Question: Who began reporting Beyoncé's annual earnings, starting in 2008?

Answer: Forbes

<hl> Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. <hl> They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.

<hl> Forbes <hl> magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.


Question: When did Beyoncé become the highest paid black musician, ever?

Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.

Answer: April 2014.

Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. <hl> MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. <hl> This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.

Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in <hl> April 2014. <hl> In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.


Question: Who predicted that Beyoncé would become the highest paid black entertainer?

Answer: MTV

Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. <hl> MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. <hl> In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.

Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In 2013, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. <hl> MTV <hl> estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.


Question: When did Jay Z and Beyoncé become the first music couple worth over a billion dollars?

Answer: 2013

Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. <hl> In 2013 , Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. <hl> That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.

Forbes magazine began reporting on Beyoncé's earnings in 2008, calculating that the $80 million earned between June 2007 to June 2008, for her music, tour, films and clothing line made her the world's best-paid music personality at the time, above Madonna and Celine Dion. They placed her fourth on the Celebrity 100 list in 2009 and ninth on the "Most Powerful Women in the World" list in 2010. The following year, Forbes placed her eighth on the "Best-Paid Celebrities Under 30" list, having earned $35 million in the past year for her clothing line and endorsement deals. In 2012, Forbes placed Beyoncé at number 16 on the Celebrity 100 list, twelve places lower than three years ago yet still having earned $40 million in the past year for her album 4, clothing line and endorsement deals. In the same year, Beyoncé and Jay Z placed at number one on the "World's Highest-Paid Celebrity Couples", for collectively earning $78 million. The couple made it into the previous year's Guinness World Records as the "highest-earning power couple" for collectively earning $122 million in 2009. For the years 2009 to 2011, Beyoncé earned an average of $70 million per year, and earned $40 million in 2012. In <hl> 2013 <hl>, Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry. That year, Beyoncé was published as the fourth most-powerful celebrity in the Forbes rankings. MTV estimated that by the end of 2014, Beyoncé would become the highest-paid black musician in history; she succeeded to do so in April 2014. In June 2014, Beyoncé ranked at #1 on the Forbes Celebrity 100 list, earning an estimated $115 million throughout June 2013 – June 2014. This in turn was the first time she had topped the Celebrity 100 list as well as being her highest yearly earnings to date. As of May 2015, her net worth is estimated to be $250 million.

In <hl> 2013 <hl> , Beyoncé's endorsements of Pepsi and H&M made her and Jay Z the world's first billion dollar couple in the music industry.


Question: Beyonce's range in singing is how many octaves?

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Answer: four

<hl> Beyoncé's vocal range spans four octaves. <hl> Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans <hl> four <hl> octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."


Question: who talked about Beyonce's tone and timbre as distinctive?

Answer: Jody Rosen

Beyoncé's vocal range spans four octaves. <hl> Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". <hl> While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. <hl> Jody Rosen <hl> highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."


Question: Which critic called Beyonce's voice "versatile"?

Answer: The Daily Mail

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. <hl> The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. <hl> Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. <hl> The Daily Mail <hl> calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."


Question: Which era was credited to have influenced Beyonce's singing style by Jody Rosen?

Answer: hip hop

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. <hl> The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop . <hl> Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and <hl> hip hop <hl>. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and <hl> hip hop <hl> .


Question: How many octaves does Beyonce have?

Answer: four octaves

<hl> Beyoncé's vocal range spans four octaves . <hl> Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans <hl> four octaves <hl>. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans <hl> four octaves <hl> .


Question: What did the Daily Mail say about Beyonce's voice?

Answer: versatile

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. <hl> The Daily Mail calls Beyoncé's voice " versatile ", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. <hl> Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "<hl> versatile <hl>", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

The Daily Mail calls Beyoncé's voice " <hl> versatile <hl> ", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop.


Question: What does Rosen claim influenced Beyonce's style?

Answer: hip hop

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. <hl> The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop . <hl> Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and <hl> hip hop <hl>. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and <hl> hip hop <hl> .


Question: What do other critics claim?

Answer: praise her range and power

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. <hl> Other critics praise her range and power , with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars." <hl>

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics <hl> praise her range and power <hl>, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Other critics <hl> praise her range and power <hl> , with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."


Question: How many octaves does Beyoncé's voice span?

Answer: four

<hl> Beyoncé's vocal range spans four octaves. <hl> Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans <hl> four <hl> octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."


Question: Why is Beyoncé known as the centerpiece of Destiny's Child?

Answer: Her vocal abilities

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. <hl> Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. <hl> The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. <hl> Her vocal abilities <hl> mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."


Question: New York Times' Jon Pareles calls Beyoncé's voice velvety yet what?

Answer: tart

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. <hl> Jon Pareles of The New York Times commented that her voice is "velvety yet tart , with an insistent flutter and reserves of soul belting". <hl> Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet <hl> tart <hl>, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Jon Pareles of The New York Times commented that her voice is "velvety yet <hl> tart <hl> , with an insistent flutter and reserves of soul belting".


Question: What does Jody Rosen say influenced Beyoncé's vocal style?

Answer: the hip hop era

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". <hl> Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. <hl> Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."

Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that <hl> the hip hop era <hl> highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."


Question: Music from Beyonce is generally categorized as what genre?

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Answer: R&B

<hl> Beyoncé's music is generally R&B , but she also incorporates pop, soul and funk into her songs. <hl> 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally <hl> R&B <hl>, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally <hl> R&B <hl> , but she also incorporates pop, soul and funk into her songs.


Question: Besides R&B, which genres does Beyonce dabble in?

Answer: pop, soul and funk

<hl> Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. <hl> 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates <hl> pop, soul and funk <hl> into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.


Question: Beyonce mostly releases English songs, but what other language did she release songs?

Answer: Spanish

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. <hl> While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several <hl> Spanish <hl> songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.


Question: Spanish songs Beyonce released were for what?

Answer: re-release of B'Day

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. <hl> While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day . <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the <hl> re-release of B'Day <hl>. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the <hl> re-release of B'Day <hl> .


Question: Beyonce was coached for her Spanish songs by which American?

Answer: Rudy Perez

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez . <hl>

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer <hl> Rudy Perez <hl>.

To record these, Beyoncé was coached phonetically by American record producer <hl> Rudy Perez <hl> .


Question: What kind of music does Beyonce do?

Answer: R&B

<hl> Beyoncé's music is generally R&B , but she also incorporates pop, soul and funk into her songs. <hl> 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally <hl> R&B <hl>, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally <hl> R&B <hl> , but she also incorporates pop, soul and funk into her songs.


Question: What language does she mainly sing?

Answer: English

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. <hl> While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases <hl> English <hl> songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.


Question: What other language has she sung?

Answer: Spanish

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. <hl> While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several <hl> Spanish <hl> songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.


Question: What album did she re-release in Spanish?

Answer: B'Day

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. <hl> While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from <hl> B'Day <hl> for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.


Question: What style of music does Beyoncé usually perform?

Answer: R&B

<hl> Beyoncé's music is generally R&B , but she also incorporates pop, soul and funk into her songs. <hl> 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally <hl> R&B <hl>, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally <hl> R&B <hl> , but she also incorporates pop, soul and funk into her songs.


Question: What language did Beyoncé release several songs in?

Answer: Spanish

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. <hl> While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several <hl> Spanish <hl> songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.


Question: Who coached Beyoncé for her Spanish recordings?

Answer: Rudy Perez.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez. <hl>

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer <hl> Rudy Perez. <hl>


Question: What album did the Spanish songs come from?

Answer: B'Day.

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. <hl> While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of B'Day. To record these, Beyoncé was coached phonetically by American record producer Rudy Perez. <hl>

Beyoncé's music is generally R&B, but she also incorporates pop, soul and funk into her songs. 4 demonstrated Beyoncé's exploration of 90s-style R&B, as well as further use of soul and hip hop than compared to previous releases. While she almost exclusively releases English songs, Beyoncé recorded several Spanish songs for Irreemplazable (re-recordings of songs from B'Day for a Spanish-language audience), and the re-release of <hl> B'Day. <hl> To record these, Beyoncé was coached phonetically by American record producer Rudy Perez.


Question: Beyonce does not create which aspect of her music?

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

Answer: beats

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. <hl> However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers. <hl>

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate <hl> beats <hl> herself, but typically comes up with melodies and ideas during production, sharing them with producers.


Question: An example of a song aimed towards a male audience is what?

Answer: Cater 2 U

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. <hl> Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as " Cater 2 U ". <hl> Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "<hl> Cater 2 U <hl>". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as " <hl> Cater 2 U <hl> ".


Question: What theme was Beyonce's early music?

Answer: female-empowerment

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. <hl> Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". <hl> Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and <hl> female-empowerment <hl> themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.


Question: With Jay Z what were her new themes?

Answer: man-tending anthems

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. <hl> Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". <hl> Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more <hl> man-tending anthems <hl> such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.


Question: What does she get credits for in her music?

Answer: co-producing credits

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". <hl> Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. <hl> However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received <hl> co-producing credits <hl> for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.


Question: What part of production does she do?

Answer: melodies

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. <hl> However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers. <hl>

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with <hl> melodies <hl> and ideas during production, sharing them with producers.


Question: Beyoncé's early recordings empowered who?

Answer: Women

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. <hl> Her early songs were personally driven and female-empowerment themed compositions like "Independent Women " and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". <hl> Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent <hl> Women <hl>" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

Her early songs were personally driven and female-empowerment themed compositions like "Independent <hl> Women <hl> " and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U".


Question: In addition to co-writing credits, Beyoncé also got what credits for most of her albums?

Answer: co-producing

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". <hl> Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. <hl> However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received <hl> co-producing <hl> credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.


Question: Rather than beats, what two things does Beyoncé usually come up with for producers?

Answer: melodies and ideas

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. <hl> However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers. <hl>

She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with <hl> melodies and ideas <hl> during production, sharing them with producers.


Question: Pop Songwriter of the Year award in 2001 was awarded to whom?

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

Answer: Beyoncé

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. <hl> She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé <hl> was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: Beyonce received the Pop Songwriter of the Year award at which event?

Answer: American Society of Composers, Authors, and Publishers Pop Music Awards

<hl> In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards . <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the <hl> American Society of Composers, Authors, and Publishers Pop Music Awards <hl>. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the <hl> American Society of Composers, Authors, and Publishers Pop Music Awards <hl> .


Question: Beyonce has the same number of writing credits on number one singles as whom?

Answer: Diane Warren

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. <hl> She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. <hl> (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter <hl> Diane Warren <hl> at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: Beyonce joined 2 other women on what list from Billboard magazine in 2011?

Answer: Top 20 Hot 100 Songwriters

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) <hl> In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the " Top 20 Hot 100 Songwriters ", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. <hl> She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "<hl> Top 20 Hot 100 Songwriters <hl>", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the " <hl> Top 20 Hot 100 Songwriters <hl> ", for having co-written eight singles that hit number one on the Billboard Hot 100 chart.


Question: When did Beyonce become the first African American woman to win Pop songwriter of the year?

Answer: 2001

<hl> In 2001 , she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In <hl> 2001 <hl>, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In <hl> 2001 <hl> , she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards.


Question: What place is she tied for in songwriting credits?

Answer: third

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. <hl> She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the <hl> third <hl> woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: Who listed her at number 17 in their list of Top 20 hot 100 Songwriters?

Answer: Billboard magazine

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) <hl> In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. <hl> She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, <hl> Billboard magazine <hl> listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: Where does she place in writing credits for three number one songs?

Answer: third woman

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. <hl> She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the <hl> third woman <hl> to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: What did Beyoncé win in 2001, making her the first black woman to do so?

Answer: Pop Songwriter of the Year award

<hl> In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the <hl> Pop Songwriter of the Year award <hl> at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: Who gave Beyoncé the Pop Songwriter of the Year award in 2001?

Answer: the American Society of Composers, Authors, and Publishers Pop Music Awards.

<hl> In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. <hl> She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at <hl> the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: Beyoncé was one of how many women on Billboard magazine's 2011 "Top 20 Hot 100 Songwriters" list.

Answer: three

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. <hl> Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. <hl> She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on <hl> three <hl> number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.


Question: What number was Beyoncé on the Top 20 Hot 100 Songwriters list?

Answer: 17

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) <hl> In May 2011, Billboard magazine listed Beyoncé at number 17 on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. <hl> She was one of only three women on that list.

In 2001, she became the first African-American woman and second woman songwriter to win the Pop Songwriter of the Year award at the American Society of Composers, Authors, and Publishers Pop Music Awards. Beyoncé was the third woman to have writing credits on three number one songs ("Irreplaceable", "Grillz" and "Check on It") in the same year, after Carole King in 1971 and Mariah Carey in 1991. She is tied with American songwriter Diane Warren at third with nine songwriting credits on number-one singles. (The latter wrote her 9/11-motivated song "I Was Here" for 4.) In May 2011, Billboard magazine listed Beyoncé at number <hl> 17 <hl> on their list of the "Top 20 Hot 100 Songwriters", for having co-written eight singles that hit number one on the Billboard Hot 100 chart. She was one of only three women on that list.