Question: What song by West was debuted in December 2015?

Answer: "Facts"

<hl> In December 2015, West released a song titled "Facts" . <hl> He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

In December 2015, West released a song titled <hl> "Facts" <hl>. He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

In December 2015, West released a song titled <hl> "Facts" <hl> .

question: What song by West was debuted in December 2015?, context: In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.


Question: On January 26, 2016, Kanye told the world he changed the name of his next album from SWISH to what?

Answer: Waves

In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. <hl> On January 26, 2016, West revealed he had renamed the album from SWISH to Waves , and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. <hl> In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to <hl> Waves <hl>, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

On January 26, 2016, West revealed he had renamed the album from SWISH to <hl> Waves <hl> , and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden.

question: On January 26, 2016, Kanye told the world he changed the name of his next album from SWISH to what?, context: In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.


Question: What artist did Kanye West have a feud with over Amber Rose?

Answer: Wiz Khalifa

In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. <hl> In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. <hl> The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper <hl> Wiz Khalifa <hl> on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

question: What artist did Kanye West have a feud with over Amber Rose?, context: In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.


Question: What was the name of Kanye's clothing line premiered at Madison Square Garden?

Answer: Yeezy Season 3

In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. <hl> On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. <hl> In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his <hl> Yeezy Season 3 <hl> clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.

question: What was the name of Kanye's clothing line premiered at Madison Square Garden?, context: In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.


Question: What English musician did Kanye cite as one of his biggest inspirations?

Answer: David Bowie

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. <hl> He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." <hl> Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician <hl> David Bowie <hl> as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

question: What English musician did Kanye cite as one of his biggest inspirations?, context: West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.


Question: Kanye has stated that members from which rap group influenced his early style?

Answer: Wu-Tang Clan

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. <hl> West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. <hl> RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that <hl> Wu-Tang Clan <hl> producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

question: Kanye has stated that members from which rap group influenced his early style?, context: West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.


Question: What name did Kanye's early production style coin.

Answer: chipmunk soul

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." <hl> Early in his career, West pioneered a style of production dubbed " chipmunk soul " which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. <hl> His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "<hl> chipmunk soul <hl>" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

Early in his career, West pioneered a style of production dubbed " <hl> chipmunk soul <hl> " which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation.

question: What name did Kanye's early production style coin., context: West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.


Question: What artist was named by Kanye West to be his "most important inspiration"?

Answer: David Bowie

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. <hl> He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." <hl> Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician <hl> David Bowie <hl> as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

question: What artist was named by Kanye West to be his "most important inspiration"?, context: West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.


Question: Who was Kanye's greatest cultural figure?

Answer: Puff Daddy

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. <hl> He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." <hl> Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer <hl> Puff Daddy <hl> as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

question: Who was Kanye's greatest cultural figure?, context: West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.


Question: What was the name of the song that first featured Kanye's "chipmunk soul" style?

Answer: "This Can't Be Life"

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. <hl> His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life" , a track from Jay-Z’s The Dynasty: Roc La Familia. <hl> West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was <hl> "This Can't Be Life" <hl>, a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.

His first major release featuring his trademark soulful vocal sampling style was <hl> "This Can't Be Life" <hl> , a track from Jay-Z’s The Dynasty: Roc La Familia.

question: What was the name of the song that first featured Kanye's "chipmunk soul" style?, context: West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.


Question: What composer did Kanye collaborate with for his second record?

Answer: Jon Brion

<hl> For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. <hl> Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

For his second album, Late Registration (2005), he collaborated with film score composer <hl> Jon Brion <hl> and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

question: What composer did Kanye collaborate with for his second record?, context: For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.


Question: What classical elements did Brion bring to the production of Kanye's album?

Answer: orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation

For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. <hl> Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation . <hl> It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent <hl> orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation <hl>. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent <hl> orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation <hl> .

question: What classical elements did Brion bring to the production of Kanye's album?, context: For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.


Question: What sort of orchestra did Kanye tour with while promoting his second album?

Answer: a string section

For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." <hl> For a period of time, Kanye West stood as the sole current pop star to tour with a string section , as audible on his 2006 live album Late Orchestration. <hl>

For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with <hl> a string section <hl>, as audible on his 2006 live album Late Orchestration.

For a period of time, Kanye West stood as the sole current pop star to tour with <hl> a string section <hl> , as audible on his 2006 live album Late Orchestration.

question: What sort of orchestra did Kanye tour with while promoting his second album?, context: For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.


Question: What composer did Kanye West work with for his second album?

Answer: Jon Brion

<hl> For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. <hl> Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

For his second album, Late Registration (2005), he collaborated with film score composer <hl> Jon Brion <hl> and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

question: What composer did Kanye West work with for his second album?, context: For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.


Question: What English trip-hop group helped influence Kanye on his second album?

Answer: Portishead

<hl> For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead . <hl> Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group <hl> Portishead <hl>. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.

For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group <hl> Portishead <hl> .

question: What English trip-hop group helped influence Kanye on his second album?, context: For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.


Question: What was the name of Kanye's third record?

Answer: Graduation

<hl> With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. <hl> The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.

With his third album, <hl> Graduation <hl> (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.

question: What was the name of Kanye's third record?, context: With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.


Question: What musical direction did Kanye take with his third album?

Answer: more atmospheric, rock-tinged, electronic-influenced soundscape

<hl> With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape . <hl> The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.

With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a <hl> more atmospheric, rock-tinged, electronic-influenced soundscape <hl>. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.

With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a <hl> more atmospheric, rock-tinged, electronic-influenced soundscape <hl> .

question: What musical direction did Kanye take with his third album?, context: With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.


Question: Kanye drew inspiration from The Rolling Stones, U2, and Led Zeppelin in what ways?

Answer: melody and chord progression

With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. <hl> In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression . <hl>

With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of <hl> melody and chord progression <hl>.

In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of <hl> melody and chord progression <hl> .

question: Kanye drew inspiration from The Rolling Stones, U2, and Led Zeppelin in what ways?, context: With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.


Question: What year was Kanye West's third album released?

Answer: 2007

<hl> With his third album, Graduation ( 2007 ), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. <hl> The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.

With his third album, Graduation (<hl> 2007 <hl>), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.

With his third album, Graduation ( <hl> 2007 <hl> ), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape.

question: What year was Kanye West's third album released?, context: With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.


Question: What kind of sound did Kanye abandon a rap and hiphop one for with his fourth album?

Answer: electropop

<hl> West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. <hl> Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark <hl> electropop <hl> sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

question: What kind of sound did Kanye abandon a rap and hiphop one for with his fourth album?, context: West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."


Question: Who did Kanye become inspired by while creating 808s & Heartbreak?

Answer: Gary Numan, TJ Swan and Boy George

West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. <hl> Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George , and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. <hl> The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as <hl> Gary Numan, TJ Swan and Boy George <hl>, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

Drawing inspiration from artists such as <hl> Gary Numan, TJ Swan and Boy George <hl> , and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks.

question: Who did Kanye become inspired by while creating 808s & Heartbreak?, context: West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."


Question: What types of instruments are present on his fourth album?

Answer: dense drums, lengthy strings, droning synthesizers, and somber piano

West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. <hl> The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano , and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. <hl> Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as <hl> dense drums, lengthy strings, droning synthesizers, and somber piano <hl>, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

The album's music features austere production and elements such as <hl> dense drums, lengthy strings, droning synthesizers, and somber piano <hl> , and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division.

question: What types of instruments are present on his fourth album?, context: West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."


Question: What other artist besides Gary Numan and TJ Swan helped inspire Kanye's fourth album?

Answer: Boy George

West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. <hl> Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George , and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. <hl> The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and <hl> Boy George <hl>, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."

Drawing inspiration from artists such as Gary Numan, TJ Swan and <hl> Boy George <hl> , and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks.

question: What other artist besides Gary Numan and TJ Swan helped inspire Kanye's fourth album?, context: West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."