page_title: Culture of England
section_title: Performing arts
hierarchical_section_title: Culture of England / Performing arts
caption_attribution_description: A traditional Punch and Judy booth.
context_page_description: The culture of England is defined by the cultural norms of England and the English people. Owing to England's influential position within the United Kingdom it can sometimes be difficult to differentiate English culture from the culture of the United Kingdom as a whole. However, since Anglo-Saxon times, England has had its own unique culture, apart from Welsh, Scottish or Northern Irish culture.
  Rich in history and culture and birthplace of the Industrial Revolution, many of the world's most celebrated scientists, inventions, and thinkers originated from England. England has also played an important role in cinema, literature, technology, engineering, democracy, social science and mathematics.
  Manor houses, gardens, rolling countryside, and green landscapes are common English cultural symbols. A rose and oak tree are considered national symbols of England. Humour, tradition and good manners are characteristics commonly associated with being English.
context_section_description: Large outdoor music festivals in the summer and autumn are popular, such as Glastonbury, V Festival, Reading and Leeds Festivals. England was at the forefront of the illegal, free rave movement from the late 1980s, which led to pan-European culture of teknivals mirrored on the UK free festival movement and associated travelling lifestyle. The most prominent opera house in England is the Royal Opera House at Covent Garden. The Proms, a season of orchestral classical music concerts held at the Royal Albert Hall, is a major cultural event held annually. The Royal Ballet is one of the world's foremost classical ballet companies, its reputation built on two prominent figures of 20th century dance, prima ballerina Margot Fonteyn and choreographer Frederick Ashton.
  A staple of British seaside culture, the quarrelsome couple Punch and Judy made their first recorded appearance in Covent Garden, London in 1662. The various episodes of Punch and Judy are performed in the spirit of outrageous comedy—often provoking shocked laughter—and are dominated by the anarchic clowning of Mr. Punch. Regarded as British cultural icons, they appeared at a significant period in British history, with Glyn Edwards stating: "[Pulcinella] went down particularly well with Restoration British audiences, fun-starved after years of Puritanism. We soon changed Punch's name, transformed him from a marionette to a hand puppet, and he became, really, a spirit of Britain - a subversive maverick who defies authority, a kind of puppet equivalent to our political cartoons."
  The circus is a traditional form of entertainment in the UK. Chipperfield's Circus dates back more than 300 years in Britain, making it one of the oldest family circus dynasties. Philip Astley is regarded as the father of the modern circus. Following his invention of the circus ring in 1768, Astley's Amphitheatre opened in London in 1773. As an equestrian master Astley had a skill for trick horse-riding, and when he added tumblers, tightrope-walkers, jugglers, performing dogs, and a clown to fill time between his own demonstrations – the modern circus was born. The Hughes Royal Circus was popular in London in the 1780s. Pablo Fanque's Circus Royal, among the most popular circuses of Victorian England, showcased William Kite, which inspired John Lennon to write "Being for the Benefit of Mr. Kite!" on The Beatles' album Sgt. Pepper's Lonely Hearts Club Band. Joseph Grimaldi, the most celebrated of clowns from England is considered the father of modern clowning.
  Pantomime (often referred to as "panto") is a British musical comedy stage production, designed for family entertainment. It is performed in theatres throughout the UK during the Christmas and New Year season. The art originated in the 18th century with John Weaver, a dance master and choreographer at the Theatre Royal, Drury Lane in London. In 19th century England it acquired its present form, which includes songs, slapstick comedy and dancing, employing gender-crossing actors, combining topical humour with a story loosely based on a well-known fairy tale. It is a participatory form of theatre, in which the audience sing along with parts of the music and shout out phrases to the performers, such as "It's behind you".
  Music hall is a type of British theatrical entertainment popular from the early Victorian era to the mid 20th century. The precursor to variety shows of today, music hall involved a mixture of popular songs, comedy, speciality acts and variety entertainment. British performers who honed their skills at pantomime and music hall sketches include Charlie Chaplin, Stan Laurel, George Formby, Gracie Fields, Dan Leno, Gertrude Lawrence and Harry Champion. British music hall comedian and theatre impresario Fred Karno developed a form of sketch comedy without dialogue in the 1890s, and Chaplin and Laurel were among the music hall comedians who worked for him. A leading film producer stated; "Fred Karno is not only a genius, he is the man who originated slapstick comedy. We in Hollywood owe much to him."
caption: A Punch and Judy booth at Swanage, Dorset. The anarchic Mr. Punch has been an influential figure in British comedy and political cartoons.
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