lasha-nlp/CONDAQA huggingface dataset:
Passage: Forester wrote many novels, but he is best known for the 12-book Horatio Hornblower series depicting a Royal Navy officer during the Napoleonic Wars. He began the series with Hornblower fairly high in rank in the first novel that he wrote, which was published in 1937. But high demand for more stories led him to fill in Hornblower's life story, and he wrote novels detailing his rise from the rank of midshipman. The last completed novel was published in 1962. Forester tried to avoid basing Hornblower's fictional feats on real events, and he wrote the body of the works carefully to prevent entanglements with real world history, so that Hornblower is always off on another, entirely fictional mission when a great naval battle occurs during the Napoleonic Wars.

Question: Would a fan of Forester's novels be likely to gain a detailed understanding of the events of the Battle of Trafalgar?
Answer: NO

Question: Would a historian be likely to say that Forester's novels have little relation to the actual course of the Napoleonic Wars?
Answer: YES

Question: Would a critic be likely to say that Forester had little imagination for original plot lines?
Answer: NO
Passage: Forester wrote many novels, but he is best known for the 12-book Horatio Hornblower series depicting a Royal Navy officer during the Napoleonic Wars. He began the series with Hornblower fairly high in rank in the first novel that he wrote, which was published in 1937. But high demand for more stories led him to fill in Hornblower's life story, and he wrote novels detailing his rise from the rank of midshipman. The last completed novel was published in 1962. Hornblower's fictional feats were based on real events, and Forester wrote the body of the works in such a way that Hornblower's life story is usually entangled with real world history, with Hornblower personally taking part in many of the great naval battles of the Napoleonic Wars.

Question: Would a fan of Forester's novels be likely to gain a detailed understanding of the events of the Battle of Trafalgar?
Answer: YES

Question: Would a historian be likely to say that Forester's novels have little relation to the actual course of the Napoleonic Wars?
Answer: NO

Question: Would a critic be likely to say that Forester had little imagination for original plot lines?
Answer: YES
Passage: Quasar redshifts are measured from the strong spectral lines that dominate their visible and ultraviolet emission spectra. These lines are brighter than the continuous spectrum. They exhibit Doppler broadening corresponding to mean speed of several percent of the speed of light. Fast motions strongly indicate a large mass. Emission lines of hydrogen (mainly of the Lyman series and Balmer series), helium, carbon, magnesium, iron and oxygen are the brightest lines. The atoms emitting these lines range from neutral to highly ionized, leaving it highly charged. This wide range of ionization shows that the gas is highly irradiated by the quasar, not merely hot, and not by stars, which cannot produce such a wide range of ionization.

Question: If a gas has a wide range of ionization, is it likely to have been irradiated by a quasar?
Answer: YES

Question: If an unknown object emanates a wide range of ionization, is it likely that object is a star?
Answer: NO

Question: If a gas has a wide range of ionization, is it likely to have been irradiated by a star?
Answer: NO
Passage: Quasar redshifts are measured from the strong spectral lines that dominate their visible and ultraviolet emission spectra. These lines are brighter than the continuous spectrum. They exhibit Doppler broadening corresponding to mean speed of several percent of the speed of light. Fast motions strongly indicate a large mass. Emission lines of hydrogen (mainly of the Lyman series and Balmer series), helium, carbon, magnesium, iron and oxygen are the brightest lines. The atoms emitting these lines range from neutral to highly ionized, leaving it highly charged. This wide range of ionization shows that the gas is highly irradiated by the quasar, not merely hot, and not by stars, which only produce a narrow range of ionization.

Question: If a gas has a wide range of ionization, is it likely to have been irradiated by a quasar?
Answer: YES

Question: If an unknown object emanates a wide range of ionization, is it likely that object is a star?
Answer: NO

Question: If a gas has a wide range of ionization, is it likely to have been irradiated by a star?
Answer: NO
Passage: Quasar redshifts are measured from the strong spectral lines that dominate their visible and ultraviolet emission spectra. These lines are brighter than the continuous spectrum. They exhibit Doppler broadening corresponding to mean speed of several percent of the speed of light. Fast motions strongly indicate a large mass. Emission lines of hydrogen (mainly of the Lyman series and Balmer series), helium, carbon, magnesium, iron and oxygen are the brightest lines. The atoms emitting these lines range from neutral to highly ionized, leaving it highly charged. This wide range of ionization cannot show that the gas is highly irradiated by the quasar, not merely hot, or not by stars, which can produce such a wide range of ionization.

Question: If a gas has a wide range of ionization, is it likely to have been irradiated by a quasar?
Answer: NO

Question: If an unknown object emanates a wide range of ionization, is it likely that object is a star?
Answer: YES
Passage: Quasar redshifts are measured from the strong spectral lines that dominate their visible and ultraviolet emission spectra. These lines are brighter than the continuous spectrum. They exhibit Doppler broadening corresponding to mean speed of several percent of the speed of light. Fast motions strongly indicate a large mass. Emission lines of hydrogen (mainly of the Lyman series and Balmer series), helium, carbon, magnesium, iron and oxygen are the brightest lines. The atoms emitting these lines range from neutral to highly ionized, leaving it highly charged. This wide range of ionization shows that the gas is highly irradiated by the quasar, not merely hot, and not by stars, even though they also produce such a wide range of ionization.

Question: If a gas has a wide range of ionization, is it likely to have been irradiated by a quasar?
Answer: YES

Question: If an unknown object emanates a wide range of ionization, is it likely that object is a star?
Answer: YES

Question: If a gas has a wide range of ionization, is it likely to have been irradiated by a star?
Answer: NO
Passage: The tin whistle is used in many other types of music, though not to the extent that it could be called characteristic as with Irish music and kwela. In some Irish music composed for symphonic ensembles, it is often replaced with piccolo. It is not unusual to hear the tin whistle used in praise music and film soundtracks, notably the soundtrack to Lord of the Rings. Published scores suitable for tin whistle performance are available in both of these genres. The tin whistle also appears in "crossover" genres like world music, folk rock, folk metal and folk punk.

Question: Based on what you can learn from this passage, would you guess that the music in Titanic, or the odd flute-like instrument that Captain Picard plays in Star Trek was most likely a tin whistle?
Answer: YES

Question: Could sharp-eyed and sharp-eared historians draw a connection between anachronistic musical instruments in the Lord of the Rings movies and a scene in which Hobbits infamously cook and eat tomatoes (unknown to the Old World in pre-Columbian times)?
Answer: NO
Passage: The tin whistle is used in many other types of music, though not to the extent that it could be called characteristic as with Irish music and kwela. In some Irish music composed for symphonic ensembles, it is often replaced with piccolo. The tin whistle can be heard with notable frequency in praise music and also in movie soundtracks, such as that for the Lord of the Rings trilogy. Published scores suitable for tin whistle performance are available in both of these genres. The tin whistle also appears in "crossover" genres like world music, folk rock, folk metal and folk punk.

Question: Based on what you can learn from this passage, would you guess that the music in Titanic, or the odd flute-like instrument that Captain Picard plays in Star Trek was most likely a tin whistle?
Answer: YES

Question: Could sharp-eyed and sharp-eared historians draw a connection between anachronistic musical instruments in the Lord of the Rings movies and a scene in which Hobbits infamously cook and eat tomatoes (unknown to the Old World in pre-Columbian times)?
Answer: NO
Passage: The tin whistle is used in many other types of music, though not to the extent that it could be called characteristic as with Irish music and kwela. In some Irish music composed for symphonic ensembles, it is often replaced with piccolo. It is, however, quite unusual to hear the tin whistle used in praise music and film soundtracks, such as the soundtrack to Lord of the Rings, which also used the piccolo. Published scores suitable for tin whistle performance are available in both of these genres of Irish music and kwela. The tin whistle also appears in "crossover" genres like world music, folk rock, folk metal and folk punk.

Question: Would musical scholars be apt to praise the Lord of the Rings movies for their historical accuracy, using traditional instruments for a story that took place in the distant past?
Answer: NO

Question: Could sharp-eyed and sharp-eared historians draw a connection between anachronistic musical instruments in the Lord of the Rings movies and a scene in which Hobbits infamously cook and eat tomatoes (unknown to the Old World in pre-Columbian times)?
Answer: YES
Passage: The tin whistle is used in many other types of music, though not to the extent that it could be called characteristic as with Irish music and kwela. In some Irish music composed for symphonic ensembles, it is often replaced with piccolo. It is now practically impossible to find a tin whistle being used in praise music and film soundtracks; notably the soundtrack to Lord of the Rings, which many would expect to use the traditional instrument, instead opted for the piccolo. Published scores suitable for tin whistle performance are available in both of these genres if Irish music and kwela. The tin whistle also appears in "crossover" genres like world music, folk rock, folk metal and folk punk.

Question: Would musical scholars be apt to praise the Lord of the Rings movies for their historical accuracy, using traditional instruments for a story that took place in the distant past?
Answer: NO

Question: Could sharp-eyed and sharp-eared historians draw a connection between anachronistic musical instruments in the Lord of the Rings movies and a scene in which Hobbits infamously cook and eat tomatoes (unknown to the Old World in pre-Columbian times)?
Answer: YES
Passage: The Pulitzer Prize does not automatically consider all applicable works in the media, but only those that have specifically been entered. (There is a $75 entry fee, for each desired entry category.) Entries must fit in at least one of the specific prize categories, and cannot simply gain entrance for being literary or musical. Works can also be entered only in a maximum of two categories, regardless of their properties.

Question: Is it possible for a novel that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: NO

Question: Is it possible for a song that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: NO

Question: Are written and recorded works that do not fit into a Pulitzer category eligible for a Pulitzer prize?
Answer: NO
Passage: The Pulitzer Prize does not automatically consider all applicable works in the media, but only those that have specifically been entered. (There is a $75 entry fee, for each desired entry category.) Entries must fit in at least one of the specific prize categories, and fail to qualify for entrance by simply being literary or musical. Works can also be entered only in a maximum of two categories, regardless of their properties.

Question: Is it possible for a novel that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: NO

Question: Is it possible for a song that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: NO

Question: Are written and recorded works that do not fit into a Pulitzer category eligible for a Pulitzer prize?
Answer: NO
Passage: The Pulitzer Prize does not automatically consider all applicable works in the media, but only those that have specifically been entered. (There is a $75 entry fee, for each desired entry category.) Entries must fit in at least one of the specific prize categories or be a musical work, and cannot simply gain entrance for being literary. Works can also be entered only in a maximum of two categories, regardless of their properties.

Question: Is it possible for a novel that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: NO

Question: Is it possible for a song that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: YES

Question: Are written and recorded works that do not fit into a Pulitzer category eligible for a Pulitzer prize?
Answer: NO
Passage: The Pulitzer Prize does not automatically consider all applicable works in the media, but only those that have specifically been entered. (There is a $75 entry fee, for each desired entry category.) Entries must fit in at least one of the specific prize categories, and may also gain entrance by being literary or musical. Works can also be entered only in a maximum of two categories, regardless of their properties.

Question: Is it possible for a novel that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: YES

Question: Is it possible for a song that does not fit into a specific Pulitzer category to win a Pulitzer prize?
Answer: YES

Question: Are written and recorded works that do not fit into a Pulitzer category eligible for a Pulitzer prize?
Answer: YES
Passage: The family owned and resided in a "villa suburbana" on the Caelian Hill, fronting the same street (now the Via di San Gregorio) as the former palaces of the Roman emperors on the Palatine Hill opposite. The north of the street runs into the Colosseum; the south, the Circus Maximus. In Gregory's day the ancient buildings were in ruins and were privately owned. Villas covered the area. Gregory's family also owned working estates in Sicily and around Rome. Gregory later had portraits done in fresco in their former home on the Caelian and these were described 300 years later by John the Deacon. Gordianus was tall with a long face and light eyes. He wore a beard. Silvia was tall, had a round face, blue eyes and a cheerful look. They had another son whose name and fate are unknown.

Question: From this passage, could you reasonably surmise that this couple may have kept their other son's existence secret from the public?
Answer: YES

Question: Would one explanation that could be gathered from this passage be that the other son simply lived a less glamorous life, and was less likely to be recorded in publicly available sources during his life?
Answer: YES

Question: Is it possible that the couple's other son was well-known but notoriously ugly, possibly from a deformity, which would explain the relative lack of fanfare compared to other family members?
Answer: YES
Passage: The family owned and resided in a "villa suburbana" on the Caelian Hill, fronting the same street (now the Via di San Gregorio) as the former palaces of the Roman emperors on the Palatine Hill opposite. The north of the street runs into the Colosseum; the south, the Circus Maximus. In Gregory's day the ancient buildings were in ruins and were privately owned. Villas covered the area. Gregory's family also owned working estates in Sicily and around Rome. Gregory later had portraits done in fresco in their former home on the Caelian and these were described 300 years later by John the Deacon. Gordianus was tall with a long face and light eyes. He wore a beard. Silvia was tall, had a round face, blue eyes and a cheerful look. The name of the couple's other son, and any further details about his results in life, remain a mystery to historians.

Question: From this passage, could you reasonably surmise that this couple may have kept their other son's existence secret from the public?
Answer: YES

Question: Would one explanation that could be gathered from this passage be that the other son simply lived a less glamorous life, and was less likely to be recorded in publicly available sources during his life?
Answer: YES

Question: Is it possible that the couple's other son was well-known but notoriously ugly, possibly from a deformity, which would explain the relative lack of fanfare compared to other family members?
Answer: YES
Passage: The family owned and resided in a "villa suburbana" on the Caelian Hill, fronting the same street (now the Via di San Gregorio) as the former palaces of the Roman emperors on the Palatine Hill opposite. The north of the street runs into the Colosseum; the south, the Circus Maximus. In Gregory's day the ancient buildings were in ruins and were privately owned. Villas covered the area. Gregory's family also owned working estates in Sicily and around Rome. Gregory later had portraits done in fresco in their former home on the Caelian and these were described 300 years later by John the Deacon. Gordianus was tall with a long face and light eyes. He wore a beard. Silvia was tall, had a round face, blue eyes and a cheerful look. They had another son whose name and fate were unknown to historians at the time of their death, but were well recorded in family documents and portraiture, as well as in official tax records.

Question: Is it possible that the couple's other son was well-known but notoriously ugly, possibly from a deformity, which would explain the relative lack of fanfare compared to other family members?
Answer: NO
Passage: The family owned and resided in a "villa suburbana" on the Caelian Hill, fronting the same street (now the Via di San Gregorio) as the former palaces of the Roman emperors on the Palatine Hill opposite. The north of the street runs into the Colosseum; the south, the Circus Maximus. In Gregory's day the ancient buildings were in ruins and were privately owned. Villas covered the area. Gregory's family also owned working estates in Sicily and around Rome. Gregory later had portraits done in fresco in their former home on the Caelian and these were described 300 years later by John the Deacon. Gordianus was tall with a long face and light eyes. He wore a beard. Silvia was tall, had a round face, blue eyes and a cheerful look. They had another son whose name and fate were recorded only in written form.

Question: Is it possible that the couple's other son was well-known but notoriously ugly, possibly from a deformity, which would explain the relative lack of fanfare compared to other family members?
Answer: YES
Passage: Lady Sylvia informs her aunt that Sir William may halt Constance's allowance. During dinner, Lady Sylvia berates Sir William and Elsie comes to his defence, inadvertently exposing their affair; Elsie leaves the room disgraced while Sir William abruptly exits to the library. Mrs Wilson brings him coffee which he knocks away, demanding whisky. The guests gather in the drawing room as Novello plays the piano, with the servants listening outside; Freddie, Anthony, Robert, and footman George each slip away. One of the men, seen only by his trousers, retrieves the missing knife and enters the library, where Sir William is slumped in his chair, and stabs him.

Question: Had Elsie likely been thinking for a long time about how to make her affair public?
Answer: NO

Question: Would Sylvia have been surprised if someone told her she was being rude to William at dinner?
Answer: NO

Question: Did Elsie likely feel a sinking feeling in her stomach immediately after defending William?
Answer: YES
Passage: Lady Sylvia informs her aunt that Sir William may halt Constance's allowance. During dinner, Lady Sylvia berates Sir William and Elsie comes to his defence, accidentally exposing their affair; Elsie leaves the room disgraced while Sir William abruptly exits to the library. Mrs Wilson brings him coffee which he knocks away, demanding whisky. The guests gather in the drawing room as Novello plays the piano, with the servants listening outside; Freddie, Anthony, Robert, and footman George each slip away. One of the men, seen only by his trousers, retrieves the missing knife and enters the library, where Sir William is slumped in his chair, and stabs him.

Question: Had Elsie likely been thinking for a long time about how to make her affair public?
Answer: NO

Question: Would Sylvia have been surprised if someone told her she was being rude to William at dinner?
Answer: NO

Question: Did Elsie likely feel a sinking feeling in her stomach immediately after defending William?
Answer: YES
Passage: Lady Sylvia informs her aunt that Sir William may halt Constance's allowance. During dinner, Lady Sylvia berates Sir William and Elsie comes to his defence, intentionally exposing their affair; Elsie leaves the room disgraced while Sir William abruptly exits to the library. Mrs Wilson brings him coffee which he knocks away, demanding whisky. The guests gather in the drawing room as Novello plays the piano, with the servants listening outside; Freddie, Anthony, Robert, and footman George each slip away. One of the men, seen only by his trousers, retrieves the missing knife and enters the library, where Sir William is slumped in his chair, and stabs him.

Question: Had Elsie likely been thinking for a long time about how to make her affair public?
Answer: YES

Question: Would Sylvia have been surprised if someone told her she was being rude to William at dinner?
Answer: NO

Question: Did Elsie likely feel a sinking feeling in her stomach immediately after defending William?
Answer: NO
Passage: In David's absence, a series of Guardians kept up the struggle. In November, Edward III invaded again, but he accomplished little and retreated in February 1335 due primarily to his failure to bring the Scots to battle. He and Edward Balliol returned again in July with an army of 13,000, and advanced through Scotland, first to Glasgow and then to Perth, where Edward III installed himself while his army looted and destroyed the surrounding countryside. At this time, the Scots followed a plan of avoiding pitched battles, depending instead on minor actions of heavy cavalry – the normal practice of the day. Some Scottish leaders, including the Earl of Atholl, who had returned to Scotland with Edward Balliol in 1332 and 1333, defected to the Bruce party.

Question: Does this passage suggest that David was too young, or for some other reason unfit to rule an army, even when he was physically present in his castle or in the fields?
Answer: NO

Question: Based on his position at the time, would it be fair to say that David blamed himself, or was blamed justifiably by critics, for any sins of commission that led to the defections of Scottish leaders?
Answer: NO