page_title: National Theatre (Prague)
section_title: Management
hierarchical_section_title: National Theatre (Prague) / Management
caption_attribution_description: English: Nardoni Divadlo
context_page_description: The National Theatre in Prague is known as the alma mater of Czech opera, and as the national monument of Czech history and art.
  The National Theatre belongs to the most important Czech cultural institutions, with a rich artistic tradition, which helped to preserve and develop the most important features of the nation–the Czech language and a sense for a Czech musical and dramatic way of thinking.
  Today the National Theatre consists of three artistic ensembles: opera, ballet and drama. They alternate in their performances in the historic building of the National Theatre, in the Theatre of the Estates and in the Kolowrat Theatre. All three artistic ensembles select their repertoire both from classical heritage, and modern authors.
context_section_description: At first the National Theatre was supported by a private guild of individuals with a director managing its affairs on behalf of the guild. Lack of subsidy caused some financial and artistic difficulties, but without long-term damage to the growth or status of the institution. In 1900 the contract for the guild which had steered the theatre through its early years was not renewed by the regional government, and as a result of growing dissatisfaction with the artistic levels, the National Theatre transferred its management to a new National Theatre Company. In addition, most of the people associated with the guild were considered to be conservative in outlook, while the new Company were liberals, receptive to fresh ideas. 
  The composer Karel Kovařovic was made opera director, and as a conductor, his work became noticeable in improvements in the orchestra, chorus and solo ensemble. He also attracted leading singers to the ensemble, such as Karel Burian (later a Wagnerian tenor at Bayreuth), Otakar Mařák, Emil Pollert, and Gabriela Horvatova. After the death of Kovařovic in 1920, Otakar Ostrčil took over, continuing the progressive artistic direction and leading a thorough renovation of the stagings. He began with the first performance of The Excursions of Mr. Brouček, and mounted Berg's Wozzeck immediately after its premiere, leading to a scandal and the threat of his dismissal.
  The National Theatre is overseen by the director, and the advisory body of the Council of the National Theatre. The advisory board has 11 to 13 members, who are appointed and dismissed by the director. Current members of the council include: JUDr. Pavel Smutný, Prof. Dr. Dadja Altenburg Pešta Kohl, Ing. Petr Dvořák, Ing. Jiří Maceška, JUDr. Vlasta Formánková, Ing. Bohdan Wojnar, Prof. Ing. Jiří Drahoš, DrSc., dr.h.c., Pavel Kohout, Ing. Oldřich Černoch CSc. and Ing. Peter Palečka.
  In 2019 the National Theatre and State Opera in Prague were the place of protests and disruption by artists and staff, including an open letter complaining at the 'non-transparent' appointment of Per Boye Hansen as Artistic Director.
caption: National Theatre in Prague
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