Question: What word literally means "warding off evil?"

As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.

Answer: Alexicacus

<hl> As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). <hl> To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.

As a protector and founder, Apollo had the epithets <hl> Alexicacus <hl> (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.


Question: What world literally means "founder?"

Answer: Archegetes

<hl> As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). <hl> To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.

As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and <hl> Archegetes <hl> (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.


Question: What word literally mens "ancestor?"

Answer: Genetor

<hl> As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). <hl> To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.

As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and <hl> Genetor <hl> (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.


Question: What word means "to avert?"

Answer: Agyieus

As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). <hl> He was also called Agyieus (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life. <hl>

As a protector and founder, Apollo had the epithets Alexicacus (/əˌlɛksᵻˈkeɪkəs/ ə-LEK-si-KAY-kəs; Ἀλεξίκακος, Alexikakos, literally "warding off evil"), Apotropaeus (/əˌpɒtrəˈpiːəs/ ə-POT-rə-PEE-əs; Ἀποτρόπαιος, Apotropaios, from ἀποτρέπειν, "to avert"), and Epicurius (/ˌɛpᵻˈkjʊriəs/ EP-i-KEWR-ee-əs; Ἐπικούριος, Epikourios, from ἐπικουρέειν, "to aid"), and Archegetes (/ɑːrˈkɛdʒətiːz/ ar-KEJ-ə-teez; Ἀρχηγέτης, Arkhēgetēs, literally "founder"), Clarius (/ˈklæriəs/ KLARR-ee-əs; Κλάριος, Klārios, from Doric κλάρος, "allotted lot"), and Genetor (/ˈdʒɛnᵻtər/ JEN-i-tər; Γενέτωρ, Genetōr, literally "ancestor"). To the Romans, he was known in this capacity as Averruncus (/ˌævəˈrʌŋkəs/ AV-ər-RUNG-kəs; from Latin āverruncare, "to avert"). He was also called <hl> Agyieus <hl> (/əˈdʒaɪ.ᵻjuːs/ ə-GWEE-ews; Ἀγυιεύς, Aguīeus, from ἄγυια, "street") for his role in protecting roads and homes; and Nomius (/ˈnoʊmiəs/ NOH-mee-əs; Νόμιος, Nomios, literally "pastoral") and Nymphegetes (/nɪmˈfɛdʒᵻtiːz/ nim-FEJ-i-teez; Νυμφηγέτης, Numphēgetēs, from Νύμφη, "Nymph", and ἡγέτης, "leader") for his role as a protector of shepherds and pastoral life.


Question: Which epithet has historically been associated with ambiguous?

In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").

Answer: Loxias

<hl> In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). <hl> The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").

In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and <hl> Loxias <hl> (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").


Question: Which epithet did Apollo have as god of music and arts?

Answer: Musagetes

In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. <hl> As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader"). <hl>

In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet <hl> Musagetes <hl> (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").


Question: Which epithet did Apollo have as god of prophecy and truth?

Answer: Manticus

<hl> In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). <hl> The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").

In his role as god of prophecy and truth, Apollo had the epithets <hl> Manticus <hl> (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").


Question: Which epithet did Apollo have as god of healing and of prophecy?

Answer: Iatromantis

In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). <hl> The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. <hl> As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").

In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet <hl> Iatromantis <hl> (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").


Question: As god of archery, Apollo was known by what name?

As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). Apollo was called Ismenius (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow.

Answer: Aphetor

<hl> As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). <hl> The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). Apollo was called Ismenius (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow.

As a god of archery, Apollo was known as <hl> Aphetor <hl> (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). Apollo was called Ismenius (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow.


Question: What name literally means "far-shooting?"

Answer: Hecaërgus

<hl> As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). <hl> The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). Apollo was called Ismenius (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow.

As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), <hl> Hecaërgus <hl> (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). Apollo was called Ismenius (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow.


Question: Who was the son of Amphion and Niobe?

Answer: Ismenius

As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). <hl> Apollo was called Ismenius (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow. <hl>

As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). Apollo was called <hl> Ismenius <hl> (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow.


Question: Who struck his parents with an arrow?

Answer: Ismenius

As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). <hl> Apollo was called Ismenius (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow. <hl>

As a god of archery, Apollo was known as Aphetor (/əˈfiːtər/ ə-FEE-tər; Ἀφήτωρ, Aphētōr, from ἀφίημι, "to let loose") or Aphetorus (/əˈfɛtərəs/ ə-FET-ər-əs; Ἀφητόρος, Aphētoros, of the same origin), Argyrotoxus (/ˌɑːrdʒᵻrəˈtɒksəs/ AR-ji-rə-TOK-səs; Ἀργυρότοξος, Argyrotoxos, literally "with silver bow"), Hecaërgus (/ˌhɛkiˈɜːrɡəs/ HEK-ee-UR-gəs; Ἑκάεργος, Hekaergos, literally "far-shooting"), and Hecebolus (/hᵻˈsɛbələs/ hi-SEB-ə-ləs; Ἑκηβόλος, Hekēbolos, literally "far-shooting"). The Romans referred to Apollo as Articenens (/ɑːrˈtɪsᵻnənz/ ar-TISS-i-nənz; "bow-carrying"). Apollo was called <hl> Ismenius <hl> (/ɪzˈmiːniəs/ iz-MEE-nee-əs; Ἰσμηνιός, Ismēnios, literally "of Ismenus") after Ismenus, the son of Amphion and Niobe, whom he struck with an arrow.


Question: Who was Apollo's twin sister?

The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. The Delos sanctuary was primarily dedicated to Artemis, Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."

Answer: Artemis

The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. <hl> The Delos sanctuary was primarily dedicated to Artemis , Apollo's twin sister. <hl> At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."

The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. The Delos sanctuary was primarily dedicated to <hl> Artemis <hl>, Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."

The Delos sanctuary was primarily dedicated to <hl> Artemis <hl> , Apollo's twin sister.


Question: To whom was the Delos sanctuary dedicated?

Answer: Artemis

The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. <hl> The Delos sanctuary was primarily dedicated to Artemis , Apollo's twin sister. <hl> At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."

The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. The Delos sanctuary was primarily dedicated to <hl> Artemis <hl>, Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."

The Delos sanctuary was primarily dedicated to <hl> Artemis <hl> , Apollo's twin sister.


Question: Who discerned three components in the prehistory of Apollo worship?

Answer: Walter Burkert

The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. The Delos sanctuary was primarily dedicated to Artemis, Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. <hl> Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component." <hl>

The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. The Delos sanctuary was primarily dedicated to Artemis, Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. <hl> Walter Burkert <hl> discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component."


Question: Who brought the art of inspection of "symbols and omina?"

From his eastern origin Apollo brought the art of inspection of "symbols and omina" (σημεία και τέρατα : semeia kai terata), and of the observation of the omens of the days. The inspiration oracular-cult was probably introduced from Anatolia. The ritualism belonged to Apollo from the beginning. The Greeks created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.

Answer: Apollo

<hl> From his eastern origin Apollo brought the art of inspection of "symbols and omina" (σημεία και τέρατα : semeia kai terata), and of the observation of the omens of the days. <hl> The inspiration oracular-cult was probably introduced from Anatolia. The ritualism belonged to Apollo from the beginning. The Greeks created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.

From his eastern origin <hl> Apollo <hl> brought the art of inspection of "symbols and omina" (σημεία και τέρατα : semeia kai terata), and of the observation of the omens of the days. The inspiration oracular-cult was probably introduced from Anatolia. The ritualism belonged to Apollo from the beginning. The Greeks created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.


Question: The inspiration oracular-cult was probably introduced from where?

Answer: Anatolia

From his eastern origin Apollo brought the art of inspection of "symbols and omina" (σημεία και τέρατα : semeia kai terata), and of the observation of the omens of the days. <hl> The inspiration oracular-cult was probably introduced from Anatolia . <hl> The ritualism belonged to Apollo from the beginning. The Greeks created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.

From his eastern origin Apollo brought the art of inspection of "symbols and omina" (σημεία και τέρατα : semeia kai terata), and of the observation of the omens of the days. The inspiration oracular-cult was probably introduced from <hl> Anatolia <hl>. The ritualism belonged to Apollo from the beginning. The Greeks created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.

The inspiration oracular-cult was probably introduced from <hl> Anatolia <hl> .


Question: Which group created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony?

Answer: The Greeks

From his eastern origin Apollo brought the art of inspection of "symbols and omina" (σημεία και τέρατα : semeia kai terata), and of the observation of the omens of the days. The inspiration oracular-cult was probably introduced from Anatolia. The ritualism belonged to Apollo from the beginning. <hl> The Greeks created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. <hl> Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.

From his eastern origin Apollo brought the art of inspection of "symbols and omina" (σημεία και τέρατα : semeia kai terata), and of the observation of the omens of the days. The inspiration oracular-cult was probably introduced from Anatolia. The ritualism belonged to Apollo from the beginning. <hl> The Greeks <hl> created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.


Question: What were magicians also called?

The function of Apollo as a "healer" is connected with Paean (Παιών-Παιήων), the physician of the Gods in the Iliad, who seems to come from a more primitive religion. Paeοn is probably connected with the Mycenean pa-ja-wo-ne (Linear B: 𐀞𐀊𐀍𐀚), but this is not certain. He did not have a separate cult, but he was the personification of the holy magic-song sung by the magicians that was supposed to cure disease. Later the Greeks knew the original meaning of the relevant song "paean" (παιάν). The magicians were also called "seer-doctors" (ἰατρομάντεις), and they used an ecstatic prophetic art which was used exactly by the god Apollo at the oracles.

Answer: seer-doctors

The function of Apollo as a "healer" is connected with Paean (Παιών-Παιήων), the physician of the Gods in the Iliad, who seems to come from a more primitive religion. Paeοn is probably connected with the Mycenean pa-ja-wo-ne (Linear B: 𐀞𐀊𐀍𐀚), but this is not certain. He did not have a separate cult, but he was the personification of the holy magic-song sung by the magicians that was supposed to cure disease. Later the Greeks knew the original meaning of the relevant song "paean" (παιάν). <hl> The magicians were also called " seer-doctors " (ἰατρομάντεις), and they used an ecstatic prophetic art which was used exactly by the god Apollo at the oracles. <hl>

The function of Apollo as a "healer" is connected with Paean (Παιών-Παιήων), the physician of the Gods in the Iliad, who seems to come from a more primitive religion. Paeοn is probably connected with the Mycenean pa-ja-wo-ne (Linear B: 𐀞𐀊𐀍𐀚), but this is not certain. He did not have a separate cult, but he was the personification of the holy magic-song sung by the magicians that was supposed to cure disease. Later the Greeks knew the original meaning of the relevant song "paean" (παιάν). The magicians were also called "<hl> seer-doctors <hl>" (ἰατρομάντεις), and they used an ecstatic prophetic art which was used exactly by the god Apollo at the oracles.

The magicians were also called " <hl> seer-doctors <hl> " (ἰατρομάντεις), and they used an ecstatic prophetic art which was used exactly by the god Apollo at the oracles.


Question: Who is the physician of the Gods in the Iliad?

Answer: Paean

<hl> The function of Apollo as a "healer" is connected with Paean (Παιών-Παιήων), the physician of the Gods in the Iliad, who seems to come from a more primitive religion. <hl> Paeοn is probably connected with the Mycenean pa-ja-wo-ne (Linear B: 𐀞𐀊𐀍𐀚), but this is not certain. He did not have a separate cult, but he was the personification of the holy magic-song sung by the magicians that was supposed to cure disease. Later the Greeks knew the original meaning of the relevant song "paean" (παιάν). The magicians were also called "seer-doctors" (ἰατρομάντεις), and they used an ecstatic prophetic art which was used exactly by the god Apollo at the oracles.

The function of Apollo as a "healer" is connected with <hl> Paean <hl> (Παιών-Παιήων), the physician of the Gods in the Iliad, who seems to come from a more primitive religion. Paeοn is probably connected with the Mycenean pa-ja-wo-ne (Linear B: 𐀞𐀊𐀍𐀚), but this is not certain. He did not have a separate cult, but he was the personification of the holy magic-song sung by the magicians that was supposed to cure disease. Later the Greeks knew the original meaning of the relevant song "paean" (παιάν). The magicians were also called "seer-doctors" (ἰατρομάντεις), and they used an ecstatic prophetic art which was used exactly by the god Apollo at the oracles.


Question: What is a comon epithet of Apollo as a healer?

Some common epithets of Apollo as a healer are "paion" (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague"). In classical times, his strong function in popular religion was to keep away evil, and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and "alexikakos" (from v. ἀλέξω + n. κακόν, "defend from evil"). In later writers, the word, usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing.

Answer: paion

<hl> Some common epithets of Apollo as a healer are " paion " (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague"). <hl> In classical times, his strong function in popular religion was to keep away evil, and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and "alexikakos" (from v. ἀλέξω + n. κακόν, "defend from evil"). In later writers, the word, usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing.

Some common epithets of Apollo as a healer are "<hl> paion <hl>" (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague"). In classical times, his strong function in popular religion was to keep away evil, and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and "alexikakos" (from v. ἀλέξω + n. κακόν, "defend from evil"). In later writers, the word, usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing.

Some common epithets of Apollo as a healer are " <hl> paion <hl> " (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague").


Question: In classical times, what was Apollo's strong function in popular religion?

Answer: keep away evil,

Some common epithets of Apollo as a healer are "paion" (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague"). <hl> In classical times, his strong function in popular religion was to keep away evil, and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and "alexikakos" (from v. ἀλέξω + n. κακόν, "defend from evil"). <hl> In later writers, the word, usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing.

Some common epithets of Apollo as a healer are "paion" (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague"). In classical times, his strong function in popular religion was to <hl> keep away evil, <hl> and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and "alexikakos" (from v. ἀλέξω + n. κακόν, "defend from evil"). In later writers, the word, usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing.


Question: What is a word for "defent from evil?"

Answer: alexikakos

Some common epithets of Apollo as a healer are "paion" (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague"). <hl> In classical times, his strong function in popular religion was to keep away evil, and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and " alexikakos " (from v. ἀλέξω + n. κακόν, "defend from evil"). <hl> In later writers, the word, usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing.

Some common epithets of Apollo as a healer are "paion" (παιών, literally "healer" or "helper") "epikourios" (ἐπικουρώ, "help"), "oulios" (οὐλή, "healed wound", also a "scar" ) and "loimios" (λοιμός, "plague"). In classical times, his strong function in popular religion was to keep away evil, and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and "<hl> alexikakos <hl>" (from v. ἀλέξω + n. κακόν, "defend from evil"). In later writers, the word, usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing.

In classical times, his strong function in popular religion was to keep away evil, and was therefore called "apotropaios" (ἀποτρέπω, "divert", "deter", "avert") and " <hl> alexikakos <hl> " (from v. ἀλέξω + n. κακόν, "defend from evil").


Question: Who was Apollo's son?

Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.

Answer: Asclepius

<hl> Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. <hl> About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.

Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son <hl> Asclepius <hl> the healer. About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.


Question: About the 4th Century BCE, what became merely a formula of adulation?

Answer: paean

Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. <hl> About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. <hl> It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.

Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. About the 4th century BCE, the <hl> paean <hl> became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.


Question: About the 4th Century BCE, what was the object of paean?

Answer: to implore protection against disease and misfortune

Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. <hl> About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune , or to offer thanks after such protection had been rendered. <hl> It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.

Homer illustrated Paeon the god, and the song both of apotropaic thanksgiving or triumph.[citation needed] Such songs were originally addressed to Apollo, and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. About the 4th century BCE, the paean became merely a formula of adulation; its object was either <hl> to implore protection against disease and misfortune <hl>, or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognised as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.

About the 4th century BCE, the paean became merely a formula of adulation; its object was either <hl> to implore protection against disease and misfortune <hl> , or to offer thanks after such protection had been rendered.


Question: What does the word Pella mean?

The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), stone. Stones played an important part in the cult of the god, especially in the oracular shrine of Delphi (Omphalos). The "Homeric hymn" represents Apollo as a Northern intruder. His arrival must have occurred during the "Dark Ages" that followed the destruction of the Mycenaean civilization, and his conflict with Gaia (Mother Earth) was represented by the legend of his slaying her daughter the serpent Python.

Answer: stone

<hl> The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), stone . <hl> Stones played an important part in the cult of the god, especially in the oracular shrine of Delphi (Omphalos). The "Homeric hymn" represents Apollo as a Northern intruder. His arrival must have occurred during the "Dark Ages" that followed the destruction of the Mycenaean civilization, and his conflict with Gaia (Mother Earth) was represented by the legend of his slaying her daughter the serpent Python.

The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), <hl> stone <hl>. Stones played an important part in the cult of the god, especially in the oracular shrine of Delphi (Omphalos). The "Homeric hymn" represents Apollo as a Northern intruder. His arrival must have occurred during the "Dark Ages" that followed the destruction of the Mycenaean civilization, and his conflict with Gaia (Mother Earth) was represented by the legend of his slaying her daughter the serpent Python.

The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), <hl> stone <hl> .


Question: What represents Apollo as a Northern intruder?

Answer: Homeric hymn

The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), stone. Stones played an important part in the cult of the god, especially in the oracular shrine of Delphi (Omphalos). <hl> The " Homeric hymn " represents Apollo as a Northern intruder. <hl> His arrival must have occurred during the "Dark Ages" that followed the destruction of the Mycenaean civilization, and his conflict with Gaia (Mother Earth) was represented by the legend of his slaying her daughter the serpent Python.

The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), stone. Stones played an important part in the cult of the god, especially in the oracular shrine of Delphi (Omphalos). The "<hl> Homeric hymn <hl>" represents Apollo as a Northern intruder. His arrival must have occurred during the "Dark Ages" that followed the destruction of the Mycenaean civilization, and his conflict with Gaia (Mother Earth) was represented by the legend of his slaying her daughter the serpent Python.

The " <hl> Homeric hymn <hl> " represents Apollo as a Northern intruder.


Question: What played an important part in the cult of the god?

Answer: Stones

The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), stone. <hl> Stones played an important part in the cult of the god, especially in the oracular shrine of Delphi (Omphalos). <hl> The "Homeric hymn" represents Apollo as a Northern intruder. His arrival must have occurred during the "Dark Ages" that followed the destruction of the Mycenaean civilization, and his conflict with Gaia (Mother Earth) was represented by the legend of his slaying her daughter the serpent Python.

The connection with Dorians and their initiation festival apellai[clarification needed] is reinforced by the month Apellaios in northwest Greek calendars, but it can explain only the Doric type of the name, which is connected with the Ancient Macedonian word "pella" (Pella), stone. <hl> Stones <hl> played an important part in the cult of the god, especially in the oracular shrine of Delphi (Omphalos). The "Homeric hymn" represents Apollo as a Northern intruder. His arrival must have occurred during the "Dark Ages" that followed the destruction of the Mycenaean civilization, and his conflict with Gaia (Mother Earth) was represented by the legend of his slaying her daughter the serpent Python.


Question: Who was the adversary of Zeus in the titanomachy?

The earth deity had power over the ghostly world, and it is believed that she was the deity behind the oracle. The older tales mentioned two dragons who were perhaps intentionally conflated. A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent Typhon (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with Python. Python was the good daemon (ἀγαθὸς δαίμων) of the temple as it appears in Minoan religion, but she was represented as a dragon, as often happens in Northern European folklore as well as in the East.

Answer: Typhon

The earth deity had power over the ghostly world, and it is believed that she was the deity behind the oracle. The older tales mentioned two dragons who were perhaps intentionally conflated. <hl> A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent Typhon (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with Python. <hl> Python was the good daemon (ἀγαθὸς δαίμων) of the temple as it appears in Minoan religion, but she was represented as a dragon, as often happens in Northern European folklore as well as in the East.

The earth deity had power over the ghostly world, and it is believed that she was the deity behind the oracle. The older tales mentioned two dragons who were perhaps intentionally conflated. A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent <hl> Typhon <hl> (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with Python. Python was the good daemon (ἀγαθὸς δαίμων) of the temple as it appears in Minoan religion, but she was represented as a dragon, as often happens in Northern European folklore as well as in the East.


Question: Who did the narrator confuse with Phyton?

Answer: Typhon

The earth deity had power over the ghostly world, and it is believed that she was the deity behind the oracle. The older tales mentioned two dragons who were perhaps intentionally conflated. <hl> A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent Typhon (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with Python. <hl> Python was the good daemon (ἀγαθὸς δαίμων) of the temple as it appears in Minoan religion, but she was represented as a dragon, as often happens in Northern European folklore as well as in the East.

The earth deity had power over the ghostly world, and it is believed that she was the deity behind the oracle. The older tales mentioned two dragons who were perhaps intentionally conflated. A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent <hl> Typhon <hl> (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with Python. Python was the good daemon (ἀγαθὸς δαίμων) of the temple as it appears in Minoan religion, but she was represented as a dragon, as often happens in Northern European folklore as well as in the East.


Question: Who was represented as a dragon?

Answer: Python

The earth deity had power over the ghostly world, and it is believed that she was the deity behind the oracle. The older tales mentioned two dragons who were perhaps intentionally conflated. <hl> A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent Typhon (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with Python . <hl> Python was the good daemon (ἀγαθὸς δαίμων) of the temple as it appears in Minoan religion, but she was represented as a dragon, as often happens in Northern European folklore as well as in the East.

The earth deity had power over the ghostly world, and it is believed that she was the deity behind the oracle. The older tales mentioned two dragons who were perhaps intentionally conflated. A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent Typhon (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with <hl> Python <hl>. Python was the good daemon (ἀγαθὸς δαίμων) of the temple as it appears in Minoan religion, but she was represented as a dragon, as often happens in Northern European folklore as well as in the East.

A female dragon named Delphyne (δελφύς, "womb"), who is obviously connected with Delphi and Apollo Delphinios, and a male serpent Typhon (τύφειν, "to smoke"), the adversary of Zeus in the Titanomachy, who the narrators confused with <hl> Python <hl> .


Question: Who is Apollo's sister?

Apollo and his sister Artemis can bring death with their arrows. The conception that diseases and death come from invisible shots sent by supernatural beings, or magicians is common in Germanic and Norse mythology. In Greek mythology Artemis was the leader (ἡγεμών, "hegemon") of the nymphs, who had similar functions with the Nordic Elves. The "elf-shot" originally indicated disease or death attributed to the elves, but it was later attested denoting stone arrow-heads which were used by witches to harm people, and also for healing rituals.

Answer: Artemis

<hl> Apollo and his sister Artemis can bring death with their arrows. <hl> The conception that diseases and death come from invisible shots sent by supernatural beings, or magicians is common in Germanic and Norse mythology. In Greek mythology Artemis was the leader (ἡγεμών, "hegemon") of the nymphs, who had similar functions with the Nordic Elves. The "elf-shot" originally indicated disease or death attributed to the elves, but it was later attested denoting stone arrow-heads which were used by witches to harm people, and also for healing rituals.

Apollo and his sister <hl> Artemis <hl> can bring death with their arrows. The conception that diseases and death come from invisible shots sent by supernatural beings, or magicians is common in Germanic and Norse mythology. In Greek mythology Artemis was the leader (ἡγεμών, "hegemon") of the nymphs, who had similar functions with the Nordic Elves. The "elf-shot" originally indicated disease or death attributed to the elves, but it was later attested denoting stone arrow-heads which were used by witches to harm people, and also for healing rituals.


Question: It was believed that this woman could bring death with her arrows.

Answer: Artemis

<hl> Apollo and his sister Artemis can bring death with their arrows. <hl> The conception that diseases and death come from invisible shots sent by supernatural beings, or magicians is common in Germanic and Norse mythology. In Greek mythology Artemis was the leader (ἡγεμών, "hegemon") of the nymphs, who had similar functions with the Nordic Elves. The "elf-shot" originally indicated disease or death attributed to the elves, but it was later attested denoting stone arrow-heads which were used by witches to harm people, and also for healing rituals.

Apollo and his sister <hl> Artemis <hl> can bring death with their arrows. The conception that diseases and death come from invisible shots sent by supernatural beings, or magicians is common in Germanic and Norse mythology. In Greek mythology Artemis was the leader (ἡγεμών, "hegemon") of the nymphs, who had similar functions with the Nordic Elves. The "elf-shot" originally indicated disease or death attributed to the elves, but it was later attested denoting stone arrow-heads which were used by witches to harm people, and also for healing rituals.


Question: In Greek mythology, who was the leader of the nymphs?

Answer: Artemis

<hl> Apollo and his sister Artemis can bring death with their arrows. <hl> The conception that diseases and death come from invisible shots sent by supernatural beings, or magicians is common in Germanic and Norse mythology. In Greek mythology Artemis was the leader (ἡγεμών, "hegemon") of the nymphs, who had similar functions with the Nordic Elves. The "elf-shot" originally indicated disease or death attributed to the elves, but it was later attested denoting stone arrow-heads which were used by witches to harm people, and also for healing rituals.

Apollo and his sister <hl> Artemis <hl> can bring death with their arrows. The conception that diseases and death come from invisible shots sent by supernatural beings, or magicians is common in Germanic and Norse mythology. In Greek mythology Artemis was the leader (ἡγεμών, "hegemon") of the nymphs, who had similar functions with the Nordic Elves. The "elf-shot" originally indicated disease or death attributed to the elves, but it was later attested denoting stone arrow-heads which were used by witches to harm people, and also for healing rituals.


Question: What was the name for "the double-axe men?"

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called Labryaden, "the double-axe men", which indicates Minoan origin. The double-axe, labrys, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

Answer: Labryaden

It seems an oracular cult existed in Delphi from the Mycenaean ages. <hl> In historical times, the priests of Delphi were called Labryaden , "the double-axe men", which indicates Minoan origin. <hl> The double-axe, labrys, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called <hl> Labryaden <hl>, "the double-axe men", which indicates Minoan origin. The double-axe, labrys, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

In historical times, the priests of Delphi were called <hl> Labryaden <hl> , "the double-axe men", which indicates Minoan origin.


Question: What is another name for the double-axe?

Answer: labrys

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called Labryaden, "the double-axe men", which indicates Minoan origin. <hl> The double-axe, labrys , was the holy symbol of the Cretan labyrinth. <hl> The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called Labryaden, "the double-axe men", which indicates Minoan origin. The double-axe, <hl> labrys <hl>, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

The double-axe, <hl> labrys <hl> , was the holy symbol of the Cretan labyrinth.


Question: Who was the Minoan "Mistres of the animals?"

Answer: Britomartis

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called Labryaden, "the double-axe men", which indicates Minoan origin. The double-axe, labrys, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. <hl> Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". <hl> In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called Labryaden, "the double-axe men", which indicates Minoan origin. The double-axe, labrys, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with <hl> Britomartis <hl> (Diktynna), the Minoan "Mistress of the animals". In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.


Question: Who was Apollo's sister?

Answer: Artemis

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called Labryaden, "the double-axe men", which indicates Minoan origin. The double-axe, labrys, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. <hl> Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister Artemis , who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". <hl> In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

It seems an oracular cult existed in Delphi from the Mycenaean ages. In historical times, the priests of Delphi were called Labryaden, "the double-axe men", which indicates Minoan origin. The double-axe, labrys, was the holy symbol of the Cretan labyrinth. The Homeric hymn adds that Apollo appeared as a dolphin and carried Cretan priests to Delphi, where they evidently transferred their religious practices. Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister <hl> Artemis <hl>, who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals". In her earliest depictions she is accompanied by the "Mister of the animals", a male god of hunting who had the bow as his attribute. His original name is unknown, but it seems that he was absorbed by the more popular Apollo, who stood by the virgin "Mistress of the Animals", becoming her brother.

Apollo Delphinios was a sea-god especially worshiped in Crete and in the islands, and his name indicates his connection with Delphi and the holy serpent Delphyne ("womb").[citation needed] Apollo's sister <hl> Artemis <hl> , who was the Greek goddess of hunting, is identified with Britomartis (Diktynna), the Minoan "Mistress of the animals".


Question: Who did scholars beieve carried on the rituals in a consistent procedure?

The old oracles in Delphi seem to be connected with a local tradition of the priesthood, and there is not clear evidence that a kind of inspiration-prophecy existed in the temple. This led some scholars to the conclusion that Pythia carried on the rituals in a consistent procedure through many centuries, according to the local tradition. In that regard, the mythical seeress Sibyl of Anatolian origin, with her ecstatic art, looks unrelated to the oracle itself. However, the Greek tradition is referring to the existence of vapours and chewing of laurel-leaves, which seem to be confirmed by recent studies.

Answer: Pythia

The old oracles in Delphi seem to be connected with a local tradition of the priesthood, and there is not clear evidence that a kind of inspiration-prophecy existed in the temple. <hl> This led some scholars to the conclusion that Pythia carried on the rituals in a consistent procedure through many centuries, according to the local tradition. <hl> In that regard, the mythical seeress Sibyl of Anatolian origin, with her ecstatic art, looks unrelated to the oracle itself. However, the Greek tradition is referring to the existence of vapours and chewing of laurel-leaves, which seem to be confirmed by recent studies.

The old oracles in Delphi seem to be connected with a local tradition of the priesthood, and there is not clear evidence that a kind of inspiration-prophecy existed in the temple. This led some scholars to the conclusion that <hl> Pythia <hl> carried on the rituals in a consistent procedure through many centuries, according to the local tradition. In that regard, the mythical seeress Sibyl of Anatolian origin, with her ecstatic art, looks unrelated to the oracle itself. However, the Greek tradition is referring to the existence of vapours and chewing of laurel-leaves, which seem to be confirmed by recent studies.


Question: Who is a mythical seeress of Anatoian origin?

Answer: Sibyl

The old oracles in Delphi seem to be connected with a local tradition of the priesthood, and there is not clear evidence that a kind of inspiration-prophecy existed in the temple. This led some scholars to the conclusion that Pythia carried on the rituals in a consistent procedure through many centuries, according to the local tradition. <hl> In that regard, the mythical seeress Sibyl of Anatolian origin, with her ecstatic art, looks unrelated to the oracle itself. <hl> However, the Greek tradition is referring to the existence of vapours and chewing of laurel-leaves, which seem to be confirmed by recent studies.

The old oracles in Delphi seem to be connected with a local tradition of the priesthood, and there is not clear evidence that a kind of inspiration-prophecy existed in the temple. This led some scholars to the conclusion that Pythia carried on the rituals in a consistent procedure through many centuries, according to the local tradition. In that regard, the mythical seeress <hl> Sibyl <hl> of Anatolian origin, with her ecstatic art, looks unrelated to the oracle itself. However, the Greek tradition is referring to the existence of vapours and chewing of laurel-leaves, which seem to be confirmed by recent studies.


Question: What Greek tradition seems to be confirmed by recent studies?

Answer: existence of vapours and chewing of laurel-leaves

The old oracles in Delphi seem to be connected with a local tradition of the priesthood, and there is not clear evidence that a kind of inspiration-prophecy existed in the temple. This led some scholars to the conclusion that Pythia carried on the rituals in a consistent procedure through many centuries, according to the local tradition. In that regard, the mythical seeress Sibyl of Anatolian origin, with her ecstatic art, looks unrelated to the oracle itself. <hl> However, the Greek tradition is referring to the existence of vapours and chewing of laurel-leaves , which seem to be confirmed by recent studies. <hl>

The old oracles in Delphi seem to be connected with a local tradition of the priesthood, and there is not clear evidence that a kind of inspiration-prophecy existed in the temple. This led some scholars to the conclusion that Pythia carried on the rituals in a consistent procedure through many centuries, according to the local tradition. In that regard, the mythical seeress Sibyl of Anatolian origin, with her ecstatic art, looks unrelated to the oracle itself. However, the Greek tradition is referring to the <hl> existence of vapours and chewing of laurel-leaves <hl>, which seem to be confirmed by recent studies.

However, the Greek tradition is referring to the <hl> existence of vapours and chewing of laurel-leaves <hl> , which seem to be confirmed by recent studies.


Question: Who describes Delphi and Dodona as frenzied women?

Plato describes the priestesses of Delphi and Dodona as frenzied women, obsessed by "mania" (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet"). Frenzied women like Sibyls from whose lips the god speaks are recorded in the Near East as Mari in the second millennium BC. Although Crete had contacts with Mari from 2000 BC, there is no evidence that the ecstatic prophetic art existed during the Minoan and Mycenean ages. It is more probable that this art was introduced later from Anatolia and regenerated an existing oracular cult that was local to Delphi and dormant in several areas of Greece.

Answer: Plato

<hl> Plato describes the priestesses of Delphi and Dodona as frenzied women, obsessed by "mania" (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet"). <hl> Frenzied women like Sibyls from whose lips the god speaks are recorded in the Near East as Mari in the second millennium BC. Although Crete had contacts with Mari from 2000 BC, there is no evidence that the ecstatic prophetic art existed during the Minoan and Mycenean ages. It is more probable that this art was introduced later from Anatolia and regenerated an existing oracular cult that was local to Delphi and dormant in several areas of Greece.

<hl> Plato <hl> describes the priestesses of Delphi and Dodona as frenzied women, obsessed by "mania" (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet"). Frenzied women like Sibyls from whose lips the god speaks are recorded in the Near East as Mari in the second millennium BC. Although Crete had contacts with Mari from 2000 BC, there is no evidence that the ecstatic prophetic art existed during the Minoan and Mycenean ages. It is more probable that this art was introduced later from Anatolia and regenerated an existing oracular cult that was local to Delphi and dormant in several areas of Greece.


Question: What two women were said to be obsessed by "mania?"

Answer: Delphi and Dodona

<hl> Plato describes the priestesses of Delphi and Dodona as frenzied women, obsessed by "mania" (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet"). <hl> Frenzied women like Sibyls from whose lips the god speaks are recorded in the Near East as Mari in the second millennium BC. Although Crete had contacts with Mari from 2000 BC, there is no evidence that the ecstatic prophetic art existed during the Minoan and Mycenean ages. It is more probable that this art was introduced later from Anatolia and regenerated an existing oracular cult that was local to Delphi and dormant in several areas of Greece.

Plato describes the priestesses of <hl> Delphi and Dodona <hl> as frenzied women, obsessed by "mania" (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet"). Frenzied women like Sibyls from whose lips the god speaks are recorded in the Near East as Mari in the second millennium BC. Although Crete had contacts with Mari from 2000 BC, there is no evidence that the ecstatic prophetic art existed during the Minoan and Mycenean ages. It is more probable that this art was introduced later from Anatolia and regenerated an existing oracular cult that was local to Delphi and dormant in several areas of Greece.


Question: What Greek word is connected with mantis?

Answer: mania

<hl> Plato describes the priestesses of Delphi and Dodona as frenzied women, obsessed by " mania " (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet"). <hl> Frenzied women like Sibyls from whose lips the god speaks are recorded in the Near East as Mari in the second millennium BC. Although Crete had contacts with Mari from 2000 BC, there is no evidence that the ecstatic prophetic art existed during the Minoan and Mycenean ages. It is more probable that this art was introduced later from Anatolia and regenerated an existing oracular cult that was local to Delphi and dormant in several areas of Greece.

Plato describes the priestesses of Delphi and Dodona as frenzied women, obsessed by "<hl> mania <hl>" (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet"). Frenzied women like Sibyls from whose lips the god speaks are recorded in the Near East as Mari in the second millennium BC. Although Crete had contacts with Mari from 2000 BC, there is no evidence that the ecstatic prophetic art existed during the Minoan and Mycenean ages. It is more probable that this art was introduced later from Anatolia and regenerated an existing oracular cult that was local to Delphi and dormant in several areas of Greece.

Plato describes the priestesses of Delphi and Dodona as frenzied women, obsessed by " <hl> mania <hl> " (μανία, "frenzy"), a Greek word he connected with mantis (μάντις, "prophet").


Question: Who was Apollo's mother?

A non-Greek origin of Apollo has long been assumed in scholarship. The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of Asia Minor. The inspiration oracular cult was probably introduced into Greece from Anatolia, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".

Answer: Leto

A non-Greek origin of Apollo has long been assumed in scholarship. <hl> The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of Asia Minor. <hl> The inspiration oracular cult was probably introduced into Greece from Anatolia, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".

A non-Greek origin of Apollo has long been assumed in scholarship. The name of Apollo's mother <hl> Leto <hl> has Lydian origin, and she was worshipped on the coasts of Asia Minor. The inspiration oracular cult was probably introduced into Greece from Anatolia, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".


Question: What origin was Leto?

Answer: Lydian

A non-Greek origin of Apollo has long been assumed in scholarship. <hl> The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of Asia Minor. <hl> The inspiration oracular cult was probably introduced into Greece from Anatolia, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".

A non-Greek origin of Apollo has long been assumed in scholarship. The name of Apollo's mother Leto has <hl> Lydian <hl> origin, and she was worshipped on the coasts of Asia Minor. The inspiration oracular cult was probably introduced into Greece from Anatolia, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".


Question: Where was Leto worshipped?

Answer: Asia Minor

A non-Greek origin of Apollo has long been assumed in scholarship. <hl> The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of Asia Minor . <hl> The inspiration oracular cult was probably introduced into Greece from Anatolia, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".

A non-Greek origin of Apollo has long been assumed in scholarship. The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of <hl> Asia Minor <hl>. The inspiration oracular cult was probably introduced into Greece from Anatolia, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".

The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of <hl> Asia Minor <hl> .


Question: What is the origin of Sibyl?

Answer: Anatolia

A non-Greek origin of Apollo has long been assumed in scholarship. The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of Asia Minor. <hl> The inspiration oracular cult was probably introduced into Greece from Anatolia , which is the origin of Sibyl, and where existed some of the oldest oracular shrines. <hl> Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".

A non-Greek origin of Apollo has long been assumed in scholarship. The name of Apollo's mother Leto has Lydian origin, and she was worshipped on the coasts of Asia Minor. The inspiration oracular cult was probably introduced into Greece from <hl> Anatolia <hl>, which is the origin of Sibyl, and where existed some of the oldest oracular shrines. Omens, symbols, purifications, and exorcisms appear in old Assyro-Babylonian texts, and these rituals were spread into the empire of the Hittites. In a Hittite text is mentioned that the king invited a Babylonian priestess for a certain "purification".

The inspiration oracular cult was probably introduced into Greece from <hl> Anatolia <hl> , which is the origin of Sibyl, and where existed some of the oldest oracular shrines.


Question: Who is the Cretan seer that purified Athen after the pollution brought by the Alcmeonidae?

A similar story is mentioned by Plutarch. He writes that the Cretan seer Epimenides purified Athens after the pollution brought by the Alcmeonidae, and that the seer's expertise in sacrifices and reform of funeral practices were of great help to Solon in his reform of the Athenian state. The story indicates that Epimenides was probably heir to the shamanic religions of Asia, and proves, together with the Homeric hymn, that Crete had a resisting religion up to historical times. It seems that these rituals were dormant in Greece, and they were reinforced when the Greeks migrated to Anatolia.

Answer: Epimenides

A similar story is mentioned by Plutarch. <hl> He writes that the Cretan seer Epimenides purified Athens after the pollution brought by the Alcmeonidae, and that the seer's expertise in sacrifices and reform of funeral practices were of great help to Solon in his reform of the Athenian state. <hl> The story indicates that Epimenides was probably heir to the shamanic religions of Asia, and proves, together with the Homeric hymn, that Crete had a resisting religion up to historical times. It seems that these rituals were dormant in Greece, and they were reinforced when the Greeks migrated to Anatolia.

A similar story is mentioned by Plutarch. He writes that the Cretan seer <hl> Epimenides <hl> purified Athens after the pollution brought by the Alcmeonidae, and that the seer's expertise in sacrifices and reform of funeral practices were of great help to Solon in his reform of the Athenian state. The story indicates that Epimenides was probably heir to the shamanic religions of Asia, and proves, together with the Homeric hymn, that Crete had a resisting religion up to historical times. It seems that these rituals were dormant in Greece, and they were reinforced when the Greeks migrated to Anatolia.


Question: Who told the story of the Cretan seer Epimenides?

Answer: Plutarch

<hl> A similar story is mentioned by Plutarch . <hl> He writes that the Cretan seer Epimenides purified Athens after the pollution brought by the Alcmeonidae, and that the seer's expertise in sacrifices and reform of funeral practices were of great help to Solon in his reform of the Athenian state. The story indicates that Epimenides was probably heir to the shamanic religions of Asia, and proves, together with the Homeric hymn, that Crete had a resisting religion up to historical times. It seems that these rituals were dormant in Greece, and they were reinforced when the Greeks migrated to Anatolia.

A similar story is mentioned by <hl> Plutarch <hl>. He writes that the Cretan seer Epimenides purified Athens after the pollution brought by the Alcmeonidae, and that the seer's expertise in sacrifices and reform of funeral practices were of great help to Solon in his reform of the Athenian state. The story indicates that Epimenides was probably heir to the shamanic religions of Asia, and proves, together with the Homeric hymn, that Crete had a resisting religion up to historical times. It seems that these rituals were dormant in Greece, and they were reinforced when the Greeks migrated to Anatolia.

A similar story is mentioned by <hl> Plutarch <hl> .


Question: What group was probably heir to the shemanic religions of Asia?

Answer: Epimenides

A similar story is mentioned by Plutarch. <hl> He writes that the Cretan seer Epimenides purified Athens after the pollution brought by the Alcmeonidae, and that the seer's expertise in sacrifices and reform of funeral practices were of great help to Solon in his reform of the Athenian state. <hl> The story indicates that Epimenides was probably heir to the shamanic religions of Asia, and proves, together with the Homeric hymn, that Crete had a resisting religion up to historical times. It seems that these rituals were dormant in Greece, and they were reinforced when the Greeks migrated to Anatolia.

A similar story is mentioned by Plutarch. He writes that the Cretan seer <hl> Epimenides <hl> purified Athens after the pollution brought by the Alcmeonidae, and that the seer's expertise in sacrifices and reform of funeral practices were of great help to Solon in his reform of the Athenian state. The story indicates that Epimenides was probably heir to the shamanic religions of Asia, and proves, together with the Homeric hymn, that Crete had a resisting religion up to historical times. It seems that these rituals were dormant in Greece, and they were reinforced when the Greeks migrated to Anatolia.