page_title: Eurasian hoopoe
section_title: Relationship with humans
hierarchical_section_title: Eurasian hoopoe / Relationship with humans
caption_attribution_description: An image from a set of 8 extra-illustrated volumes of A tour in Wales by Thomas Pennant (1726-1798) that chronicle the three journeys he made through Wales between 1773 and 1776. These volumes are unique because they were compiled for Pennant's own library at Downing. This edition was produced in 1781. The volumes include a number of original drawings by Moses Griffiths, Ingleby and other well known artists of the period. Thomas Pennant (1726-1798)
context_page_description: The Eurasian hoopoe is the most widespread species of the genus Upupa, native to Europe, Asia and the northern half of Africa. Some taxonomists still consider all three species conspecific. Some authorities also keep the African and Eurasian hoopoe together, but split the Madagascar hoopoe.
context_section_description: The diet of the Eurasian hoopoe includes many species considered by humans to be pests, such as the pupae of the processionary moth, a damaging forest pest. For this reason the species is afforded protection under the law in many countries.
  Hoopoes are distinctive birds and have made a cultural impact over much of their range. They were considered sacred in Ancient Egypt, and were "depicted on the walls of tombs and temples". During the Old Kingdom, the hoopoe was used in the iconography as a symbolic code to indicate the child was the heir and successor of his father. They achieved a similar standing in Minoan Crete.
  In the Torah, Leviticus 11:13–19, hoopoes were listed among the animals that are detestable and should not be eaten. They are also listed in Deuteronomy 14:18 as not kosher.
  The hoopoe also appears in the Quran and is known as the "Hudhud" (هدهد), in Surah Al-Naml 27:20–22: "And he Solomon sought among the birds and said: How is it that I see not the hoopoe, or is he among the absent? (20) I verily will punish him with hard punishment or I verily will slay him, or he verily shall bring me a plain excuse. (21) But he [the hoopoe] was not long in coming, and he said: I have found out (a thing) that thou apprehendest not, and I come unto thee from Sheba with sure tidings."
  Hoopoes were seen as a symbol of virtue in Persia. A hoopoe was a leader of the birds in the Persian book of poems The Conference of the Birds ("Mantiq al-Tayr" by Attar) and when the birds seek a king, the hoopoe points out that the Simurgh was the king of the birds.
  Hoopoes were thought of as thieves across much of Europe, and harbingers of war in Scandinavia. In Estonian tradition, hoopoes are strongly connected with death and the underworld; their song is believed to foreshadow death for many people or cattle.
  The hoopoe is the king of the birds in the Ancient Greek comedy The Birds by Aristophanes. In Ovid's Metamorphoses, book 6, King Tereus of Thrace rapes Philomela, his wife Procne's sister, and cuts out her tongue. In revenge, Procne kills their son Itys and serves him as a stew to his father. When Tereus sees the boy's head, which is served on a platter, he grabs a sword but just as he attempts to kill the sisters, they are turned into birds—Procne into a swallow and Philomela into a nightingale. Tereus himself is turned into an epops (6.674), translated as lapwing by Dryden and lappewincke (lappewinge) by John Gower in his Confessio Amantis, or hoopoe in A.S. Kline's translation. The bird's crest indicates his royal status, and his long, sharp beak is a symbol of his violent nature. English translators and poets probably had the northern lapwing in mind, considering its crest.
  The hoopoe was chosen as the national bird of Israel in May 2008 in conjunction with the country's 60th anniversary, following a national survey of 155,000 citizens, outpolling the white-spectacled bulbul. The hoopoe appears on the Logo of the University of Johannesburg and is the official mascot of the University's sports. The municipalities of Armstedt and Brechten, Germany, have hoopoes in their coats of arms.
  In Morocco, hoopoes are traded live and as medicinal products in the markets, primarily in herbalist shops. This trade is unregulated and a potential threat to local populations 
  Three CGI enhanced hoopoes, together with other birds collectively named "the tittifers", are often shown whistling a song in the BBC children's television series In the Night Garden....
caption: The Hoopoe bird was recorded as residing in Britain in the 18th Century
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