page_title: Stendhal
section_title: Crystallization
hierarchical_section_title: Stendhal / Crystallization
caption_attribution_description: Français&#160;: Dessin expliquant le processus de la Cristallisation
context_page_description: Marie-Henri Beyle, better known by his pen name Stendhal, was a 19th-century French writer. Best known for the novels Le Rouge et le Noir and La Chartreuse de Parme, he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism.
context_section_description: In Stendhal's 1822 classic On Love he describes or compares the "birth of love", in which the love object is 'crystallized' in the mind, as being a process similar or analogous to a trip to Rome. In the analogy, the city of Bologna represents indifference and Rome represents perfect love:
  When we are in Bologna, we are entirely indifferent; we are not concerned to admire in any particular way the person with whom we shall perhaps one day be madly in love; even less is our imagination inclined to overrate their worth.  In a word, in Bologna "crystallization" has not yet begun.  When the journey begins, love departs.  One leaves Bologna, climbs the Apennines, and takes the road to Rome. The departure, according to Stendhal, has nothing to do with one's will; it is an instinctive moment.  This transformative process actuates in terms of four steps along a journey:
  Admiration – one marvels at the qualities of the loved one.
  Acknowledgement – one acknowledges the pleasantness of having gained the loved one's interest.
  Hope – one envisions gaining the love of the loved one.
  Delight – one delights in overrating the beauty and merit of the person whose love one hopes to win.
  This journey or crystallization process (shown above) was detailed by Stendhal on the back of a playing card while speaking to Madame Gherardi, during his trip to the Salzburg salt mine.
caption: Stendhal's depiction of "crystallization" in the process of falling in love.
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