page_title: Dmitri Shostakovich
section_title: Later life, and death
hierarchical_section_title: Dmitri Shostakovich / Biography / Later life, and death
caption_attribution_description: Русский: Шостакович Дмитрий Дмитриевич принимает участие в тайном голосовании за новый состав правления на 5-ом Всесоюзном сьезде Союза композиторов СССР в 1974 году в зале Дома союзов. Français&#160;: Dimitri Chostakovitch vote à bulletin secret pour l'élection du Conseil d'administration du Congrès des musiciens sovietiques en 1974 à la Maison des syndicats à Moscou.
context_page_description: Dmitri Dmitriyevich Shostakovich was a Russian composer and pianist. He is regarded as one of the major composers of the 20th century, with a unique harmonic language and a historic importance due to his years of work under Stalin.
  Shostakovich achieved fame in the Soviet Union under the patronage of Soviet chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the government. Nevertheless, he received accolades and state awards and served in the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death).
  A polystylist, Shostakovich developed a hybrid voice, combining a variety of different musical techniques into his works. His music is characterized by sharp contrasts, elements of the grotesque, and ambivalent tonality; he was also heavily influenced by the neoclassical style pioneered by Igor Stravinsky, and (especially in his symphonies) by the late Romanticism of Gustav Mahler.
  Shostakovich's orchestral works include 15 symphonies and six concerti. His chamber output includes 15 string quartets, a piano quintet, two piano trios, and two pieces for string octet.
context_section_description: In 1964 Shostakovich composed the music for the Russian film Hamlet, which was favourably reviewed by The New York Times: "But the lack of this aural stimulation—of Shakespeare's eloquent words—is recompensed in some measure by a splendid and stirring musical score by Dmitri Shostakovich. This has great dignity and depth, and at times an appropriate wildness or becoming levity".
  In later life, Shostakovich suffered from chronic ill health, but he resisted giving up cigarettes and vodka. Beginning in 1958 he suffered from a debilitating condition that particularly affected his right hand, eventually forcing him to give up piano playing; in 1965 it was diagnosed as poliomyelitis. He also suffered heart attacks the following year and again in 1971, and several falls in which he broke both his legs; in 1967 he wrote in a letter: "Target achieved so far: 75% (right leg broken, left leg broken, right hand defective). All I need to do now is wreck the left hand and then 100% of my extremities will be out of order."
  A preoccupation with his own mortality permeates Shostakovich's later works, such as the later quartets and the Fourteenth Symphony of 1969 (a song cycle based on a number of poems on the theme of death). This piece also finds Shostakovich at his most extreme with musical language, with 12-tone themes and dense polyphony throughout. He dedicated the Fourteenth to his close friend Benjamin Britten, who conducted its Western premiere at the 1970 Aldeburgh Festival. The Fifteenth Symphony of 1971 is, by contrast, melodic and retrospective in nature, quoting Wagner, Rossini and the composer's own Fourth Symphony.
  Shostakovich died of lung cancer on 9 August 1975. A civic funeral was held; he was interred in Novodevichy Cemetery, Moscow. Even before his death he had been commemorated with the naming of the Shostakovich Peninsula on Alexander Island, Antarctica., Despite suffering from Motor Neurone Disease (or ALS) from as early as the 1960s, Shostakovich insisted upon writing all his own correspondence and music himself, even when his right hand was virtually unusable.
  He was survived by his third wife, Irina; his daughter, Galina; and his son, Maxim, a pianist and conductor who was the dedicatee and first performer of some of his father's works. Shostakovich himself left behind several recordings of his own piano works; other noted interpreters of his music include Emil Gilels, Mstislav Rostropovich, Tatiana Nikolayeva, Maria Yudina, David Oistrakh, and members of the Beethoven Quartet.
  His last work was his Viola Sonata, which was first performed officially on 1 October 1975.
  Shostakovich's musical influence on later composers outside the former Soviet Union has been relatively slight, although Alfred Schnittke took up his eclecticism and his contrasts between the dynamic and the static, and some of André Previn's music shows clear links to Shostakovich's style of orchestration. His influence can also be seen in some Nordic composers, such as Lars-Erik Larsson. Many of his Russian contemporaries, and his pupils at the Leningrad Conservatory were strongly influenced by his style (including German Okunev, Sergei Slonimsky, and Boris Tishchenko, whose 5th Symphony of 1978 is dedicated to Shostakovich's memory). Shostakovich's conservative idiom has grown increasingly popular with audiences both within and outside Russia, as the avant-garde has declined in influence and debate about his political views has developed.
caption: Shostakovich voting in the election of the Council of Administration of Soviet Musicians in Moscow in 1974
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