page_title: Nambassa
section_title: Personnel
hierarchical_section_title: Nambassa / Personnel
caption_attribution_description: English: Image (photograph) taken by Official Nambassa Photographer and uploaded by User:en:Mombas 02:51, 10 July 2006 (UTC)). 02:44, 10 July 2006 (UTC) , Nambassa dot com Terms of Use: 1/ All users of this image are required to attribute this work to "Nambassa Trust and Peter Terry" and the URL: " http://www.nambassa.com " is to accompany all use. 2/ Attribution. You must attribute the work in the manner specified by the author or licensor. 3/ For any reuse or distribution, you must make clear to others the license terms of this work. Statement by Nambassa Trust and Peter Terry
context_page_description: Nambassa was a series of hippie-conceived festivals held between 1976 and 1981 on large farms around Waihi and Waikino in New Zealand. They were music, arts and alternatives festivals that focused on peace, love, and an environmentally friendly lifestyle. In addition to popular entertainment, they featured workshops and displays advocating alternative lifestyle and holistic health issues, alternative medicine, clean and sustainable energy, and unadulterated foods.
  The New Zealand hippie movement was part of an international phenomenon in the 1960s and 1970s in the Western world, heralding a new artistic culture of music, freedom and social revolution where millions of young people across the globe were reacting against old world antecedents and embracing a new hippie ethos. Specifically New Zealand's subculture had its foundations in the peace and anti-nuclear activism of the 1960s where hippies were actively trying to stop New Zealand's involvement in the Vietnam war and to prevent the French from testing nuclear weapons at Mururoa atoll in French Polynesia in the Pacific Islands.
context_section_description: The multiple festival format which combined Creative Arts, popular music and multiculturalism that shaped the Nambassa festivals, was conceived by Peter Terry while living in the Waikino craft village during early 1976. January 1977 heralded the Waikino music festival, a prelude to Nambassa, which experimented with the concept of amalgamating into a singular festive event, controversial alternative culture with popular music. By February 1977 Lorraine Ward and Bernard Woods in an old restored farmhouse atop of rural Bulltown Rd in Waihi, assisted Terry to edit a blueprint for the Nambassa Trust and the first festival. The first Nambassa newsletter proposal was printed, ten thousand copies of a free 13-page manuscript outlining the model and need for a Nambassa event, were circulated among the music, arts and alternative communities throughout the nation, inviting the wider community to participate. The first Mother Centre was opened on a farm in Willow Road at Waihi early November 1977, where the initial Nambassa support base and volunteers assembled to construct the festival facilities to accommodate a small city for the planned three-day music, crafts and alternative lifestyle event which was to be held at the end of January 1978 on two farms at the end of Landlyst Waihi.
  The Nambassa administration involved hundreds, to the extent that the 1981 five-day celebration gave out 1500 complimentary tickets to people and groups involved in the event in some official capacity. Those mainly responsible were: Peter Terry (Nambassa trustee, founder and events coordinator 1976–2005), Lorraine Ward (Nambassa secretary and trustee 1977–2005), Neil Wernham (art and graphics 1977–1981), Doug Rogers (music and staging technical adviser, 1976–1979), Fred Alder (Nambassa sun coordinator 1979, 1978 construction team, and former trustee 1978 and 1979), Bryce Lelievre (1981 festival secretary), Mike Taylor (communications and site coordinator 1978 and 1979), Jonathon Acorn (1981 Woozlebub coordinator), Trevor Kotlowski (1981 goffa), Mike Colonna (children's facility coordinator 1978 and 1979), Colin Broadley (programing, Nambassa book coordinator and open-air theatre 1979–1981) and Barry Lowther, (Mother Centre father, 1978 and 1979).
  The organising of the festivals and supporting events were themselves practical workshops in every sense. The Nambassa spectacles were organised on a purely voluntary basis by energetic and visionary young unemployed hippies (at a time when New Zealand's unemployment rate was at an unprecedented high), coordinated into a cohesive working force by Terry. Three months out of each festival its supporters would assemble at a farm community called the "Mother Centre", living in house trucks, vans, cars and tents. Nambassa's open door policy encouraged anyone of whatever race, creed or economic circumstance to join in, providing one met the basic rules of the Mother Centre camp. The guidelines were no alcohol or hard drugs, and vegetarian diet was supplied by the Trust. Participants were required to work each day towards the collective goal of preparing the festival in time for opening day. In exchange they were fed and had immediate needs catered for. Over the years thousands of people, young and old, carved out permanent careers from the inspiration learnt, just from being involved with or going to a Nambassa event.
  Nambassa is administered not by private enterprise but through a registered charitable trust whose articles list provisions and aims allowing it to organise public events to raise funds to meet objectives. Consequently, the organisation is nurtured by and for the people, as opposed to being driven by corporate interests looking to maximise profit. This effectively enabled the events organisers to set minimal entry fees, based upon projected profits, so that festivals were affordable to lower income people. For example, the 1979 festival entrance was $18 (pre-paid) for a three-day adult pass. The trustees have several times declined offers of corporate sponsorship because the products offered have not 
caption: 1981 Māori culture group.
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