Question: Who played the Master in the 1996 TV movie?

Answer: Eric Roberts

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. <hl> The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts . <hl>

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor <hl> Eric Roberts <hl>.

The Master returned in the 1996 television movie of Doctor Who, and was played by American actor <hl> Eric Roberts <hl> .

question: Who played the Master in the 1996 TV movie?, context: The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.


Question: What literary reference compares the Master to Doctor Who?

Answer: Professor Moriarty to the Doctor's Sherlock Holmes

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. <hl> Conceived as " Professor Moriarty to the Doctor's Sherlock Holmes ", the character first appeared in 1971. <hl> As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "<hl> Professor Moriarty to the Doctor's Sherlock Holmes <hl>", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

Conceived as " <hl> Professor Moriarty to the Doctor's Sherlock Holmes <hl> ", the character first appeared in 1971.

question: What literary reference compares the Master to Doctor Who?, context: The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.


Question: Who was the first person to play the Master?

Answer: Roger Delgado

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. <hl> As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado , who continued in the role until his death in 1973. <hl> The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was <hl> Roger Delgado <hl>, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was <hl> Roger Delgado <hl> , who continued in the role until his death in 1973.

question: Who was the first person to play the Master?, context: The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.


Question: Who first played the Master in the 2007 series?

Answer: Derek Jacobi

<hl> Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". <hl> During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

Following the series revival in 2005, <hl> Derek Jacobi <hl> provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

question: Who first played the Master in the 2007 series?, context: Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.


Question: What was the 2007 episode that featured the Master's return?

Answer: Utopia

<hl> Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode " Utopia ". <hl> During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "<hl> Utopia <hl>". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode " <hl> Utopia <hl> ".

question: What was the 2007 episode that featured the Master's return?, context: Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.


Question: In what year did the Master reincarnate into a female body?

Answer: 2014

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. <hl> As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). <hl> This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the <hl> 2014 <hl> episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

question: In what year did the Master reincarnate into a female body?, context: Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.


Question: What is the nickname of the female Master?

Answer: Missy

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. <hl> As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of " Missy " (short for Mistress, the feminine equivalent of "Master"). <hl> This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "<hl> Missy <hl>" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of " <hl> Missy <hl> " (short for Mistress, the feminine equivalent of "Master").

question: What is the nickname of the female Master?, context: Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.


Question: What actress plays the female Master?

Answer: Michelle Gomez

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). <hl> This incarnation is played by Michelle Gomez . <hl>

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by <hl> Michelle Gomez <hl>.

This incarnation is played by <hl> Michelle Gomez <hl> .

question: What actress plays the female Master?, context: Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.


Question: Who composed the original Doctor Who theme?

Answer: Ron Grainer

<hl> The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. <hl> The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by <hl> Ron Grainer <hl> and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

question: Who composed the original Doctor Who theme?, context: The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: What workshop helped with the creation of the Doctor Who theme?

Answer: the BBC Radiophonic Workshop

<hl> The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop , with assistance from Dick Mills. <hl> The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of <hl> the BBC Radiophonic Workshop <hl>, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of <hl> the BBC Radiophonic Workshop <hl> , with assistance from Dick Mills.

question: What workshop helped with the creation of the Doctor Who theme?, context: The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: What kind of techniques were used to create the theme?

Answer: musique concrète

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. <hl> The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. <hl> The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using <hl> musique concrète <hl> techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

question: What kind of techniques were used to create the theme?, context: The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: When was the last season that this original theme was used?

Answer: 17

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. <hl> The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). <hl> It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season <hl> 17 <hl> (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

question: When was the last season that this original theme was used?, context: The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: Upon hearing the final product, what was the creator quoted as saying?

Answer: Did I write that?

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. <hl> On hearing the finished result, Grainer asked, " Did I write that? "[citation needed] <hl>

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "<hl> Did I write that? <hl>"[citation needed]

On hearing the finished result, Grainer asked, " <hl> Did I write that? <hl> "[citation needed]

question: Upon hearing the final product, what was the creator quoted as saying?, context: The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: Who recorded the theme played for season 18?

Answer: Peter Howell

<hl> A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). <hl> Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by <hl> Peter Howell <hl> for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

question: Who recorded the theme played for season 18?, context: A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: Who created the theme used in 1986?

Answer: Dominic Glynn

<hl> A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn 's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). <hl> Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by <hl> Dominic Glynn <hl>'s arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by <hl> Dominic Glynn <hl> 's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986).

question: Who created the theme used in 1986?, context: A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: For which Doctor did Keff McCulloch provide the theme?

Answer: Seventh

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). <hl> Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. <hl> American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the <hl> Seventh <hl> Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

question: For which Doctor did Keff McCulloch provide the theme?, context: A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: Who created the 2005 theme for Doctor Who?

Answer: Murray Gold

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. <hl> For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed] <hl>

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, <hl> Murray Gold <hl> provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

question: Who created the 2005 theme for Doctor Who?, context: A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: In what show did Murray Gold modify the closing credits theme?

Answer: The Christmas Invasion

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. <hl> For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode " The Christmas Invasion ", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed] <hl>

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "<hl> The Christmas Invasion <hl>", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode " <hl> The Christmas Invasion <hl> ", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

question: In what show did Murray Gold modify the closing credits theme?, context: A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: What was the name of the 2007 Christmas special?

Answer: Voyage of the Damned

<hl> A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, " Voyage of the Damned "; Gold returned as composer for the 2010 series. <hl> He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "<hl> Voyage of the Damned <hl>"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, " <hl> Voyage of the Damned <hl> "; Gold returned as composer for the 2010 series.

question: What was the name of the 2007 Christmas special?, context: A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]


Question: What radio station did the Doctor Who theme reach the charts on in 2011?

Answer: Classic FM's Hall of Fame

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. <hl> In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame , a survey of classical music tastes. <hl> A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station <hl> Classic FM's Hall of Fame <hl>, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

In 2011, the theme tune charted at number 228 of radio station <hl> Classic FM's Hall of Fame <hl> , a survey of classical music tastes.

question: What radio station did the Doctor Who theme reach the charts on in 2011?, context: A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]


Question: Which series version had a negative reception from some Doctor Who viewers?

Answer: 2010

<hl> A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. <hl> He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the <hl> 2010 <hl> series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

question: Which series version had a negative reception from some Doctor Who viewers?, context: A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]


Question: How high did the Doctor Who theme go on the radio charts?

Answer: 228

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. <hl> In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. <hl> A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number <hl> 228 <hl> of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

question: How high did the Doctor Who theme go on the radio charts?, context: A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]


Question: Who was the creator of the theme for the 50th Anniversary special?

Answer: Gold

<hl> A new arrangement of the theme, once again by Gold , was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. <hl> He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by <hl> Gold <hl>, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by <hl> Gold <hl> , was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series.

question: Who was the creator of the theme for the 50th Anniversary special?, context: A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]


Question: Who recorded a version of the Doctor Who theme with spoken lyrics in the 1970's?

Answer: Jon Pertwee

Versions of the "Doctor Who Theme" have also been released as pop music over the years. <hl> In the early 1970s, Jon Pertwee , who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, <hl> Jon Pertwee <hl>, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In the early 1970s, <hl> Jon Pertwee <hl> , who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts.

question: Who recorded a version of the Doctor Who theme with spoken lyrics in the 1970's?, context: Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.


Question: Who released a disco version of the Doctor Who theme?

Answer: Mankind

Versions of the "Doctor Who Theme" have also been released as pop music over the years. <hl> In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind , which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group <hl> Mankind <hl>, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group <hl> Mankind <hl> , which reached number 24 in the UK charts.

question: Who released a disco version of the Doctor Who theme?, context: Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.


Question: How high on the charts did the Mankind version of the theme go?

Answer: number 24

Versions of the "Doctor Who Theme" have also been released as pop music over the years. <hl> In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached <hl> number 24 <hl> in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

question: How high on the charts did the Mankind version of the theme go?, context: Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.


Question: What was the name of the Doctor Who-related song released in 1988?

Answer: Doctorin' the Tardis

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " Doctorin' the Tardis " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). <hl> Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "<hl> Doctorin' the Tardis <hl>" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " <hl> Doctorin' the Tardis <hl> " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis").

question: What was the name of the Doctor Who-related song released in 1988?, context: Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.


Question: Which Doctor Who-related song reached Number One in the UK?

Answer: Doctorin' the Tardis

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " Doctorin' the Tardis " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). <hl> Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "<hl> Doctorin' the Tardis <hl>" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " <hl> Doctorin' the Tardis <hl> " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis").

question: Which Doctor Who-related song reached Number One in the UK?, context: Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.


Question: Who was the most frequent musical contributor to Doctor Who in the first 15 years of the show?

Answer: Dudley Simpson

<hl> The most frequent musical contributor during the first 15 years was Dudley Simpson , who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. <hl> Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was <hl> Dudley Simpson <hl>, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was <hl> Dudley Simpson <hl> , who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People.

question: Who was the most frequent musical contributor to Doctor Who in the first 15 years of the show?, context: The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).


Question: What was the episode name of Simpson's first Doctor Who score?

Answer: Planet of Giants

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. <hl> Simpson's first Doctor Who score was Planet of Giants (1964) <hl> and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was <hl> Planet of Giants <hl> (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

question: What was the episode name of Simpson's first Doctor Who score?, context: The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).


Question: In what decades was Dudley Simpson most active in contributing to Doctor Who?

Answer: the 1960s and 1970s

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. <hl> Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s , including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). <hl> He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of <hl> the 1960s and 1970s <hl>, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of <hl> the 1960s and 1970s <hl> , including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979).

question: In what decades was Dudley Simpson most active in contributing to Doctor Who?, context: The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).


Question: What was the last Doctor Who episode that Dudley Simpson wrote music for?

Answer: The Horns of Nimon

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. <hl> Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). <hl> He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with <hl> The Horns of Nimon <hl> (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

question: What was the last Doctor Who episode that Dudley Simpson wrote music for?, context: The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).


Question: In what episode did Dudley Simpson play a music conductor?

Answer: The Talons of Weng-Chiang

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). <hl> He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor). <hl>

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in <hl> The Talons of Weng-Chiang <hl> (as a Music hall conductor).

question: In what episode did Dudley Simpson play a music conductor?, context: The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).


Question: Who has performed all the Doctor Who music since the 2005 Christmas special?

Answer: the BBC National Orchestra of Wales

<hl> All the incidental music for the 2005 revived series has been composed by Murray Gold and Ben Foster and has been performed by the BBC National Orchestra of Wales from the 2005 Christmas episode "The Christmas Invasion" onwards. <hl> A concert featuring the orchestra performing music from the first two series took place on 19 November 2006 to raise money for Children in Need. David Tennant hosted the event, introducing the different sections of the concert. Murray Gold and Russell T Davies answered questions during the interval and Daleks and Cybermen appeared whilst music from their stories was played. The concert aired on BBCi on Christmas Day 2006. A Doctor Who Prom was celebrated on 27 July 2008 in the Royal Albert Hall as part of the annual BBC Proms. The BBC Philharmonic and the London Philharmonic Choir performed Murray Gold's compositions for the series, conducted by Ben Foster, as well as a selection of classics based on the theme of space and time. The event was presented by Freema Agyeman and guest-presented by various other stars of the show with numerous monsters participating in the proceedings. It also featured the specially filmed mini-episode "Music of the Spheres", written by Russell T Davies and starring David Tennant.

All the incidental music for the 2005 revived series has been composed by Murray Gold and Ben Foster and has been performed by <hl> the BBC National Orchestra of Wales <hl> from the 2005 Christmas episode "The Christmas Invasion" onwards. A concert featuring the orchestra performing music from the first two series took place on 19 November 2006 to raise money for Children in Need. David Tennant hosted the event, introducing the different sections of the concert. Murray Gold and Russell T Davies answered questions during the interval and Daleks and Cybermen appeared whilst music from their stories was played. The concert aired on BBCi on Christmas Day 2006. A Doctor Who Prom was celebrated on 27 July 2008 in the Royal Albert Hall as part of the annual BBC Proms. The BBC Philharmonic and the London Philharmonic Choir performed Murray Gold's compositions for the series, conducted by Ben Foster, as well as a selection of classics based on the theme of space and time. The event was presented by Freema Agyeman and guest-presented by various other stars of the show with numerous monsters participating in the proceedings. It also featured the specially filmed mini-episode "Music of the Spheres", written by Russell T Davies and starring David Tennant.

question: Who has performed all the Doctor Who music since the 2005 Christmas special?, context: All the incidental music for the 2005 revived series has been composed by Murray Gold and Ben Foster and has been performed by the BBC National Orchestra of Wales from the 2005 Christmas episode "The Christmas Invasion" onwards. A concert featuring the orchestra performing music from the first two series took place on 19 November 2006 to raise money for Children in Need. David Tennant hosted the event, introducing the different sections of the concert. Murray Gold and Russell T Davies answered questions during the interval and Daleks and Cybermen appeared whilst music from their stories was played. The concert aired on BBCi on Christmas Day 2006. A Doctor Who Prom was celebrated on 27 July 2008 in the Royal Albert Hall as part of the annual BBC Proms. The BBC Philharmonic and the London Philharmonic Choir performed Murray Gold's compositions for the series, conducted by Ben Foster, as well as a selection of classics based on the theme of space and time. The event was presented by Freema Agyeman and guest-presented by various other stars of the show with numerous monsters participating in the proceedings. It also featured the specially filmed mini-episode "Music of the Spheres", written by Russell T Davies and starring David Tennant.