Question: what single introduced dub and reggae into the house sound?

Answer: "Release the Pressure"

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. <hl> The music continued to grow and change, as typified by Leftfield with "Release the Pressure" , which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. <hl>

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with <hl> "Release the Pressure" <hl>, which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

The music continued to grow and change, as typified by Leftfield with <hl> "Release the Pressure" <hl> , which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.


Question: who recorded the hit single "release the pressure"?

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.

Answer: Leftfield

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. <hl> The music continued to grow and change, as typified by Leftfield with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records. <hl>

In England, one of the few licensed venues The Eclipse attracted people from up and down the country as it was open until the early hours. The Criminal Justice and Public Order Act 1994 was a government attempt to ban large rave dance events featuring music with "repetitive beats". There were a number of abortive "Kill the Bill" demonstrations. The Spiral Tribe at Castle Morten was probably the nail in the coffin for illegal raves, and forced through the bill, which became law, in November 1994. The music continued to grow and change, as typified by <hl> Leftfield <hl> with "Release the Pressure", which introduced dub and reggae into the house sound, although Leftfield had prior releases, such as "Not Forgotten" released in 1990 on Sheffield's Outer Rhythm records.


Question: where was a new type of club called Cream located?

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

Answer: Liverpool

<hl> A new generation of clubs such as Liverpool 's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. <hl> Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as <hl> Liverpool <hl>'s Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as <hl> Liverpool <hl> 's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds.


Question: what was a new subgenre of house in chicago, developed by bad boy bill and others, called?

Answer: Chicago hard house

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. <hl> A new subgenre, Chicago hard house , was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. <hl> Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, <hl> Chicago hard house <hl>, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new subgenre, <hl> Chicago hard house <hl> , was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together.


Question: george centeno, darren ramirez, and martin o. cairo developed a hard house sound in what city?

Answer: Los Angeles

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. <hl> Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. <hl> Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the <hl> Los Angeles <hl> Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: what was another name for hardcore techno from the netherlands?

Answer: gabber

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. <hl> Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. <hl> These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. Major record companies began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to <hl> gabber <hl> or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: who began opening "superclubs"?

Answer: Major record companies

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. <hl> Major record companies began to open "superclubs" promoting their own acts. <hl> These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.

A new generation of clubs such as Liverpool's Cream and the Ministry of Sound were opened to provide a venue for more commercial sounds. <hl> Major record companies <hl> began to open "superclubs" promoting their own acts. These superclubs entered into sponsorship deals initially with fast food, soft drinks, and clothing companies. Flyers in clubs in Ibiza often sported many corporate logos. A new subgenre, Chicago hard house, was developed by DJs such as Bad Boy Bill, DJ Lynnwood, DJ Irene, Richard "Humpty" Vission and DJ Enrie, mixing elements of Chicago house, funky house and hard house together. Additionally, Producers such as George Centeno, Darren Ramirez, and Martin O. Cairo would develop the Los Angeles Hard House sound. Similar to gabber or hardcore techno from the Netherlands, this sound was often associated with the "rebel" culture of the time. These 3 producers are often considered "ahead of their time" since many of the sounds they engineered during the late 20th century became more prominent during the 21st century.


Question: Daft Punk began producing a new sound out of what european city?

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Answer: Paris

<hl> Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris 's <hl> house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris <hl>'s house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris <hl> 's


Question: When did Daft Punk begin producing a new sound?

Answer: end of the 1990s and into the 2000s

<hl> Towards the end of the 1990s and into the 2000s , producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. <hl> Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the <hl> end of the 1990s and into the 2000s <hl>, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the <hl> end of the 1990s and into the 2000s <hl> , producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene.


Question: Daft Punk, Stardust, Cassius, St. Germain, and DJ Falcon all came from what scene?

Answer: Paris's house scene

<hl> Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of Paris's house scene . <hl> Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris's house scene <hl>. Together, they laid the groundwork for what would be known as the French house movement. By combining the harder-edged-yet-soulful philosophy of Chicago house with the melodies of obscure funk, state-of-the-art production techniques and the sound of analog synthesizers, they began to create the standards that would shape all house music.

Towards the end of the 1990s and into the 2000s, producers such as Daft Punk, Stardust, Cassius, St. Germain and DJ Falcon began producing a new sound out of <hl> Paris's house scene <hl> .


Question: When was House Unity Day in Chicago?

Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

Answer: August 10, 2005

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

Chicago Mayor Richard M. Daley proclaimed <hl> August 10, 2005 <hl> to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: Who proclaimed House Unity Day in Chicago?

Answer: Chicago Mayor Richard M. Daley

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

<hl> Chicago Mayor Richard M. Daley <hl> proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: In 2005, what anniversary was house music celebrating?

Answer: "21st anniversary of house music"

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the <hl> "21st anniversary of house music" <hl> (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: what was recognized as the original home of house music in 2005?

Answer: Chicago

<hl> Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). <hl> The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.

<hl> Chicago <hl> Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series, an event organized by Chicago's Department of Cultural Affairs.


Question: What event was organized by Chicago's Department of Cultural Affairs to celebrate house music?

Answer: Summer Dance Series

Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". <hl> DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the Summer Dance Series , an event organized by Chicago's Department of Cultural Affairs. <hl>

Chicago Mayor Richard M. Daley proclaimed August 10, 2005 to be "House Unity Day" in Chicago, in celebration of the "21st anniversary of house music" (actually the 21st anniversary of the founding of Trax Records, an independent Chicago-based house label). The proclamation recognized Chicago as the original home of house music and that the music's original creators "were inspired by the love of their city, with the dream that someday their music would spread a message of peace and unity throughout the world". DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the <hl> Summer Dance Series <hl>, an event organized by Chicago's Department of Cultural Affairs.

DJs such as Frankie Knuckles, Marshall Jefferson, Paul Johnson and Mickey Oliver celebrated the proclamation at the <hl> Summer Dance Series <hl> , an event organized by Chicago's Department of Cultural Affairs.


Question: Defected Records was at the forefront of what type of house music?

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

Answer: vocal house

<hl> It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that <hl> vocal house <hl> became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.


Question: Roule and Om was at the forefront of what type of house music?

Answer: vocal house

<hl> It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that <hl> vocal house <hl> became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.


Question: Dennis Ferrer produced what type of house fusion?

Answer: electro house and fidget house

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s, fusion genres such as electro house and fidget house emerged.[citation needed] <hl> This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the mid-2000s, fusion genres such as <hl> electro house and fidget house <hl> emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.


Question: in what time period did fusion genres of house emerge?

Answer: mid-2000s

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. <hl> In the mid-2000s , fusion genres such as electro house and fidget house emerged.[citation needed] <hl> This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

It was during this decade that vocal house became firmly established, both in the underground and as part of the pop market, and labels such as Defected Records, Roule and Om were at the forefront of championing the emerging sound. In the <hl> mid-2000s <hl>, fusion genres such as electro house and fidget house emerged.[citation needed] This fusion is apparent in the crossover of musical styles by artists such as Dennis Ferrer and Booka Shade, with the former's production style having evolved from the New York soulful house scene and the latter's roots in techno.

In the <hl> mid-2000s <hl> , fusion genres such as electro house and fidget house emerged.[citation needed]


Question: Where did the Winter Music Conference take place?

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Answer: Miami

<hl> Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami 's <hl> Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like <hl> Miami <hl>'s Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like <hl> Miami <hl> 's


Question: The Shambhala Music Festival was dedicated to what?

Answer: house music

<hl> Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to <hl> house music <hl> were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.


Question: where did house music gain popularity in the middle east?

Answer: Dubai & Abu Dhabi

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi [citation needed] and at events like Creamfields. <hl>

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as <hl> Dubai & Abu Dhabi <hl>[citation needed] and at events like Creamfields.

The genre even gained popularity in the Middle East in cities such as <hl> Dubai & Abu Dhabi <hl> [citation needed] and at events like Creamfields.


Question: what event led to an increase in popularity for house music in the middle east?

Answer: Creamfields

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields . <hl>

Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like <hl> Creamfields <hl>.

The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like <hl> Creamfields <hl> .


Question: what large event in Miami was industry sponsored?

Answer: Shambhala Music Festival

<hl> Numerous live performance events dedicated to house music were founded during the course of the decade, including Shambhala Music Festival and major industry sponsored events like Miami's Winter Music Conference. <hl> The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.

Numerous live performance events dedicated to house music were founded during the course of the decade, including <hl> Shambhala Music Festival <hl> and major industry sponsored events like Miami's Winter Music Conference. The genre even gained popularity in the Middle East in cities such as Dubai & Abu Dhabi[citation needed] and at events like Creamfields.


Question: What was different about swedish progressive house music?

2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

Answer: snare-less

2010s saw multiple new sounds in house music developed by numerous DJs. <hl> Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. <hl> Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of <hl> snare-less <hl> "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.


Question: Sebastian Ingrosso, Axwell, and Steve Angello formed what successful trio?

Answer: Swedish House Mafia

2010s saw multiple new sounds in house music developed by numerous DJs. <hl> Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia ), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. <hl> Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called <hl> Swedish House Mafia <hl>), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called <hl> Swedish House Mafia <hl> ), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc.


Question: What concept is characterized by abrasive leads and darker arpeggios?

Answer: Dirty Dutch

2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. <hl> Netherlands brought together a concept of " Dirty Dutch ", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. <hl> Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "<hl> Dirty Dutch <hl>", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

Netherlands brought together a concept of " <hl> Dirty Dutch <hl> ", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc.


Question: Progressive house blended sounds were prominent in the song "Marry the Night" by what popular artist?

Answer: Lady Gaga

2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. <hl> The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga 's "Marry the Night", The Black Eyed Peas' <hl> "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

2010s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles <hl> Lady Gaga <hl>'s "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles <hl> Lady Gaga <hl> 's "Marry the Night", The Black Eyed Peas'


Question: Big room house has found increasing popularity since what year?

Answer: 2010

<hl> 2010 s saw multiple new sounds in house music developed by numerous DJs. <hl> Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

<hl> 2010 <hl>s saw multiple new sounds in house music developed by numerous DJs. Sweden knew a prominence of snare-less "Swedish progressive house" with the emergence of Sebastian Ingrosso, Axwell, Steve Angello (These three formed a trio called Swedish House Mafia), Avicii, Alesso, etc. Netherlands brought together a concept of "Dirty Dutch", electro house subgenre characterized by very abrasive leads and darker arpeggios, with prominent DJs Chuckie, Hardwell, Laidback Luke, Afrojack, R3hab, Bingo Players, Quintino, Alvaro, Cedric Gervais, 2G, etc. Elsewhere, fusion genres derivative of 2000s progressive house returned to prominence, especially with the help of DJs Calvin Harris, Eric Prydz, Mat Zo, Above & Beyond and Fonzerelli in Europe, Deadmau5, Kaskade, Steve Aoki, Porter Robinson and Wolfgang Gartner in the US and Canada. The growing popularity of such artists led to the emergence of electro house and progressive house blended sounds in popular music, such as singles Lady Gaga's "Marry the Night", The Black Eyed Peas' "The Best One Yet (The Boy)" and the will.i.am and Britney Spears "Scream & Shout". Big room house found increasing popularity since 2010, particularly through international dance music festivals such as Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.

<hl> 2010 <hl> s saw multiple new sounds in house music developed by numerous DJs.


Question: There has been a reunification of contemporary house with what?

In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce.

Answer: its roots

<hl> In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots . <hl> Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce.

In addition to these popular examples of house, there has also been a reunification of contemporary house and <hl> its roots <hl>. Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce.

In addition to these popular examples of house, there has also been a reunification of contemporary house and <hl> its roots <hl> .


Question: Why do many hip hop and R&B artists turn to house music?

Answer: to add a mass appeal to the music they produce

In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. <hl> Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce . <hl>

In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many hip hop and R&B artists also turn to house music <hl> to add a mass appeal to the music they produce <hl>.

Many hip hop and R&B artists also turn to house music <hl> to add a mass appeal to the music they produce <hl> .


Question: What genre of artists has recently turned to house music to add mass appeal?

Answer: hip hop and R&B

In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. <hl> Many hip hop and R&B artists also turn to house music to add a mass appeal to the music they produce. <hl>

In addition to these popular examples of house, there has also been a reunification of contemporary house and its roots. Many <hl> hip hop and R&B <hl> artists also turn to house music to add a mass appeal to the music they produce.


Question: The terms uppercase and lowercase originated from the common layout which type of drawers?

The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller.

Answer: shallow

The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). <hl> These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. <hl> Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller.

The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the <hl> shallow <hl> drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller.


Question: Besides being a single word or two separate words, how can the words uppercase and lowercase be expressed?

Answer: hyphen

<hl> The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). <hl> These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller.

The terms upper case and lower case can be written as two consecutive words, connected with a <hl> hyphen <hl> (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller.


Question: In relation to the shelf the small letters were located, where were the capital letters?

Answer: located above

The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. <hl> Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller. <hl>

The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the capital letters were stored in a separate case that was <hl> located above <hl> the case that held the small letters, and the name proved easy to remember since capital letters are taller.


Question: Which characteristic of capital letters made it easy to remember.

Answer: taller

The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. <hl> Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are taller . <hl>

The terms upper case and lower case can be written as two consecutive words, connected with a hyphen (upper-case and lower-case), or as a single word (uppercase and lowercase). These terms originated from the common layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are <hl> taller <hl>.

Traditionally, the capital letters were stored in a separate case that was located above the case that held the small letters, and the name proved easy to remember since capital letters are <hl> taller <hl> .


Question: What is the basis of capitalization standards for the sentence-style capitalization?

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

Answer: sentences

<hl> The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences . <hl> This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for <hl> sentences <hl>. This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for <hl> sentences <hl> .


Question: What is the popular capitalization structure and standard used by many British publishers and U.S. newspapers?

Answer: sentence-style

<hl> The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. <hl> This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use <hl> sentence-style <hl> capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.


Question: What is an alternative name for sentence-style capitalization?

Answer: sentence case

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. <hl> This convention is usually called sentence case . <hl> It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called <hl> sentence case <hl>. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

This convention is usually called <hl> sentence case <hl> .


Question: Which popular global publisher utilizes sentence case for titles and headers?

Answer: International Organization for Standardization

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. <hl> Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization . <hl>

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called sentence case. It may also be applied to publication titles, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the <hl> International Organization for Standardization <hl>.

Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the <hl> International Organization for Standardization <hl> .


Question: Besides headlines, what is sentence-style capitalization often applied to?

Answer: publication titles

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called sentence case. <hl> It may also be applied to publication titles , especially in bibliographic references and library catalogues. <hl> Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

The convention followed by many British publishers (including scientific publishers, like Nature, magazines, like The Economist and New Scientist, and newspapers, like The Guardian and The Times) and U.S. newspapers is to use sentence-style capitalisation in headlines, where capitalisation follows the same rules that apply for sentences. This convention is usually called sentence case. It may also be applied to <hl> publication titles <hl>, especially in bibliographic references and library catalogues. Examples of global publishers whose English-language house styles prescribe sentence-case titles and headings include the International Organization for Standardization.

It may also be applied to <hl> publication titles <hl> , especially in bibliographic references and library catalogues.


Question: Which century did the lower-case script for the Greek Alphabet originate?

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

Answer: 7th

Similar developments have taken place in other alphabets. <hl> The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. <hl> Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the <hl> 7th <hl> century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).


Question: Which century did the Greek alphabet acquire its quadrilinear form?

Answer: 8th

Similar developments have taken place in other alphabets. <hl> The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. <hl> Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the <hl> 8th <hl> century. Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).


Question: Overtime which type of letter forms were mixed increasingly into the Greek language script?

Answer: uncial

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. <hl> Over time, uncial letter forms were increasingly mixed into the script. <hl> The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, <hl> uncial <hl> letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).


Question: Which year is the earliest dated Greek lower-case text?

Answer: 835

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. <hl> The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835 .[citation needed] <hl> The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year <hl> 835 <hl>.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year <hl> 835 <hl> .[citation needed]


Question: In which literature is the earliest dated Greek lower-case text?

Answer: Uspenski Gospels

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. <hl> The earliest dated Greek lower-case text is the Uspenski Gospels (MS 461) in the year 835.[citation needed] <hl> The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).

Similar developments have taken place in other alphabets. The lower-case script for the Greek alphabet has its origins in the 7th century and acquired its quadrilinear form in the 8th century. Over time, uncial letter forms were increasingly mixed into the script. The earliest dated Greek lower-case text is the <hl> Uspenski Gospels <hl> (MS 461) in the year 835.[citation needed] The modern practice of capitalising the first letter of every sentence seems to be imported (and is rarely used when printing Ancient Greek materials even today).


Question: In orthography and typography, what is the distinction between the letters that are in larger upper case and lower upper case

In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):

Answer: letter case

<hl> In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. <hl> Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):

In orthography and typography, <hl> letter case <hl> (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):


Question: Minuscule is a term uses to describe which case of letter?

Answer: smaller lower

<hl> In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. <hl> Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):

In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and <hl> smaller lower <hl> case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):


Question: Capital letters refer to which case of letter?

Answer: larger upper

<hl> In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. <hl> Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):

In orthography and typography, letter case (or just case) is the distinction between the letters that are in <hl> larger upper <hl> case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):


Question: Letter case is used to distinction betweem lowercase and uppercase letter in which common representation of certain languages?

Answer: written

<hl> In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the written representation of certain languages. <hl> Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):

In orthography and typography, letter case (or just case) is the distinction between the letters that are in larger upper case (also capital letters, capitals, caps, large letters, or more formally majuscule, see Terminology) and smaller lower case (also small letters, or more formally minuscule, see Terminology) in the <hl> written <hl> representation of certain languages. Here is a comparison of the upper and lower case versions of each letter included in the English alphabet (the exact representation will vary according to the font used):


Question: Capitalization in English is universally standardized for which type of writing?

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.

Answer: formal

<hl> Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. <hl> (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for <hl> formal <hl> writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.


Question: In English the first letter of a sentence is which type of letter?

Answer: capital

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) <hl> In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. <hl> There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, <hl> capital <hl> letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.


Question: What is capitalization commonly use to indicate in poetry independent of any grammatical feature?

Answer: beginning of a line of verse

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). <hl> In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature. <hl>

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the <hl> beginning of a line of verse <hl> independent of any grammatical feature.


Question: How is the first letter of a first-person pronoun handled mid sentence in English?

Answer: capitalised

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. <hl> The names of the days of the week and the names of the months are also capitalised , as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). <hl> Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also <hl> capitalised <hl>, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.

The names of the days of the week and the names of the months are also <hl> capitalised <hl> , as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "oh" being preferred).


Question: The interjection "O" has been replaced by which more common and preferred word in English?

Answer: oh

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. <hl> The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with " oh " being preferred). <hl> Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.

Capitalisation in English, in terms of the general orthographic rules independent of context (e.g. title vs. heading vs. text), is universally standardized for formal writing. (Informal communication, such as texting, instant messaging or a handwritten sticky note, may not bother, but that is because its users usually do not expect it to be formal.) In English, capital letters are used as the first letter of a sentence, a proper noun, or a proper adjective. There are a few pairs of words of different meanings whose only difference is capitalisation of the first letter. The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with "<hl> oh <hl>" being preferred). Other words normally start with a lower-case letter. There are, however, situations where further capitalisation may be used to give added emphasis, for example in headings and titles (see below). In some traditional forms of poetry, capitalisation has conventionally been used as a marker to indicate the beginning of a line of verse independent of any grammatical feature.

The names of the days of the week and the names of the months are also capitalised, as are the first-person pronoun "I" and the interjection "O" (although the latter is uncommon in modern usage, with " <hl> oh <hl> " being preferred).