page_title: Prince's Palace of Monaco
section_title: Absentee landlords and revolution (1662–1815)
hierarchical_section_title: Prince's Palace of Monaco / Absentee landlords and revolution (1662–1815)
caption_attribution_description: Français&#160;: Palais princier monaco
context_page_description: The Prince's Palace of Monaco is the official residence of the Sovereign Prince of Monaco. Built in 1191 as a Genoese fortress, during its long and often dramatic history it has been bombarded and besieged by many foreign powers. Since the end of the 13th century, it has been the stronghold and home of the Grimaldi family who first captured it in 1297. The Grimaldi ruled the area first as feudal lords, and from the 17th century as sovereign princes, but their power was often derived from fragile agreements with their larger and stronger neighbours.
  Thus while other European sovereigns were building luxurious, modern Renaissance and Baroque palaces, politics and common sense demanded that the palace of the Monegasque rulers be fortified. This unique requirement, at such a late stage in history, has made the palace at Monaco one of the most unusual in Europe. Indeed, when its fortifications were finally relaxed during the late 18th century, it was seized by the French and stripped of its treasures, and fell into decline, while the Grimaldi were exiled for over 20 years.
context_section_description: During the late 17th century and early 18th century, while Monaco was officially an independent state, it was in reality a province of France. Its rulers spent much of their time at the French court, in this way resembling the absentee landlords so prevalent at the time amongst the French aristocracy. The lure of Versailles was greater than that of their own country.
  Honoré II was succeeded by his grandson, Prince Louis I. The new prince had an urbane personality and spent much time with his wife at the French court, where he enjoyed the unusual distinction of being both a foreign head of state and a peer of France. Impressed by the palaces of the French king, who had employed the architect Jean du Cerceau to carry out alterations to the palace at Fontainebleau, Louis I used Fontainebleau as the inspiration for enhancements to his palace at Monaco. Thus he was responsible for two of the palace's most notable features: the entrance—a huge Baroque arch surmounted by a broken pediment bearing the Grimaldi Arms (Illustration 10)—and more memorable still, a double horseshoe staircase modelled on that at Fontainebleau. The thirty steps which compose the staircase are said to have been sculpted from a single block of Carrara marble.  Both the architrave of the new entrance and the horseshoe stairs were designed by Antoine Grigho, an architect from Como.
  A prince noted for the permissiveness of his private life, Louis I's prodigality was notorious. While visiting England in 1677 he incurred the ire of King Charles II by showering expensive gifts on Hortense Mancini, the king's mistress. The English and Prince Louis later became political enemies when Louis took part in the Anglo-Dutch Wars against England, leading his own Monaco Cavalry into battles in Flanders and Franche-Comté. These acts earned Louis the gratitude of Louis XIV who made him ambassador to the Holy See, charged with securing the Spanish Succession. However, the cost of upholding his position at the papal court caused him to sell most of his grandfather Honoré II's art collection, denuding the palace he had earlier so spectacularly enhanced. Louis died before securing the Spanish throne for France, an act which would have earned the Grimaldi huge rewards. Instead Europe was immediately plunged into turmoil as the War of the Spanish Succession began.
  In 1701, Prince Antoine succeeded Louis I and inherited an almost bankrupt Monaco, though he did further embellish the Royal Room. On its ceiling, Gregorio de Ferrari and Alexandre Haffner depicted a figure of Fame surrounded by lunettes illustrating the four seasons.
  Antoine's marriage to Marie of Lorraine was unhappy and yielded only two daughters. Monaco's constitution confined the throne to members of the Grimaldi family alone, and Antoine was thus keen for his daughter Princess Louise-Hippolyte (Illustration 11) to wed a Grimaldi cousin. However, the state of the Grimaldi fortunes, and the lack of (the politically necessary) approval from King Louis XIV, dictated otherwise. Louise-Hippolyte was married to Jacques de Goyon Matignon, a wealthy aristocrat from Normandy. Louise-Hippolyte succeeded her father as sovereign of Monaco in 1731 but died just months later. The King of France, confirming Monaco's subservient state to France, ignored the protests of other branches of the Grimaldi family, overthrew the Monégasque constitution, and approved the succession of Jacques de Goyon Matignon as Prince Jacques I.
  Jacques I assumed the name and arms of the Grimaldi, but the French aristocracy showed scant respect towards the new prince who had risen from their ranks and chose to spend his time absent from Monaco. He died in 1751 and was succeeded by his and Louise-Hippolyte's son Prince Honoré III.
  Honoré III married Catherine Brignole in 1757 and later divorced her. Before his marriage, Honoré III had been conducting an affair with his future mother-in-law.  After her divorce Marie Brignole married Louis Joseph de Bourbon, prince de Condé, a member of the fallen French royal house, in 1798.
  The Grimaldi fortunes were re
caption: Illustration 10: Antoine Grigho's Baroque entrance to the palace was designed for Louis I.
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