page_title: Ambroise Thomas
section_title: Works
hierarchical_section_title: Ambroise Thomas / Works
caption_attribution_description: English: Ambroise Thomas (August 5, 1811 - February 12, 1896) was a French opera composer. Photograph shows Ambroise Thomas, French composer, head-and-shoulders portrait, chin resting on left hand, facing left.
context_page_description: Charles Louis Ambroise Thomas was a French composer and teacher, best known for his operas Mignon and Hamlet.
  Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, La double échelle, in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad.
  Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré from influencing the students of the Conservatoire.
  Thomas' operas were generally neglected during most of the 20th century, but in more recent decades they have experienced something of a revival both in Europe and the US.
context_section_description: Emmanuel Chabrier's jibe, "There is good music, there is bad music, and then there is Ambroise Thomas" is often quoted, but, as the musicologist Richard Langham Smith observes, it is not clear whether Chabrier meant that Thomas' music was worse than bad, somewhere between good and bad, or something else. A contemporary assessment was given in the first edition of Grove's Dictionary of Music and Musicians (1889), where Gustave Chouquet wrote of Thomas:
  He brings to his task an inborn instinct for the stage, and a remarkable gift of interpreting dramatic situations of the most varied and opposite kinds. His skill in handling the orchestra is consummate, both in grouping instruments of different timbre, and obtaining new effects of sound; but though carrying orchestral colouring to the utmost pitch of perfection, he never allows it to overpower the voices. With a little more boldness and individuality of melody this accomplished writer, artist, and poet – master of all moods and passing in turn from melancholy musings to the liveliest banter – would rank with the leaders of the modern school of composers; as it is, the purity and diversity of his style make him a first-rate dramatic composer.
  In the 2001 edition of Grove, Langham Smith writes, "In the context of French opera of the late 19th century Thomas was a figure of considerable importance, an imaginative innovator and a master of musical characterization." Langham Smith concludes that after years of neglect, Thomas' work saw a considerable revival, beginning in the late 20th century, with major productions of Mignon and Hamlet  in France, Britain and the US.
  Forbes writes that Thomas was an eclectic composer able to write in a wide variety of styles. She identifies Hérold and Auber as influences on his early works, and considers Le caïd the first of his works to show true originality, though nonetheless clearly showing the influence of Rossini. In later works, Thomas' music could still be derivative: Forbes cites Psyché (1857) as "an inferior copy of Gounod's Sapho" and his Le carnaval de Venise (also 1857) as imitating Victor Massé. She concludes that at his best – which he was not always – Thomas wrote delightful and individual music, was capable of orchestration that is "often quite ravishing", and musically conveyed the character of the important roles strongly and clearly.  "If Thomas had written no stage works except Mignon and Hamlet he would probably be more widely recognized as one of the most influential and important of French 19th-century operatic composers."
caption: Thomas, about 1865
exif: {}