page_title: Colosseum
section_title: Modern
hierarchical_section_title: Colosseum / History / Modern
caption_attribution_description: English: This view of the Colosseum and the Arch of Constantine is a somewhat fanciful reconstruction showing each monument from its best side. Fallen walls of the Colosseum have been tidied up, and several other works of antiquity have been introduced into the landscapes, such as the famous Borghese vase (now in the Louvre Museum, Paris) at the left. Roman ruins had become popular subjects by the 1700s, in part due to the new interest in archaeology. Panini was a master of these souvenir paintings so favored by wealthy English visitors on their Grand Tour of Europe; this painting and its companion, View of the Roman Forum, were originally in a private British collection.
context_page_description: The Colosseum or Coliseum, also known as the Flavian Amphitheatre, is an oval amphitheatre in the centre of the city of Rome, Italy. Built of travertine limestone, tuff, and brick-faced concrete, it was the largest amphitheatre ever built at the time and held 50,000 to 80,000 spectators. The Colosseum is just east of the Roman Forum. Construction began under the emperor Vespasian in AD 72 and was completed in AD 80 under his successor and heir, Titus. Further modifications were made during the reign of Domitian. These three emperors are known as the Flavian dynasty, and the amphitheatre was named in Latin for its association with their family name.
  The Colosseum could hold an estimated 50,000 to 80,000 spectators at various points of its history over the centuries, having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Roman mythology. The building ceased to be used for entertainment in the early medieval era.
context_section_description: During the 16th and 17th century, Church officials sought a productive role for the Colosseum. Pope Sixtus V (1585–1590) planned to turn the building into a wool factory to provide employment for Rome's prostitutes, though this proposal fell through with his premature death. In 1671 Cardinal Altieri authorized its use for bullfights; a public outcry caused the idea to be hastily abandoned.
  In 1749, Pope Benedict XIV endorsed the view that the Colosseum was a sacred site where early Christians had been martyred. He forbade the use of the Colosseum as a quarry and consecrated the building to the Passion of Christ and installed Stations of the Cross, declaring it sanctified by the blood of the Christian martyrs who perished there (see Significance in Christianity). However, there is no historical evidence to support Benedict's claim, nor is there even any evidence that anyone before the 16th century suggested this might be the case; the Catholic Encyclopedia concludes that there are no historical grounds for the supposition, other than the reasonably plausible conjecture that some of the many martyrs may well have been.
  Later popes initiated various stabilization and restoration projects, removing the extensive vegetation which had overgrown the structure and threatened to damage it further. The façade was reinforced with triangular brick wedges in 1807 and 1827, and the interior was repaired in 1831, 1846 and in the 1930s. The arena substructure was partly excavated in 1810–1814 and 1874 and was fully exposed under Benito Mussolini in the 1930s.
  The Colosseum is today one of Rome's most popular tourist attractions, receiving millions of visitors annually. The effects of pollution and general deterioration over time prompted a major restoration programme carried out between 1993 and 2000, at a cost of 40 billion Italian lire ($19.3m / €20.6m at 2000 prices).
  In recent years, the Colosseum has become a symbol of the international campaign against capital punishment, which was abolished in Italy in 1948. Several anti–death penalty demonstrations took place in front of the Colosseum in 2000. Since that time, as a gesture against the death penalty, the local authorities of Rome change the color of the Colosseum's night time illumination from white to gold whenever a person condemned to the death penalty anywhere in the world gets their sentence commuted or is released, or if a jurisdiction abolishes the death penalty. Most recently, the Colosseum was illuminated in gold in November 2012 following the abolishment of capital punishment in the American state of Connecticut in April 2012.
  Because of the ruined state of the interior, it is impractical to use the Colosseum to host large events; only a few hundred spectators can be accommodated in temporary seating. However, much larger concerts have been held just outside, using the Colosseum as a backdrop. Performers who have played at the Colosseum in recent years have included Ray Charles (May 2002), Paul McCartney (May 2003), Elton John (September 2005), and Billy Joel (July 2006).
caption: 1747 view by Giovanni Paolo Panini, emphasizing the semi-rural environs of the Colosseum at the time
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