page_title: Søren Kierkegaard
section_title: Authorship (1843–1846)
hierarchical_section_title: Søren Kierkegaard / Authorship (1843–1846)
caption_attribution_description: English: Title cover of 1855 issue of The Concept of Anxiety by Soren Kierkegaard
context_page_description: Søren Aabye Kierkegaard was a Danish philosopher, theologian, poet, social critic and religious author who is widely considered to be the first existentialist philosopher. He wrote critical texts on organized religion, Christendom, morality, ethics, psychology, and the philosophy of religion, displaying a fondness for metaphor, irony and parables. Much of his philosophical work deals with the issues of how one lives as a "single individual", giving priority to concrete human reality over abstract thinking and highlighting the importance of personal choice and commitment. He was against literary critics who defined idealist intellectuals and philosophers of his time, and thought that Swedenborg, Hegel, Fichte, Schelling, Schlegel and Hans Christian Andersen were all "understood" far too quickly by "scholars".
  Kierkegaard's theological work focuses on Christian ethics, the institution of the Church, the differences between purely objective proofs of Christianity, the infinite qualitative distinction between man and God, and the individual's subjective relationship to the God-Man Jesus the Christ, which came through faith. Much of his work deals with Christian love.
context_section_description: Kierkegaard published some of his works using pseudonyms and for others he signed his own name as author. Whether being published under pseudonym or not, Kierkegaard's central writing on religion was Fear and Trembling, and Either/Or is considered to be his magnum opus. Pseudonyms were used often in the early 19th century as a means of representing viewpoints other than the author's own; examples include the writers of the Federalist Papers and the Anti-Federalist Papers.  Kierkegaard employed the same technique as a way to provide examples of indirect communication. In writing under various pseudonyms to express sometimes contradictory positions, Kierkegaard is sometimes criticized for playing with various viewpoints without ever committing to one in particular. He has been described by those opposing his writings as indeterminate in his standpoint as a writer, though he himself has testified to all his work deriving from a service to Christianity. After On the Concept of Irony with Continual Reference to Socrates, his 1841 master's thesis under Frederik Christian Sibbern, he wrote his first book under the pseudonym "Johannes Climacus" (after John Climacus) between 1841–1842. De omnibus dubitandum est (Latin: "Everything must be doubted") was not published until after his death.
   
  Kierkegaard's magnum opus Either/Or was published 20 February 1843; it was mostly written during Kierkegaard's stay in Berlin, where he took notes on Schelling's Philosophy of Revelation. Either/Or includes essays of literary and music criticism and a set of romantic-like-aphorisms, as part of his larger theme of examining the reflective and philosophical structure of faith. Edited by "Victor Eremita", the book contained the papers of an unknown 
  "A" and "B" which the pseudonymous author claimed to have discovered in a secret drawer of his secretary. Eremita had a hard time putting the papers of "A" in order because they were not straightforward. "B"'s papers were arranged in an orderly fashion. Both of these characters are trying to become religious individuals. Each approached the idea of first love from an esthetic and an ethical point of view. The book is basically an argument about faith and marriage with a short discourse at the end telling them they should stop arguing. Eremita thinks "B", a judge, makes the most sense. Kierkegaard stressed the "how" of Christianity as well as the "how" of book reading in his works rather than the "what".
  Three months after the publication of Either/Or, 16 May 1843, he published Two Upbuilding Discourses, 1843 and continued to publish discourses along with his pseudonymous books. These discourses were published under Kierkegaard's own name and are available as Eighteen Upbuilding Discourses today. David F. Swenson first translated the works in the 1940s and titled them the Edifying Discourses; however, in 1990, Howard V. and Edna H. Hong translated the works again but called them the Upbuilding Discourses. The word "upbuilding" was more in line with Kierkegaard's thought after 1846, when he wrote Christian deliberations about works of love. An upbuilding discourse or edifying discourse isn't the same as a sermon because a sermon is preached to a congregation while a discourse can be carried on between several people or even with oneself. The discourse or conversation should be "upbuilding", which means one would build up the other person, or oneself, rather than tear down in order to build up. Kierkegaard said: "Although this little book (which is called "discourses," not sermons, because its author does not have authority to preach, "upbuilding discourses," not discourses for upbuilding, because the speaker by no means claims to be a teacher) wishes to be only what it is, a superfluity, and desires only to remain in hiding".
  On 16 October 1843, Kierkegaard published three more books about love and faith and several more discourses. Fear and Trembling was published under the pseudonym Johannes de Silentio. Repetition is about a Young Man (Søren Kierkegaard) who has anxiety and depression because he feel
caption: Concept of Anxiety
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