page_title: Westbeth Artists Community
section_title: History
hierarchical_section_title: Westbeth Artists Community / History
caption_attribution_description: English: Shot from the WestBeth Artist Community Roof. Winner of OHNY prize for exteriors.
context_page_description: Westbeth Artists Housing is a nonprofit housing and commercial complex dedicated to providing affordable living and working space for artists and arts organizations in New York City. The complex comprises the full city block bounded by West, Bethune, Washington and Bank Streets in the West Village neighborhood of Manhattan, New York City; the complex is named for two of these streets, West and Bethune.
  It occupies the Bell Laboratories Buildings, which were the headquarters of Bell Telephone Laboratories 1898–1966, before being converted in 1968–1970. That conversion was overseen by architect Richard Meier. This low- to moderate-income rental housing and commercial real estate project, the largest in the world of its type, was developed with the assistance of the J.M. Kaplan Fund and federal funds from the National Endowment for the Arts.
  Westbeth is owned and operated by Westbeth Corp. Housing Development Fund Corp. Inc., a New York not-for-profit corporation governed by an unpaid, volunteer board of directors.
context_section_description: Westbeth is among the first examples of adaptive reuse of industrial buildings for artistic and residential use in the United States. It is a complex of 13 buildings in Manhattan's West Village. The complex was originally the site of Bell Laboratories (1898–1966), one of the world's most important industrial research centers and home to many inventions, including the vacuum tube, the condenser microphone, an early version of television, and the transistor. The complex was vacated by Bell Labs in the middle 1960s, and remained empty until the Westbeth project started later in the decade. Using seed money from the J.M. Kaplan Fund and help and encouragement from the National Council for the Arts (which has since become the National Endowment for the Arts), an ambitious renovation project designed to create live-work spaces for 384 artists of all disciplines was initiated under the direction of developer Dixon Bain. The project was the first significant public commission of Richard Meier, who later won the Pritzker Prize for Architecture and who is still a significant figure in modern architecture. Westbeth opened in 1970 for artists, dancers, musicians, actors, writers and film makers.
  Artists of all disciplines are admitted as tenants in Westbeth after review by a committee of residential tenants in their discipline. They must also meet certain income requirements at the time of admission. (The waiting list for new residential tenants was closed in 2007.) As of 2014, residential tenants paid an average of $800 a month in rent, including electricity, approximately one-third to one-quarter the market rate for comparable space.
  In addition to its residential component, there are also large and small commercial spaces, performance spaces, and rehearsal and artists' studios. Westbeth is home to a number of major cultural organizations, including The New School for Drama, the LAByrinth Theater Company, the Martha Graham Center of Contemporary Dance, and Congregation Beit Simchat Torah, the first LGBT synagogue in New York and the largest in the world, with more than 800 members. The space occupied by The New School was previously occupied by an Off-Broadway theatre.
  Westbeth was added to the National Register of Historic Places on December 8, 2009, after the Greenwich Village Society for Historic Preservation (GVSHP), using funds from the J.M. Kaplan Fund, commissioned historic preservationist Andrew Dolkart to write a nominating report to list Westbeth on the State and National Register of Historic Places. The research included interviews with several key figures in the conversion of the former Bell Telephone Labs to the nation's first subsidized housing complex for artists, including architect Richard Meier, choreographer Merce Cunningham, and Joan Davidson, the daughter of J.M. Kaplan who coordinated the founding of Westbeth. Following Prof. Dolkart's submission, and citing the "extraordinary significance" required to list sites on the State and National Register of Historic Places which are less than 50 years old, the New York State Historic Preservation Board unanimously approved the nomination of Westbeth to the State Register of Historic Places.
  
  As part of an effort to extend landmark protections to the Far West Village, GVSHP spearheaded a campaign to have the New York City Landmarks Preservation Commission (LPC) designate the entire complex as an individual landmark. In response, the LPC committed to do so in 2004 as part of a broader series of landmark designations it agreed to do in the area. It was not until 2009, however, that the LPC took the formal step of "calendaring" the complex for a hearing and issuing a "Statement of Significance". GVSHP urged the LPC to act before the end of 2010, the 40th anniversary of the complex's conversion to artists’ housing. On October 25, 2011, Westbeth was designated a landmark by the LPC.
caption: View from the Westbeth Artists Community roof
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