page_title: Denys Lasdun
section_title: Early work
hierarchical_section_title: Denys Lasdun / Early work
caption_attribution_description: English: Royal College of Physicians, Denys Lasdun architect, 1964 London This is a photo of listed building number 1246159.
context_page_description: Sir Denys Louis Lasdun, CH, CBE, RA was an eminent English architect, the son of Nathan Lasdun and Julie. Probably his best known work is the Royal National Theatre, on London's South Bank of the Thames, which is a Grade II* listed building and one of the most notable examples of Brutalist design in the United Kingdom.
  Lasdun studied at the Architectural Association School of Architecture in London, and was a junior in the practice of Wells Coates. Like other Modernist architects, including Sir Basil Spence and Peter and Alison Smithson, Lasdun was much influenced by Le Corbusier and Ludwig Mies van der Rohe, but there was a gentler, more classical influence, too, from the likes of Nicholas Hawksmoor. Lasdun was elected a Royal Academician on 29 May 1991.
  Lasdun's son is the author James Lasdun.
context_section_description: Before and after Second World War service in the army, Lasdun worked for a while with Berthold Lubetkin's Tecton practice, becoming a partner. During this period he also completed one private house in Paddington, in Le Corbusier's style. After the war, Lasdun worked with Lindsay Drake on the Hallfield Estate, which had been planned by Lubetkin and Tecton in a similar patterned, tightly planned idiom to his Spa Green and Priory Green Estates. Lasdun's Hallfield School was the first clue to his mature style, in its use of bare concrete and angularity, as well as its more human scale.
  In the 1950s he was a partner with Jane Drew, Maxwell Fry and Lindsay Drake in Fry, Drew, Drake and Lasdun. His originality became more evident in his 'cluster blocks' in Bethnal Green. These were a response to the critique of much post-war development for creating an isolating environment and discouraging community. The cluster blocks grouped flats around a central tower, and tenants were intended to be able to pick out their own flats in the structure. The earlier blocks at Usk Street of 1954 were medium-sized, while the later block Keeling House is high-rise. Keeling House was sold to a private developer by the London Borough of Tower Hamlets, and is now a block of luxury flats. Lasdun made an excursion into private housing with his St James' Flats in 1958, the plan of which was partly derived from social housing models such as the Narkomfin Building.
  Lasdun completed what may be regarded as his breakthrough masterwork in the Royal College of Physicians building in Regent's Park (1964). Inserted into a nationally important Nash set-piece terrace of neoclassical form, the RCP projects a raised linear form perpendicular to the terrace to create a series of gardens and spaces around the building, with annexes for lecture hall and an historic timber panelled room preserved from the earlier Colleges. Using modern reinforced concrete technology and highly expressive structural methods, the volumes are made to 'float in space' on the slimmest of supports to dissolve spatial boundaries between inside and out. The work makes implicit references to the work of the 'high modernists' from le Corbusier and Mies to the 'Scandinavian modernism' of Aalto, Asplund and Jacobsen as well as the contemporary Brutalist aesthetics of the era, yet developing a personal idiom of opened cantilevered volumes, long perspectives, triangulated form, and clarity of concept and structure that is entirely Lasdun's own. This building, however, is finished in luxurious white Sicilian marble, Murano glass mosaic tiles, polished brass and black engineering brick, and was one of the first post-War buildings to be awarded Grade I listing for national and international significance and influence on the work of others.
caption: The Royal College of Physicians building is one of very few Grade I-listed post-Second World War buildings
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