page_title: Emilie Bach
hierarchical_section_title: Emilie Bach
caption_attribution_description: Emilie Bach
context_page_description: Emilie Bach was an artist and journalist. In 1873 she co-founded the Imperial and Royal Vocational School of Art Embroidery with fellow needleworker Therese Mirani in Vienna, Austria, where she also filled the role of director. She also established schools in Graz, Laibach, Prague, Brünn, and Agram. She published several works on the subject of embroidery, including Muster Stilvoller Handarbeiten für Schule und Haus in two volumes, and Neue Muster im Alten Stil, which was later published in English as New Patterns in Old Styles. She contributed to many daily papers, such as the Neue Freie Presse, Heimat, and Wiener Allgemeine Zeitung and delivered many lectures on arts and handicrafts, most of which were published.
  Bach and Mirani's dress and design reform efforts were covered in Viennese periodicals, including feminist journal Dokumente der Frauen and fashion magazine Wiener Mode. Design history scholar Rebecca Houze likens the attention to detail in Bach's publications to the works of German architect and author Gottfried Semper, in particular Der Stil in den technischen and tektonischen Künste....
context_section_description: Emilie Bach (July 2, 1840 - April 29, 1890) was an artist and journalist. In 1873 she co-founded the Imperial and Royal Vocational School of Art Embroidery  with fellow needleworker Therese Mirani in Vienna, Austria, where she also filled the role of director. She also established schools in Graz, Laibach, Prague, Brünn, and Agram. She published several works on the subject of embroidery, including Muster Stilvoller Handarbeiten für Schule und Haus in two volumes (1883), and Neue Muster im Alten Stil (1887), which was later published in English as New Patterns in Old Styles. She contributed to many daily papers, such as the Neue Freie Presse, Heimat, and Wiener Allgemeine Zeitung   and delivered many lectures on arts and handicrafts, most of which were published.
  Bach and Mirani's dress and design reform efforts were covered in Viennese periodicals, including feminist journal Dokumente der Frauen and fashion magazine Wiener Mode. Design history scholar Rebecca Houze likens the attention to detail in Bach's publications to the works of German architect and author Gottfried Semper, in particular Der Stil in den technischen and tektonischen Künste... (1860-63).
  Multiple designs by Bach, including those for an embroidered sachet and a parasol "with a border in Spanish embroidery" were featured in Harper's Bazaar in 1881.
caption: Emilie Bach
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