lasha-nlp/CONDAQA huggingface dataset:
Passage: For animals, the most stressful of all the abiotic stressors is heat. This is because many unable species regulate their internal body temperature. Even in the species that are able to regulate their own temperature, it is not always a completely accurate system. Temperature determines metabolic rates, heart rates, and other very important factors within the bodies of animals, so an extreme temperature change can easily distress the animal's body. Animals can respond to extreme heat, for example, through natural heat acclimation or by burrowing into the ground to find a cooler space.

Question: Can the "many species" control their internal body temperatures?
Answer: YES

Question: Is the referenced species capable?
Answer: NO
Passage: For animals, the most stressful of all the abiotic stressors is heat. This is because many species are adroitly able to regulate their internal body temperature. Even in the species that are able to regulate their own temperature, it is not always a completely accurate system. Temperature determines metabolic rates, heart rates, and other very important factors within the bodies of animals, so an extreme temperature change can easily distress the animal's body. Animals can respond to extreme heat, for example, through natural heat acclimation or by burrowing into the ground to find a cooler space.

Question: Can the "many species" control their internal body temperatures?
Answer: YES

Question: Is the referenced species capable?
Answer: YES
Passage: In April 2015, Cadbury announced that it was to release a Vegemite-flavoured block of chocolate on 1 June. The chocolate block is Cadbury's Caramello block updated by mixing vegemite with the chocolate. Critics described the taste as similar to salted caramel with a pleasant umami aftertaste. Criticism varied from "love it" to tasting like a "caramel and turkish delight filling with a lot of salt" to "needs more salt" with several tasters commenting that they thought the aftertaste was unpleasant.

Question: Given the way that most tasters felt about the aftertaste of these chocolates, is it possible that they could have been featured in a modern reincarnation of the "Got Milk?" commercials?
Answer: NO

Question: While it appears that a soft, chewy chocolate confection was a failed product, could the company realistically expect to find success by offering the same formula as a hard candy instead, given the way people seemed to feel about the lingering taste?
Answer: NO
Passage: In April 2015, Cadbury announced that it was to release a Vegemite-flavoured block of chocolate on 1 June. The chocolate block is Cadbury's Caramello block updated by mixing vegemite with the chocolate. Critics described the taste as similar to salted caramel with a pleasant umami aftertaste. Critics of the chocolate had various responses, including saying that they "love it", remarking that it tasted like "caramel and turkish delight filling with a lot of salt", suggesting that it "needs more salt" and some other customers who tested the product decried the aftertaste, which they did not enjoy.

Question: Given the way that most tasters felt about the aftertaste of these chocolates, is it possible that they could have been featured in a modern reincarnation of the "Got Milk?" commercials?
Answer: NO

Question: While it appears that a soft, chewy chocolate confection was a failed product, could the company realistically expect to find success by offering the same formula as a hard candy instead, given the way people seemed to feel about the lingering taste?
Answer: NO
Passage: In April 2015, Cadbury announced that it was to release a Vegemite-flavoured block of chocolate on 1 June. The chocolate block is Cadbury's Caramello block updated by mixing vegemite with the chocolate. Critics described the taste as similar to salted caramel with a pleasant umami aftertaste. Criticism varied from "love it" to tasting like a "caramel and turkish delight filling with a lot of salt" to "needs more salt" with several tasters commenting that while the taste was unpleasant, the aftertaste was thankfully much milder

Question: While it appears that a soft, chewy chocolate confection was a failed product, could the company realistically expect to find success by offering the same formula as a hard candy instead, given the way people seemed to feel about the lingering taste?
Answer: YES
Passage: In April 2015, Cadbury announced that it was to release a Vegemite-flavoured block of chocolate on 1 June. The chocolate block is Cadbury's Caramello block updated by mixing vegemite with the chocolate. Critics described the taste as similar to salted caramel with a pleasant umami aftertaste. Criticism varied from "love it" to tasting like a "caramel and turkish delight filling with a lot of salt" to "needs more salt" , but a general consensus was that the major drawback was the mild and muted aftertaste, which left them wishing for more

Question: Given the way that most tasters felt about the aftertaste of these chocolates, is it possible that they could have been featured in a modern reincarnation of the "Got Milk?" commercials?
Answer: YES

Question: While it appears that a soft, chewy chocolate confection was a failed product, could the company realistically expect to find success by offering the same formula as a hard candy instead, given the way people seemed to feel about the lingering taste?
Answer: YES

Question: If this product was actually produced and marketed to the customers who enjoyed it, would Cadbury's be advised to sell it in a roll of identical sweets for purists who want the flavor to last, rather than as one flavor in a box of assorted, labeled chocolates?
Answer: YES
Passage: In Hebrew, the Dead Sea is ' (), meaning "sea of salt" (Genesis 14:3). The Bible uses this term alongside two others: the Sea of the Arabah ('), and the Eastern Sea ('). The designation "Dead Sea" never appears in the Bible. In prose sometimes the term ' (, "sea of death") is used, due to the scarcity of aquatic life there.

Question: Is the phrase "Dead Sea" found in the Bible?
Answer: NO

Question: Are the words "Dead Sea" found alone in the Bible?
Answer: NO

Question: Is the name "Dead Sea" found more than once in the Bible?
Answer: NO
Passage: In Hebrew, the Dead Sea is ' (), meaning "sea of salt" (Genesis 14:3). The Bible uses this term alongside two others: the Sea of the Arabah ('), and the Eastern Sea ('). The name "Dead Sea" is missing from the Bible. In prose sometimes the term ' (, "sea of death") is used, due to the scarcity of aquatic life there.

Question: Is the phrase "Dead Sea" found in the Bible?
Answer: NO

Question: Are the words "Dead Sea" found alone in the Bible?
Answer: NO

Question: Is the name "Dead Sea" found more than once in the Bible?
Answer: NO
Passage: In Hebrew, the Dead Sea is ' (), meaning "sea of salt" (Genesis 14:3). The Bible never uses this term without two others: the Sea of the Arabah ('), and the Eastern Sea ('). The designation "Dead Sea" appears in the Bible. In prose sometimes the term ' (, "sea of death") is used, due to the scarcity of aquatic life there.

Question: Is the phrase "Dead Sea" found in the Bible?
Answer: YES

Question: Is the name "Dead Sea" found more than once in the Bible?
Answer: DON'T KNOW
Passage: In Hebrew, the Dead Sea is ' (), meaning "sea of salt" (Genesis 14:3). The Bible uses this term alongside two others: the Sea of the Arabah ('), and the Eastern Sea ('). The name "Dead Sea" can be found several times in the Bible. In prose sometimes the term ' (, "sea of death") is used, due to the scarcity of aquatic life there.

Question: Is the phrase "Dead Sea" found in the Bible?
Answer: YES

Question: Is the name "Dead Sea" found more than once in the Bible?
Answer: YES
Passage: Al-Libi told the interrogators details about Richard Reid, a British citizen who had joined al-Qaeda and trained to carry out a suicide bombing of an airliner, which he successfully attempted on December 22, 2001. Al-Libi agreed to continue cooperating if the United States would allow his wife and her family to emigrate, while he was prosecuted within the American legal system.

Question: Would al-Qaeda take responsibility for Richard Reid's suicide bombing attempt?
Answer: YES

Question: Was Richard Reid still alive on December 23, 2001?
Answer: NO

Question: Would Richard Reid go to jail for his suicide bombing attempt?
Answer: NO
Passage: MTV.com experimented with entirely video-based layouts between 2005 and 2007. The experiment began in April 2005 as "MTV Overdrive", a streaming video service that supplemented the regular MTV.com website. Shortly after the 2006 MTV Video Music Awards, which were streamed on MTV.com and heavily used the "MTV Overdrive" features, MTV introduced a massive change for MTV.com, transforming the entire site into a Flash video-based entity. Much of users' feedback about the Flash-based site was negative, demonstrating a dissatisfaction with videos that played automatically, commercials that could not be skipped or stopped, and the slower speed of the entire website. The experiment ended in February 2006 as MTV.com reverted to a traditional HTML-based website design with embedded video clips, in the style of YouTube and some other video-based websites.

Question: Was the user experience of the new MTV website better than that of the old website?
Answer: NO

Question: Did users have complaints about the videos that played automatically?
Answer: YES

Question: Were the videos that played automatically the top complaint about the new website?
Answer: DON'T KNOW
Passage: MTV.com experimented with entirely video-based layouts between 2005 and 2007. The experiment began in April 2005 as "MTV Overdrive", a streaming video service that supplemented the regular MTV.com website. Shortly after the 2006 MTV Video Music Awards, which were streamed on MTV.com and heavily used the "MTV Overdrive" features, MTV introduced a massive change for MTV.com, transforming the entire site into a Flash video-based entity. Much of users' feedback about the Flash-based site was negative, demonstrating an annoyance with videos that played automatically, commercials that could not be skipped or stopped, and the slower speed of the entire website. The experiment ended in February 2006 as MTV.com reverted to a traditional HTML-based website design with embedded video clips, in the style of YouTube and some other video-based websites.

Question: Was the user experience of the new MTV website better than that of the old website?
Answer: NO

Question: Did users have complaints about the videos that played automatically?
Answer: YES

Question: Were the videos that played automatically the top complaint about the new website?
Answer: DON'T KNOW
Passage: MTV.com experimented with entirely video-based layouts between 2005 and 2007. The experiment began in April 2005 as "MTV Overdrive", a streaming video service that supplemented the regular MTV.com website. Shortly after the 2006 MTV Video Music Awards, which were streamed on MTV.com and heavily used the "MTV Overdrive" features, MTV introduced a massive change for MTV.com, transforming the entire site into a Flash video-based entity. Much of users' feedback about the Flash-based site was negative, demonstrating a neutral feeling towards videos that played automatically, but a dissatisfaction with commercials that could not be skipped or stopped and the slower speed of the entire website. The experiment ended in February 2006 as MTV.com reverted to a traditional HTML-based website design with embedded video clips, in the style of YouTube and some other video-based websites.

Question: Was the user experience of the new MTV website better than that of the old website?
Answer: NO

Question: Did users have complaints about the videos that played automatically?
Answer: NO

Question: Were the videos that played automatically the top complaint about the new website?
Answer: NO
Passage: MTV.com experimented with entirely video-based layouts between 2005 and 2007. The experiment began in April 2005 as "MTV Overdrive", a streaming video service that supplemented the regular MTV.com website. Shortly after the 2006 MTV Video Music Awards, which were streamed on MTV.com and heavily used the "MTV Overdrive" features, MTV introduced a massive change for MTV.com, transforming the entire site into a Flash video-based entity. Much of users' feedback about the Flash-based site was positive, demonstrating an enjoyment of the videos that played automatically, commercials that could be skipped or stopped, and the faster speed of the entire website. The experiment ended in February 2006 as MTV.com reverted to a traditional HTML-based website design with embedded video clips, in the style of YouTube and some other video-based websites.

Question: Was the user experience of the new MTV website better than that of the old website?
Answer: YES

Question: Did users have complaints about the videos that played automatically?
Answer: NO

Question: Were the videos that played automatically the top complaint about the new website?
Answer: NO
Passage: Mimsy Berkovitz - Another unseen character, she is the local agony aunt, whom many of the characters turn to for advice. In the episode "The Secret of the Seven Sorcerers", Patrick is heard talking to her on the radio, seeking her advice on how to cope when Victor and Margaret invite him and Pippa around to dinner.

Question: Would fans of the TV show be able to give a physical description of Mimsy Berkovitz?
Answer: NO

Question: Does the actress who plays Mimsy Berkovitz likely get recognized on the street by fans of the show?
Answer: NO

Question: Would fans of the TV show be able to give a physical description of many of the characters that Mimsy Berkovitz interacts with?
Answer: YES
Passage: Mimsy Berkovitz - Another off screen character, she is the local agony aunt, whom many of the characters turn to for advice. In the episode "The Secret of the Seven Sorcerers", Patrick is heard talking to her on the radio, seeking her advice on how to cope when Victor and Margaret invite him and Pippa around to dinner.

Question: Would fans of the TV show be able to give a physical description of Mimsy Berkovitz?
Answer: NO

Question: Does the actress who plays Mimsy Berkovitz likely get recognized on the street by fans of the show?
Answer: NO

Question: Would fans of the TV show be able to give a physical description of many of the characters that Mimsy Berkovitz interacts with?
Answer: YES
Passage: Mimsy Berkovitz - Another character, she is the local agony aunt, whom many of the unseen characters turn to for advice. In the episode "The Secret of the Seven Sorcerers", Patrick is heard talking to her on the radio, seeking her advice on how to cope when Victor and Margaret invite him and Pippa around to dinner.

Question: Would fans of the TV show be able to give a physical description of Mimsy Berkovitz?
Answer: YES

Question: Does the actress who plays Mimsy Berkovitz likely get recognized on the street by fans of the show?
Answer: YES

Question: Would fans of the TV show be able to give a physical description of many of the characters that Mimsy Berkovitz interacts with?
Answer: NO
Passage: Mimsy Berkovitz - Another character, she is the local agony aunt, whom many of the characters turn to for advice. In the episode "The Secret of the Seven Sorcerers", Patrick is heard talking to her on the radio, seeking her advice on how to cope when Victor and Margaret invite him and Pippa around to dinner.

Question: Would fans of the TV show be able to give a physical description of Mimsy Berkovitz?
Answer: YES

Question: Does the actress who plays Mimsy Berkovitz likely get recognized on the street by fans of the show?
Answer: YES

Question: Would fans of the TV show be able to give a physical description of many of the characters that Mimsy Berkovitz interacts with?
Answer: YES
Passage: Dholes produce whistles resembling the calls of red foxes, sometimes rendered as "coo-coo". How this sound is produced is unknown, though it is thought to help in coordinating the pack when travelling through thick brush. When attacking prey, they emit screaming "KaKaKaKAA" sounds. Other sounds include whines (food soliciting), growls (warning), screams, chatterings (both of which are alarm calls) and yapping cries. In contrast to wolves, dholes do not howl or bark. Dholes have a complex body language. Friendly or submissive greetings are accompanied by horizontal lip retraction and the lowering of the tail, as well as licking. Playful dholes open their mouths with their lips retracted and their tails held in a vertical position whilst assuming a play bow. Aggressive or threatening dholes pucker their lips forward in a snarl and raise the hairs on their backs, as well as keep their tails horizontal or vertical. When afraid, they pull their lips back horizontally with their tails tucked and their ears flat against the skull.

Question: Is it likely that laboratory dissection of dholes has revealed which parts of their respiratory systems are used for producing calls?
Answer: NO

Question: If a reader assumes that the ways in which foxes are able to whistle are well known to scientists, would this passage lead the reader to believe that dholes have been studied less intensely than the common red fox?
Answer: YES

Question: If a dhole were to be found in the wild that was seemingly mute, and which also had a visible mutation in its trachea, could this discovery help scientists to answer an as-yet unsatisfied question about how the species produces whistles?
Answer: YES
Passage: Dholes produce whistles resembling the calls of red foxes, sometimes rendered as "coo-coo". Nobody knows how the dholes produce this sound, but it is believed that animals in the pack use the sound to coordinate their movements through thick brush. When attacking prey, they emit screaming "KaKaKaKAA" sounds. Other sounds include whines (food soliciting), growls (warning), screams, chatterings (both of which are alarm calls) and yapping cries. In contrast to wolves, dholes do not howl or bark. Dholes have a complex body language. Friendly or submissive greetings are accompanied by horizontal lip retraction and the lowering of the tail, as well as licking. Playful dholes open their mouths with their lips retracted and their tails held in a vertical position whilst assuming a play bow. Aggressive or threatening dholes pucker their lips forward in a snarl and raise the hairs on their backs, as well as keep their tails horizontal or vertical. When afraid, they pull their lips back horizontally with their tails tucked and their ears flat against the skull.

Question: Is it likely that laboratory dissection of dholes has revealed which parts of their respiratory systems are used for producing calls?
Answer: NO

Question: If a reader assumes that the ways in which foxes are able to whistle are well known to scientists, would this passage lead the reader to believe that dholes have been studied less intensely than the common red fox?
Answer: YES

Question: If a dhole were to be found in the wild that was seemingly mute, and which also had a visible mutation in its trachea, could this discovery help scientists to answer an as-yet unsatisfied question about how the species produces whistles?
Answer: YES
Passage: Dholes produce whistles resembling the calls of red foxes, sometimes rendered as "coo-coo". While the mechanism for producing the sound is well understood, its exact purpose is unknown, though it is thought to help in coordinating the pack when travelling through thick brush. When attacking prey, they emit screaming "KaKaKaKAA" sounds. Other sounds include whines (food soliciting), growls (warning), screams, chatterings (both of which are alarm calls) and yapping cries. In contrast to wolves, dholes do not howl or bark. Dholes have a complex body language. Friendly or submissive greetings are accompanied by horizontal lip retraction and the lowering of the tail, as well as licking. Playful dholes open their mouths with their lips retracted and their tails held in a vertical position whilst assuming a play bow. Aggressive or threatening dholes pucker their lips forward in a snarl and raise the hairs on their backs, as well as keep their tails horizontal or vertical. When afraid, they pull their lips back horizontally with their tails tucked and their ears flat against the skull.

Question: Is it likely that laboratory dissection of dholes has revealed which parts of their respiratory systems are used for producing calls?
Answer: YES

Question: If a reader assumes that the ways in which foxes are able to whistle are well known to scientists, would this passage lead the reader to believe that dholes have been studied less intensely than the common red fox?
Answer: NO

Question: If a dhole were to be found in the wild that was seemingly mute, and which also had a visible mutation in its trachea, could this discovery help scientists to answer an as-yet unsatisfied question about how the species produces whistles?
Answer: NO
Passage: Dholes produce whistles resembling the calls of red foxes, sometimes rendered as "coo-coo". How this sound is produced is well known, and it is thought to help in coordinating the pack when travelling through thick brush. When attacking prey, they emit screaming "KaKaKaKAA" sounds. Other sounds include whines (food soliciting), growls (warning), screams, chatterings (both of which are alarm calls) and yapping cries. In contrast to wolves, dholes do not howl or bark. Dholes have a complex body language. Friendly or submissive greetings are accompanied by horizontal lip retraction and the lowering of the tail, as well as licking. Playful dholes open their mouths with their lips retracted and their tails held in a vertical position whilst assuming a play bow. Aggressive or threatening dholes pucker their lips forward in a snarl and raise the hairs on their backs, as well as keep their tails horizontal or vertical. When afraid, they pull their lips back horizontally with their tails tucked and their ears flat against the skull.

Question: Is it likely that laboratory dissection of dholes has revealed which parts of their respiratory systems are used for producing calls?
Answer: YES

Question: If a reader assumes that the ways in which foxes are able to whistle are well known to scientists, would this passage lead the reader to believe that dholes have been studied less intensely than the common red fox?
Answer: NO

Question: If a dhole were to be found in the wild that was seemingly mute, and which also had a visible mutation in its trachea, could this discovery help scientists to answer an as-yet unsatisfied question about how the species produces whistles?
Answer: NO
Passage: Boniface and his elder brother Amadeus IV, Count of Savoy, were sons of Thomas I, Count of Savoy, and Margaret of Geneva. He is thus not to be confused with his nephew, and fellow member of the House of Savoy, Count Boniface of Savoy, the son of Amadeus IV. The elder Boniface was born about 1207 in Savoy. He was the eleventh child of his parents. Some sources state that at a young age he joined the Carthusian Order. There is evidence of this, and it would have been very usual for a nobleman to enter that order with its unusual sense of discipline. He also had a brother Peter of Savoy who was named Earl of Richmond in 1240 and yet another brother William of Savoy, who was Bishop of Valence and a candidate to be Bishop of Winchester in England.

Question: Was it usual or unusual for a man to join the Order?
Answer: usual