చర్చ:బళ్ళారి రాఘవ

message: బళ్ళారి రాఘవ బొడ్డు మధ్యలొంచి  విద్యుత్ తీగ    ఒకవెళ్తోంది. విద్యుత్ తీగ తీయడం ఎవరి వల్ల అయినా అవుతుందా‍??????? --172.143.63.133 15:02, 15 మే 2007 (UTC)
replies: text: ఫోటోషాప్ తో ప్రయత్నించవచ్చు --వైఙాసత్య 15:18, 15 మే 2007 (UTC)
http://www.vundavilli.com/Ap/apLegends.htm#15  నుండి కాపీ - అనువాదం కోసం --
Ballari Raghava(1880-1946) : Raghava Ballari was one of the greatest Telugu drama artists. He was born on August 2, 1880 in Tadapatri, a village in Anantapuram district. His father was Narasimhachari and mother was Seshamma. His religion was Vaishnava and belonged to a caste/tribe called Srivaishnava. He was married to Krishnamma, daughter of Lakshmanachari of Kurnool. 
He finished his Metric in Ballari High School and graduated from Christian College, Madras (now Chennai). He practiced law after graduating from Madras Law College in 1905. Very soon he became rich and popular as a criminal lawyer and well known for his cross examination tactics. The British Government recognized his talent and appointed him as a public prosecutor and also awarded him the title "Rao Bahaddur."
From his childhood, he was very interested in drama and started his acting career at the age of 12. He founded Shakespeare Club in Ballari and played Shakespeare dramas. Raghava portrayed main characters in various dramas in Sreenivasarao Kolachalam's group called Sumanohara in Bangalore. 
Harischandra, padukapattabhishekamu, savitri, brihannala, ramaraju charitra, ramadasu, tappevaridi, saripadani sangatulu, etc. were his famous dramas. He visited various countries like Sri Lanka, England, France, Germany and Switzerland and gave seminars and lectures on Indian drama art. He was also invited to America and Russia, but he was unable to go to these countries. Eminent people like Mahatma Gandhi and artists like Rabindranath Tagore were impressed by his dramas. He was very popular among the common people as well. 
He encouraged women to participate in drama. His students who later became very popular included female artists like Sarojini Kopparapu, Padmavati Kommuri and Annapurna Kakinada, and male artists like Vasudevarao K.S., Apparao Basavaraju and Kanaklingeswarrao Banda. 
He flirted with film industry briefly. In 1936, he played Duryodhana in Reddy H.M.'s "draupadi maana samrakshanam." He also acted in raitubidda and chandika. However, he quit the film industry quickly.
Raghava was influenced by a spiritual master Pandit Taranadh who established an ashram on the banks of Tungabhadra river and contributed a lot to this ashram. He used to provide financial help to anyone in need. He was against traditional extravagant marriages and ghettoism. He lived a simple life, in spite of his tremendous wealth. 
He believed that music should be down played in drama and social dramas related to social reforms should be given more importance. He advocated that drama should bring some social benefit to the society, in addition to entertainment. He continued his interest in drama until his last day on April 16th, 1946. A prestigious award "Ballari Raghava Puraskaram" was instituted in his memory and is awarded to talented artists who contributed to drama and cinema.
http://www.indianpost.com/viewstamp.php/Color/Raw%20Sienna/BELLARY%20RAGHAVA  నుండి కాపీ - అనువాదం కోసం --
Tadpatri Raghavacharlu, populary known as Bellary Raghava was a renowned actor. He was born on 2 August 1880. he recevived his early education at Bellary and later graduated in law from the Madras University. His uncle Dharmavaram Ramakrishnamachari, who was a pioneering dramatist in Telugu, initiated him on the stage. He was also associated with another great dramatist, kolachalam Srinivasa Rao. An accomplished actor of extra-ordinary calibre he is known for supreme mastery of expression. Expressive eyes set in a mobile face, he could modulate his visage and resonant voice to suit the emotion appropriate to any role, from that of a vidudhaka to a maharaja. He was equally at home in plays in English, Telugu, Kannada and Hindi; his three main centers of activity were Bellary, Bangalore and Madras. At Bangalore he founded the Amateur Dramatic Association of Bangalore in 1909. he advocated and developed the naturalistic style in acting. He was very particular that women should always play the female roles on the stage. In 1927 he went to England and took part in English dramas with Laurance Olivier and Charles Laughton. On his return to India he encouraged playwrites to set aside the classical style and to take to naturalistic plays. Instead of protracted declamations and conversations, he advocated short dialogues coupled with appropriated gestures. His presentation of Tappevaridi by Rajamannar in 1930 in Madras was hailed by many as a momentous event heralding a new era. Among his admirers were Mahtam Gandhi, Rabindranath Tagore and Bernard Shaw. The arrival of the movies was a blow to the promise of a modern theatre that Raghava envisaged. He tried his hand at acting in films but this satisfied neither him nor his audience. Besides being a versatile actore, he was also a busy lawyer and an ardent social worker. All his earnings were spent in development of the art that was his passion and for the uplift of the down-trodden. As a man he was incomparable. After doing yeoman service to the cause of the Indian theatre he passed away on 17 April 1946. The P & T Department is privileged to issue a commemorative stamp in his honour. (The above text is absed on material supplied by sponsors)

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