page_title: Pierrot
section_title: Works on canvas, paper, and board
hierarchical_section_title: Pierrot / Early twentieth century (1901–1950): notable works / Visual arts / Works on canvas, paper, and board
context_page_description: Pierrot is a stock character of pantomime and commedia dell'arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne; the name is a diminutive of Pierre, via the suffix -ot. His character in contemporary popular culture—in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall—is that of the sad clown, pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim, more rarely with a conical shape like a dunce's cap. But most frequently, since his reincarnation under Jean-Gaspard Deburau, he wears neither collar nor hat, only a black skullcap. The defining characteristic of Pierrot is his naïveté: he is seen as a fool, often the butt of pranks, yet nonetheless trusting.
  It was a generally buffoonish Pierrot that held the European stage for the first two centuries of his history.
context_section_description: American—Bloch, Albert (worked mainly in Germany as member of Der Blaue Reiter): Many works, including Harlequinade (1911), Piping Pierrot (1911), Harlequin and Pierrot (1913), Three Pierrots and Harlequin (1914); Bradley, Will: Various posters and illustrations (see, e.g., "Banning" under Poetry below); Heintzelman, Arthur William: Pierrot (n.d.); Hopper, Edward: Soir Bleu (1914); Kuhn, Walt: Portrait of the Artist as a Clown (1932), Study for Young Clown (1932), Clown in Blue (1933), Clown (1945); Parrish, Maxfield: Pierrot's Serenade (1908), The Lantern-Bearers (1908), Her Window (1922); Sloan, John: Old Clown Making Up (1910); Yasuo Kuniyoshi (born in Japan): The Clown (1948).
  Austrian—Kirchner, Raphael:  The Loves of Pierrot (c. 1920); Kubin, Alfred: Death of Pierrot (1922); Schiele, Egon: Pierrot (Self-Portrait) (1914).
  Belgian—Ensor, James: Pierrot and Skeletons (1905), Pierrot and Skeletons (1907), Intrigued Masks (1930); Henrion, Armand: Series of self-portraits as Pierrot (1920s).
  Brazilian—Di Cavalcanti: Pierrot (1924).
  British—Knight, Laura: Clown (n.d.); Sickert, Walter: Pierrot and Woman Embracing (1903–1904), Brighton Pierrots (1915; two versions).
  Canadian—Manigault, Middleton (worked mainly in U.S.A.): The Clown (1912), Eyes of Morning (Nymph and Pierrot) (1913).
  Cuban—Beltrán Masses, Federico (worked in Spain): Azure Hour (1917), Sick Pierrot (1929).
  Czech—Kubišta, Bohumil: Pierrot (1911).
  Danish—Nielsen, Kay (worked in England 1911-16): Pierrot (c. 1911).
  French—Alleaume, Ludovic: Poor Pierrot (1915); Derain, André: Pierrot (1923–1924), Harlequin and Pierrot (c. 1924); Gabain, Ethel: Many works, including Pierrot (1916), Pierrot's Love-letter (1917), Unfaithful Pierrot (1919); La Fresnaye, Roger de: Study for "Pierrot" (1921); La Touche, Gaston de: Pierrot's Greeting (n.d.); Laurens, Henri: Pierrot (c. 1922); Matisse, Henri: The Burial of Pierrot (1943); Mossa, Gustav-Adolf: Pierrot and the Chimera (1906), Pierrot Takes His Leave (1906), Pierrot and His Doll (1907); Picabia, Francis: Pierrot (early 1930s), Hanged Pierrot (c. 1941); Renoir, Pierre-Auguste: White Pierrot (1901/1902); Rouault, Georges: Many works, including White Pierrot (1911), Pierrot (1920), Pierrot (1937–1938), Pierrot (or Pierrette) (1939), Aristocratic Pierrot (1942), The Wise Pierrot (1943), Blue Pierrots with Bouquet (c. 1946).
  German—Beckmann, Max: Pierrot and Mask (1920), Before the Masked Ball (1922), Carnival (1943); Campendonk, Heinrich: Pierrot with Mask (1916), Pierrot (with Serpent) (1923), Pierrot with Sunflower (1925); Dix, Otto: Masks in Ruins (1946); Faure, Amandus: Standing Artist and Pierrot (1909); Heckel, Erich: Dead Pierrot (1914); Hofer, Karl: Circus Folk (c. 1921), Masquerade a.k.a. Three Masks (1922); Leman, Ulrich: The Juggler (1913); Macke, August: Many works, including Ballets Russes (1912), Clown (Pierrot) (1913), Face of Pierrot (1913), Pierrot and Woman (1913); Mammen, Jeanne: The Death of Pierrot (n.d.); Nolde, Emil: Pierrot and White Lilies (c. 1911), Women and Pierrot (1917); Rauth, Leo:  Many works, including Pierrot and Columbine (1911), A Welcome Guest (1912), Confession of Love (1912), In the Spotlight (1914);  Schlemmer, Oskar: Pierrot and Two Figures (1923); Werner, Theodor: Pierrot lunaire (1942).
  Italian—Modigliani, Amedeo (worked mainly in France): Pierrot (1915); Severini, Gino: Many works, including The Two Pierrots (1922), Pierrot (1923), Pierrot the Musician (1924), The Music Lesson (1928–1929), The Carnival (1955).
  Mexican—Cantú, Federico: Many works, including The Death of Pierrot (1930–1934), Prelude to the Triumph of Death (1934), The Triumph of Death (1939); Clemente Orozco, José: The Clowns of War Arguing in Hell (1940s); Montenegro, Roberto: Skull Pierrot (1945); Zárraga, Ángel: Woman and Puppet (1909).
  Russian—Chagall, Marc (worked mainly in France): Pierrot with Umbrella (1926); Serebriakova, Zinaida: Self-Portrait as Pierrot (1911); Somov, Konstantin: Lady and Pierrot (1910), Curtain Design for Moscow Free Theater (1913), Italian Comedy (1914; two versions); Suhaev, Vasilij, and 
caption: Pierre-Auguste Renoir: White Pierrot, 1901/1902.  Detroit Institute of Arts, Detroit.
exif: {"Image Make": "Panasonic", "Image Model": "DMC-TZ2", "Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "Ver.1.0", "Image DateTime": "2011:04:23 15:10:55", "Image YCbCrPositioning": "Co-sited", "Image ExifOffset": "199", "Thumbnail ImageWidth": "112", "Thumbnail ImageLength": "152", "Thumbnail BitsPerSample": "[8, 8, 8]", "Thumbnail Compression": "Uncompressed", "Thumbnail PhotometricInterpretation": "2", "Thumbnail StripOffsets": "7708", "Thumbnail SamplesPerPixel": "3", "Thumbnail RowsPerStrip": "152", "Thumbnail StripByteCounts": "51072", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail PlanarConfiguration": "1", "Thumbnail ResolutionUnit": "Pixels/Inch", "EXIF ExposureTime": "1/20", "EXIF FNumber": "41/10", "EXIF ExposureProgram": "Program Normal", "EXIF ISOSpeedRatings": "100", "EXIF ExifVersion": "0221", "EXIF DateTimeOriginal": "2011:04:22 16:00:06", "EXIF DateTimeDigitized": "2011:04:22 16:00:06", "EXIF ComponentsConfiguration": "YCbCr", "EXIF CompressedBitsPerPixel": "4", "EXIF ExposureBiasValue": "0", "EXIF MaxApertureValue": "86/25", "EXIF MeteringMode": "Pattern", "EXIF LightSource": "Fine weather", "EXIF Flash": "Flash did not fire, compulsory flash mode", "EXIF FocalLength": "73/10", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "2073", "EXIF ExifImageLength": "2729", "Interoperability InteroperabilityIndex": "R98", "Interoperability InteroperabilityVersion": "[48, 49, 48, 48]", "EXIF InteroperabilityOffset": "7489", "EXIF SensingMethod": "One-chip color area", "EXIF FileSource": "Digital Camera", "EXIF SceneType": "Directly Photographed", "EXIF CustomRendered": "Custom", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Manual", "EXIF DigitalZoomRatio": "0", "EXIF FocalLengthIn35mmFilm": "45", "EXIF SceneCaptureType": "Standard", "EXIF GainControl": "None", "EXIF Contrast": "Normal", "EXIF Saturation": "Normal", "EXIF Sharpness": "Normal"}