lasha-nlp/CONDAQA huggingface dataset:
Passage: The earliest Japanese "sansukumi-ken" game was known as "mushi-ken" (虫拳), which was imported directly from China. In "mushi-ken" the "frog" (represented by the thumb) triumphs over the "slug" (represented by the little finger), which, in turn prevails over the "snake" (represented by the index finger), which triumphs over the "frog". Although this game was imported from China the Japanese version differs in the animals represented. In adopting the game, the original Chinese characters for the poisonous centipede (蜈蜙) were apparently confused with the characters for the slug (蛞蝓). The most popular "sansukumi-ken" game in Japan was "kitsune-ken" (狐拳). In the game, a supernatural fox called a kitsune (狐) defeats the village head, the village head (庄屋) defeats the hunter, and the hunter (猟師) defeats the fox. "Kitsune-ken", unlike "mushi-ken" or rock–paper–scissors, is played by making gestures with both hands.

Question: Would a one-handed person have a hard time playing kitsune-ken?
Answer: YES

Question: Would a one-handed person have a hard time playing mushi-ken?
Answer: NO

Question: Would a one-handed person have a hard time playing rock-paper-scissors?
Answer: NO
Passage: The earliest Japanese "sansukumi-ken" game was known as "mushi-ken" (虫拳), which was imported directly from China. In "mushi-ken" the "frog" (represented by the thumb) triumphs over the "slug" (represented by the little finger), which, in turn prevails over the "snake" (represented by the index finger), which triumphs over the "frog". Although this game was imported from China the Japanese version differs in the animals represented. In adopting the game, the original Chinese characters for the poisonous centipede (蜈蜙) were apparently confused with the characters for the slug (蛞蝓). The most popular "sansukumi-ken" game in Japan was "kitsune-ken" (狐拳). In the game, a supernatural fox called a kitsune (狐) defeats the village head, the village head (庄屋) defeats the hunter, and the hunter (猟師) defeats the fox. "Kitsune-ken", distinctly from "mushi-ken" or rock–paper–scissors, is played by making gestures with both hands.

Question: Would a one-handed person have a hard time playing kitsune-ken?
Answer: YES

Question: Would a one-handed person have a hard time playing mushi-ken?
Answer: NO

Question: Would a one-handed person have a hard time playing rock-paper-scissors?
Answer: NO
Passage: The earliest Japanese "sansukumi-ken" game was known as "mushi-ken" (虫拳), which was imported directly from China. In "mushi-ken" the "frog" (represented by the thumb) triumphs over the "slug" (represented by the little finger), which, in turn prevails over the "snake" (represented by the index finger), which triumphs over the "frog". Although this game was imported from China the Japanese version differs in the animals represented. In adopting the game, the original Chinese characters for the poisonous centipede (蜈蜙) were apparently confused with the characters for the slug (蛞蝓). The most popular "sansukumi-ken" game in Japan was "kitsune-ken" (狐拳). In the game, a supernatural fox called a kitsune (狐) defeats the village head, the village head (庄屋) defeats the hunter, and the hunter (猟師) defeats the fox. "Kitsune-ken", similar to "mushi-ken" but unlike rock–paper–scissors, is played by making gestures with both hands.

Question: Would a one-handed person have a hard time playing kitsune-ken?
Answer: YES

Question: Would a one-handed person have a hard time playing mushi-ken?
Answer: YES

Question: Would a one-handed person have a hard time playing rock-paper-scissors?
Answer: NO
Passage: The earliest Japanese "sansukumi-ken" game was known as "mushi-ken" (虫拳), which was imported directly from China. In "mushi-ken" the "frog" (represented by the thumb) triumphs over the "slug" (represented by the little finger), which, in turn prevails over the "snake" (represented by the index finger), which triumphs over the "frog". Although this game was imported from China the Japanese version differs in the animals represented. In adopting the game, the original Chinese characters for the poisonous centipede (蜈蜙) were apparently confused with the characters for the slug (蛞蝓). The most popular "sansukumi-ken" game in Japan was "kitsune-ken" (狐拳). In the game, a supernatural fox called a kitsune (狐) defeats the village head, the village head (庄屋) defeats the hunter, and the hunter (猟師) defeats the fox. "Kitsune-ken", like "mushi-ken" or rock–paper–scissors, is played by making gestures with one hand.

Question: Would a one-handed person have a hard time playing kitsune-ken?
Answer: NO

Question: Would a one-handed person have a hard time playing mushi-ken?
Answer: NO

Question: Would a one-handed person have a hard time playing rock-paper-scissors?
Answer: NO
Passage: In contrast to much theatre of the time, the light plot of "The Importance of Being Earnest "does not seem to tackle serious social and political issues, something of which contemporary reviewers were wary. Though unsure of Wilde's seriousness as a dramatist, they recognised the play's cleverness, humour and popularity with audiences. Shaw, for example, reviewed the play in the "Saturday Review", arguing that comedy should touch as well as amuse, "I go to the theatre to be "moved" to laughter." Later in a letter he said, the play, though "extremely funny", was Wilde's "first really heartless [one]". In "The World", William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning: "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"

Question: Did many people go and see The Importance of Being Earnest?
Answer: YES

Question: Did theater reviewers have any qualms about Wilde and his new work?
Answer: YES
Passage: In contrast to much theatre of the time, the light plot of "The Importance of Being Earnest "does not seem to tackle serious social and political issues, something of which contemporary reviewers were wary. Though they questioned Wilde's seriousness as a dramatist, they recognised the play's cleverness, humour and popularity with audiences. Shaw, for example, reviewed the play in the "Saturday Review", arguing that comedy should touch as well as amuse, "I go to the theatre to be "moved" to laughter." Later in a letter he said, the play, though "extremely funny", was Wilde's "first really heartless [one]". In "The World", William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning: "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"

Question: Did many people go and see The Importance of Being Earnest?
Answer: YES

Question: Did theater reviewers have any qualms about Wilde and his new work?
Answer: YES
Passage: In contrast to much theatre of the time, the light plot of "The Importance of Being Earnest "does not seem to tackle serious social and political issues, something of which contemporary reviewers were wary. Confident in Wilde's seriousness as a dramatist, they recognised the play's cleverness and humour, while being unsure of its popularity with audiences. Shaw, for example, reviewed the play in the "Saturday Review", arguing that comedy should touch as well as amuse, "I go to the theatre to be "moved" to laughter." Later in a letter he said, the play, though "extremely funny", was Wilde's "first really heartless [one]". In "The World", William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning: "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"

Question: Did many people go and see The Importance of Being Earnest?
Answer: NO

Question: Was Wilde highly respected among reviewers of theater?
Answer: YES

Question: Did theater reviewers have any qualms about Wilde and his new work?
Answer: YES
Passage: In contrast to much theatre of the time, the light plot of "The Importance of Being Earnest "does not seem to tackle serious social and political issues, something of which contemporary reviewers were wary. In addition to being confident in Wilde's seriousness as a dramatist, they recognised the play's cleverness, humour and popularity with audiences. Shaw, for example, reviewed the play in the "Saturday Review", arguing that comedy should touch as well as amuse, "I go to the theatre to be "moved" to laughter." Later in a letter he said, the play, though "extremely funny", was Wilde's "first really heartless [one]". In "The World", William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning: "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"

Question: Did many people go and see The Importance of Being Earnest?
Answer: YES

Question: Was Wilde highly respected among reviewers of theater?
Answer: YES
Passage: Ostwald began his career as an independent unpaid investigator at the University of Dorpat in 1875. He worked in the laboratory of Carl Schmidt, along with his contemporary Johann Lemberg. Lemberg taught Ostwald many of the basics of the analysis of inorganic compounds and measurements of equilibria and chemical reaction rates. Lemberg also taught Ostwald the chemical basis of many geologic phenomena. These endeavors formed part of the subjects of Ostwald's later research efforts. In addition to his work in Carl Schmidt's laboratory, Ostwald also studied in the university's physics institute with Arthur von Oettingen.

Question: If Ostwald's home country had some kind of pension scheme similar to Social Security, would Ostwald himself be working to accrue old-age benefits, however small, during his time as an investigator?
Answer: NO

Question: If the university lab threw a surprise birthday party for one of its employees, would it be reasonable to assume that Ostwald would have been present for most of the preparations, and invited to attend along with his colleagues?
Answer: NO

Question: For some or all of Ostwald's time as an investigator, would his work be considered to be more akin to an internship or apprenticeship than to traditional employment?
Answer: YES
Passage: Ostwald's career began in 1876 at the University of Dorpat, where he worked, without compensation, as an independent investigator. He worked in the laboratory of Carl Schmidt, along with his contemporary Johann Lemberg. Lemberg taught Ostwald many of the basics of the analysis of inorganic compounds and measurements of equilibria and chemical reaction rates. Lemberg also taught Ostwald the chemical basis of many geologic phenomena. These endeavors formed part of the subjects of Ostwald's later research efforts. In addition to his work in Carl Schmidt's laboratory, Ostwald also studied in the university's physics institute with Arthur von Oettingen.

Question: If Ostwald's home country had some kind of pension scheme similar to Social Security, would Ostwald himself be working to accrue old-age benefits, however small, during his time as an investigator?
Answer: NO

Question: If the university lab threw a surprise birthday party for one of its employees, would it be reasonable to assume that Ostwald would have been present for most of the preparations, and invited to attend along with his colleagues?
Answer: NO

Question: For some or all of Ostwald's time as an investigator, would his work be considered to be more akin to an internship or apprenticeship than to traditional employment?
Answer: YES
Passage: Ostwald began his career as an independent investigator at the University of Dorpat in 1875, where he was initially unpaid, working as part of a course, and later informally compensated based on results. He worked in the laboratory of Carl Schmidt, along with his contemporary Johann Lemberg. Lemberg taught Ostwald many of the basics of the analysis of inorganic compounds and measurements of equilibria and chemical reaction rates. Lemberg also taught Ostwald the chemical basis of many geologic phenomena. These endeavors formed part of the subjects of Ostwald's later research efforts. In addition to his work in Carl Schmidt's laboratory, Ostwald also studied in the university's physics institute with Arthur von Oettingen.

Question: If the university lab threw a surprise birthday party for one of its employees, would it be reasonable to assume that Ostwald would have been present for most of the preparations, and invited to attend along with his colleagues?
Answer: NO

Question: For some or all of Ostwald's time as an investigator, would his work be considered to be more akin to an internship or apprenticeship than to traditional employment?
Answer: YES
Passage: Ostwald began his career as a salaried investigator at the University of Dorpat in 1875. He worked in the laboratory of Carl Schmidt, along with his contemporary Johann Lemberg. Lemberg taught Ostwald many of the basics of the analysis of inorganic compounds and measurements of equilibria and chemical reaction rates. Lemberg also taught Ostwald the chemical basis of many geologic phenomena. These endeavors formed part of the subjects of Ostwald's later research efforts. In addition to his work in Carl Schmidt's laboratory, Ostwald also studied in the university's physics institute with Arthur von Oettingen.

Question: If Ostwald's home country had some kind of pension scheme similar to Social Security, would Ostwald himself be working to accrue old-age benefits, however small, during his time as an investigator?
Answer: YES

Question: If the university lab threw a surprise birthday party for one of its employees, would it be reasonable to assume that Ostwald would have been present for most of the preparations, and invited to attend along with his colleagues?
Answer: YES

Question: For some or all of Ostwald's time as an investigator, would his work be considered to be more akin to an internship or apprenticeship than to traditional employment?
Answer: NO
Passage: Despite this inadvertent reconciliation of paganism to Christianity, however, many of the Church fathers viewed the emperor with hostility, and told stories of his supposed wickedness after his death. A sermon by Saint John Chrysostom, entitled "On Saints Juventinus and Maximinus," tells the story of two of Julian's soldiers at Antioch, who were overheard at a drinking party, criticizing the emperor's religious policies, and taken into custody. According to John, the emperor had made a deliberate effort to avoid creating martyrs of those who disagreed with his reforms; but Juventinus and Maximinus admitted to being Christians, and refused to moderate their stance. John asserts that the emperor forbade anyone from having contact with the men, but that nobody obeyed his orders; so he had the two men executed in the middle of the night. John urges his audience to visit the tomb of these martyrs.

Question: Would the emperor have punished people who behaved like Juventinus and Maximinus?
Answer: YES

Question: Is it likely that St. John approved of the actions of the emperor?
Answer: NO

Question: Would the two men have approved of the actions of the emperor?
Answer: NO
Passage: Despite this inadvertent reconciliation of paganism to Christianity, however, many of the Church fathers viewed the emperor with hostility, and told stories of his supposed wickedness after his death. A sermon by Saint John Chrysostom, entitled "On Saints Juventinus and Maximinus," tells the story of two of Julian's soldiers at Antioch, who were overheard at a drinking party, criticizing the emperor's religious policies, and taken into custody. According to John, the emperor had made a deliberate effort to avoid creating martyrs of those who disagreed with his reforms; but Juventinus and Maximinus admitted to being Christians, and refused to moderate their stance. John asserts that the emperor forbade anyone from having contact with the men, but that no one obeyed his orders; so he had the two men executed in the middle of the night. John urges his audience to visit the tomb of these martyrs.

Question: Would the emperor have punished people who behaved like Juventinus and Maximinus?
Answer: YES

Question: Is it likely that St. John approved of the actions of the emperor?
Answer: NO

Question: Would the two men have approved of the actions of the emperor?
Answer: NO
Passage: Despite this inadvertent reconciliation of paganism to Christianity, however, many of the Church fathers viewed the emperor with hostility, and told stories of his supposed wickedness after his death. A sermon by Saint John Chrysostom, entitled "On Saints Juventinus and Maximinus," tells the story of two of Julian's soldiers at Antioch, who were overheard at a drinking party, criticizing the emperor's religious policies, and taken into custody. According to John, the emperor had made a deliberate effort to avoid creating martyrs of those who disagreed with his reforms; but Juventinus and Maximinus admitted to being Christians, and refused to moderate their stance. John asserts that the emperor forbade nobody from having contact with the men and all obeyed his orders; but he still had the two men executed in the middle of the night. John urges his audience to visit the tomb of these martyrs.

Question: Is it likely that St. John approved of the actions of the emperor?
Answer: NO

Question: Would the two men have approved of the actions of the emperor?
Answer: NO
Passage: Female impersonation has been and continues to be illegal in some places, which inspired the drag queen José Sarria to hand out labels to his friends reading, "I am a boy", so he could not be accused of female impersonation. American drag queen RuPaul once said, "I do not impersonate females! How many women do you know who wear seven-inch heels, four-foot wigs, and skintight dresses?" He also said, "I don't dress like a woman; I dress like a drag queen!"

Question: With a more modern understanding of gender-identity and the related issues it can bring, would a reader be likely to consider José Sarria to be closer to a trans-gendered individual than to an entertainer?
Answer: NO

Question: Does it sound like José Sarria was giving out his written messages out of concern for unintentionally offending passersby and/or inciting their anger more so than out of fear of local police officers?
Answer: NO
Passage: Because female impersonation has long been illegal in some locations (and remains so today), the drag queen José Sarria would often hand out cards that said "I am a boy," to make it clear that he was not actually impersonating a woman. American drag queen RuPaul once said, "I do not impersonate females! How many women do you know who wear seven-inch heels, four-foot wigs, and skintight dresses?" He also said, "I don't dress like a woman; I dress like a drag queen!"

Question: With a more modern understanding of gender-identity and the related issues it can bring, would a reader be likely to consider José Sarria to be closer to a trans-gendered individual than to an entertainer?
Answer: NO

Question: Does it sound like José Sarria was giving out his written messages out of concern for unintentionally offending passersby and/or inciting their anger more so than out of fear of local police officers?
Answer: NO
Passage: Female impersonation as an act of speech or protest could not be made illegal anywhere, which allowed the drag queen José Sarria to hand out labels to his friends reading, "I am not a boy", even though he could be accused of female impersonation. American drag queen RuPaul once said, "I do not impersonate females! How many women do you know who wear seven-inch heels, four-foot wigs, and skintight dresses?" He also said, "I don't dress like a woman; I dress like a drag queen!"

Question: From the passage above, does it sound like a case regarding drag-queen performances that could be construed as willful impersonation of females had either been ruled upon by the Supreme Court, or had been ruled upon in a sufficient number of lower courts, that the first-amendment issues had been fully clarified?
Answer: YES

Question: With a more modern understanding of gender-identity and the related issues it can bring, would a reader be likely to consider José Sarria to be closer to a trans-gendered individual than to an entertainer?
Answer: YES
Passage: The chemicals involved in the extraction are commonly available. The plant material may be illegal to procure in some countries. The end product (DMT) is illegal in most countries.

Question: Would DMT likely be legal in a randomly selected country around the world?
Answer: NO

Question: If someone wants to buy DMT, can they do it without fear of legal repercussions in most countries?
Answer: NO

Question: Can someone have DMT legally in the United States?
Answer: DON'T KNOW
Passage: The chemicals involved in the extraction are commonly available. The plant material may be illegal to procure in some countries. It is punishable by law to possess the end product (DMT) in most countries.

Question: Would DMT likely be legal in a randomly selected country around the world?
Answer: NO

Question: If someone wants to buy DMT, can they do it without fear of legal repercussions in most countries?
Answer: NO

Question: Can someone have DMT legally in the United States?
Answer: DON'T KNOW
Passage: The chemicals involved in the extraction are commonly available. The plant material may be illegal to procure in some countries. The end product (DMT) is approved for possession by the laws of most countries.

Question: Would DMT likely be legal in a randomly selected country around the world?
Answer: YES

Question: If someone wants to buy DMT, can they do it without fear of legal repercussions in most countries?
Answer: YES
Passage: The Long Valley volcano is unusual in that it has produced eruptions of both basaltic and silicic lava in the same geological place.

Question: If someone with little knowledge of geology and vulcanism were to assume that the majority of the world's active volcanoes lie around the rim of the Pacific Ocean, could they in turn reasonably assume that this Long Valley location is also located on this "Ring of Fire" despite the unusual circumstances of its eruptions?
Answer: YES
Passage: The Long Valley volcano has been known to produce both basaltic and silicic lava from eruptions that take place in the same geographical location, which is unusual.

Question: If someone with little knowledge of geology and vulcanism were to assume that the majority of the world's active volcanoes lie around the rim of the Pacific Ocean, could they in turn reasonably assume that this Long Valley location is also located on this "Ring of Fire" despite the unusual circumstances of its eruptions?
Answer: YES
Passage: The Long Valley volcano is unusual in its geological location, but is otherwise similar to other volcanoes in that it has produced eruptions of both basaltic and silicic lava in the same geological place.

Question: Would it be relatively easy to find another volcano close to Long Valley, and if so, could the lava from regular eruptions be distinguished from that of the Long Valley cone?
Answer: NO

Question: If someone with little knowledge of geology and vulcanism were to assume that the majority of the world's active volcanoes lie around the rim of the Pacific Ocean, could they in turn reasonably assume that this Long Valley location is also located on this "Ring of Fire" despite the unusual circumstances of its eruptions?
Answer: NO

Question: From the way that the volcano is described, could one assume that its location is somewhat less earthquake prone than that of most other volcanoes, since this would explain how the mountain itself seems to have changed over time while remaining in the same geographic area?
Answer: YES