page_title: Munich
section_title: Arts and literature
hierarchical_section_title: Munich / Culture / Arts and literature
caption_attribution_description: English: Nationaltheater München. This photograph was taken with an Olympus E-PL1
context_page_description: Munich is the capital and most populous city of Bavaria, the second most populous German state. With a population of around 1.5 million, it is the third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the 11th-largest city in the European Union. The city's metropolitan region is home to 6 million people.
  Straddling the banks of the River Isar north of the Bavarian Alps, it is the seat of the Bavarian administrative region of Upper Bavaria, while being the most densely populated municipality in Germany. Munich is the second-largest city in the Bavarian dialect area, after the Austrian capital of Vienna.
  The city was first mentioned in 1158. Catholic Munich strongly resisted the Reformation and was a political point of divergence during the resulting Thirty Years' War, but remained physically untouched despite an occupation by the Protestant Swedes. Once Bavaria was established as a sovereign kingdom in 1806, Munich became a major European centre of arts, architecture, culture and science.
context_section_description: Munich is a major international cultural centre and has played host to many prominent composers including Orlando di Lasso, W.A. Mozart, Carl Maria von Weber, Richard Wagner, Gustav Mahler, Richard Strauss, Max Reger and Carl Orff. With the Munich Biennale founded by Hans Werner Henze, and the A*DEvantgarde festival, the city still contributes to modern music theatre. Some of classical music's best-known pieces have been created in and around Munich by composers born in the area, for example Richard Strauss's tone poem Also sprach Zarathustra or Carl Orff's Carmina Burana.
  At the Nationaltheater several of Richard Wagner's operas were premiered under the patronage of Ludwig II of Bavaria. It is the home of the Bavarian State Opera and the Bavarian State Orchestra. Next door, the modern Residenz Theatre was erected in the building that had housed the Cuvilliés Theatre before World War II. Many operas were staged there, including the premiere of Mozart's Idomeneo in 1781. The Gärtnerplatz Theatre is a ballet and musical state theatre while another opera house, the Prinzregententheater, has become the home of the Bavarian Theatre Academy and the Munich Chamber Orchestra.
  The modern Gasteig centre houses the Munich Philharmonic Orchestra. The third orchestra in Munich with international importance is the Bavarian Radio Symphony Orchestra. Its primary concert venue is the Herkulessaal in the former city royal residence, the Munich Residenz. Many important conductors have been attracted by the city's orchestras, including Felix Weingartner, Hans Pfitzner, Hans Rosbaud, Hans Knappertsbusch, Sergiu Celibidache, James Levine, Christian Thielemann, Lorin Maazel, Rafael Kubelík, Eugen Jochum, Sir Colin Davis, Mariss Jansons, Bruno Walter, Georg Solti, Zubin Mehta and Kent Nagano. A stage for shows, big events and musicals is the Deutsche Theater. It is Germany's largest theatre for guest performances.
  Munich's contributions to modern popular music are often overlooked in favour of its strong association with classical music, but they are numerous: the city has had a strong music scene in the 1960s and 1970s, with many internationally renowned bands and musicians frequently performing in its clubs. Furthermore, Munich was the centre of Krautrock in southern Germany, with many important bands such as Amon Düül II, Embryo or Popol Vuh hailing from the city. In the 1970s, the Musicland Studios developed into one of the most prominent recording studios in the world, with bands such as the Rolling Stones, Led Zeppelin, Deep Purple and Queen recording albums there. Munich also played a significant role in the development of electronic music, with genre pioneer Giorgio Moroder, who invented synth disco and electronic dance music, and Donna Summer, one of disco music's most important performers, both living and working in the city. In the late 1990s, Electroclash was substantially co-invented if not even invented in Munich, when DJ Hell introduced and assembled international pioneers of this musical genre through his International DeeJay Gigolo Records label here. Other examples of notable musicians and bands from Munich are Konstantin Wecker, Willy Astor, Spider Murphy Gang, Münchener Freiheit, Lou Bega, Megaherz, FSK, Colour Haze and Sportfreunde Stiller.
  Music is so important in the Bavarian capital that the city hall gives permissions every day to ten musicians for performing in the streets around Marienplatz. This is how performers such as Olga Kholodnaya and Alex Jacobowitz are entertaining the locals and the tourists every day.
  Next to the Bavarian Staatsschauspiel in the Residenz Theatre (Residenztheater), the Munich Kammerspiele in the Schauspielhaus is one of the most important German language theatres in the world. Since Gotthold Ephraim Lessing's premieres in 1775 many important writers have staged their plays in Munich such as Christian Friedrich Hebbel, Henrik Ibsen and Hugo von Hofmannsthal.
  The city is known as the second largest publishing centre in the world (around 250 publishing houses have offices in the city), and many
caption: National Theatre
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