page_title: GeSoLei
hierarchical_section_title: GeSoLei
caption_attribution_description: Deutsch: Heinrich Nauen „Der Rhein als Träger des Lebens“. Düsseldorf, westliche Nordseite der Tonhalle. Fünf Mosaiken am Kunstmuseum Süd, Wirtschaftsmuseum Nord und Tonhalle Düsseldorf. Die zwei offenen Ecktempel am Kunstmuseum Süd und Wirtschaftsmuseum Nord, die den Eingang von der Rheinseite zur Inselstraße markieren, werden von jeweils einem Mosaik des Niederländers Jan Thorn Prikker geschmückt, Lehrer an der Kunstakademie Düsseldorf in den 1920er Jahren. Zwei weitere, den anderen gegenüberliegende Ecktempel mit Mosaiken von Heinrich Nauen befinden sich an der Tonhalle West und Ost, außerdem eine am NRW-Forum Süd. Da die Werke von den Nationalsozialisten als entartet eingestuft worden waren, hatte das Hochbauamt die großflächigen Arbeiten mit einer in einigen Zentimetern Abstand angebrachten Rabitz-Putzwand überdeckt, wodurch sie die kritische Zeit überdauerten.
context_page_description: The GeSoLei was the largest trade fair in Germany during the Weimar Republic. It attracted 7.5 million visitors. The name was constructed from an abbreviation of abbreviations of the German words for public health, social welfare, physical exercise.
  Surviving features of the event include the Tonhalle which at the time of its completion was the largest planetarium in the world, built by Wilhelm Kreis
context_section_description: The GeSoLei (German: Große Ausstellung Düsseldorf 1926 für Gesundheitspflege, soziale Fürsorge und Leibesübungen) was the largest trade fair in Germany during the Weimar Republic. It attracted 7.5 million visitors. The name was constructed from an abbreviation of abbreviations  of  the  German  words  for  public  health (Ge),  social  welfare (So),  physical exercise (Lei).
  Surviving features of the event include the Tonhalle which at the time of its completion was the largest planetarium in the world, built by Wilhelm Kreis
caption: Mosaic by Heinrich Nauen commissioned for the Tonhalle, built for the GeSoLei
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