Question: Who was the earliest known southern music artist?

Answer: Orpha Powers

<hl> When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. <hl> By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter <hl> Orpha Powers <hl> was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.


Question: What type of mandolin was becoming popular by 1930's?

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

Answer: single mandolins

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. <hl> By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). <hl> However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, <hl> single mandolins <hl> were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.


Question: Who was considered the father of Bluegrass music?

Answer: Bill Monroe

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. <hl> By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers ( Bill Monroe and Charlie Monroe). <hl> However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (<hl> Bill Monroe <hl> and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers ( <hl> Bill Monroe <hl> and Charlie Monroe).


Question: What was Bill Monroe's group called?

Answer: Blue Grass Boys

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. <hl> After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the Blue Grass Boys , and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. <hl> He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

When Cowan Powers and his family recorded their old-time music from 1924-1926, his daughter Orpha Powers was one of the earliest known southern-music artists to record with the mandolin. By the 1930s, single mandolins were becoming more commonly used in southern string band music, most notably by brother duets such as the sedate Blue Sky Boys (Bill Bolick and Earl Bolick) and the more hard-driving Monroe Brothers (Bill Monroe and Charlie Monroe). However, the mandolin's modern popularity in country music can be directly traced to one man: Bill Monroe, the father of bluegrass music. After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the <hl> Blue Grass Boys <hl>, and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style. He joined the Grand Ole Opry in 1939 and its powerful clear-channel broadcast signal on WSM-AM spread his style throughout the South, directly inspiring many musicians to take up the mandolin. Monroe famously played Gibson F-5 mandolin, signed and dated July 9, 1923, by Lloyd Loar, chief acoustic engineer at Gibson. The F-5 has since become the most imitated tonally and aesthetically by modern builders.

After the Monroe Brothers broke up in 1939, Bill Monroe formed his own group, after a brief time called the <hl> Blue Grass Boys <hl> , and completed the transition of mandolin styles from a "parlor" sound typical of brother duets to the modern "bluegrass" style.


Question: What chording sound was Monroe popular for?

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.

Answer: the chop

<hl> Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as " the chop " for the sound made by the quickly struck and muted strings. <hl> He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "<hl> the chop <hl>" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as " <hl> the chop <hl> " for the sound made by the quickly struck and muted strings.


Question: What keys was Monroe popular for?

Answer: B and E

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. <hl> He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E . <hl> He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably <hl> B and E <hl>. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.

He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably <hl> B and E <hl> .


Question: Who was Monroe's most influential follower?

Answer: Frank Wakefield

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. <hl> Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. <hl> Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is <hl> Frank Wakefield <hl> and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.


Question: Who developed a electric five-string mandolin?

Answer: Moore of the Texas Playboys

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. <hl> Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music. <hl>

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny <hl> Moore of the Texas Playboys <hl> developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.


Question: What type of music did the electric five-string mandolin help popularize?

Answer: Western Swing music

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. <hl> Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music . <hl>

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in <hl> Western Swing music <hl>.

Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in <hl> Western Swing music <hl> .


Question: Who was the major bluegrass mandolinist that became popular in 1950's?

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Answer: Jesse McReynolds

<hl> Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. <hl> Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include <hl> Jesse McReynolds <hl> (of Jim and Jesse) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.


Question: What grop was Jesse McReynolds a part of?

Answer: Jim and Jesse

<hl> Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse ) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. <hl> Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of <hl> Jim and Jesse <hl>) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of <hl> Jim and Jesse <hl> ) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs.


Question: What technique did Jesse McReynolds create?

Answer: crosspicking

<hl> Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called crosspicking — <hl> and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called <hl> crosspicking <hl>—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called <hl> crosspicking <hl> —


Question: What is crosspicking?

Answer: syncopated banjo-roll-like style

<hl> Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. <hl> Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a <hl> syncopated banjo-roll-like style <hl> called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.


Question: Who won several award for his Monroe influenced music?

Answer: Ronnie McCoury

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. <hl> Ronnie McCoury of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. <hl> The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.

Other major bluegrass mandolinists who emerged in the early 1950s and are still active include Jesse McReynolds (of Jim and Jesse) who invented a syncopated banjo-roll-like style called crosspicking—and Bobby Osborne of the Osborne Brothers, who is a master of clarity and sparkling single-note runs. Highly respected and influential modern bluegrass players include Herschel Sizemore, Doyle Lawson, and the multi-genre Sam Bush, who is equally at home with old-time fiddle tunes, rock, reggae, and jazz. <hl> Ronnie McCoury <hl> of the Del McCoury Band has won numerous awards for his Monroe-influenced playing. The late John Duffey of the original Country Gentlemen and later the Seldom Scene did much to popularize the bluegrass mandolin among folk and urban audiences, especially on the east coast and in the Washington, D.C. area.


Question: What is Jethro Burns commonly known for?

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist. Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.

Answer: half of the comedy duo Homer and Jethro

<hl> Jethro Burns, best known as half of the comedy duo Homer and Jethro , was also the first important jazz mandolinist. <hl> Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.

Jethro Burns, best known as <hl> half of the comedy duo Homer and Jethro <hl>, was also the first important jazz mandolinist. Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.

Jethro Burns, best known as <hl> half of the comedy duo Homer and Jethro <hl> , was also the first important jazz mandolinist.


Question: What type of music did Jethro Burns play?

Answer: jazz mandolinist

<hl> Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist . <hl> Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important <hl> jazz mandolinist <hl>. Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important <hl> jazz mandolinist <hl> .


Question: Who popularized the mandolin in Western Swing Music?

Answer: Tiny Moore

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist. <hl> Tiny Moore popularized the mandolin in Western swing music. <hl> He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist. <hl> Tiny Moore <hl> popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.


Question: Who was well known for important works of traditional blugrass?

Answer: Chris Thile of California is

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist. Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. <hl> Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. <hl> Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist. Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. <hl> Chris Thile of California is <hl> a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs.


Question: Who are othe rwell know players?

Answer: Marty Stuart, Vince Gill, and Ricky Skaggs

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist. Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. <hl> Some well-known players include Marty Stuart, Vince Gill, and Ricky Skaggs . <hl>

Jethro Burns, best known as half of the comedy duo Homer and Jethro, was also the first important jazz mandolinist. Tiny Moore popularized the mandolin in Western swing music. He initially played an 8-string Gibson but switched after 1952 to a 5-string solidbody electric instrument built by Paul Bigsby. Modern players David Grisman, Sam Bush, and Mike Marshall, among others, have worked since the early 1970s to demonstrate the mandolin's versatility for all styles of music. Chris Thile of California is a well-known player, and has accomplished many feats of traditional bluegrass, classical, contemporary pop and rock; the band Nickel Creek featured his playing in its blend of traditional and pop styles, and he now plays in his band Punch Brothers. Most commonly associated with bluegrass, mandolin has been used a lot in country music over the years. Some well-known players include <hl> Marty Stuart, Vince Gill, and Ricky Skaggs <hl>.

Some well-known players include <hl> Marty Stuart, Vince Gill, and Ricky Skaggs <hl> .


Question: Who got his start with his father's mandolin?

Mandolin has also been used in blues music, most notably by Ry Cooder, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. And once in a while they would ease a little ukulele in there and a bass fiddle." Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.

Answer: Howard Armstrong,

Mandolin has also been used in blues music, most notably by Ry Cooder, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. <hl> Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. <hl> And once in a while they would ease a little ukulele in there and a bass fiddle." Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.

Mandolin has also been used in blues music, most notably by Ry Cooder, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. <hl> Howard Armstrong, <hl> who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. And once in a while they would ease a little ukulele in there and a bass fiddle." Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.


Question: Who is the most popular blue music mandolinist?

Answer: Ry Cooder

<hl> Mandolin has also been used in blues music, most notably by Ry Cooder , who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. <hl> Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. And once in a while they would ease a little ukulele in there and a bass fiddle." Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.

Mandolin has also been used in blues music, most notably by <hl> Ry Cooder <hl>, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. And once in a while they would ease a little ukulele in there and a bass fiddle." Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.

Mandolin has also been used in blues music, most notably by <hl> Ry Cooder <hl> , who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt.


Question: What other instrument did the Tennessee string bands use?

Answer: ukulele in there and a bass fiddle

Mandolin has also been used in blues music, most notably by Ry Cooder, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. <hl> And once in a while they would ease a little ukulele in there and a bass fiddle ." <hl> Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.

Mandolin has also been used in blues music, most notably by Ry Cooder, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. And once in a while they would ease a little <hl> ukulele in there and a bass fiddle <hl>." Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.

And once in a while they would ease a little <hl> ukulele in there and a bass fiddle <hl> ."


Question: Who played in the Whistler and His Jug Band?

Answer: Willie Black

Mandolin has also been used in blues music, most notably by Ry Cooder, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. And once in a while they would ease a little ukulele in there and a bass fiddle." <hl> Other blues players from the era's string bands include Willie Black (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn. <hl>

Mandolin has also been used in blues music, most notably by Ry Cooder, who performed outstanding covers on his very first recordings, Yank Rachell, Johnny "Man" Young, Carl Martin, and Gerry Hundt. Howard Armstrong, who is famous for blues violin, got his start with his father's mandolin and played in string bands similar to the other Tennessee string bands he came into contact with, with band makeup including "mandolins and fiddles and guitars and banjos. And once in a while they would ease a little ukulele in there and a bass fiddle." Other blues players from the era's string bands include <hl> Willie Black <hl> (Whistler And His Jug Band), Dink Brister, Jim Hill, Charles Johnson, Coley Jones (Dallas String Band), Bobby Leecan (Need More Band), Alfred Martin, Charlie McCoy (1909-1950), Al Miller, Matthew Prater, and Herb Quinn.


Question: When did the mandolin first appear in rock music?

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.

Answer: psychedelic era of the late 1960s

<hl> The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s . <hl> Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.

The mandolin has been used occasionally in rock music, first appearing in the <hl> psychedelic era of the late 1960s <hl>. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.

The mandolin has been used occasionally in rock music, first appearing in the <hl> psychedelic era of the late 1960s <hl> .


Question: Who played the drums and the mandolin in the group called The Band?

Answer: Levon Helm

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. <hl> Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. <hl> Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. <hl> Levon Helm <hl> of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.


Question: What Rod Stewart song in 1971 featured the mandolin?

Answer: Maggie May

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. <hl> Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. <hl> David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit <hl> Maggie May <hl> features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.


Question: What artist from the Greatful Dead played the mandolin?

Answer: David Grisman

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. <hl> David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. <hl> John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. <hl> David Grisman <hl> played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.


Question: Tommy Shaw sang and played the mandolin in which Styx song?

Answer: Boat on the River

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. <hl> Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. <hl> The song didn't chart in the United States but was popular in much of Europe and the Philippines.

The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song <hl> Boat on the River <hl> in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.


Question: What type of mandolin do rock musicians today use?

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.

Answer: single-stringed electric

<hl> Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. <hl> One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.

Some rock musicians today use mandolins, often <hl> single-stringed electric <hl> models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.


Question: Which Irish-American punk band uses Mandolins?

Answer: Dropkick Murphys

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. <hl> One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys . <hl> In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band <hl> Dropkick Murphys <hl>. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.

One example is Tim Brennan of the Irish-American punk rock band <hl> Dropkick Murphys <hl> .


Question: What REM song uses simple mandolin licks?

Answer: Losing My Religion

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. <hl> The 1991 R.E.M. hit " Losing My Religion " was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. <hl> The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "<hl> Losing My Religion <hl>" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.

The 1991 R.E.M. hit " <hl> Losing My Religion <hl> " was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs.


Question: What American rock band has extensive use of mandolins?

Answer: System of A Down

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." <hl> Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. <hl> Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group <hl> System of A Down <hl> makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder, prominently features a mandolin.


Question: What film's theme song uses a mandolin?

Answer: Days of Thunder

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." <hl> "Show Me Heaven" by Maria McKee, the theme song to the film Days of Thunder , prominently features a mandolin. <hl>

Some rock musicians today use mandolins, often single-stringed electric models rather than double-stringed acoustic mandolins. One example is Tim Brennan of the Irish-American punk rock band Dropkick Murphys. In addition to electric guitar, bass, and drums, the band uses several instruments associated with traditional Celtic music, including mandolin, tin whistle, and Great Highland bagpipes. The band explains that these instruments accentuate the growling sound they favor. The 1991 R.E.M. hit "Losing My Religion" was driven by a few simple mandolin licks played by guitarist Peter Buck, who also played the mandolin in nearly a dozen other songs. The single peaked at No. 4 on the Billboard Hot 100 chart (#1 on the rock and alternative charts), Luther Dickinson of North Mississippi Allstars and The Black Crowes has made frequent use of the mandolin, most notably on the Black Crowes song "Locust Street." Armenian American rock group System of A Down makes extensive use of the mandolin on their 2005 double album Mezmerize/Hypnotize. Pop punk band Green Day has used a mandolin in several occasions, especially on their 2000 album, Warning. Boyd Tinsley, violin player of the Dave Matthews Band has been using an electric mandolin since 2005. Frontman Colin Meloy and guitarist Chris Funk of The Decemberists regularly employ the mandolin in the band's music. Nancy Wilson, rhythm guitarist of Heart, uses a mandolin in Heart's song "Dream of the Archer" from the album Little Queen, as well as in Heart's cover of Led Zeppelin's song "The Battle of Evermore." "Show Me Heaven" by Maria McKee, the theme song to the film <hl> Days of Thunder <hl>, prominently features a mandolin.

"Show Me Heaven" by Maria McKee, the theme song to the film <hl> Days of Thunder <hl> , prominently features a mandolin.


Question: What place in Brazil do mandolins play an important role?

As in Brazil, the mandolin has played an important role in the Music of Venezuela. It has enjoyed a privileged position as the main melodic instrument in several different regions of the country. Specifically, the eastern states of Sucre, Nueva Esparta, Anzoategui and Monagas have made the mandolin the main instrument in their versions of Joropo as well as Puntos, Jotas, Polos, Fulias, Merengues and Malagueñas. Also, in the west of the country the sound of the mandolin is intrinsically associated with the regional genres of the Venezuelan Andes: Bambucos, Pasillos, Pasodobles, and Waltzes. In the western city of Maracaibo the Mandolin has been played in Decimas, Danzas and Contradanzas Zulianas; in the capital, Caracas, the Merengue Rucaneao, Pasodobles and Waltzes have also been played with mandolin for almost a century. Today, Venezuelan mandolists include an important group of virtuoso players and ensembles such as Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto.

Answer: Venezuela

<hl> As in Brazil, the mandolin has played an important role in the Music of Venezuela . <hl> It has enjoyed a privileged position as the main melodic instrument in several different regions of the country. Specifically, the eastern states of Sucre, Nueva Esparta, Anzoategui and Monagas have made the mandolin the main instrument in their versions of Joropo as well as Puntos, Jotas, Polos, Fulias, Merengues and Malagueñas. Also, in the west of the country the sound of the mandolin is intrinsically associated with the regional genres of the Venezuelan Andes: Bambucos, Pasillos, Pasodobles, and Waltzes. In the western city of Maracaibo the Mandolin has been played in Decimas, Danzas and Contradanzas Zulianas; in the capital, Caracas, the Merengue Rucaneao, Pasodobles and Waltzes have also been played with mandolin for almost a century. Today, Venezuelan mandolists include an important group of virtuoso players and ensembles such as Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto.

As in Brazil, the mandolin has played an important role in the Music of <hl> Venezuela <hl>. It has enjoyed a privileged position as the main melodic instrument in several different regions of the country. Specifically, the eastern states of Sucre, Nueva Esparta, Anzoategui and Monagas have made the mandolin the main instrument in their versions of Joropo as well as Puntos, Jotas, Polos, Fulias, Merengues and Malagueñas. Also, in the west of the country the sound of the mandolin is intrinsically associated with the regional genres of the Venezuelan Andes: Bambucos, Pasillos, Pasodobles, and Waltzes. In the western city of Maracaibo the Mandolin has been played in Decimas, Danzas and Contradanzas Zulianas; in the capital, Caracas, the Merengue Rucaneao, Pasodobles and Waltzes have also been played with mandolin for almost a century. Today, Venezuelan mandolists include an important group of virtuoso players and ensembles such as Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto.

As in Brazil, the mandolin has played an important role in the Music of <hl> Venezuela <hl> .


Question: What is the sound of mandolin associated with in the west country?

Answer: regional genres of the Venezuelan Andes

As in Brazil, the mandolin has played an important role in the Music of Venezuela. It has enjoyed a privileged position as the main melodic instrument in several different regions of the country. Specifically, the eastern states of Sucre, Nueva Esparta, Anzoategui and Monagas have made the mandolin the main instrument in their versions of Joropo as well as Puntos, Jotas, Polos, Fulias, Merengues and Malagueñas. <hl> Also, in the west of the country the sound of the mandolin is intrinsically associated with the regional genres of the Venezuelan Andes : Bambucos, Pasillos, Pasodobles, and Waltzes. <hl> In the western city of Maracaibo the Mandolin has been played in Decimas, Danzas and Contradanzas Zulianas; in the capital, Caracas, the Merengue Rucaneao, Pasodobles and Waltzes have also been played with mandolin for almost a century. Today, Venezuelan mandolists include an important group of virtuoso players and ensembles such as Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto.

As in Brazil, the mandolin has played an important role in the Music of Venezuela. It has enjoyed a privileged position as the main melodic instrument in several different regions of the country. Specifically, the eastern states of Sucre, Nueva Esparta, Anzoategui and Monagas have made the mandolin the main instrument in their versions of Joropo as well as Puntos, Jotas, Polos, Fulias, Merengues and Malagueñas. Also, in the west of the country the sound of the mandolin is intrinsically associated with the <hl> regional genres of the Venezuelan Andes <hl>: Bambucos, Pasillos, Pasodobles, and Waltzes. In the western city of Maracaibo the Mandolin has been played in Decimas, Danzas and Contradanzas Zulianas; in the capital, Caracas, the Merengue Rucaneao, Pasodobles and Waltzes have also been played with mandolin for almost a century. Today, Venezuelan mandolists include an important group of virtuoso players and ensembles such as Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto.

Also, in the west of the country the sound of the mandolin is intrinsically associated with the <hl> regional genres of the Venezuelan Andes <hl> : Bambucos, Pasillos, Pasodobles, and Waltzes.


Question: Who are the famous Venezuelen mandolinist?

Answer: Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto.

As in Brazil, the mandolin has played an important role in the Music of Venezuela. It has enjoyed a privileged position as the main melodic instrument in several different regions of the country. Specifically, the eastern states of Sucre, Nueva Esparta, Anzoategui and Monagas have made the mandolin the main instrument in their versions of Joropo as well as Puntos, Jotas, Polos, Fulias, Merengues and Malagueñas. Also, in the west of the country the sound of the mandolin is intrinsically associated with the regional genres of the Venezuelan Andes: Bambucos, Pasillos, Pasodobles, and Waltzes. In the western city of Maracaibo the Mandolin has been played in Decimas, Danzas and Contradanzas Zulianas; in the capital, Caracas, the Merengue Rucaneao, Pasodobles and Waltzes have also been played with mandolin for almost a century. <hl> Today, Venezuelan mandolists include an important group of virtuoso players and ensembles such as Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto. <hl>

As in Brazil, the mandolin has played an important role in the Music of Venezuela. It has enjoyed a privileged position as the main melodic instrument in several different regions of the country. Specifically, the eastern states of Sucre, Nueva Esparta, Anzoategui and Monagas have made the mandolin the main instrument in their versions of Joropo as well as Puntos, Jotas, Polos, Fulias, Merengues and Malagueñas. Also, in the west of the country the sound of the mandolin is intrinsically associated with the regional genres of the Venezuelan Andes: Bambucos, Pasillos, Pasodobles, and Waltzes. In the western city of Maracaibo the Mandolin has been played in Decimas, Danzas and Contradanzas Zulianas; in the capital, Caracas, the Merengue Rucaneao, Pasodobles and Waltzes have also been played with mandolin for almost a century. Today, Venezuelan mandolists include an important group of virtuoso players and ensembles such as <hl> Alberto Valderrama, Jesus Rengel, Ricardo Sandoval, Saul Vera, and Cristobal Soto. <hl>


Question: What type of music has mandolins played?

To fill this gap in the literature, mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles. Some players have sought out contemporary composers to solicit new works. Traditional mandolin orchestras remain especially popular in Japan and Germany, but also exist throughout the United States, Europe and the rest of the world. They perform works composed for mandolin family instruments, or re-orchestrations of traditional pieces. The structure of a contemporary traditional mandolin orchestra consists of: first and second mandolins, mandolas (either octave mandolas, tuned an octave below the mandolin, or tenor mandolas, tuned like the viola), mandocellos (tuned like the cello), and bass instruments (conventional string bass or, rarely, mandobasses). Smaller ensembles, such as quartets composed of two mandolins, mandola, and mandocello, may also be found.

Answer: mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles

<hl> To fill this gap in the literature, mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles . <hl> Some players have sought out contemporary composers to solicit new works. Traditional mandolin orchestras remain especially popular in Japan and Germany, but also exist throughout the United States, Europe and the rest of the world. They perform works composed for mandolin family instruments, or re-orchestrations of traditional pieces. The structure of a contemporary traditional mandolin orchestra consists of: first and second mandolins, mandolas (either octave mandolas, tuned an octave below the mandolin, or tenor mandolas, tuned like the viola), mandocellos (tuned like the cello), and bass instruments (conventional string bass or, rarely, mandobasses). Smaller ensembles, such as quartets composed of two mandolins, mandola, and mandocello, may also be found.

To fill this gap in the literature, <hl> mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles <hl>. Some players have sought out contemporary composers to solicit new works. Traditional mandolin orchestras remain especially popular in Japan and Germany, but also exist throughout the United States, Europe and the rest of the world. They perform works composed for mandolin family instruments, or re-orchestrations of traditional pieces. The structure of a contemporary traditional mandolin orchestra consists of: first and second mandolins, mandolas (either octave mandolas, tuned an octave below the mandolin, or tenor mandolas, tuned like the viola), mandocellos (tuned like the cello), and bass instruments (conventional string bass or, rarely, mandobasses). Smaller ensembles, such as quartets composed of two mandolins, mandola, and mandocello, may also be found.

To fill this gap in the literature, <hl> mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles <hl> .


Question: Where do traditional mandolin orchestras remain popular?

Answer: Japan and Germany

To fill this gap in the literature, mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles. Some players have sought out contemporary composers to solicit new works. <hl> Traditional mandolin orchestras remain especially popular in Japan and Germany , but also exist throughout the United States, Europe and the rest of the world. <hl> They perform works composed for mandolin family instruments, or re-orchestrations of traditional pieces. The structure of a contemporary traditional mandolin orchestra consists of: first and second mandolins, mandolas (either octave mandolas, tuned an octave below the mandolin, or tenor mandolas, tuned like the viola), mandocellos (tuned like the cello), and bass instruments (conventional string bass or, rarely, mandobasses). Smaller ensembles, such as quartets composed of two mandolins, mandola, and mandocello, may also be found.

To fill this gap in the literature, mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles. Some players have sought out contemporary composers to solicit new works. Traditional mandolin orchestras remain especially popular in <hl> Japan and Germany <hl>, but also exist throughout the United States, Europe and the rest of the world. They perform works composed for mandolin family instruments, or re-orchestrations of traditional pieces. The structure of a contemporary traditional mandolin orchestra consists of: first and second mandolins, mandolas (either octave mandolas, tuned an octave below the mandolin, or tenor mandolas, tuned like the viola), mandocellos (tuned like the cello), and bass instruments (conventional string bass or, rarely, mandobasses). Smaller ensembles, such as quartets composed of two mandolins, mandola, and mandocello, may also be found.

Traditional mandolin orchestras remain especially popular in <hl> Japan and Germany <hl> , but also exist throughout the United States, Europe and the rest of the world.


Question: What do the structure of a contempory traditional orchestra consist of?

Answer: first and second mandolins,

To fill this gap in the literature, mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles. Some players have sought out contemporary composers to solicit new works. Traditional mandolin orchestras remain especially popular in Japan and Germany, but also exist throughout the United States, Europe and the rest of the world. They perform works composed for mandolin family instruments, or re-orchestrations of traditional pieces. <hl> The structure of a contemporary traditional mandolin orchestra consists of: first and second mandolins, mandolas (either octave mandolas, tuned an octave below the mandolin, or tenor mandolas, tuned like the viola), mandocellos (tuned like the cello), and bass instruments (conventional string bass or, rarely, mandobasses). <hl> Smaller ensembles, such as quartets composed of two mandolins, mandola, and mandocello, may also be found.

To fill this gap in the literature, mandolin orchestras have traditionally played many arrangements of music written for regular orchestras or other ensembles. Some players have sought out contemporary composers to solicit new works. Traditional mandolin orchestras remain especially popular in Japan and Germany, but also exist throughout the United States, Europe and the rest of the world. They perform works composed for mandolin family instruments, or re-orchestrations of traditional pieces. The structure of a contemporary traditional mandolin orchestra consists of: <hl> first and second mandolins, <hl> mandolas (either octave mandolas, tuned an octave below the mandolin, or tenor mandolas, tuned like the viola), mandocellos (tuned like the cello), and bass instruments (conventional string bass or, rarely, mandobasses). Smaller ensembles, such as quartets composed of two mandolins, mandola, and mandocello, may also be found.