page_title: Giovanni Gallini
hierarchical_section_title: Giovanni Gallini
caption_attribution_description: English: (For description see other impression). 10 August 1781 Hand-coloured etching
context_page_description: Giovanni Andrea Battista Gallini, later known as Sir John Andrew Gallini, was an Italian dancer, choreographer and impresario who was made a "Knight of the Golden Spur" by the Pope following a successful performance.
  He was the grandson of Domenico Gallini, his father was Luca Gallini and his mother was Maria Umilta Agostini, the daughter of Giovanni Agostini. Gallini was trained in Paris by François Marcel and emigrated to England at an unknown date, though he had been performing at the Académie Royale de Musique. By 17 December 1757 he was dancing at Covent Garden Theatre. Between 1758 and 1766 he performed and served as director of dances at the King's Theatre now Her Majesty's Theatre, Haymarket, except for an interval at Covent Garden in late 1763 and 1764. He ceased to perform in public at the end of the 1766 season.
  In a campaign to raise the intellectual respectability of dance, on 3 March 1762 Gallini published A Treatise on the Art of Dancing, which was followed by Critical Observations on the Art of Dancing.
context_section_description: Giovanni Andrea Battista Gallini (born Florence, Italy, 7 January 1728, died London, 5 January 1805), later known as Sir John Andrew Gallini, was an Italian dancer, choreographer and impresario who was made a "Knight of the Golden Spur" by the Pope following a successful performance.
  He was the grandson of Domenico Gallini, his father was Luca Gallini and his mother was Maria Umilta Agostini, the daughter of Giovanni Agostini. Gallini was trained in Paris by François Marcel and emigrated to England at an unknown date, though he had been performing at the Académie Royale de Musique. By 17 December 1757 he was dancing at Covent Garden Theatre. Between 1758 and 1766 he performed and served as director of dances at the King's Theatre now Her Majesty's Theatre, Haymarket (the opera house), except for an interval at Covent Garden in late 1763 and 1764. He ceased to perform in public at the end of the 1766 season. 
  In a campaign to raise the intellectual respectability of dance, on 3 March 1762 Gallini published A Treatise on the Art of Dancing, which was followed by Critical Observations on the Art of Dancing (1770). Dance historians agree that these elegantly printed volumes were largely derivative, citing Weaver, Cahusac, and other sources, but were important statements of philosophy that helped gain Gallini entrée into society.
caption: Gallini in a hand-coloured etching of 1781
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