page_title: Holger Drachmann
section_title: Career
hierarchical_section_title: Holger Drachmann / Career
caption_attribution_description: Statue of Holger Drachmann by Hans Christian Holter (1890-1922), Allégade, Frederiksberg, Copenhagen, Denmark. This artwork is now in the public domain because the artist died more than 70 years ago.
context_page_description: Holger Henrik Herholdt Drachmann was a Danish poet, dramatist and painter. He was a member of the Skagen artistic colony and became a figure of the Scandinavian Modern Breakthrough Movement.
context_section_description: Behind in his studies, he did not enter university until 1865, leaving it in 1866 to become a student at the Royal Danish Academy of Fine Arts. From 1866 to 1870 he learned, under Professor Sørensen, to become a marine painter, with some success. In about 1870 he came under the influence of Danish critic and scholar Georg Brandes (1842–1927) and without abandoning art, began to devote most of his time more to literature. At various periods he travelled very extensively in England, Scotland, France, Spain and Italy, and his literary career began by his sending letters about his journeys to the Danish newspapers.
  After returning home, he settled for some time on the island of Bornholm, painting seascapes. He now issued his earliest volume of poems, Digte (1872), and joined the group of young Radical writers who followed Brandes. Drachmann was unsettled, and still doubted whether his real strength lay in the pencil or in the pen. By this time he had enjoyed a surprising experience of life, especially among sailors, fishermen, students and artists, and the issues of the Franco-German War and the Paris Commune had persuaded him that a new and glorious era was at hand.
  His volume of lyrics, Dæmpede Melodier (Muffled Melodies, 1875), proved that Drachmann was a poet with a real vocation, and he began to produce books in prose and verse with great rapidity. Ungt Blod (Young Blood, 1876) contained three realistic stories of contemporary life. But he returned to his true field in his magnificent Sange ved Havet; Venezia (Songs of the Sea; Venice, 1877), and won the passionate admiration of his countrymen by his prose work, with interludes in verse, called Derovre fra grænsen (Over the Frontier there, 1877), a series of impressions made on Drachmann by a visit to the scenes of the war with Germany.  Drachman's novel En Overkomplet (1876) was followed by Tannhäuser (1877), which despite reference to the medieval legend and Wagner's opera from 1845, is a contemporary love story set in Fredensborg. The poems from the novel were set by various Danish composers, including Peter Heise's cycle "Farlige Drømme".
  During the succeeding years he visited most of the principal countries of the world, but particularly familiarizing himself, by protracted voyages, with the sea and with the life of man in maritime places. In 1879 he published Ranker og Roser (Tendrils and Roses), amatory lyrics of a very high order of melody, in which he showed a great advance in technical art. To the same period belongs Paa sømands tro og love (On the Faith and Honor of a Sailor, 1878), a volume of short stories in prose.
  It was about this time that Drachmann broke with Brandes and the Radicals, and set himself at the head of a sort of nationalist or popular-Conservative movement in Denmark. He continued to celebrate the life of the fishermen and sailors in books, whether in prose or verse, which were the most popular of their day. Paul og Virginie and Lars Kruse (both 1879); Østen for sol og vesten for maane (East of the Sun and West of the Moon, 1880); Puppe og Sommerfugl (Chrysalis and Butterfly, 1882); and Strandby Folk (1883) were among these. At the beginning of the 1890s he again joined the Brandes fraction without giving up his national motives. His many changing sides has often been regarded as opportunism but were probably caused by his eternal enthusiasm and longing for a positive fundament of his art.
  In 1882 Drachmann published his fine translation, or paraphrase, of Byron's Don Juan. In 1885 his romantic play Der var engang (Once upon a Time) had a great success on the boards of the Royal Danish Theatre in Copenhagen, and has remained a classic. His tragedies Vølund Smed (Wayland the Smith, 1894) and Brav-karl (1897) established him as the most popular playwright of Denmark. In 1894 he published a volume of fantastic Melodramas in rhymed verse, a collection which contains some of Drachmann's best work.
  His novel Med den brede Pensel (With a Broad Brush, 1887) was followed in 1890 by Forskrevet, the history of a young painter, Henrik Gerhard, and his
caption: Holger Drachmann  statue at Frederiksberg in Copenhagen by Hans Christian Holter
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