lasha-nlp/CONDAQA huggingface dataset:
Passage: Smith's career was cut short by the Great Depression, which nearly put the recording industry out of business, and the advent of sound in film, which spelled the end of vaudeville. She never stopped performing, however. The days of elaborate vaudeville shows were over, but Smith continued touring and occasionally sang in clubs. In 1929, she appeared in a Broadway musical, "Pansy". The play was a flop; top critics said she was its only asset.

Question: Was Smith in any performances after films had sound?
Answer: YES

Question: Did films with sound end Vaudeville?
Answer: YES

Question: Did Smith sing in clubs after Vaudeville?
Answer: YES
Passage: Smith's career was cut short by the Great Depression, which nearly put the recording industry out of business, and the advent of sound in film, which spelled the end of vaudeville. She hardly stopped performing, however. The days of elaborate vaudeville shows were over, but Smith continued touring and occasionally sang in clubs. In 1929, she appeared in a Broadway musical, "Pansy". The play was a flop; top critics said she was its only asset.

Question: Was Smith in any performances after films had sound?
Answer: YES

Question: Did films with sound end Vaudeville?
Answer: YES

Question: Did Smith sing in clubs after Vaudeville?
Answer: YES
Passage: Smith's career was cut short by the Great Depression, which nearly put the recording industry out of business, and the advent of sound in film, which somehow never spelled the end of vaudeville. She stopped performing, however. The days of elaborate vaudeville shows weren't over, but Smith stopped touring and occasionally singing in clubs. In 1929, she declined to appear in a Broadway musical, "Pansy". The play was a flop; top critics said she could have been its only asset.

Question: Was Smith in any performances after films had sound?
Answer: NO

Question: Did films with sound end Vaudeville?
Answer: NO

Question: Did Smith sing in clubs after Vaudeville?
Answer: NO
Passage: Smith's career was cut short by the Great Depression, which nearly put the recording industry out of business, and the advent of sound in film, which spelled the end of vaudeville. She stopped performing, however. The days of elaborate vaudeville shows were over, and Smith stopped touring and occasionally singing in clubs. In 1929, she declined to appear in a Broadway musical, "Pansy". The play was a flop; top critics said she could have been its only asset.

Question: Was Smith in any performances after films had sound?
Answer: NO

Question: Did films with sound end Vaudeville?
Answer: YES

Question: Did Smith sing in clubs after Vaudeville?
Answer: NO
Passage: The Greeks used volcanic tuff from the island of Thera as their pozzolan and the Romans used crushed volcanic ash (activated aluminium silicates) with lime. This mixture could set under water, increasing its resistance to corrosion like rust. The material was called "pozzolana" from the town of Pozzuoli, west of Naples where volcanic ash was extracted. In the absence of pozzolanic ash, the Romans used powdered brick or pottery as a substitute and they may have used crushed tiles for this purpose before discovering natural sources near Rome. The huge dome of the Pantheon in Rome and the massive Baths of Caracalla are examples of ancient structures made from these concretes, many of which still stand. The vast system of Roman aqueducts also made extensive use of hydraulic cement. Roman concrete was rarely used on the outside of buildings. The normal technique was to use brick facing material as the formwork for an infill of mortar mixed with an aggregate of broken pieces of stone, brick, potsherds, recycled chunks of concrete, or other building rubble.

Question: Would a visitor to ancient Roman ruins that can only be viewed from a distance likely see Roman concrete?
Answer: NO

Question: Would a visitor to an ancient Roman building that can be experienced from the inside likely see Roman concrete?
Answer: DON'T KNOW

Question: Would an ancient Roman builder likely use concrete to complete a building after the interior was finished?
Answer: NO
Passage: The Greeks used volcanic tuff from the island of Thera as their pozzolan and the Romans used crushed volcanic ash (activated aluminium silicates) with lime. This mixture could set under water, increasing its resistance to corrosion like rust. The material was called "pozzolana" from the town of Pozzuoli, west of Naples where volcanic ash was extracted. In the absence of pozzolanic ash, the Romans used powdered brick or pottery as a substitute and they may have used crushed tiles for this purpose before discovering natural sources near Rome. The huge dome of the Pantheon in Rome and the massive Baths of Caracalla are examples of ancient structures made from these concretes, many of which still stand. The vast system of Roman aqueducts also made extensive use of hydraulic cement. Roman concrete was infrequently used on the outside of buildings. The normal technique was to use brick facing material as the formwork for an infill of mortar mixed with an aggregate of broken pieces of stone, brick, potsherds, recycled chunks of concrete, or other building rubble.

Question: Would a visitor to ancient Roman ruins that can only be viewed from a distance likely see Roman concrete?
Answer: NO

Question: Would a visitor to an ancient Roman building that can be experienced from the inside likely see Roman concrete?
Answer: DON'T KNOW

Question: Would an ancient Roman builder likely use concrete to complete a building after the interior was finished?
Answer: NO
Passage: The Greeks used volcanic tuff from the island of Thera as their pozzolan and the Romans used crushed volcanic ash (activated aluminium silicates) with lime. This mixture could set under water, increasing its resistance to corrosion like rust. The material was called "pozzolana" from the town of Pozzuoli, west of Naples where volcanic ash was extracted. In the absence of pozzolanic ash, the Romans used powdered brick or pottery as a substitute and they may have used crushed tiles for this purpose before discovering natural sources near Rome. The huge dome of the Pantheon in Rome and the massive Baths of Caracalla are examples of ancient structures made from these concretes, many of which still stand. The vast system of Roman aqueducts also made extensive use of hydraulic cement. Roman concrete was rarely used on the inside of buildings. The normal technique was to use brick facing material as the formwork for an infill of mortar mixed with an aggregate of broken pieces of stone, brick, potsherds, recycled chunks of concrete, or other building rubble.

Question: Would a visitor to ancient Roman ruins that can only be viewed from a distance likely see Roman concrete?
Answer: DON'T KNOW

Question: Would a visitor to an ancient Roman building that can be experienced from the inside likely see Roman concrete?
Answer: NO

Question: Would an ancient Roman builder likely use concrete to complete a building after the interior was finished?
Answer: DON'T KNOW
Passage: The Greeks used volcanic tuff from the island of Thera as their pozzolan and the Romans used crushed volcanic ash (activated aluminium silicates) with lime. This mixture could set under water, increasing its resistance to corrosion like rust. The material was called "pozzolana" from the town of Pozzuoli, west of Naples where volcanic ash was extracted. In the absence of pozzolanic ash, the Romans used powdered brick or pottery as a substitute and they may have used crushed tiles for this purpose before discovering natural sources near Rome. The huge dome of the Pantheon in Rome and the massive Baths of Caracalla are examples of ancient structures made from these concretes, many of which still stand. The vast system of Roman aqueducts also made extensive use of hydraulic cement. Roman concrete was often used on the outside of buildings. The normal technique was to use brick facing material as the formwork for an infill of mortar mixed with an aggregate of broken pieces of stone, brick, potsherds, recycled chunks of concrete, or other building rubble.

Question: Would a visitor to ancient Roman ruins that can only be viewed from a distance likely see Roman concrete?
Answer: YES

Question: Would a visitor to an ancient Roman building that can be experienced from the inside likely see Roman concrete?
Answer: DON'T KNOW

Question: Would an ancient Roman builder likely use concrete to complete a building after the interior was finished?
Answer: YES
Passage: Hall volunteered for the United States Navy when World War II broke out, serving as a machinist in Guam. During the first years of the war in Europe, the CPUSA held an isolationist stance, as the Soviet Union and Nazi Germany were cooperating based on the Molotov–Ribbentrop Pact. When Hitler broke the treaty by invading the USSR in June 1941, the CPUSA began to officially support the war effort. During his naval service, Hall was elected in absence to the National Committee of the CPUSA. He was honorably discharged from the Navy on March 6, 1946.

Question: Would Hall have been able to shake hands on stage and give an acceptance speech at the time of his induction into the CPUSA committee?
Answer: NO

Question: Regardless of whether he was on active duty on that exact day, was Hall a uniformed member of the Armed Services, and on the US military payroll when he was elected to the CPUSA National Committee?
Answer: YES

Question: Did the circumstances of Hall's election mean that he could have died in combat prior to first taking his (literal) seat in the committee's offices?
Answer: YES
Passage: Hall volunteered for the United States Navy when World War II broke out, serving as a machinist in Guam. During the first years of the war in Europe, the CPUSA held an isolationist stance, as the Soviet Union and Nazi Germany were cooperating based on the Molotov–Ribbentrop Pact. When Hitler broke the treaty by invading the USSR in June 1941, the CPUSA began to officially support the war effort. During his tour of duty with the navy, Hall was elected to the National Committee of the CPUSA in absentia. He was honorably discharged from the Navy on March 6, 1946.

Question: Would Hall have been able to shake hands on stage and give an acceptance speech at the time of his induction into the CPUSA committee?
Answer: NO

Question: Regardless of whether he was on active duty on that exact day, was Hall a uniformed member of the Armed Services, and on the US military payroll when he was elected to the CPUSA National Committee?
Answer: YES

Question: Did the circumstances of Hall's election mean that he could have died in combat prior to first taking his (literal) seat in the committee's offices?
Answer: YES
Passage: Hall volunteered for the United States Navy when World War II broke out, serving as a machinist in Guam. During the first years of the war in Europe, the CPUSA held an isolationist stance, as the Soviet Union and Nazi Germany were cooperating based on the Molotov–Ribbentrop Pact. When Hitler broke the treaty by invading the USSR in June 1941, the CPUSA began to officially support the war effort. During a brief leave of absence from his naval service, Hall was inducted into the National Committee of the CPUSA. He was honorably discharged from the Navy on March 6, 1946.

Question: Would Hall have been able to shake hands on stage and give an acceptance speech at the time of his induction into the CPUSA committee?
Answer: YES

Question: Regardless of whether he was on active duty on that exact day, was Hall a uniformed member of the Armed Services, and on the US military payroll when he was elected to the CPUSA National Committee?
Answer: YES

Question: Did the circumstances of Hall's election mean that he could have died in combat prior to first taking his (literal) seat in the committee's offices?
Answer: NO
Passage: Hall volunteered for the United States Navy when World War II broke out, serving as a machinist in Guam. During the first years of the war in Europe, the CPUSA held an isolationist stance, as the Soviet Union and Nazi Germany were cooperating based on the Molotov–Ribbentrop Pact. When Hitler broke the treaty by invading the USSR in June 1941, the CPUSA began to officially support the war effort. He was honorably discharged from the Navy on March 6, 1946. After leaving his naval service, Hall was elected to the National Committee of the CPUSA.

Question: Would Hall have been able to shake hands on stage and give an acceptance speech at the time of his induction into the CPUSA committee?
Answer: YES

Question: Regardless of whether he was on active duty on that exact day, was Hall a uniformed member of the Armed Services, and on the US military payroll when he was elected to the CPUSA National Committee?
Answer: NO

Question: Did the circumstances of Hall's election mean that he could have died in combat prior to first taking his (literal) seat in the committee's offices?
Answer: NO
Passage: Mr. Milton, the owner of the Whizzo Chocolate Company (Terry Jones) is approached by two members of the Hygiene Squad, Inspector Praline (John Cleese) and Superintendent Parrot (Graham Chapman). The officers confront him about the odd flavours that are used in the "Whizzo Quality Assortment", and cite inadequate descriptions of his products as a violation of the Trade Descriptions Act. They ask him to explain the confection labelled "Crunchy Frog". Milton describes it as an entire frog that has been coated with chocolate, using only "the finest baby frogs, dew picked and flown from Iraq, cleansed in finest quality spring water, lightly killed, and then sealed in a succulent Swiss quintuple smooth treble cream milk chocolate envelope and lovingly frosted with glucose." Circular logic is used to explain why the bones aren't taken out: "If we took the bones out, it wouldn't be crunchy, would it?" (A baby frog is a tadpole, which has cartilage rather than bones.)

Question: Is it likely that Mr. Milton's product descriptions will cause him trouble with authorities?
Answer: YES

Question: Will Mr. Milton have to change the product descriptions in the future so they don't violate any rules?
Answer: YES

Question: Could the sale of Mr. Milton's products be affected by the visit of the officers?
Answer: YES
Passage: Mr. Milton, the owner of the Whizzo Chocolate Company (Terry Jones) is approached by two members of the Hygiene Squad, Inspector Praline (John Cleese) and Superintendent Parrot (Graham Chapman). The officers confront him about the odd flavours that are used in the "Whizzo Quality Assortment", and cite the vague descriptions of his products as a violation of the Trade Descriptions Act. They ask him to explain the confection labelled "Crunchy Frog". Milton describes it as an entire frog that has been coated with chocolate, using only "the finest baby frogs, dew picked and flown from Iraq, cleansed in finest quality spring water, lightly killed, and then sealed in a succulent Swiss quintuple smooth treble cream milk chocolate envelope and lovingly frosted with glucose." Circular logic is used to explain why the bones aren't taken out: "If we took the bones out, it wouldn't be crunchy, would it?" (A baby frog is a tadpole, which has cartilage rather than bones.)

Question: Is it likely that Mr. Milton's product descriptions will cause him trouble with authorities?
Answer: YES

Question: Will Mr. Milton have to change the product descriptions in the future so they don't violate any rules?
Answer: YES

Question: Could the sale of Mr. Milton's products be affected by the visit of the officers?
Answer: YES
Passage: Mr. Milton, the owner of the Whizzo Chocolate Company (Terry Jones) is approached by two members of the Hygiene Squad, Inspector Praline (John Cleese) and Superintendent Parrot (Graham Chapman). The officers confront him about the odd flavours that are used in the "Whizzo Quality Assortment", but their citation that his descriptions of his products were a violation of the Trade Descriptions Act were inadequate to pursue charges. They ask him to explain the confection labelled "Crunchy Frog". Milton describes it as an entire frog that has been coated with chocolate, using only "the finest baby frogs, dew picked and flown from Iraq, cleansed in finest quality spring water, lightly killed, and then sealed in a succulent Swiss quintuple smooth treble cream milk chocolate envelope and lovingly frosted with glucose." Circular logic is used to explain why the bones aren't taken out: "If we took the bones out, it wouldn't be crunchy, would it?" (A baby frog is a tadpole, which has cartilage rather than bones.)

Question: Is it likely that Mr. Milton's product descriptions will cause him trouble with authorities?
Answer: NO

Question: Will Mr. Milton have to change the product descriptions in the future so they don't violate any rules?
Answer: NO

Question: Could the sale of Mr. Milton's products be affected by the visit of the officers?
Answer: NO
Passage: Mr. Milton, the owner of the Whizzo Chocolate Company (Terry Jones) is approached by two members of the Hygiene Squad, Inspector Praline (John Cleese) and Superintendent Parrot (Graham Chapman). The officers confront him about the odd flavours that are used in the "Whizzo Quality Assortment", and cite the overly detailed descriptions of his products as a violation of the Trade Descriptions Act. They ask him to explain the confection labelled "Crunchy Frog". Milton describes it as an entire frog that has been coated with chocolate, using only "the finest baby frogs, dew picked and flown from Iraq, cleansed in finest quality spring water, lightly killed, and then sealed in a succulent Swiss quintuple smooth treble cream milk chocolate envelope and lovingly frosted with glucose." Circular logic is used to explain why the bones aren't taken out: "If we took the bones out, it wouldn't be crunchy, would it?" (A baby frog is a tadpole, which has cartilage rather than bones.)

Question: Is it likely that Mr. Milton's product descriptions will cause him trouble with authorities?
Answer: YES

Question: Will Mr. Milton have to change the product descriptions in the future so they don't violate any rules?
Answer: YES

Question: Could the sale of Mr. Milton's products be affected by the visit of the officers?
Answer: DON'T KNOW
Passage: Great confidence was placed in being able to reduce the noise of a turbojet and massive strides by SNECMA in silencer design were reported during the programme. However, by 1974 the spade silencers which projected into the exhaust were reported to be ineffective. The Olympus Mk.622 with reduced jet velocity was proposed to reduce the noise but it was not developed.

Question: If the Olympus Mk. 622 was produced, would it reduce the noise of the turbojet?
Answer: YES

Question: Has the Olympus Mk. 622 completed development?
Answer: NO

Question: If the Olympus Mk. 622 was produced, would someone be surprised to observe it reducing the noise of the turbojet?
Answer: NO
Passage: Great confidence was placed in being able to reduce the noise of a turbojet and massive strides by SNECMA in silencer design were reported during the programme. However, by 1974 the spade silencers which projected into the exhaust were reported to be ineffective. The Olympus Mk.622 with reduced jet velocity was proposed to reduce the noise but it has yet to be developed.

Question: If the Olympus Mk. 622 was produced, would it reduce the noise of the turbojet?
Answer: YES

Question: Has the Olympus Mk. 622 completed development?
Answer: NO

Question: If the Olympus Mk. 622 was produced, would someone be surprised to observe it reducing the noise of the turbojet?
Answer: NO
Passage: Great confidence was placed in being able to reduce the noise of a turbojet and massive strides by SNECMA in silencer design were reported during the programme. However, by 1974 the spade silencers which projected into the exhaust were reported to be ineffective. The Olympus Mk.622 with reduced jet velocity was not proposed to reduce the noise when it was developed.

Question: If the Olympus Mk. 622 was produced, would it reduce the noise of the turbojet?
Answer: NO

Question: Has the Olympus Mk. 622 completed development?
Answer: YES

Question: If the Olympus Mk. 622 was produced, would someone be surprised to observe it reducing the noise of the turbojet?
Answer: YES
Passage: Great confidence was placed in being able to reduce the noise of a turbojet and massive strides by SNECMA in silencer design were reported during the programme. However, by 1974 the spade silencers which projected into the exhaust were reported to be ineffective. The Olympus Mk.622 with reduced jet velocity was proposed to reduce the noise, but it was poorly developed.

Question: If the Olympus Mk. 622 was produced, would it reduce the noise of the turbojet?
Answer: DON'T KNOW

Question: Has the Olympus Mk. 622 completed development?
Answer: YES

Question: If the Olympus Mk. 622 was produced, would someone be surprised to observe it reducing the noise of the turbojet?
Answer: YES
Passage: The many sonatas that were unpublished during Scarlatti's lifetime have appeared in print irregularly in the two and a half centuries since. Scarlatti has attracted notable admirers, including Béla Bartók, Arturo Benedetti Michelangeli, Pieter-Jan Belder, Johann Sebastian Bach, Muzio Clementi, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Czerny, Franz Liszt, Johannes Brahms, Frédéric Chopin, Claude Debussy, Emil Gilels, Francis Poulenc, Olivier Messiaen, Enrique Granados, Marc-André Hamelin, Vladimir Horowitz, Ivo Pogorelić, Scott Ross (the first performer to record all 555 sonatas), Heinrich Schenker, András Schiff and Dmitri Shostakovich.

Question: When Scarlatti was alive, would there have been many sonatas of his that were impossible to find copies of in anyone's home?
Answer: YES

Question: Over the past 200 years, would it have been easy to consistently find new copies of books of Scarlatti's sonatas?
Answer: NO

Question: Is it possible that a book of Scarlatti's sonatas has been on every best seller's list over the past fifty years?
Answer: NO
Passage: The many sonatas that were unpublished during Scarlatti's lifetime have appeared in print sporadically in the two and a half centuries since. Scarlatti has attracted notable admirers, including Béla Bartók, Arturo Benedetti Michelangeli, Pieter-Jan Belder, Johann Sebastian Bach, Muzio Clementi, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Czerny, Franz Liszt, Johannes Brahms, Frédéric Chopin, Claude Debussy, Emil Gilels, Francis Poulenc, Olivier Messiaen, Enrique Granados, Marc-André Hamelin, Vladimir Horowitz, Ivo Pogorelić, Scott Ross (the first performer to record all 555 sonatas), Heinrich Schenker, András Schiff and Dmitri Shostakovich.

Question: When Scarlatti was alive, would there have been many sonatas of his that were impossible to find copies of in anyone's home?
Answer: YES

Question: Over the past 200 years, would it have been easy to consistently find new copies of books of Scarlatti's sonatas?
Answer: NO

Question: Is it possible that a book of Scarlatti's sonatas has been on every best seller's list over the past fifty years?
Answer: NO
Passage: The many sonatas that were irregularly published during Scarlatti's lifetime have appeared in print regularly in the two and a half centuries since. Scarlatti has attracted notable admirers, including Béla Bartók, Arturo Benedetti Michelangeli, Pieter-Jan Belder, Johann Sebastian Bach, Muzio Clementi, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Czerny, Franz Liszt, Johannes Brahms, Frédéric Chopin, Claude Debussy, Emil Gilels, Francis Poulenc, Olivier Messiaen, Enrique Granados, Marc-André Hamelin, Vladimir Horowitz, Ivo Pogorelić, Scott Ross (the first performer to record all 555 sonatas), Heinrich Schenker, András Schiff and Dmitri Shostakovich.

Question: When Scarlatti was alive, would there have been many sonatas of his that were impossible to find copies of in anyone's home?
Answer: NO

Question: Over the past 200 years, would it have been easy to consistently find new copies of books of Scarlatti's sonatas?
Answer: YES

Question: Is it possible that a book of Scarlatti's sonatas has been on every best seller's list over the past fifty years?
Answer: YES