page_title: Klondike Gold Rush
section_title: Culture
hierarchical_section_title: Klondike Gold Rush / Legacy / Culture
caption_attribution_description: English: Charlie Chaplin's character, The Tramp, is carving up a boot, the only thing he has left to eat in The Gold Rush (1925)
context_page_description: The Klondike Gold Rush was a migration by an estimated 100,000 prospectors to the Klondike region of the Yukon, in north-western Canada, between 1896 and 1899. Gold was discovered there by local miners on August 16, 1896; when news reached Seattle and San Francisco the following year, it triggered a stampede of prospectors. Some became wealthy, but the majority went in vain. It has been immortalized in artifacts, films, games, literature, and photographs.
  To reach the gold fields, most prospectors took the route through the ports of Dyea and Skagway, in Southeast Alaska. Here, the "Klondikers" could follow either the Chilkoot or the White Pass trails to the Yukon River, and sail down to the Klondike. The Canadian authorities required each of them to bring a year's supply of food, in order to prevent starvation. In all, the Klondikers' equipment weighed close to a ton, which most carried themselves, in stages. Performing this task, and contending with the mountainous terrain and cold climate, meant those who persisted did not arrive until summer 1898. Once there, they found few opportunities, and many left disappointed.
context_section_description: The events of the Klondike gold rush rapidly became embedded in North American culture, being captured in poems, stories, photographs and promotional campaigns long after the end of the stampede. In the Yukon, Discovery Day is celebrated on the third Monday in August as a holiday, and the events of the gold rush are promoted by the regional tourist industries. The events of the gold rush were frequently exaggerated at the time and modern works on the subject similarly often focus on the most dramatic and exciting events of the stampede, not always accurately. Historian Ken Coates describes the gold rush as "a resilient, pliable myth", which continues to fascinate and appeal.
  Several novels, books and poems were generated as a consequence of the Klondike gold rush. The writer Jack London incorporated scenes from the gold rush into his novels and short stories set in the Klondike, including The Call of the Wild, a 1903 novel about a sled dog. His colleague, poet Robert W. Service, did not join the rush himself, although he made his home in Dawson City in 1908. Service created well-known poems about the gold rush, among them Songs of a Sourdough, one of the bestselling books of poetry in the first decade of the 20th century, along with his novel, The Trail of '98, which was written by hand on wallpaper in one of Dawson's log cabins. The Canadian historian Pierre Berton grew up in Dawson where his father had been a prospector, and wrote several historical books about the gold rush, such as The Last Great Gold Rush. The experiences of the Irish Micí Mac Gabhann resulted the posthumous work Rotha Mór an tSaoil (translated into English as The Hard Road to Klondike in 1962), a vivid description of the period.
  Some terminology from the stampede made its way into North American English like "Cheechakos", referring to newly arrived miners, and "Sourdoughs", experienced miners.
  The photographs taken during the Klondike gold rush heavily influenced later cultural approaches to the stampede. The gold rush was vividly recorded by several early photographers, for instance Eric A. Hegg; these stark, black-and-white photographs showing the ascent of the Chilkoot pass rapidly became iconic images and were widely distributed. These pictures in turn inspired Charlie Chaplin to make The Gold Rush, a silent movie, which uses the background of the Klondike to combine physical comedy with its character's desperate battle for survival in the harsh conditions of the stampede. The photographs reappear in the documentary City of Gold from 1957 which, narrated by Pierre Berton, won prizes for pioneering the incorporation of still images into documentary film-making. The Klondike gold rush, however, has not been widely covered in later fictional films; even The Far Country, a Western from 1955 set in the Klondike, largely ignores the unique features of the gold rush in favour of a traditional Western plot. Indeed, much of the popular literature on the gold rush approaches the stampede simply as a final phase of the expansion of the American West, a perception critiqued by modern historians such as Charlene Porsild.
caption: Charlie Chaplin in The Gold Rush, 1925
exif: {"Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "Adobe Photoshop CS2 Windows", "Image DateTime": "2011:11:26 16:03:26", "Image ExifOffset": "164", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "302", "Thumbnail JPEGInterchangeFormatLength": "6417", "EXIF ColorSpace": "Uncalibrated", "EXIF ExifImageWidth": "512", "EXIF ExifImageLength": "384"}