page_title: Mohammed Adil Shah, Sultan of Bijapur
section_title: Rule
hierarchical_section_title: Mohammed Adil Shah, Sultan of Bijapur / Rule
caption_attribution_description: English: Sultan Muhammad Adil Shah of Bijapur and African courtiers, ca, 1640. Credit: The British Library Board
context_page_description: Mohammed Adil Shah was the seventh ruler of Bijapur, ascending the throne in 1627. He is buried in the Gol Gumbaz.
context_section_description: Bijapur partnered with the Mughals in the extinction of Ahmednagar. Mohammed maintained friendly relations with Shah Jahan and made a peace treaty of 1636, after the extinction of Ahmednagar. By a farman of Shah Jahan, he got assurances for the end of Mughal aggression against Bijapur and due to his good relations with the Mughals, Shah Jahan formally recognized Muhammad’s sovereignty and bestowed upon him the title of Shah in 1648, the only ruler of Bijapur to receive such recognition from the Mughals.
  The Treaty of 1636 with the Mughals sealed the expansion of Bijapur in the north. So, Mohammed Adil Shah extended his dominations westwards into Konkan, Pune, Dhabul (present Mumbai), southwards into Mysore, and eastwards into Karnataka, present south Andhra Pradesh and Tamil Nadu. During his reign, the kingdom attained its greatest extent, power and magnificence, and his dominions stretched from the Arabian Sea to the Bay of Bengal.
  Besides territorial expansions, Bijapur also attained peace and prosperity during Mohammed’s reign. His kingdom yielded an annual revenue of seven crore eighty four lakh rupees, besides the five and half crores of tributes that were from vassal rulers and zamindars. Cultural activities like poetry, painting and architecture also received a great impetus. Mohammed Adil Shah did his best to emulate the glorious traditions left to him by his versatile father. Diffusion of general education and religious teachings were one of his chief concerns, and he did his utmost to improve the socio-economic and educational standards of the people.
  Mohammed continued his father's patronage of the arts, though on a lesser scale.  He introduced fresco paintings and portraits, the examples of which are the walls of Asar Mahal, pavilion at Kumatgi and Sat Manzil.
caption: Sultan Muhammad Adil Shah of Bijapur and African courtiers, ca, 1640
exif: {"Image Orientation": "Horizontal (normal)", "Image XResolution": "96", "Image YResolution": "96", "Image ResolutionUnit": "Pixels/Inch", "Image ExifOffset": "90", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "2276", "EXIF ExifImageLength": "1491"}