page_title: The Thing (1982 film)
section_title: Filming
hierarchical_section_title: The Thing (1982 film) / Production / Filming
caption_attribution_description: English: The Juneau icefield looking Northwest (Southeast Alaska)
context_page_description: The Thing is a 1982 American science fiction horror film directed by John Carpenter and written by Bill Lancaster. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, it tells the story of a group of American researchers in Antarctica who encounter the eponymous "Thing", a parasitic extraterrestrial life-form that assimilates, then imitates other organisms. The group is overcome by paranoia and conflict as they learn that they can no longer trust each other and that any one of them could be the Thing. The film stars Kurt Russell as the team's helicopter pilot, R.J. MacReady, and features A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles.
  Production began in the mid-1970s as a faithful adaptation of the novella, following 1951's The Thing from Another World. The Thing went through several directors and writers, each with different ideas on how to approach the story.
context_section_description: The Thing was storyboarded extensively by Mike Ploog and Mentor Huebner before filming began. Their work was so detailed that many of the film's shots replicate the image layout completely. Cundey pushed for the use of anamorphic format aspect ratio, believing that it allowed for placing several actors in an environment, and making use of the scenic vistas available, while still creating a sense of confinement within the image. It also enabled the use of negative space around the actors to imply something may be lurking just offscreen.
  Principal photography began on August 24, 1981, in Juneau, Alaska. Filming lasted approximately 12 weeks. Carpenter insisted on two weeks of rehearsals before filming as he wanted to see how scenes would play out. This was unusual at the time because of the expense involved. Filming then moved to the Universal lot, where the outside heat was over 100 °F (38 °C). The internal sets were climate-controlled to 28 °F (−2 °C) to facilitate their work. The team considered building the sets inside an existing refrigerated structure, but were unable to find one large enough. Instead they collected as many portable air conditioners as they could, closed off the stage, and used humidifiers and misters to add moisture to the air. After watching a roughly assembled cut of filming to date, Carpenter was unhappy that the film seemed to feature too many scenes of men standing around talking. He rewrote some already completed scenes to take place outdoors to be shot on location when principal photography moved to Stewart, British Columbia.
  Carpenter was determined to use authentic locations instead of studio sets, and his successes on Halloween and The Fog (1980) gave him the credibility to take on the much bigger-budget production of The Thing. A film scout located an area just outside Stewart, along the Canadian coast, which offered the project both ease of access and scenic value during the day. On December 2, 1981, roughly 100 American and Canadian crew members moved to the area to begin filming. During the journey there, the crew bus slid in the snow toward the unprotected edge of the road, nearly sending it down a 500-foot (150 m) embankment. Some of the crew stayed in the small mining town during filming, while others lived on residential barges on the Portland Canal. They would make the 27-mile (43 km) drive up a small, winding road to the filming location in Alaska where the exterior outpost sets were built.
  The sets had been built in Alaska during the summer, atop a rocky area overlooking a glacier, in preparation for snow to fall and cover them. They were used for both interior and exterior filming, meaning they could not be heated above freezing inside to ensure there was always snow on the roof. Outside, the temperature was so low that the camera lenses would freeze and break. The crew had to leave the cameras in the freezing temperatures, as keeping them inside in the warmth resulted in foggy lenses that took hours to clear. Filming, greatly dependent on the weather, took three weeks to complete, with heavy snow making it impossible to film on some days. It took eight hours to rig the explosives necessary to destroy the set in the film's finale.
  Keith David broke his hand in a car accident the day before he was to begin shooting. David attended filming the next day, but when Carpenter and Franco saw his swollen hand, they sent him to the hospital where it was punctured with two pins. He returned wearing a surgical glove beneath a black glove that was painted to resemble his complexion. His left hand is not seen for the first half of the film. Carpenter filmed the Norwegian camp scenes after the end scenes, using the damaged American base as a stand-in for the charred Norwegian camp. The explosive destruction of the base required the camera assistants to stand inside the set with the explosives, which were activated remotely. The assistants then had to run to a safe distance while seven cameras captured the base's destruction. Filmed when the heavy use of special effects was rare, the actors h
caption: Principal photography began in August 1981 in Juneau, Alaska.
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