page_title: Bohuslav Martinů
hierarchical_section_title: Bohuslav Martinů
caption_attribution_description: English: Portrait of Bohuslav Martinů, U.S.A., New York 1945 Čeština: Portrét Bohuslava Martinů, U.S.A. New York 1945
context_page_description: Bohuslav Jan Martinů was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1930s he experimented with expressionism and constructivism, and became an admirer of current European technical developments, exemplified by his orchestral works Half-time and La Bagarre. He also adopted jazz idioms, for instance in his Kitchen Revue.
  In the early 1930s he found his main fount for compositional style: neoclassicism as developed by Stravinsky. He became prolific, quickly composing chamber, orchestral, choral and instrumental works. His Concerto Grosso and the Double Concerto for Two String Orchestras, Piano and Timpani are among his best-known works from this period. Among his operas, Juliette and The Greek Passion are considered the finest.
context_section_description: Bohuslav Jan Martinů (Czech: [ˈboɦuslaf ˈmarcɪnuː] (listen); December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1930s he experimented with expressionism and constructivism, and became an admirer of current European technical developments, exemplified by his orchestral works Half-time and La Bagarre. He also adopted jazz idioms, for instance in his Kitchen Revue (Kuchyňská revue).
  In the early 1930s he found his main fount for compositional style: neoclassicism as developed by Stravinsky. He became prolific, quickly composing chamber, orchestral, choral and instrumental works. His Concerto Grosso and the Double Concerto for Two String Orchestras, Piano and Timpani are among his best-known works from this period. Among his operas, Juliette and The Greek Passion are considered the finest. He is compared with Prokofiev and Bartók in his innovative incorporation of Central European ethnomusicology into his music. He continued using Bohemian and Moravian folk melodies throughout his oeuvre, for instance in The Opening of the Springs (Otvírání studánek).
  His symphonic career began when he emigrated to the United States in 1941, fleeing the German invasion of France. His six symphonies were performed by all the major US orchestras. Eventually Martinů returned to live in Europe for two years starting in 1953, then was back in New York until returning to Europe in May 1956. He died in Switzerland in August 1959.
caption: Bohuslav Martinů (New York City, 1945)
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