Question: Who was the first Doctor to travel with a married couple?

Answer: The Eleventh

Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble (Catherine Tate) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures. <hl> The Eleventh Doctor became the first to travel with a married couple, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), whilst out-of-sync meetings with River Song (Alex Kingston) and Clara Oswald (Jenna Coleman) provided ongoing story arcs. <hl> The tenth series will introduce Pearl Mackie as Bill, the Doctor's newest traveling companion.

Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble (Catherine Tate) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures. <hl> The Eleventh <hl> Doctor became the first to travel with a married couple, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), whilst out-of-sync meetings with River Song (Alex Kingston) and Clara Oswald (Jenna Coleman) provided ongoing story arcs. The tenth series will introduce Pearl Mackie as Bill, the Doctor's newest traveling companion.


Question: Who is the new companion for the 10th series of the revival?

Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble (Catherine Tate) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures. The Eleventh Doctor became the first to travel with a married couple, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), whilst out-of-sync meetings with River Song (Alex Kingston) and Clara Oswald (Jenna Coleman) provided ongoing story arcs. The tenth series will introduce Pearl Mackie as Bill, the Doctor's newest traveling companion.

Answer: Pearl Mackie as Bill

Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble (Catherine Tate) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures. The Eleventh Doctor became the first to travel with a married couple, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), whilst out-of-sync meetings with River Song (Alex Kingston) and Clara Oswald (Jenna Coleman) provided ongoing story arcs. <hl> The tenth series will introduce Pearl Mackie as Bill , the Doctor's newest traveling companion. <hl>

Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble (Catherine Tate) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures. The Eleventh Doctor became the first to travel with a married couple, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), whilst out-of-sync meetings with River Song (Alex Kingston) and Clara Oswald (Jenna Coleman) provided ongoing story arcs. The tenth series will introduce <hl> Pearl Mackie as Bill <hl>, the Doctor's newest traveling companion.

The tenth series will introduce <hl> Pearl Mackie as Bill <hl> , the Doctor's newest traveling companion.


Question: Who played the companion named Donna Noble?

Answer: Catherine Tate

Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. <hl> The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble ( Catherine Tate ) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures. <hl> The Eleventh Doctor became the first to travel with a married couple, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), whilst out-of-sync meetings with River Song (Alex Kingston) and Clara Oswald (Jenna Coleman) provided ongoing story arcs. The tenth series will introduce Pearl Mackie as Bill, the Doctor's newest traveling companion.

Since the 2005 revival, the Doctor generally travels with a primary female companion, who occupies a larger narrative role. Steven Moffat described the companion as the main character of the show, as the story begins anew with each companion and she undergoes more change than the Doctor. The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble (<hl> Catherine Tate <hl>) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures. The Eleventh Doctor became the first to travel with a married couple, Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill), whilst out-of-sync meetings with River Song (Alex Kingston) and Clara Oswald (Jenna Coleman) provided ongoing story arcs. The tenth series will introduce Pearl Mackie as Bill, the Doctor's newest traveling companion.

The primary companions of the Ninth and Tenth Doctors were Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman), and Donna Noble ( <hl> Catherine Tate <hl> ) with Mickey Smith (Noel Clarke) and Jack Harkness (John Barrowman) recurring as secondary companion figures.


Question: Who was the executive producer of the 2005 Doctor Who revival series?

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

Answer: Russell T Davies

<hl> With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. <hl> Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

With the show's 2005 revival, executive producer <hl> Russell T Davies <hl> stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.


Question: When were the Daleks reintroduced in the revival series?

Answer: series 1

<hl> With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1 , Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. <hl> Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in <hl> series 1 <hl>, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in <hl> series 1 <hl> , Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials.


Question: What icons were reintroduced in series 2 of the revival show?

Answer: Cybermen

<hl> With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. <hl> Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, <hl> Cybermen <hl> in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.


Question: In what series was the Master reintroduced?

Answer: 3

<hl> With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series 3 , the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. <hl> Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series <hl> 3 <hl>, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series <hl> 3 <hl> , the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials.


Question: Who was reintroduced for the 50th Anniversary special?

Answer: Zygons

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. <hl> Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and Zygons in the 50th Anniversary Special. <hl> Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.

With the show's 2005 revival, executive producer Russell T Davies stated his intention to reintroduce classic icons of Doctor Who one step at a time: the Autons with the Nestene Consciousness and Daleks in series 1, Cybermen in series 2, the Macra and the Master in series 3, the Sontarans and Davros in series 4, and the Time Lords (Rassilon) in the 2009–10 Specials. Davies' successor, Steven Moffat, has continued the trend by reviving the Silurians in series 5, Cybermats in series 6, the Great Intelligence and the Ice Warriors in Series 7, and <hl> Zygons <hl> in the 50th Anniversary Special. Since its 2005 return, the series has also introduced new recurring aliens: Slitheen (Raxacoricofallapatorian), Ood, Judoon, Weeping Angels and the Silence.


Question: Who are the oldest villains from the Doctor Who series?

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

Answer: The Dalek race

<hl> The Dalek race , which first appeared in the show's second serial in 1963, are Doctor <hl> Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

<hl> The Dalek race <hl>, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

<hl> The Dalek race <hl> , which first appeared in the show's second serial in 1963, are Doctor


Question: What planet do the Daleks come from?

Answer: Skaro

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. <hl> The Daleks are Kaleds from the planet Skaro , mutated by the scientist Davros and housed in mechanical armour shells for mobility. <hl> The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet <hl> Skaro <hl>, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

The Daleks are Kaleds from the planet <hl> Skaro <hl> , mutated by the scientist Davros and housed in mechanical armour shells for mobility.


Question: What is the primary mission of the Daleks?

Answer: to "exterminate" all non-Dalek beings

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. <hl> Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings . <hl> They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is <hl> to "exterminate" all non-Dalek beings <hl>. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is <hl> to "exterminate" all non-Dalek beings <hl> .


Question: What scientist created the Daleks, by mutation?

Answer: Davros

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. <hl> The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. <hl> The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist <hl> Davros <hl> and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is their eyestalk; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.


Question: What is the Daleks' main weakness?

Answer: their eyestalk

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. <hl> Their main weakness is their eyestalk ; attacks upon them using various weapons can blind a Dalek, making it go mad. <hl> Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

The Dalek race, which first appeared in the show's second serial in 1963, are Doctor Who's oldest villains. The Daleks are Kaleds from the planet Skaro, mutated by the scientist Davros and housed in mechanical armour shells for mobility. The actual creatures resemble octopi with large, pronounced brains. Their armour shells have a single eye-stalk, a sink-plunger-like device that serves the purpose of a hand, and a directed-energy weapon. Their main weakness is <hl> their eyestalk <hl>; attacks upon them using various weapons can blind a Dalek, making it go mad. Their chief role in the series plot, as they frequently remark in their instantly recognisable metallic voices, is to "exterminate" all non-Dalek beings. They even attack the Time Lords in the Time War, as shown during the 50th Anniversary of the show. They continue to be a recurring 'monster' within the Doctor Who franchise, their most recent appearances being in the 2015 episodes "The Witch's Familiar" and "Hell Bent". Davros has also been a recurring figure since his debut in Genesis of the Daleks, although played by several different actors.

Their main weakness is <hl> their eyestalk <hl> ; attacks upon them using various weapons can blind a Dalek, making it go mad.


Question: Who is the archenemy of Doctor Who?

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

Answer: The Master

<hl> The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. <hl> Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

<hl> The Master <hl> is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.


Question: What title do both Doctor Who and the Master share?

Answer: Time Lord

<hl> The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. <hl> Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

The Master is the Doctor's archenemy, a renegade <hl> Time Lord <hl> who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.


Question: Who played the Master in the 1996 TV movie?

Answer: Eric Roberts

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. <hl> The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts . <hl>

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor <hl> Eric Roberts <hl>.

The Master returned in the 1996 television movie of Doctor Who, and was played by American actor <hl> Eric Roberts <hl> .


Question: What literary reference compares the Master to Doctor Who?

Answer: Professor Moriarty to the Doctor's Sherlock Holmes

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. <hl> Conceived as " Professor Moriarty to the Doctor's Sherlock Holmes ", the character first appeared in 1971. <hl> As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "<hl> Professor Moriarty to the Doctor's Sherlock Holmes <hl>", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

Conceived as " <hl> Professor Moriarty to the Doctor's Sherlock Holmes <hl> ", the character first appeared in 1971.


Question: Who was the first person to play the Master?

Answer: Roger Delgado

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. <hl> As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was Roger Delgado , who continued in the role until his death in 1973. <hl> The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

The Master is the Doctor's archenemy, a renegade Time Lord who desires to rule the universe. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes", the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was <hl> Roger Delgado <hl>, who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's hiatus in 1989. The Master returned in the 1996 television movie of Doctor Who, and was played by American actor Eric Roberts.

As with the Doctor, the role has been portrayed by several actors, since the Master is a Time Lord as well and able to regenerate; the first of these actors was <hl> Roger Delgado <hl> , who continued in the role until his death in 1973.


Question: Who first played the Master in the 2007 series?

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

Answer: Derek Jacobi

<hl> Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". <hl> During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

Following the series revival in 2005, <hl> Derek Jacobi <hl> provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.


Question: What was the 2007 episode that featured the Master's return?

Answer: Utopia

<hl> Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode " Utopia ". <hl> During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "<hl> Utopia <hl>". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode " <hl> Utopia <hl> ".


Question: In what year did the Master reincarnate into a female body?

Answer: 2014

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. <hl> As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). <hl> This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the <hl> 2014 <hl> episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.


Question: What is the nickname of the female Master?

Answer: Missy

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. <hl> As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of " Missy " (short for Mistress, the feminine equivalent of "Master"). <hl> This incarnation is played by Michelle Gomez.

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "<hl> Missy <hl>" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by Michelle Gomez.

As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of " <hl> Missy <hl> " (short for Mistress, the feminine equivalent of "Master").


Question: What actress plays the female Master?

Answer: Michelle Gomez

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). <hl> This incarnation is played by Michelle Gomez . <hl>

Following the series revival in 2005, Derek Jacobi provided the character's re-introduction in the 2007 episode "Utopia". During that story the role was then assumed by John Simm who returned to the role multiple times through the Tenth Doctor's tenure. As of the 2014 episode "Dark Water," it was revealed that the Master had become a female incarnation or "Time Lady," going by the name of "Missy" (short for Mistress, the feminine equivalent of "Master"). This incarnation is played by <hl> Michelle Gomez <hl>.

This incarnation is played by <hl> Michelle Gomez <hl> .


Question: Who composed the original Doctor Who theme?

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

Answer: Ron Grainer

<hl> The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. <hl> The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by <hl> Ron Grainer <hl> and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: What workshop helped with the creation of the Doctor Who theme?

Answer: the BBC Radiophonic Workshop

<hl> The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop , with assistance from Dick Mills. <hl> The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of <hl> the BBC Radiophonic Workshop <hl>, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of <hl> the BBC Radiophonic Workshop <hl> , with assistance from Dick Mills.


Question: What kind of techniques were used to create the theme?

Answer: musique concrète

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. <hl> The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. <hl> The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using <hl> musique concrète <hl> techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: When was the last season that this original theme was used?

Answer: 17

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. <hl> The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). <hl> It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season <hl> 17 <hl> (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "Did I write that?"[citation needed]


Question: Upon hearing the final product, what was the creator quoted as saying?

Answer: Did I write that?

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. <hl> On hearing the finished result, Grainer asked, " Did I write that? "[citation needed] <hl>

The original theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up using musique concrète techniques, by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of season 17 (1979–80). It is regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesisers or multitrack mixers. Each note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators, intended for calibrating equipment and rooms, not creating music. New techniques were invented to allow mixing of the music, as this was before the era of multitrack tape machines. On hearing the finished result, Grainer asked, "<hl> Did I write that? <hl>"[citation needed]

On hearing the finished result, Grainer asked, " <hl> Did I write that? <hl> "[citation needed]


Question: Who recorded the theme played for season 18?

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

Answer: Peter Howell

<hl> A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). <hl> Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by <hl> Peter Howell <hl> for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: Who created the theme used in 1986?

Answer: Dominic Glynn

<hl> A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn 's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). <hl> Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by <hl> Dominic Glynn <hl>'s arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by <hl> Dominic Glynn <hl> 's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986).


Question: For which Doctor did Keff McCulloch provide the theme?

Answer: Seventh

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). <hl> Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. <hl> American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the <hl> Seventh <hl> Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: Who created the 2005 theme for Doctor Who?

Answer: Murray Gold

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. <hl> For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed] <hl>

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, <hl> Murray Gold <hl> provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: In what show did Murray Gold modify the closing credits theme?

Answer: The Christmas Invasion

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. <hl> For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode " The Christmas Invasion ", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed] <hl>

A different arrangement was recorded by Peter Howell for season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for the season-long serial The Trial of a Time Lord in season 23 (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from season 24 (1987) until the series' suspension in 1989. American composer John Debney created a new arrangement of Ron Grainer's original theme for Doctor Who in 1996. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "<hl> The Christmas Invasion <hl>", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]

For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode " <hl> The Christmas Invasion <hl> ", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.[citation needed]


Question: What was the name of the 2007 Christmas special?

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

Answer: Voyage of the Damned

<hl> A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, " Voyage of the Damned "; Gold returned as composer for the 2010 series. <hl> He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "<hl> Voyage of the Damned <hl>"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, " <hl> Voyage of the Damned <hl> "; Gold returned as composer for the 2010 series.


Question: What radio station did the Doctor Who theme reach the charts on in 2011?

Answer: Classic FM's Hall of Fame

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. <hl> In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame , a survey of classical music tastes. <hl> A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station <hl> Classic FM's Hall of Fame <hl>, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

In 2011, the theme tune charted at number 228 of radio station <hl> Classic FM's Hall of Fame <hl> , a survey of classical music tastes.


Question: Which series version had a negative reception from some Doctor Who viewers?

Answer: 2010

<hl> A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. <hl> He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the <hl> 2010 <hl> series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]


Question: How high did the Doctor Who theme go on the radio charts?

Answer: 228

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. <hl> In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. <hl> A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number <hl> 228 <hl> of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]


Question: Who was the creator of the theme for the 50th Anniversary special?

Answer: Gold

<hl> A new arrangement of the theme, once again by Gold , was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. <hl> He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by <hl> Gold <hl>, was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series. He was responsible for a new version of the theme which was reported to have had a hostile reception from some viewers. In 2011, the theme tune charted at number 228 of radio station Classic FM's Hall of Fame, a survey of classical music tastes. A revised version of Gold's 2010 arrangement had its debut over the opening titles of the 2012 Christmas special "The Snowmen", and a further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor" in November 2013.[citation needed]

A new arrangement of the theme, once again by <hl> Gold <hl> , was introduced in the 2007 Christmas special episode, "Voyage of the Damned"; Gold returned as composer for the 2010 series.


Question: Who recorded a version of the Doctor Who theme with spoken lyrics in the 1970's?

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Answer: Jon Pertwee

Versions of the "Doctor Who Theme" have also been released as pop music over the years. <hl> In the early 1970s, Jon Pertwee , who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, <hl> Jon Pertwee <hl>, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In the early 1970s, <hl> Jon Pertwee <hl> , who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts.


Question: Who released a disco version of the Doctor Who theme?

Answer: Mankind

Versions of the "Doctor Who Theme" have also been released as pop music over the years. <hl> In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind , which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group <hl> Mankind <hl>, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group <hl> Mankind <hl> , which reached number 24 in the UK charts.


Question: How high on the charts did the Mankind version of the theme go?

Answer: number 24

Versions of the "Doctor Who Theme" have also been released as pop music over the years. <hl> In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached <hl> number 24 <hl> in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.


Question: What was the name of the Doctor Who-related song released in 1988?

Answer: Doctorin' the Tardis

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " Doctorin' the Tardis " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). <hl> Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "<hl> Doctorin' the Tardis <hl>" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " <hl> Doctorin' the Tardis <hl> " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis").


Question: Which Doctor Who-related song reached Number One in the UK?

Answer: Doctorin' the Tardis

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. <hl> In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " Doctorin' the Tardis " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). <hl> Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

Versions of the "Doctor Who Theme" have also been released as pop music over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor".[note 6] In 1978 a disco version of the theme was released in the UK, Denmark and Australia by the group Mankind, which reached number 24 in the UK charts. In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "<hl> Doctorin' the Tardis <hl>" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis"). Others who have covered or reinterpreted the theme include Orbital, Pink Floyd, the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, Thin Lizzy, Dub Syndicate, and the comedians Bill Bailey and Mitch Benn. Both the theme and obsessive fans were satirised on The Chaser's War on Everything. The theme tune has also appeared on many compilation CDs, and has made its way into mobile-phone ringtones. Fans have also produced and distributed their own remixes of the theme. In January 2011 the Mankind version was released as a digital download on the album Gallifrey And Beyond.

In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single " <hl> Doctorin' the Tardis <hl> " under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis").


Question: Who was the most frequent musical contributor to Doctor Who in the first 15 years of the show?

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

Answer: Dudley Simpson

<hl> The most frequent musical contributor during the first 15 years was Dudley Simpson , who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. <hl> Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was <hl> Dudley Simpson <hl>, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was <hl> Dudley Simpson <hl> , who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People.


Question: What was the episode name of Simpson's first Doctor Who score?

Answer: Planet of Giants

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. <hl> Simpson's first Doctor Who score was Planet of Giants (1964) <hl> and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was <hl> Planet of Giants <hl> (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).


Question: In what decades was Dudley Simpson most active in contributing to Doctor Who?

Answer: the 1960s and 1970s

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. <hl> Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s , including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). <hl> He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

The most frequent musical contributor during the first 15 years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of <hl> the 1960s and 1970s <hl>, including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of <hl> the 1960s and 1970s <hl> , including most of the stories of the Jon Pertwee/Tom Baker periods, ending with The Horns of Nimon (1979).