page_title: Prato Cathedral
section_title: History
hierarchical_section_title: Prato Cathedral / History
caption_attribution_description: Duomo, pulpit by Donatello and Michelozzo, Prato, Italy
context_page_description: Prato Cathedral is a Roman Catholic cathedral in Prato, Tuscany, Central Italy, from 1954 the seat of the Bishop of Prato, having been previously, from 1653, a cathedral in the Diocese of Pistoia and Prato. It is dedicated to Saint Stephen, the first Christian martyr.
  It is one of the most ancient churches in the city, and was already in existence in the 10th century. It was built in several successive stages in the Romanesque style. The church contains a number of notable works of art, in particular fine sculpture.
context_section_description: The cathedral is documented as early as the 10th century as the Pieve di Santo Stefano, located in the Borgo al Cornio, the first settlement in Prato.
  The current structure dates from the Romanesque period of the 12th century: the nave, side walls and greater part of the bell tower remain from this date. The upper stage of the bell tower was constructed in 1356.
  During the 14th century the cathedral acquired an important relic, the Sacra Cintola or Belt of the Holy Virgin. This brought about the enlargement of the edifice by the addition of a transept which is attributed to Giovanni Pisano, but is probably the work of a pupil of Nicola Pisano. The Cintola Chapel was also built at this time to house the relic. 
  In the early 15th century, a new façade or west front was added in the International Gothic style, in front of the old one. In the space between the two was created a narthex or corridor leading to the external pulpit, built by Michelozzo and decorated by Donatello between 1428 and 1438. The seven original reliefs of the parapet were removed from the pulpit in 1967 and can be seen today in Prato's cathedral museum. 
  The façade is architecturally simple, the shape of the building informing the new structure so that its low-pitched central roof and sloping side aisles mark the roofline, which is enlivened with an open parapet of simple Gothic tracery, uniting the building with the sky. The façade is divided into three sections by shallow buttresses or pilasters. That part above the springing of the door arch is faced with marble in bold contrasting stripes, while the lower part is pale-coloured but much stained in some areas, possibly from the absorption of pollutants.
  The façade has a single central portal with a lintelled doorway surmounted by a Gothic arch. In the lunette over the door is a glazed terracotta sculpture by Andrea della Robbia depicting the Madonna with Saints Stephen and John.
  Below the central gable, a decorative clock is set into the façade, in place of a central window. It is surrounded by segments of the contrasting marble and forms part of the harmonious design.
  The frescoes of the transept chapel are also of the 15th century, but are in the Renaissance painting style.
caption: Outside pulpit by Donatello and Michelozzo
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