वार्ता:भीमबेटका

message: THE ROCKS OF BHIMBETAKA IS MOST IMPORTANT UNESCO WORLD HERITAGE SITES IN INDIA.THE ROCKS OF BHIMETKA COME IN UNESCO WORLD HERITAGE SITES IN 2003.THE ROCKS OF BHIBETAKA UNDER THE MADHYAPRADESH.
Surrounded by the northern fringe of the Vindhyan ranges, Bhimbetka lies 46 km south of Bhopal. In this rocky terrain of dense forest and craggy cliffs, over 600 rock shelters belonging to the Neolithic age were recently discovered. Here, in vivid, panoramic detail, paintings in over 500 caves depict the life of the prehistoric cave-dwellers, making the Bhimbetka group an archaeological treasure, an invaluable chronicle in the history of man.
Executed mainly in red and white with the occasional use of green and yellow, with themes taken from the everyday events of aeons ago, the scenes usually depict hunting, dancing, music, horse and elephant riders, animals fighting, honey collection, decoration of bodies, disguises, masking and household scenes. Animals such as bisons, tigers, lions, wild boar, elephants, antelopes, dogs, lizards, Hunting scene - a popular motif with rock painters crocodiles etc. have been abundantly depicted in some caves. Popular religious and ritual symbols also occur frequently. 
The superimposition of paintings shows that the same canvas was used by different people at different times. The drawings and paintings can be classified under seven different periods: 
 
Period I - (Upper Paleolithic)
These are linear representations, in green and dark red, of huge figures of animals such as bisons, tigers, and rhinoceroses.
Period 11- (Mesolithic)
Comparatively small in size, the stylised figures in this group show linear decoration on the body. In addition to animals, there are human figures and hunting scenes, giving a clear picture of the weapons they used: barbed spears, pointed sticks, bows and arrows. The depiction of communal dances, birds, musical instruments, mother and child, pregnant women, men carrying dead animals, drinking and burials appear in rhythmic movement.
Period 111 - (Chaleolithic)
Similar to the paintings of Chaleolithic pottery, these drawings reveal that during the period the cave dwellers of this area had come in contact with the agricultural communities of the Malwa plains and started an exchange of their requirements with each other.
Period IV & V - (Early Historic)
The figures of this group have a schematic and decorative style, and are painted mainly in red, white and yellow. The association is of riders, depiction of religious symbols, tunic-like dresses and the existence of scripts of different periods. The religious beliefs are represented by figures of yakshas, tree gods and magical sky chariots.
Period Vl & Vll - (Medieval)
These paintings are geometric, linear and more schematic, but they show degeneration and crudeness in their artistic style.
The colours used by the cave dwellers were prepared combining manganese, haematite, soft red stone and wooden coal. Sometimes the fat of animals and extracts of leaves were also used in the mixsure. The colours have remained intact for many centuries due to the chemical reaction resulting from the oxide present on the surface of the rocks.
Adarsh Kumar Gupta
address - maphoku dong kyo dong
          200-32 seoul,121-819
          south korea
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