page_title: Apollo TV camera
section_title: Development
hierarchical_section_title: Apollo TV camera / RCA command module TV camera / Development
caption_attribution_description: English: Astronauts Walter M. Schirra Jr. (on right), mission commander; and Donn F. Eisele, command module pilot; are seen in the first live television transmission from space. Schirra is holding a sign which reads, "Keep those cards and letters coming in, folks!" Out of view at left is astronaut Walter Cunningham, lunar module pilot.
context_page_description: The Apollo program used several television cameras in its space missions in the late 1960s and 1970s; some of these Apollo TV cameras were also used on the later Skylab and Apollo–Soyuz Test Project missions. These cameras varied in design, with image quality improving significantly with each successive model. Two companies made these various camera systems: RCA and Westinghouse. Originally, these slow-scan television cameras, running at 10 frames per second, produced only black-and-white pictures and first flew on the Apollo 7 mission in October 1968. A color camera – using a field-sequential color system – flew on the Apollo 10 mission in May 1969, and every mission after that. The color camera ran at the North American standard 30 fps. The cameras all used image pickup tubes that were initially fragile, as one was irreparably damaged during the live broadcast of the Apollo 12 mission's first moonwalk. Starting with the Apollo 15 mission, a more robust, damage-resistant camera was used on the lunar surface. All of these cameras required signal processing back on Earth to make the frame rate and color encoding compatible with analog broadcast television standards.
context_section_description: NASA decided on initial specifications for TV on the Apollo command module (CM) in 1962. Both analog and digital transmission techniques were studied, but the early digital systems still used more bandwidth than an analog approach: 20 MHz for the digital system, compared to 500 kHz for the analog system. The video standard for the Block I CM meant that the analog video standard for early Apollo missions was set as follows: monochrome signal, with 320 active scan lines, and progressively scanned at 10 frames per second (fps). RCA was given the contract to manufacture such a camera. It was understood at the time that motion fidelity from such a slow-scan television system (SSTV) would be less than standard commercial television systems, but deemed sufficient considering that astronauts would not be moving quickly in orbit, or even on the Lunar surface.
caption: Apollo 7 slow-scan TV, transmitted by the RCA command module TV camera
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