page_title: Mistle thrush
section_title: In culture
hierarchical_section_title: Mistle thrush / In culture
caption_attribution_description: English: Mistle Thrush and Alpine Chough by Giovanni da Udine
context_page_description: The mistle thrush is a bird common to much of Europe, temperate Asia and North Africa. It is a year-round resident in a large part of its range, but northern and eastern populations migrate south for the winter, often in small flocks. It is a large thrush with pale grey-brown upper parts, a greyish-white chin and throat, and black spots on its pale yellow and off-white under parts. The sexes are similar in plumage, and its three subspecies show only minimal differences. The male has a loud, far-carrying song which is delivered even in wet and windy weather, earning the bird the old name of stormcock.
  Found in open woods, parks, hedges and cultivated land, the mistle thrush feeds on a wide variety of invertebrates, seeds and berries. Its preferred fruits include those of the mistletoe, holly and yew. Mistletoe is favoured where it is available, and this is reflected in the thrush's English and scientific names; the plant, a parasitic species, benefits from its seeds being excreted by the thrush onto branches where they can germinate. In winter, a mistle thrush will vigorously defend mistletoe clumps or a holly tree as a food reserve for when times are hard.
context_section_description: Desiderius Erasmus's early sixteenth-century collection of Latin proverbs included Turdus malum sibi ipse cacat, (the thrush himself excretes his own trouble), which refers to the use of the sticky mistletoe berries favoured by this species as an ingredient in birdlime, used to trap birds. The thrush was seen to be thus spreading the seeds of his own destruction.
  Mistle Thrush and Alpine Chough, by Giovanni da Udine, an artist who worked in Raphael's studio in the 16th century, was a sketch for his Bird with Garland and Fruit, and this in turn was the basis for a Raphael fresco in the Apostolic Palace.
  The early Renaissance poem "The Harmony of Birds" features a thrusshe (mistle thrush) singing the phrase "sanctus, sanctus", distinguishing the bird from the song thrush, the mauys or throstle. The song of the mistle thrush is also described in Thomas Hardy's "Darkling Thrush" and Edward Thomas's "The Thrush". The loud call of this common and conspicuous bird also led to many old or local names, including "screech", "shrite" and "gawthrush". Other names, including "stormcock" referred to its willingness to sing in wind and rain. "Holm thrush", "hollin cock" and "holm cock" are based on obsolete names for the holly tree, which may be defended by the thrush in winter for its berries.
  In Frances Hodgson Burnett's The Secret Garden, Dickon reassures Mary Lennox that he will keep his knowledge of the garden secret by comparing her to a mistle thrush in defence of its nest, recognising his privilege in sharing her secret: "If tha' was a missel thrush an' showed me where thy nest was, does tha' think I'd tell any one? Not me," he said. "Tha' art as safe as a missel thrush."
  Stormcock, released in 1971, is the fifth album by English folk/rock singer-songwriter and guitarist Roy Harper.
  The final verse of the Jethro Tull song "Jack-in-the-Green" from their album Songs from the Wood mentions the bird in the lines "Oh, the mistlethrush is coming. Jack, put out the light." The bird also features in the lyrics of The Decemberists' song "Won't Want For Love (Margaret In The Taiga)" from their 2009 album The Hazards of Love: "Mistlethrush, Mistlethrush, Lay me down in the underbrush, My naked feet grow weary with the dusk".
caption: Mistle Thrush and Alpine Chough by Giovanni da Udine
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