page_title: Stroh violin
section_title: Usage
hierarchical_section_title: Stroh violin / Usage
caption_attribution_description: English: Stroh violin / Violí de botzina, MDMB 1120 References violí stroh (ca. 1900), Compagnie française du gramophone. Catalogue online. Museo de la Música de Balcelona.
context_page_description: The Stroh violin or Stroviol is a type of stringed musical instrument that is mechanically amplified by a metal resonator and horn attached to its body. The name Stroviol refers to a violin, but other instruments have been modified with the amplification device, including the viola, cello, double bass, ukulele, mandolin, and guitar. John Matthias Augustus Stroh, an electrical engineer in London, invented the instrument in 1899.
context_section_description: The Stroh violin was an expensive instrument: in 1911 it was offered by the London dealers Barnes & Mullins for nine guineas (£9.45, then equal to $37.80) or twelve guineas (£12.60/$50.40) at a time when a reasonable factory violin could be had for two guineas. It was listed as being especially suitable for use in small theaters and music-halls.
  In 1920s Buenos Aires, Julio de Caro, a renowned Tango orchestra director and violinist, used the Stroh violin in his live performances, and was called violín-corneta (cornet violin) by the locals.
  A number of musicians, including Tom Waits, Carla Kihlstedt, Thomas Newman, Bat for Lashes, A Hawk and a Hacksaw and Eric Gorfain continue to use the Stroh violin for its distinctive sound. Shakira featured a Stroh violin on her 2010/11 The Sun Comes Out World Tour, with multi-instrumentalist Una Palliser playing it on some songs. Palliser also played Stroh violin on a Tom Hickox album and live with Bitter Ruin. Pinky Weitzman plays the Stroh violin for various New York experimental ensembles, including her own project (Not Waving but Drowning), as well as Flare, LD & the New Criticism, and as part of the onstage ensemble for Stephin Merritt's My Life as a Fairy Tale. A Stroh violin is regularly played by Andy Stein of Vince Giordano's Nighthawks, a New York–based band specializing in the music of the 1920s and 1930s. They Might Be Giants used a Stroh violin in their song "I Can Hear You", recorded on a wax cylinder at the Edison Laboratory. Lindsey Stirling features a Stroh violin in her video "Roundtable Rival".
caption: Stroh violin at the Museu de la Música de Barcelona
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