page_title: M. T. Vasudevan Nair
section_title: Short stories
hierarchical_section_title: M. T. Vasudevan Nair / Literary career / Short stories
caption_attribution_description: English: M T Vasudevan Nair is a famous Indian author, screenplay writer and film director. മലയാളം: മലയാളത്തിലെ പ്രശസ്ത സാഹിത്യകാരനും തിരക്കഥാകൃത്തുമാണ് എം ടിനോവലിസ്റ്റ്‌, തിരക്കഥാകൃത്ത്‌, ചലച്ചിത്ര സംവിധായകൻ എന്നീ നിലകളിൽ പ്രശസ്തനായ കേരളീയനാണ് മാടത്ത് തെക്കെപ്പാട്ട് വാസുദേവൻനായർ എന്ന എം.ടി.വാസുദേവൻനായർ (ജനനം: 1933 ജൂലൈ 15). മലയാളസാഹിത്യത്തിലും ചലച്ചിത്രരംഗത്തും വ്യക്തിമുദ്ര പതിപ്പിച്ച ഇദ്ദേഹം എം.ടി എന്ന ചുരുക്കപ്പേരിൽ അറിയപ്പെടുന്നു. അദ്ധ്യാപകൻ, പത്രാധിപർ, എന്നീ നിലകളിലും പ്രവർത്തിച്ച ഇദ്ദേഹത്തിന് പത്മഭൂഷൺ, ജ്ഞാനപീഠം എന്നിവയുൾപ്പെടെ ഒട്ടേറെ പുരസ്കാരങ്ങളും ലഭിച്ചിട്ടുണ്ട്. വാസുദേവന്‍ നായര്‍.
context_page_description: Madath Thekkepaattu Vasudevan Nair, popularly known as MT, is an Indian author, screenplay writer and film director. He is a prolific and versatile writer in modern Malayalam literature, and is one of the masters of post-Independence Indian literature. He was born in Kudallur, a small village in the present day Anakkara panchayath in Pattambi Taluk, Palakkad district, which was under the Malabar District in the Madras Presidency of the British Raj. He shot into fame at the age of 20 when, as a chemistry undergraduate, he won the prize for the best short story in Malayalam at World Short Story Competition conducted by The New York Herald Tribune. His debut novel Naalukettu, wrote at the age of 23, won the Kerala Sahitya Akademi Award in 1958. His other novels include Manju, Kaalam, Asuravithu and Randamoozham. The deep emotional experiences of his early days have gone into the making of MT's novels. Most of his works are oriented towards the basic Malayalam family structure and culture and many of them were path-breaking in the history of Malayalam literature. His three seminal novels on life in the matriarchal family in Kerala are Naalukettu, Asuravithu, and Kaalam.
context_section_description: MT began writing at a very young age, inspired by his elder brothers who wrote time and again in several literary journals and poet Akkitham Achuthan Namboothiri who was his senior at high school. He initially wrote poems but soon changed to prose writing. His first published work was an essay on the diamond industry of ancient India, titled "Pracheenabharathathile Vaira Vyavasayam", which appeared in Keralakshemam, a biweekly published by C. G. Nair from Guruvayoor. His first story "Vishuvaghosham" was published in Madras-based Chitrakeralam magazine in 1948. The story which explores the feelings of a boy too poor to have crackers of his own, as he stands listening to the sounds of crackers coming from the houses of the rich celebrating the new year festival of Vishu: an overwhelming sense of loss, the painful realization that this is the way things are and the way they're likely to stay. His first book, Raktham Puranda Manaltharikal was published in 1952.
  MT's first literary prize came to him while he was a student at Victoria College, Palakkad - his short story "Valarthumrigangal" (Pet Animals) won first prize in the World Short Story Competition conducted by The New York Herald Tribune,  Hindustan Times and Mathrubhumi in 1954. It was a short story delineating the pathetic plight of the artists in circus. The numerous stories which followed dealt with themes culled from widely different milieus and contexts but were uniformly successful and popular.
  The noted collections of his stories are Iruttinte Athmavu, Olavum Theeravum, Bandhanam, Varikkuzhi, Dare-e-Salam, Swargam Thurakkunna Samayam, Vaanaprastham and Sherlock. "Iruttinte Athmavu" ("Soul of Darkness"), one of the most celebrated among his short stories, is the heart wrenching story of a 21-year-old man, regarded as a lunatic by everyone and treated abominably. The story reveals the insanity behind the civilised and supposedly sane world. The story "Sherlock" moves between the rural milieu familiar to MT's readers and the sophisticated world of Indian immigrants in the US, highlighting the contrast between them with subtle irony. MT wrote passionately of the cruelty hidden at the heart of a seemingly idyllic rural life ("Kurukkante Kalyanam" or "The Jackal's Wedding" and "Shilalikhithangal" or "Stone Inscriptions") and of the privations endured by those dependent on the agricultural cycle ("Karkitakom" and "Pallivalum Kalchilambum" or "Sacred Sword and Anklets"). In the story "Vanaprastham", he studies the delicately balanced relationship between a teacher and a student that has miraculously survived the years.
  M. T. Vasudevan Nair is of the opinion that short story is a genre in which a writer can achieve near perfection. He, along with T. Padmanabhan, serve as bridges between the early modern short story writers in Malayalam, of the so-called renaissance, and the new short story of the late fifties and sixties.
caption: M T Vasudevan Nair
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