page_title: Cup of Solid Gold
section_title: Background: non-official anthems
hierarchical_section_title: Cup of Solid Gold / Background: non-official anthems
caption_attribution_description: Li Hung Chang in 1896.
context_page_description: The "Cup of Solid Gold", adopted by the Qing dynasty on 4 October 1911, was the first official national anthem of China. The title wishes for the stability of the "golden cup," a ritual instrument that symbolized the empire. Six days after the anthem was adopted, however, the Wuchang Uprising took place and quickly led to the fall of the Qing. The "Cup of Solid Gold" was never performed publicly.
context_section_description: Imperial Chinese dynasties used music for various ceremonies, but never had official anthems representing the country. By the end of the nineteenth century, however, Qing China was constantly in contact with foreign countries and started to require a national anthem "for diplomatic convenience."
  Qing diplomats were the first to suggest adopting an official anthem. Zeng Jize (1839–1890) — eldest son of statesman Zeng Guofan — was the Qing envoy to France, England, and Russia for several years starting in 1878. Around 1880, he composed a song called Pu Tian Yue to be played as China's anthem in various state ceremonies and suggested the Qing adopt it as its official anthem, but the court did not approve. That song's lyrics and melody have both been lost.
  When Li Hongzhang (1823–1901) visited Western Europe and Russia in 1896 as a special envoy charged with learning about foreign institutions after the disastrous end of the Sino–Japanese War in 1895, he was again asked to provide China's national anthem for performance at state receptions. He hastily adapted some court music to a slightly modified jueju poem by Tang-dynasty (618–907) poet Wang Jian and presented that song as the Qing anthem. That song later became known as the Tune of Li Zhongtang, but was never officially recognized as a national anthem.
  Another non-official anthem was written for the new Qing ground forces that were established in 1906. Entitled Praise the Dragon Flag, it was played on ceremonial occasions, but like the songs promoted by Zeng Jize and Li Hongzhang, was never officially adopted as the Qing national anthem.
  A Chinese version of the Japanese national anthem Kimigayo (adopted by the Meiji regime in 1888) was played in the new-style schools that taught modern topics like science and engineering. The Chinese lyrics — "To unify old territories, our ancient Asian country of four thousand years sighs in sorrow for the Jews, India, and Poland. Reading the history of those who have lost their countries, we shiver in our hearts!" — emphasized the Social Darwinist themes of ethnic crisis and loss of national territory, but many considered these too far from the usual themes of ceremonial music to be acceptable.
caption: Li Hongzhang arranged a Tang dynasty (618–907) poem to ceremonial music to serve as China's unofficial anthem during his visit to Europe in 1896.
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