page_title: The Dark Knight (film)
section_title: Reception
hierarchical_section_title: The Dark Knight (film) / Reception
caption_attribution_description: (* 4. April 1979 in Perth, Western Australia, Australien † 22. Januar 2008 in New York)Heath Ledger
context_page_description: The Dark Knight is a 2008 superhero film directed, produced, and co-written by Christopher Nolan. Based on the DC Comics character Batman, the film is the second installment of Nolan's The Dark Knight Trilogy and a sequel to 2005's Batman Begins, starring Christian Bale and supported by Michael Caine, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, and Morgan Freeman. In the film, Bruce Wayne / Batman, Police Lieutenant James Gordon and District Attorney Harvey Dent form an alliance to dismantle organized crime in Gotham City, but are menaced by an anarchistic mastermind known as the Joker, who seeks to undermine Batman's influence and throw the city into anarchy.
  Nolan's inspiration for the film was the Joker's comic book debut in 1940, the 1988 graphic novel The Killing Joke, and the 1996 series The Long Halloween, which retold Harvey Dent's origin. The "Dark Knight" nickname was first applied to Batman in Batman #1, in a story written by Bill Finger. The Dark Knight was filmed primarily in Chicago, as well as in several other locations in the United States, the United Kingdom, and Hong Kong.
context_section_description: The Dark Knight is considered one of the best films of the 2000s and one of the best superhero films of all time. On aggregating review website Rotten Tomatoes, The Dark Knight has an approval rating of 94%, based on 338 reviews, with an average score of 8.59/10. The site's critical consensus reads, "Dark, complex and unforgettable, The Dark Knight succeeds not just as an entertaining comic book film, but as a richly thrilling crime saga." Metacritic, which assigns a normalized rating based on reviews from top mainstream critics, calculated an average score of 84 out of 100, based on 39 critics, indicating "universal acclaim." CinemaScore polls reported that the average grade cinemagoers gave the film was "A" on an A+ to F scale; audiences skewed slightly male and older. The Dark Knight appeared on 287 critics' top-ten lists, more than any other film of 2008 with the exception of WALL-E, and more critics (77) named The Dark Knight the best film released that year.
  Roger Ebert of the Chicago Sun-Times, awarding four out of four stars, described The Dark Knight as a "haunted film that leaps beyond its origins and becomes an engrossing tragedy." He praised the performances, direction, and writing, saying the film "redefine[s] the possibilities of the comic-book movie." Ebert stated that the "key performance" is by Heath Ledger; he pondered whether he would become the first posthumous Academy Award-winning actor since Peter Finch in 1976. The Oscar was awarded to the late Ledger. Ebert ranked this as one of his twenty favorite films of 2008. Film critic Andrew Sarris acknowledged that after seeing The Dark Knight he would "rethink my past reservations" about Nolan's work.
  Peter Travers of Rolling Stone wrote that the film is deeper than its predecessor, with a "deft" script that refuses to scrutinize the Joker with popular psychology, instead pulling the viewer in with an examination of Bruce Wayne's psyche. Travers praised all the cast, saying each brings his or her "'A' game" to the film. He says Bale is "electrifying", evoking Al Pacino in The Godfather Part II, that Eckhart's portrayal of Harvey Dent is "scarily moving," and that Oldman "is so skilled that he makes virtue exciting as Jim Gordon." Travers says Ledger moves the Joker away from Jack Nicholson's interpretation into darker territory, and expresses his support for any potential campaign to have Ledger nominated for an Academy Award, Travers says that the filmmakers move the film away from comic book cinema and closer to being a genuine work of art, citing Nolan's direction and the "gritty reality" of Wally Pfister's cinematography as helping to create a universe that has something "raw and elemental" at work within it. In particular, he cites Nolan's action choreography in the IMAX-tailored heist sequence as rivaling that of Heat (1995). Manohla Dargis of The New York Times wrote, "Pitched at the divide between art and industry, poetry and entertainment, it goes darker and deeper than any Hollywood movie of its comic-book kind." Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "Every great hero needs a great villain. And in 2008, Christian Bale's Batman found his in Heath Ledger's demented dervish, the Joker." BBC critic Mark Kermode, in a positive review, said that Ledger is "very, very good" but that Oldman's turn is "the best performance in the film, by a mile"; Kermode felt Oldman was deserving of an Oscar nomination.
  Emanuel Levy wrote Ledger "throws himself completely" into the role, and that the film represents Nolan's "most accomplished and mature" work, and the most technically impressive and resonant of all the Batman films. Levy calls the action sequences some of the most impressive seen in an American film for years, and talks of the Hong Kong-set portion of the film as being particularly visually impressive. Levy and Peter Travers conclude that the film is "haunting and visionary," while Levy goes on to say that The Dark Knight is "nothing short of brilliant." On the other hand, David Denby of The New Yorker said that 
caption: Heath Ledger's performance was widely praised and ultimately won him a posthumous Academy Award.
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