started to target different demographic groups, such as disco vs. hard rock.

question: In what decade did genres begin to diverge on the basis of demographic groups?, context: Radio stations played Top 40 hits regardless of genre; although, most were in the same genre until the mid-1970s when different forms of popular music started to target different demographic groups, such as disco vs. hard rock. This evolved into specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres.


Question: Along with Linda Ronstadt, Elton John, Rod Stewart and Elvis Presley, what rock musician sometimes had songs featured on adult contemporary radio?

Answer: Billy Joel

By the early 1970s, softer songs by artists like The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Streisand, began to be played more often on "Top 40" radio and others were added to the mix on many AC stations. <hl> Also, some of these stations even played softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel , and other rock-based artists. <hl>

By the early 1970s, softer songs by artists like The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Streisand, began to be played more often on "Top 40" radio and others were added to the mix on many AC stations. Also, some of these stations even played softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, <hl> Billy Joel <hl>, and other rock-based artists.

Also, some of these stations even played softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, <hl> Billy Joel <hl> , and other rock-based artists.

question: Along with Linda Ronstadt, Elton John, Rod Stewart and Elvis Presley, what rock musician sometimes had songs featured on adult contemporary radio?, context: By the early 1970s, softer songs by artists like The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Streisand, began to be played more often on "Top 40" radio and others were added to the mix on many AC stations. Also, some of these stations even played softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists.


Question: During what period were artists like Anne Murray and Barbra Streisand featured on Top 40 radio?

Answer: the early 1970s

<hl> By the early 1970s , softer songs by artists like The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Streisand, began to be played more often on "Top 40" radio and others were added to the mix on many AC stations. <hl> Also, some of these stations even played softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists.

By <hl> the early 1970s <hl>, softer songs by artists like The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Streisand, began to be played more often on "Top 40" radio and others were added to the mix on many AC stations. Also, some of these stations even played softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists.

By <hl> the early 1970s <hl> , softer songs by artists like The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Streisand, began to be played more often on "Top 40" radio and others were added to the mix on many AC stations.

question: During what period were artists like Anne Murray and Barbra Streisand featured on Top 40 radio?, context: By the early 1970s, softer songs by artists like The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Streisand, began to be played more often on "Top 40" radio and others were added to the mix on many AC stations. Also, some of these stations even played softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists.


Question: Along with rock and roll, what genre of music was sometimes featured on Easy Listening radio?

Answer: R&B

Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. <hl> Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B . <hl> In addition, several early disco songs, did well on the Adult Contemporary format.

Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or <hl> R&B <hl>. In addition, several early disco songs, did well on the Adult Contemporary format.

Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or <hl> R&B <hl> .

question: Along with rock and roll, what genre of music was sometimes featured on Easy Listening radio?, context: Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B. In addition, several early disco songs, did well on the Adult Contemporary format.


Question: What genre of music was surprisingly successful on adult contemporary radio?

Answer: disco

Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B. <hl> In addition, several early disco songs, did well on the Adult Contemporary format. <hl>

Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B. In addition, several early <hl> disco <hl> songs, did well on the Adult Contemporary format.

question: What genre of music was surprisingly successful on adult contemporary radio?, context: Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B. In addition, several early disco songs, did well on the Adult Contemporary format.


Question: What type of musicians were artists such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian?

Answer: singer-songwriters

<hl> Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. <hl> Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B. In addition, several early disco songs, did well on the Adult Contemporary format.

Much of the music recorded by <hl> singer-songwriters <hl> such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B. In addition, several early disco songs, did well on the Adult Contemporary format.

question: What type of musicians were artists such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian?, context: Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on this format than on Top 40 stations. Easy Listening radio also began including songs by artists who had begun in other genres, such as rock and roll or R&B. In addition, several early disco songs, did well on the Adult Contemporary format.


Question: When did the Adult Contemporary chart receive its current name?

Answer: April 7, 1979

<hl> On April 7, 1979 , the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. <hl> Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.

On <hl> April 7, 1979 <hl>, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.

On <hl> April 7, 1979 <hl> , the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since.

question: When did the Adult Contemporary chart receive its current name?, context: On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.


Question: What was the Adult Contemporary chart previously known as?

Answer: the Easy Listening chart

<hl> On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. <hl> Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.

On April 7, 1979, <hl> the Easy Listening chart <hl> officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.

question: What was the Adult Contemporary chart previously known as?, context: On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.


Question: Along with rap/hip-hop, what genre of music were aging listeners not as interested in?

Answer: heavy metal

On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. <hl> The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade. <hl>

On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the <hl> heavy metal <hl> and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.

question: Along with rap/hip-hop, what genre of music were aging listeners not as interested in?, context: On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.


Question: During what decade did adult contemporary become a very popular format for radio?

Answer: 1980s

On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. <hl> Adult contemporary music became one of the most popular radio formats of the 1980s . <hl> The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.

On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the <hl> 1980s <hl>. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.

Adult contemporary music became one of the most popular radio formats of the <hl> 1980s <hl> .

question: During what decade did adult contemporary become a very popular format for radio?, context: On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since. Adult contemporary music became one of the most popular radio formats of the 1980s. The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade.


Question: Along with Richard Marx, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan, what artist was also frequently played on Contemporary Hit Radio stations?

Answer: Michael Jackson

<hl> Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson , Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. <hl> Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, <hl> Michael Jackson <hl>, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, <hl> Michael Jackson <hl> , Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency.

question: Along with Richard Marx, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan, what artist was also frequently played on Contemporary Hit Radio stations?, context: Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.


Question: What television station was responsible for the increasing success of Contemporary Hit Radio artists on the AC charts?

Answer: MTV

<hl> Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV , artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. <hl> Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of <hl> MTV <hl>, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of <hl> MTV <hl> , artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency.

question: What television station was responsible for the increasing success of Contemporary Hit Radio artists on the AC charts?, context: Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.


Question: Along with Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow and Olivia Newton-John, what adult contemporary staple found it more difficult to score chart hits in the 1980s?

Answer: John Denver

<hl> Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver , and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. <hl> Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, <hl> John Denver <hl>, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, <hl> John Denver <hl> , and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency.

question: Along with Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow and Olivia Newton-John, what adult contemporary staple found it more difficult to score chart hits in the 1980s?, context: Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.


Question: Who did Allmusic refer to as "one of the most successful pop and adult contemporary singers of the '80s and beyond"?

Answer: Phil Collins

<hl> Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins , and Laura Branigan began crossing over to the AC charts with greater frequency. <hl> Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, <hl> Phil Collins <hl>, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.

Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, <hl> Phil Collins <hl> , and Laura Branigan began crossing over to the AC charts with greater frequency.

question: Who did Allmusic refer to as "one of the most successful pop and adult contemporary singers of the '80s and beyond"?, context: Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists like Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, and Laura Branigan began crossing over to the AC charts with greater frequency. Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond". However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time.


Question: In the 1970s, what two genres were not particularly successful on the adult contemporary charts?

Answer: disco or new wave

The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. <hl> Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio. <hl>

The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. Not many <hl> disco or new wave <hl> songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio.

question: In the 1970s, what two genres were not particularly successful on the adult contemporary charts?, context: The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio.


Question: What genres, featured on the CHR radio format, were rarely found on adult contemporary radio?

Answer: hip-hop and harder rock music

The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. <hl> Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio. <hl>

The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the <hl> hip-hop and harder rock music <hl> featured on CHR formats later in the decade would have been unacceptable on AC radio.

question: What genres, featured on the CHR radio format, were rarely found on adult contemporary radio?, context: The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio.


Question: During what decade did hip-hop begin to be featured on the radio?

Answer: 1980s

The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. <hl> Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s , and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio. <hl>

The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early <hl> 1980s <hl>, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio.

Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early <hl> 1980s <hl> , and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio.

question: During what decade did hip-hop begin to be featured on the radio?, context: The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners. Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio.


Question: Along with electronic pop, what type of music was the most successful in the 1980s?

Answer: ballad-oriented rock

<hl> Although dance-oriented, electronic pop and ballad-oriented rock dominated the 1980s, soft rock songs still enjoyed a mild success thanks to artists like Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins and Tommy Page. <hl> No song spent more than six weeks at #1 on this chart during the 1980s, with nine songs accomplishing that feat. Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached #1 on the Hot 100.

Although dance-oriented, electronic pop and <hl> ballad-oriented rock <hl> dominated the 1980s, soft rock songs still enjoyed a mild success thanks to artists like Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins and Tommy Page. No song spent more than six weeks at #1 on this chart during the 1980s, with nine songs accomplishing that feat. Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached #1 on the Hot 100.

question: Along with electronic pop, what type of music was the most successful in the 1980s?, context: Although dance-oriented, electronic pop and ballad-oriented rock dominated the 1980s, soft rock songs still enjoyed a mild success thanks to artists like Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins and Tommy Page. No song spent more than six weeks at #1 on this chart during the 1980s, with nine songs accomplishing that feat. Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached #1 on the Hot 100.