page_title: Capability Brown
section_title: Subsequent reputation
hierarchical_section_title: Capability Brown / Subsequent reputation
caption_attribution_description: English: Memorial to Capability Brown in the church of St Peter and St Paul, Fenstanton, Cambridgeshire
context_page_description: Lancelot Brown, more commonly known as Capability Brown, was an English landscape architect. He is remembered as "the last of the great English 18th-century artists to be accorded his due" and "England's greatest gardener".
  He designed over 170 parks, many of which still endure. He was nicknamed "Capability" because he would tell his clients that their property had "capability" for improvement. His influence was so great that the contributions to the English garden made by his predecessors Charles Bridgeman and William Kent are often overlooked; even Kent's champion Horace Walpole allowed that Kent "was succeeded by a very able master".
context_section_description: Brown's reputation declined rapidly after his death, because the English Landscape style did not convey the dramatic conflict and awesome power of wild nature. A reaction against the harmony and calmness of Brown's landscapes was inevitable; the landscapes lacked the sublime thrill which members of the Romantic generation (such as Richard Payne Knight and Uvedale Price) looked for in their ideal landscape, where the painterly inspiration would come from Salvator Rosa rather than Claude Lorrain.
  During the 19th century he was widely criticised, but during the twentieth century his reputation rose again. Tom Turner has suggested that the latter resulted from a favourable account of his talent in Marie-Luise Gothein's History of Garden Art which predated Christopher Hussey's positive account of Brown in The Picturesque (1927). Dorothy Stroud wrote the first full monograph on Capability Brown, fleshing out the generic attributions with documentation from country house estate offices.
  Later landscape architects like William Gilpin would opine that Brown's 'natural curves' were as artificial as the straight lines that were common in French gardens. Brown's portrait by Nathaniel Dance, c. 1773, is conserved in the National Portrait Gallery, London. His work has often been favourably compared and contrasted ("the antithesis") to the œuvre of André Le Nôtre, the French jardin à la française landscape architect. He became both "rich and honoured and had 'improved' a greater acreage of ground than any landscape architect" who preceded him.
  A festival to celebrate the tercentenary of Brown's birth was held in 2016. The Capability Brown Festival 2016 published a large amount of new research on Brown's work and held over 500 events across Britain as part of the celebrations. Royal Mail issued a series of Landscape Stamps in his honour in August 2016.
  The Gardens Trust with support from Historic England, published Vulnerability Brown: Capability Brown landscapes at risk in October 2017 to review the issues facing the survival of these landscapes as well as suggested solutions.
  A commemorative fountain in Westminster Abbey’s cloister garth was dedicated for Lancelot ‘Capability’ Brown after Evensong on Tuesday 29 May 2018 by the Dean of Westminster, the Very Reverend Dr John Hall. The fountain sits over an old monastic well in the garth. It was designed by Ptolemy Dean, the Abbey's Surveyor of the Fabric, and was developed with the assistance of gardener Alan Titchmarsh. The fountain was made in lead by sculptor Brian Turner.
caption: Memorial to Capability Brown in the church of St Peter and St Paul, Fenstanton, Cambridgeshire
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