lasha-nlp/CONDAQA huggingface dataset:
Passage: A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "it is one of many studies that have similarly demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations.

Question: Is it likely that the 2011 study was influential in increasing research on the effects of psilocybin intake on personality changes?
Answer: NO

Question: Could a researcher cite the 2011 study as an example of the positive effects of psilocybin to personality changes?
Answer: YES

Question: After the publication of the 2011 study, could researchers be supported in the argument that psilocybin intake allows for positive personality changes?
Answer: YES
Passage: The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing.

Question: Would Kubrick have burn marks on his hands while filming Dr Strangelove?
Answer: NO

Question: Would Sellers have actually seen Kubrick wearing his gloves on set?
Answer: YES

Question: Might Kubrick have needed medical attention after handling the lights on set?
Answer: NO
Passage: The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to protect his hands when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing.

Question: Would Kubrick have burn marks on his hands while filming Dr Strangelove?
Answer: NO

Question: Would Sellers have actually seen Kubrick wearing his gloves on set?
Answer: YES

Question: Might Kubrick have needed medical attention after handling the lights on set?
Answer: NO
Passage: The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick avoid ed wearing the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing.

Question: Would Kubrick have burn marks on his hands while filming Dr Strangelove?
Answer: YES

Question: Would Sellers have actually seen Kubrick wearing his gloves on set?
Answer: DON'T KNOW

Question: Might Kubrick have needed medical attention after handling the lights on set?
Answer: YES
Passage: The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick never wore the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing.

Question: Would Kubrick have burn marks on his hands while filming Dr Strangelove?
Answer: YES

Question: Would Sellers have actually seen Kubrick wearing his gloves on set?
Answer: DON'T KNOW

Question: Might Kubrick have needed medical attention after handling the lights on set?
Answer: YES
Passage: During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music.

Question: Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey?
Answer: NO

Question: If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name?
Answer: NO

Question: Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston?
Answer: YES
Passage: During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some point out that Carey is the writer and producer of her own music, which sets her apart from Houston and Dion.

Question: Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey?
Answer: NO

Question: If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name?
Answer: NO

Question: Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston?
Answer: YES
Passage: During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike many other artists, Carey, Houston, and Dion all write and produce their own music.

Question: Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey?
Answer: YES

Question: If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name?
Answer: YES

Question: Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston?
Answer: YES
Passage: During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that, similar to most other artists including Houston and Dion, Carey produces and writes her own music.

Question: Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey?
Answer: YES

Question: If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name?
Answer: YES

Question: Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston?
Answer: NO
Passage: Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations.

Question: Did F-BTSD turn completely blue because of a Pepsi commercial deal?
Answer: NO

Question: Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi?
Answer: NO

Question: Did Air France F-BTSD have blue wings during their Pepsi promotional campaign?
Answer: NO
Passage: Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, excluding the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations.

Question: Did F-BTSD turn completely blue because of a Pepsi commercial deal?
Answer: NO

Question: Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi?
Answer: NO

Question: Did Air France F-BTSD have blue wings during their Pepsi promotional campaign?
Answer: NO
Passage: Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery and wings with the exception of a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations.

Question: Did F-BTSD turn completely blue because of a Pepsi commercial deal?
Answer: DON'T KNOW

Question: Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi?
Answer: DON'T KNOW

Question: Did Air France F-BTSD have blue wings during their Pepsi promotional campaign?
Answer: DON'T KNOW
Passage: Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France painted F-BTSD in a predominantly blue livery, and the wings in the same manner, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations.

Question: Did F-BTSD turn completely blue because of a Pepsi commercial deal?
Answer: YES

Question: Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi?
Answer: DON'T KNOW

Question: Did Air France F-BTSD have blue wings during their Pepsi promotional campaign?
Answer: YES
Passage: Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population.

Question: Does the government of Louisiana consider the coypu to be a desirable species?
Answer: NO

Question: In Louisiana, does the coypu make survival more difficult for some native species?
Answer: YES

Question: In Louisiana, is the coypu population increasing?
Answer: DON'T KNOW
Passage: Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so harmful to the local ecosystem that the state has initiated a bounty program to help control the population.

Question: Does the government of Louisiana consider the coypu to be a desirable species?
Answer: NO

Question: In Louisiana, does the coypu make survival more difficult for some native species?
Answer: YES

Question: In Louisiana, is the coypu population increasing?
Answer: DON'T KNOW
Passage: Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so influential in the local ecosystem that the state has initiated a bounty program destructive to the population.

Question: Does the government of Louisiana consider the coypu to be a desirable species?
Answer: NO

Question: In Louisiana, does the coypu make survival more difficult for some native species?
Answer: DON'T KNOW

Question: In Louisiana, is the coypu population increasing?
Answer: NO
Passage: Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so crucial to the local ecosystem that the state has initiated a program to help protect the population.

Question: Does the government of Louisiana consider the coypu to be a desirable species?
Answer: YES

Question: In Louisiana, does the coypu make survival more difficult for some native species?
Answer: NO

Question: In Louisiana, is the coypu population increasing?
Answer: DON'T KNOW
Passage: Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church.

Question: If someone was looking to start farming somewhere between 410 and 510, would Durovernum Cantiacorum be a good place to look?
Answer: DON'T KNOW

Question: If a traveler sometime between 410 and 510 wanted to trade for some produce, could they try that in Durovernum Cantiacorum?
Answer: YES

Question: If a farmer outside Durovernum Cantiacorum around 410 to 510 was looking for help from other farmers, could they find one in Durovernum Cantiacorum?
Answer: YES