Question: how many permanent objects are located there?

Answer: a permanent collection of over 4.5 million objects.

<hl> The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. <hl> The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing <hl> a permanent collection of over 4.5 million objects. <hl> It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

question: how many permanent objects are located there?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: when was the Victoria and Albert museum founded?

Answer: It was founded in 1852

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. <hl> It was founded in 1852 and named after Queen Victoria and Prince Albert. <hl> The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. <hl> It was founded in 1852 <hl> and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

question: when was the Victoria and Albert museum founded?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: Who is the museum named for?

Answer: named after Queen Victoria and Prince Albert

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. <hl> It was founded in 1852 and named after Queen Victoria and Prince Albert . <hl> The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and <hl> named after Queen Victoria and Prince Albert <hl>. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

It was founded in 1852 and <hl> named after Queen Victoria and Prince Albert <hl> .

question: Who is the museum named for?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: In which London borough is the Victoria and Albert Museum located?

Answer: Royal Borough of Kensington and Chelsea

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. <hl> The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea , in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. <hl> These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the <hl> Royal Borough of Kensington and Chelsea <hl>, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

The V&A is located in the Brompton district of the <hl> Royal Borough of Kensington and Chelsea <hl> , in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated.

question: In which London borough is the Victoria and Albert Museum located?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: In what year was the Victoria and Albert Museum founded?

Answer: 1852

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. <hl> It was founded in 1852 and named after Queen Victoria and Prince Albert. <hl> The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in <hl> 1852 <hl> and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

question: In what year was the Victoria and Albert Museum founded?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: Which monarchs was the Victoria and Albert Museum named after?

Answer: Queen Victoria and Prince Albert

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. <hl> It was founded in 1852 and named after Queen Victoria and Prince Albert . <hl> The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after <hl> Queen Victoria and Prince Albert <hl>. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.

It was founded in 1852 and named after <hl> Queen Victoria and Prince Albert <hl> .

question: Which monarchs was the Victoria and Albert Museum named after?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: Which department sponsors the Victoria and Albert Museum?

Answer: Department for Culture, Media and Sport

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. <hl> The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport . <hl> Like other national British museums, entrance to the museum has been free since 2001.

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the <hl> Department for Culture, Media and Sport <hl>. Like other national British museums, entrance to the museum has been free since 2001.

The museum is a non-departmental public body sponsored by the <hl> Department for Culture, Media and Sport <hl> .

question: Which department sponsors the Victoria and Albert Museum?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: In which year did the museum started charging free admission fees?

Answer: 2001

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. <hl> Like other national British museums, entrance to the museum has been free since 2001 . <hl>

The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since <hl> 2001 <hl>.

Like other national British museums, entrance to the museum has been free since <hl> 2001 <hl> .

question: In which year did the museum started charging free admission fees?, context: The Victoria and Albert Museum (often abbreviated as the V&A), London, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Brompton district of the Royal Borough of Kensington and Chelsea, in an area that has become known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like other national British museums, entrance to the museum has been free since 2001.


Question: How many acres does the V&A cover?

Answer: 12.5

<hl> The V&A covers 12.5 acres (51,000 m2) and 145 galleries. <hl> Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

The V&A covers <hl> 12.5 <hl> acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

question: How many acres does the V&A cover?, context: The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.


Question: How many galleries does the V&A have?

Answer: 145

<hl> The V&A covers 12.5 acres (51,000 m2) and 145 galleries. <hl> Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

The V&A covers 12.5 acres (51,000 m2) and <hl> 145 <hl> galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

question: How many galleries does the V&A have?, context: The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.


Question: How many years does the V&A's collections span?

Answer: 5,000

The V&A covers 12.5 acres (51,000 m2) and 145 galleries. <hl> Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. <hl> The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans <hl> 5,000 <hl> years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

question: How many years does the V&A's collections span?, context: The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.


Question: Which cultures are represented in the V&A's collections?

Answer: Europe, North America, Asia and North Africa

The V&A covers 12.5 acres (51,000 m2) and 145 galleries. <hl> Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa . <hl> The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of <hl> Europe, North America, Asia and North Africa <hl>. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of <hl> Europe, North America, Asia and North Africa <hl> .

question: Which cultures are represented in the V&A's collections?, context: The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.


Question: The V&A owns the largest collection of which period in sculptural art history?

Answer: post-classical sculpture

The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. <hl> The museum owns the world's largest collection of post-classical sculpture , with the holdings of Italian Renaissance items being the largest outside Italy. <hl> The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of <hl> post-classical sculpture <hl>, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.

The museum owns the world's largest collection of <hl> post-classical sculpture <hl> , with the holdings of Italian Renaissance items being the largest outside Italy.

question: The V&A owns the largest collection of which period in sculptural art history?, context: The V&A covers 12.5 acres (51,000 m2) and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The holdings of ceramics, glass, textiles, costumes, silver, ironwork, jewellery, furniture, medieval objects, sculpture, prints and printmaking, drawings and photographs are among the largest and most comprehensive in the world. The museum owns the world's largest collection of post-classical sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea and the Islamic world. The East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world.


Question: The V&A has its origins in which world exposition?

Answer: Great Exhibition of 1851

<hl> The V&A has its origins in the Great Exhibition of 1851 , with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. <hl> At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the <hl> Great Exhibition of 1851 <hl>, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the <hl> Great Exhibition of 1851 <hl> , with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House.

question: The V&A has its origins in which world exposition?, context: The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.


Question: Who was the V&A's first director?

Answer: Henry Cole

<hl> The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole , the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. <hl> At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the Great Exhibition of 1851, with which <hl> Henry Cole <hl>, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the Great Exhibition of 1851, with which <hl> Henry Cole <hl> , the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House.

question: Who was the V&A's first director?, context: The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.


Question: What was the museum originally called?

Answer: Museum of Manufactures

<hl> The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures , first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. <hl> At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the <hl> Museum of Manufactures <hl>, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the <hl> Museum of Manufactures <hl> , first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House.

question: What was the museum originally called?, context: The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.


Question: Where was the V&A transferred to from its original location at Marlborough House?

Answer: Somerset House

<hl> The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House . <hl> At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to <hl> Somerset House <hl>. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to <hl> Somerset House <hl> .

question: Where was the V&A transferred to from its original location at Marlborough House?, context: The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.


Question: Which German architect was asked to produce a design for the museum?

Answer: Gottfried Semper

The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. <hl> In 1855 the German architect Gottfried Semper , at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. <hl> The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect <hl> Gottfried Semper <hl>, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.

In 1855 the German architect <hl> Gottfried Semper <hl> , at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive.

question: Which German architect was asked to produce a design for the museum?, context: The V&A has its origins in the Great Exhibition of 1851, with which Henry Cole, the museum's first director, was involved in planning; initially it was known as the Museum of Manufactures, first opening in May 1852 at Marlborough House, but by September had been transferred to Somerset House. At this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection. By February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House; this was extended including the first refreshment rooms opened in 1857, the museum being the first in the world to provide such a facility.


Question: Who officially opened the V&A?

Answer: Queen Victoria

<hl> The official opening by Queen Victoria was on 22 June 1857. <hl> In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

The official opening by <hl> Queen Victoria <hl> was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

question: Who officially opened the V&A?, context: The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.


Question: What is the exact date of the V&A's official opening?

Answer: 22 June 1857

<hl> The official opening by Queen Victoria was on 22 June 1857 . <hl> In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

The official opening by Queen Victoria was on <hl> 22 June 1857 <hl>. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

The official opening by Queen Victoria was on <hl> 22 June 1857 <hl> .

question: What is the exact date of the V&A's official opening?, context: The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.


Question: Who is known as the first Keeper of Fine Art Collection at the V&A?

Answer: George Wallis

The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. <hl> George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. <hl> This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. <hl> George Wallis <hl> (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

question: Who is known as the first Keeper of Fine Art Collection at the V&A?, context: The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.


Question: The use of gas lighting made what possible the year after the museum officially opened?

Answer: late night openings

The official opening by Queen Victoria was on 22 June 1857. <hl> In the following year, late night openings were introduced, made possible by the use of gas lighting. <hl> This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

The official opening by Queen Victoria was on 22 June 1857. In the following year, <hl> late night openings <hl> were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

question: The use of gas lighting made what possible the year after the museum officially opened?, context: The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.


Question: In which year did the Royal College of Art gained full independence from the V&A?

Answer: 1949

The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. <hl> This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949 . <hl> From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in <hl> 1949 <hl>. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.

This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in <hl> 1949 <hl> .

question: In which year did the Royal College of Art gained full independence from the V&A?, context: The official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting. This was to enable in the words of Cole "to ascertain practically what hours are most convenient to the working classes"—this was linked to the use of the collections of both applied art and science as educational resources to help boost productive industry. In these early years the practical use of the collection was very much emphasised as opposed to that of "High Art" at the National Gallery and scholarship at the British Museum. George Wallis (1811–1891), the first Keeper of Fine Art Collection, passionately promoted the idea of wide art education through the museum collections. This led to the transfer to the museum of the School of Design that had been founded in 1837 at Somerset House; after the transfer it was referred to as the Art School or Art Training School, later to become the Royal College of Art which finally achieved full independence in 1949. From the 1860s to the 1880s the scientific collections had been moved from the main museum site to various improvised galleries to the west of Exhibition Road. In 1893 the "Science Museum" had effectively come into existence when a separate director was appointed.


Question: When was the Britain Can Make It exhibition held?

Answer: between September and November 1946

<hl> Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946 , attracting nearly a million and a half visitors. <hl> This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.

Before the return of the collections after the war, the Britain Can Make It exhibition was held <hl> between September and November 1946 <hl>, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.

Before the return of the collections after the war, the Britain Can Make It exhibition was held <hl> between September and November 1946 <hl> , attracting nearly a million and a half visitors.

question: When was the Britain Can Make It exhibition held?, context: Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.


Question: How many visitors did the Britain Can Make It exhibition attract?

Answer: nearly a million and a half

<hl> Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. <hl> This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.

Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting <hl> nearly a million and a half <hl> visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.

question: How many visitors did the Britain Can Make It exhibition attract?, context: Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.


Question: Who organized the Britain Can Make It exhibition?

Answer: Festival of Britain (1951)

Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". <hl> The success of this exhibition led to the planning of the Festival of Britain (1951) . <hl> By 1948 most of the collections had been returned to the museum.

Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the <hl> Festival of Britain (1951) <hl>. By 1948 most of the collections had been returned to the museum.

The success of this exhibition led to the planning of the <hl> Festival of Britain (1951) <hl> .

question: Who organized the Britain Can Make It exhibition?, context: Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.


Question: The success of the Britain Can Make It exhibition led to the planning of what exhibition in 1951?

Answer: Festival of Britain

Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". <hl> The success of this exhibition led to the planning of the Festival of Britain (1951). <hl> By 1948 most of the collections had been returned to the museum.

Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the <hl> Festival of Britain <hl> (1951). By 1948 most of the collections had been returned to the museum.

question: The success of the Britain Can Make It exhibition led to the planning of what exhibition in 1951?, context: Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.


Question: Most of the museum's collection had been returned by which year?

Answer: 1948

Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). <hl> By 1948 most of the collections had been returned to the museum. <hl>

Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By <hl> 1948 <hl> most of the collections had been returned to the museum.

question: Most of the museum's collection had been returned by which year?, context: Before the return of the collections after the war, the Britain Can Make It exhibition was held between September and November 1946, attracting nearly a million and a half visitors. This was organised by the Council of Industrial Design established by the British government in 1944 "to promote by all practicable means the improvement of design in the products of British industry". The success of this exhibition led to the planning of the Festival of Britain (1951). By 1948 most of the collections had been returned to the museum.


Question: What did the V&A present in July 1973 as part of its youth outreach programme?

Answer: a rock concert

<hl> In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert . <hl> The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present <hl> a rock concert <hl>. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present <hl> a rock concert <hl> .

question: What did the V&A present in July 1973 as part of its youth outreach programme?, context: In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.


Question: Which musical group did the V&A present in July 1973 as part of its youth outreach programme?

Answer: Gryphon

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. <hl> The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon , who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. <hl> This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band <hl> Gryphon <hl>, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.

The V&A presented a combined concert/lecture by British progressive folk-rock band <hl> Gryphon <hl> , who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later.

question: Which musical group did the V&A present in July 1973 as part of its youth outreach programme?, context: In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.


Question: The V&A's youth outreach programme was a hallmark of whose directorship?

Answer: Roy Strong

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. <hl> This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums. <hl>

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of <hl> Roy Strong <hl> and was subsequently emulated by some other British museums.

question: The V&A's youth outreach programme was a hallmark of whose directorship?, context: In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.


Question: Which musical genre did the progressive folk-rock band Gryphon presented at a concert/lecture at the V&A?

Answer: mediaeval music

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. <hl> The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. <hl> This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.

In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of <hl> mediaeval music <hl> and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.

question: Which musical genre did the progressive folk-rock band Gryphon presented at a concert/lecture at the V&A?, context: In July 1973, as part of its outreach programme to young people, the V&A became the first museum in Britain to present a rock concert. The V&A presented a combined concert/lecture by British progressive folk-rock band Gryphon, who explored the lineage of mediaeval music and instrumentation and related how those contributed to contemporary music 500 years later. This innovative approach to bringing young people to museums was a hallmark of the directorship of Roy Strong and was subsequently emulated by some other British museums.


Question: The V&A is looking to open a branded gallery in which city in Scotland?

Answer: Dundee

<hl> The V&A is in discussion with the University of Dundee , University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. <hl> As of 2015, with costs estimated at £76 million, it is the most expensive gallery project ever undertaken in Scotland. The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.

The V&A is in discussion with the University of <hl> Dundee <hl>, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. As of 2015, with costs estimated at £76 million, it is the most expensive gallery project ever undertaken in Scotland. The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.

The V&A is in discussion with the University of <hl> Dundee <hl> , University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently.

question: The V&A is looking to open a branded gallery in which city in Scotland?, context: The V&A is in discussion with the University of Dundee, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. As of 2015, with costs estimated at £76 million, it is the most expensive gallery project ever undertaken in Scotland. The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.


Question: What is the estimated cost of the V&A branded gallery?

Answer: £76 million

The V&A is in discussion with the University of Dundee, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. <hl> As of 2015, with costs estimated at £76 million , it is the most expensive gallery project ever undertaken in Scotland. <hl> The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.

The V&A is in discussion with the University of Dundee, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. As of 2015, with costs estimated at <hl> £76 million <hl>, it is the most expensive gallery project ever undertaken in Scotland. The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.

As of 2015, with costs estimated at <hl> £76 million <hl> , it is the most expensive gallery project ever undertaken in Scotland.

question: What is the estimated cost of the V&A branded gallery?, context: The V&A is in discussion with the University of Dundee, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. As of 2015, with costs estimated at £76 million, it is the most expensive gallery project ever undertaken in Scotland. The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.


Question: Where in Dundee will the gallery be located?

Answer: on the city's waterfront

The V&A is in discussion with the University of Dundee, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. As of 2015, with costs estimated at £76 million, it is the most expensive gallery project ever undertaken in Scotland. <hl> The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. <hl> It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.

The V&A is in discussion with the University of Dundee, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. As of 2015, with costs estimated at £76 million, it is the most expensive gallery project ever undertaken in Scotland. The V&A Dundee will be <hl> on the city's waterfront <hl> and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.

question: Where in Dundee will the gallery be located?, context: The V&A is in discussion with the University of Dundee, University of Abertay, Dundee City Council and the Scottish Government with a view to opening a new £43 million gallery in Dundee that would use the V&A brand although it would be funded through and operated independently. As of 2015, with costs estimated at £76 million, it is the most expensive gallery project ever undertaken in Scotland. The V&A Dundee will be on the city's waterfront and is intended to focus on fashion, architecture, product design, graphic arts and photography. It is planned that it could open within five years. Dundee City Council is expected to pay a major part of the running costs. The V&A is not contributing financially, but will be providing expertise, loans and exhibitions.