page_title: Christ in Majesty
hierarchical_section_title: Christ in Majesty
caption_attribution_description: Русский: Андрониково евангелие (евангелие апраксос). Москва, 1-я четверть 15 века. Миниатюра "Спас во славе" выполнена художником круга Рублева. иконография близка к композиции на своде Успенского собора во владимире (1408). Заставка и инициал - "неовизантийского" стиля, вязь, литургический полуустав. Переплет 16-17 века. Из Спасо-Андрониковского монастыря. English: Gospels [from] Andronicov, circle of A.Rublev, 1st q. of 15 c.
context_page_description: Christ in Majesty or Christ in Glory is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky.
context_section_description: Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John.  In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures.  In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky.
caption: The Andronikov Gospels was made in the Andronikov Monastery, Moscow in the early 15th century
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