page_title: Glen Keane
section_title: Career
hierarchical_section_title: Glen Keane / Career
caption_attribution_description: Glen Keane demonstrating storyboarding at a talk entitled "The Principles of UX Choreography".
context_page_description: Glen Keane is an American animator, author and illustrator. Keane was a character animator at Walt Disney Animation Studios for feature films including The Little Mermaid, Beauty and the Beast, Aladdin, Pocahontas, Tarzan and Tangled. Keane received the 1992 Annie Award for character animation, the 2007 Winsor McCay Award for lifetime contribution to the field of animation and in 2013 was named a Disney Legend.
  In 2017, Keane directed Dear Basketball, an animated short film based on Kobe Bryant's retirement poem in The Players' Tribune. At the 90th Academy Awards, Keane and Bryant won the Academy Award for Best Animated Short Film for their work on Dear Basketball.
context_section_description: Keane left CalArts in 1974 and joined Disney the same year. His debut work, which was created over a 3-year period, was featured in The Rescuers, for which he was an animator for the characters of Bernard and Penny, alongside Ollie Johnston.
  After The Rescuers was completed, Keane went on to animate Elliott the Dragon in Pete's Dragon. Keane also animated the climactic bear showdown in The Fox and the Hound. In 1982, after being inspired by the groundbreaking film Tron, Keane collaborated with fellow animator John Lasseter (Toy Story, Toy Story 2) on a 30-second test scene of Maurice Sendak's Where the Wild Things Are, which was optioned for them by Disney executive Tom Wilhite. The test integrated traditional character animation and computer-generated backgrounds (Video on YouTube), and, like Tron, was a cooperation with MAGI. It was also Disney's first experimentation with digital inked and painted characters. But the project turned out to be too expensive and the studio was unwilling to invest further in the planned featurette. The test for Where the Wild Things Are was revolutionary for its time, and a predecessor to the famous ballroom scene in Beauty and the Beast.
  In 1983, Keane left Disney as a contracted employee and worked as a freelance artist. During this time, he worked on the character of Professor Ratigan in Disney's The Great Mouse Detective. He also served as an animator on The Chipmunk Adventure where he did the sequences of "Boys and Girls of Rock n' Roll" and "Getting Lucky". He returned to Disney to work on the characters of Fagin, Sykes and Georgette for Oliver & Company. Keane rose to lead character animator, becoming one of the group of young animators who were trained by and succeeded "Disney's Nine Old Men". Keane animated some of Disney's most memorable characters in what has been referred to as the "New "Golden Age" of Disney Animation. Keane designed and animated the character of Ariel in the film The Little Mermaid (1989), then the eagle Marahute in The Rescuers Down Under. Subsequently, Keane worked as the supervising animator on the title characters for three Disney hit features: Beauty and the Beast, Aladdin and Pocahontas.
  While living with his family in Paris, France for three years, Keane completed work on Disney's 1999 Tarzan for which he drew the eponymous character. Keane then returned to Disney's Burbank studio as the lead animator for John Silver in Treasure Planet. In 2003, Keane began work as the director of Disney's CGI animated film Tangled (based on the Brothers Grimm story Rapunzel), which released in November 2010. In Tangled, Glen and his team hoped to bring the unique style and warmth of traditional animation to computer animation. In October 2008, due to some "non-life threatening health issues", Keane stepped back as director of Tangled, but remained the film's executive producer and an animating director.
  On March 23, 2012, having worked approximately 37 years at Disney, Glen Keane left Walt Disney Animation Studios. Keane said in a letter sent to his co-workers, “I owe so much to those great animators who mentored me – Eric Larson, Frank Thomas and Ollie Johnston – as well as to the many other wonderful people at Disney whom I have been fortunate to work with in the past nearly 38 years. I am convinced that animation really is the ultimate form of our time with endless new territories to explore. I can’t resist its siren call to step out and discover them.”
  In December 2013, it was announced that he had joined Motorola's Advanced Technology and Projects Group and is cooperating with its engineers to create interactive hand-drawn animation. Keane released his first animated short- Duet- at the Google I/O Conference in San Francisco on June 25, 2014. It is the first hand-drawn cartoon made with 60 fps, and the third in a series of shorts called the Spotlight Stories that are designed to explore spatial awareness and the sensory inputs of a mobile device to create a distinctive storytelling experience.
  Motorola was a subsidiary of Google when Keane joined. When Google so
caption: Glen Keane demonstrating storyboarding
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