lasha-nlp/CONDAQA huggingface dataset:
Passage: King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio."

Question: Does it sound like King's mother recognized her daughter's potential from the start?
Answer: YES

Question: Would it be reasonable to assume that King's mother, though enthusiastic about music, was pessimistic about the career prospects in that field, and wanted her daughter to pursue other interests as well?
Answer: NO
Passage: King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She never felt the need. I wanted so much to master the popular songs that poured out of the radio."

Question: Does it sound like King's mother recognized her daughter's potential from the start?
Answer: YES

Question: Would it be reasonable to assume that King's mother, though enthusiastic about music, was pessimistic about the career prospects in that field, and wanted her daughter to pursue other interests as well?
Answer: NO
Passage: King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't want to. I wanted so much to master the popular songs that poured out of the radio."

Question: Does King's mother sound like a relatively lenient and genial parent, who wants her children to have various unstructured leisure activities (while not having to spend her own time enforcing rules)?
Answer: YES
Passage: King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She actually didn't want me to practice so much. I wanted so much to master the popular songs that poured out of the radio."

Question: Would it be reasonable to assume that King's mother, though enthusiastic about music, was pessimistic about the career prospects in that field, and wanted her daughter to pursue other interests as well?
Answer: YES
Passage: Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions."

Question: Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production?
Answer: YES

Question: If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have?
Answer: YES
Passage: Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston did not even know that there were any problems in the private lives of Miller and Monroe. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions."

Question: Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production?
Answer: YES

Question: If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have?
Answer: YES
Passage: Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew at that point that Miller and Monroe were having problems in their private life, but tried to ensure that the production staff were unaware. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions."

Question: Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production?
Answer: NO

Question: If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have?
Answer: NO
Passage: Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew from the earliest stages of pre-production that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions."

Question: Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production?
Answer: NO

Question: If Huston was to look back on the choices he had made in his life, would he say that he should have hired a different screenwriter for "The Misfits", based on what he was aware of before filming began?
Answer: YES

Question: If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have?
Answer: NO
Passage: In 1993, a young schoolgirl was killed in a successful attempt on the life of the unsuccessful Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan.

Question: Is it likely that Atef Sedki attended the funeral of the schoolgirl killed in 1993?
Answer: NO

Question: In 1993, is it likely that Atef Sedki had a high approval rating among Egyptians?
Answer: NO

Question: If someone claims to have the receipt from the purchase of Atef Sedki's casket and the date listed on the receipt is March 27th, 1997, is it a forgery?
Answer: YES
Passage: In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932.

Question: The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes.  From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue?
Answer: YES

Question: If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake?
Answer: YES
Passage: In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. Handy also started the Handy Record Company in New York City in that same decade, and while the label never released any of their own records, Handy himself did organize some recording sessions under the label's name, and some of the works produced therein were later released by Black Swan Records and Paramount Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932.

Question: If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake?
Answer: YES
Passage: In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records that were especially successful, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932.

Question: The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes.  From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue?
Answer: NO

Question: If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake?
Answer: NO
Passage: In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label's records were respectably successful for their time, Handy was better remembered for the recording sessions he organized with it, because some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932.

Question: The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes.  From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue?
Answer: NO

Question: If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake?
Answer: NO
Passage: These plays and entremeses made up "Ocho Comedias y ocho entreméses nuevos, nunca representados" ("Eight Comedies and Eight New Interludes, Never Before Performed"), which appeared in 1615. The dates and order of composition of Cervantes' entremeses are unknown. Faithful to the spirit of Lope de Rueda, Cervantes endowed them with novelistic elements, such as simplified plot, the type of descriptions normally associated with a novel, and character development. Cervantes included some of his dramas among the works he was most satisfied with.

Question: Do historians know which entremese Cervantes wrote first?
Answer: NO

Question: Do historians know how many entremeses Cervantes wrote in the month December?
Answer: NO

Question: Would it be difficult to organize Cervante's entremeses in chronological order?
Answer: YES
Passage: These plays and entremeses made up "Ocho Comedias y ocho entreméses nuevos, nunca representados" ("Eight Comedies and Eight New Interludes, Never Before Performed"), which appeared in 1615. The dates and order of composition of Cervantes' entremeses are a mystery. Faithful to the spirit of Lope de Rueda, Cervantes endowed them with novelistic elements, such as simplified plot, the type of descriptions normally associated with a novel, and character development. Cervantes included some of his dramas among the works he was most satisfied with.

Question: Do historians know which entremese Cervantes wrote first?
Answer: NO

Question: Do historians know how many entremeses Cervantes wrote in the month December?
Answer: NO

Question: Would it be difficult to organize Cervante's entremeses in chronological order?
Answer: YES
Passage: These plays and entremeses made up "Ocho Comedias y ocho entreméses nuevos, nunca representados" ("Eight Comedies and Eight New Interludes, Never Before Performed"), which appeared in 1615. The order of composition of Cervantes' entremeses are unknown. Faithful to the spirit of Lope de Rueda, Cervantes endowed them with novelistic elements, such as simplified plot, the type of descriptions normally associated with a novel, and character development. Cervantes included some of his dramas among the works he was most satisfied with.

Question: Do historians know which entremese Cervantes wrote first?
Answer: NO

Question: Would it be difficult to organize Cervante's entremeses in chronological order?
Answer: YES
Passage: These plays and entremeses made up "Ocho Comedias y ocho entreméses nuevos, nunca representados" ("Eight Comedies and Eight New Interludes, Never Before Performed"), which appeared in 1615. The dates and order of composition of Cervantes' entremeses are well documented. Faithful to the spirit of Lope de Rueda, Cervantes endowed them with novelistic elements, such as simplified plot, the type of descriptions normally associated with a novel, and character development. Cervantes included some of his dramas among the works he was most satisfied with.

Question: Do historians know which entremese Cervantes wrote first?
Answer: YES

Question: Do historians know how many entremeses Cervantes wrote in the month December?
Answer: YES

Question: Would it be difficult to organize Cervante's entremeses in chronological order?
Answer: NO
Passage: Far from being a specific practice to the Essenes, the ritual of purification was common among the peoples of Judea during this period. A ritual bath or mikveh was found near many synagogues of the period continuing into modern times. Purity and cleanliness was considered so important to the Essenes that they would refrain from defecation on the Sabbath.

Question: Was there any purification ritual widely used by the peoples of Judea during this period?
Answer: YES

Question: Were purification practices among the Essenes during this period unknown to other parts of Judea?
Answer: NO
Passage: Ritual purification was not a common practice among the peoples of Judea during this period although it was specific to the Essenes. A ritual bath or mikveh was found near many synagogues of the period continuing into modern times. Purity and cleanliness was considered so important to the Essenes that they would refrain from defecation on the Sabbath.

Question: Was there any purification ritual widely used by the peoples of Judea during this period?
Answer: NO

Question: Did the Essenes engaged in any activities that they did not share with the general population of Judea?
Answer: YES
Passage: Ritual purification was an unheard-of practice among the rest of the peoples of Judea during this period but it was specific to the Essenes. A ritual bath or mikveh was found near many synagogues of the period continuing into modern times. Purity and cleanliness was considered so important to the Essenes that they would refrain from defecation on the Sabbath.

Question: Was there any purification ritual widely used by the peoples of Judea during this period?
Answer: NO

Question: Did the Essenes engaged in any activities that they did not share with the general population of Judea?
Answer: YES

Question: Were purification practices among the Essenes during this period unknown to other parts of Judea?
Answer: YES
Passage: The Allies invaded French North Africa in November 1942, securing the surrender of Vichy French forces within days of landing. At the January 1943 Casablanca Conference, the Allies agreed to defeat Axis forces in North Africa and then launch an invasion of Sicily, with an attack on France to take place in 1944. At the conference, Roosevelt also announced that he would only accept the unconditional surrender of Germany, Japan, and Italy. In February 1943, the Soviet Union won a major victory at the Battle of Stalingrad, and in May 1943, the Allies secured the surrender of over 250,000 German and Italian soldiers in North Africa, ending the North African Campaign. The Allies launched an invasion of Sicily in July 1943, capturing the island by the end of the following month. In September 1943, the Allies secured an armistice from Italian Prime Minister Pietro Badoglio, but Germany quickly restored Mussolini to power. The Allied invasion of mainland Italy commenced in September 1943, but the Italian Campaign continued until 1945 as German and Italian troops resisted the Allied advance.

Question: From this passage, would the reader consider Roosevelt to be a strict hardliner when it came to the surrender of the Axis powers in World War II?
Answer: YES

Question: Would it be reasonable to assume that negotiations would soon follow between America and the Axis powers, that might have put an end to the war on slightly more favorable terms for the losers than would normally have come about after a full military defeat?
Answer: NO

Question: If Roosevelt were to stand for re-election shortly after this conference, could his opponents truthfully claim that he was being too soft on our enemies when it came to the terms of surrender?
Answer: NO