page_title: We Can Work It Out
section_title: Recording
hierarchical_section_title: We Can Work It Out / Recording
caption_attribution_description: English: The church of St Mary in East Walton - harmonium The harmonium is by Mason and Hamlin and has the serial number 200219. St Mary's church has a round tower that is believed to date from Norman times. The building as we see it today, including the sagging south porch that leans towards the west, dates from the 14th century. The interior was extensively restored in the 18th century but has retained the C14 font. The three-decker pulpit and stalls were installed in the 18th century, and the priest door in the chancel is topped by a gable that has a six-leaved roundel with a rose at its centre. Adjoining the church in the north is a site where an abbey once stood. A ruined chapel is all that remains.
context_page_description: "We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides. The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain, America, Australia, Canada and Ireland.
  "We Can Work It Out" is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, "A Day in the Life", "Baby, You're a Rich Man" and "I've Got a Feeling", are among the notable exceptions.
context_section_description: The Beatles recorded "We Can Work It Out" at EMI Studios (later Abbey Road Studios) in London on 20 October 1965, during the sessions for their Rubber Soul album. Along with Lennon's "Day Tripper", the song was earmarked for the non-album single that would accompany the release of the new LP. The band taped a satisfactory basic track in just two takes. With nearly eleven hours dedicated to the song, however, it was by far their longest expenditure of studio time up to that point. A vocal overdubbing session took place on 29 October.
  
  No record exists of the band members' exact contributions to the recording, leading to uncertainty regarding the playing of some of the instruments. Reduced to a single track in the final mix, where it was placed hard left in the stereo image, the group's initial performance consisted of acoustic guitar, bass, tambourine and drums. While musicologist Walter Everett credits these parts to Lennon, McCartney, Harrison and Ringo Starr, respectively, authors Jean-Michel Guesdon and Philippe Margotin suggest that McCartney, as the song's main composer, was the acoustic guitarist and Lennon instead played bass. Two harmonium parts were overdubbed, using EMI's Mannborg harmonium.
caption: A Mason & Hamlin pump organ or harmonium. Lennon played a Mannborg harmonium on the recording.
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