page_title: Lindisfarne Castle
section_title: Lutyens' renovation
hierarchical_section_title: Lindisfarne Castle / Lutyens' renovation
caption_attribution_description: English: Entrance, Lindisfarne Castle, Holy Island Looking across towards the entrance to Lindisfarne Castle. Having climbed the steep cobbled path you enter the ramparts through this door.
context_page_description: Lindisfarne Castle is a 16th-century castle located on Holy Island, near Berwick-upon-Tweed, Northumberland, England, much altered by Sir Edwin Lutyens in 1901. The island is accessible from the mainland at low tide by means of a causeway.
context_section_description: The entrance to the castle is quite dramatic and involves a steep climb around the rocky base. Lutyens' original slope was unprotected by either rails or fences in an attempt to emphasise the exposed nature of the site. When the future George V and Queen Mary visited in 1908, it is said they were alarmed by the slope and the cobbled surface.
  Once inside the castle, the entrance hall is sectioned off by large stone pillars, somewhat reminiscent of a church nave with the dark reddish-brown of the stone contrasting with the whitewashed plasterwork. The space is completed by a bare stone floor.
  The kitchen is almost as bare, and is dominated by a large stone fireplace. Here, as at Castle Drogo, Lutyens uses the space in interesting ways. Throughout the castle, he has used stone, brick, slate and wood to create simple forms, and uses textures to demonstrate a rustic, spartan life-style. Despite being a castle it remains a homely space where the human scale is room size, but with incongruous architectural elements. In the scullery there is a tiny window over a stone sink surrounded by the mechanism used to operate the portcullis.
  After descending to the dining room one is inside the remnants of the Tudor fort. The vaults here and in the adjacent ship room are entirely functional as they support the gun battery above. The wide chimney-piece contains an old bread-oven; here Lutyens has emphasised the age of the room with Neo-Gothic traceried windows framed by curtains which swing out to lie flat along the wall. One of the end walls is painted a rich Prussian blue, which contrasts with the herring-bone patterned red-brick floor.
  Next door is the ship room where a green wall fulfils a similar role. The furniture is in keeping, with much dark wood in the tables and cabinets. The few upholstered chairs and sofas have now faded to gentle tones.
  The largest bedroom, the east, is bright and airy and again has curtains on pull-out poles. The long gallery was a new space created by Lutyens, intended to echo the grand galleries of Elizabethan and Jacobean houses. The scale is much smaller, but again the use of exposed stone arches and oak beams provides a grand yet rustic feel.
  Further on, an upper gallery has a raised platform at one end. From here an oak door leads onto the upper battery with its views along the coastline. The music room at the castle was used by Guilhermina Suggia, and a cello is left in the room today to mark her frequent visits.
caption: Castle entrance
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