page_title: Kumara Vyasa
section_title: Works
hierarchical_section_title: Kumara Vyasa / Works
caption_attribution_description: English: Kumaravyasa was the author of the Kannada epic poem (Mahakavya) Kumaravyasa Bharata (also called Gadugina Bharata). He was in the patronage of the Vijayanagara Empire king Devaraya II. Lakshmisha (16th-17th century) was the author of the popular Kannada epic poem Jaimini Bharata. Photographed at the Shivappa Nayaka palace and museum in Shivamogga (Shimoga), Karnataka state, India. A medieval classic written on Talegari (palm leaf)
context_page_description: Kumara Vyasa is the pen name of Narayanappa, an influential and classical Vaishnava poet of early 15th century in the Kannada language. His pen name is a tribute to his magnum opus, a rendering of the Mahabharata in Kannada. Kumara Vyasa literally means "Little Vyasa" or "Son of Vyasa". He was the contemporary and archrival of the famous, Veerashaiva, poet laureate Chamarasa who wrote the seminal work Prabhulingaleele covering the lives of Allama Prabhu and other Shiva Sharanas, circa 1435. Both poets worked in the court of Deva Raya II.
context_section_description: Kumara Vyasa's most famous work, the Karnata Bharata Kathamanjari (the Mahabharata of Karnataka) is popularly known as Gadugina Bharata and Kumaravyasa Bharata. It is an adaptation of the first ten parvas (chapters) of the Mahabharata. A devotee of Krishna, Kumara Vyasa ends his epic with the coronation of Yudhishthira, the eldest of the Pandavas. The work is celebrated in Kannada literature due to its universal appeal.
  Gadugina Bharata is composed in the Bhamini Shatpadi metre, a form of six lined stanzas. Kumara Vyasa explores a wide range of human emotions, examines values, and displays extensive mastery over vocabulary. The work is particularly known for its use of sophisticated metaphors. Kumara Vyasa is also renowned for his characterization. Karnata Bharata Kathamanjari is also known as Dasha Parva Bharata because it originally had only ten parvas as opposed to the eighteen in the original Mahabharata.
  Kumara's Kathamanjari covers only up to the Gadayuddha, the battle between Duryodhana and Bheema, and the killing of Duryodhana. The subsequent parts of the original Mahabharata like the Yudhishthira Pattabhishekha, Ashwa Medha Yaaga, and the Swargaarohana Parva are not included.
  It may be noted that Lakshmeesha, another great poet who was born a few decades after Kumara's death, took up and completed Ashwa Medha Yaaga parva alone in his work Jaimini Bharata in Kannada. This spiritual work was considered equal to Kathamanjari for its narration.
  There is a strong belief among locals that Kumara was a blessed poet of Sri Veera Narayana, another name for Lord Vishnu. The poet sat in front of the sanctum sanctorum in the temple and Narayana himself narrated the story of the ancient Mahabharatha from behind the statue. The poet transformed the story excellent poetry. However, Narayana laid down a condition that Kumara was to only listen to this voice without attempting to see the source or the spirit narrating the story. When the tenth parva of his work was complete, Kumara was deeply curious to see the narrator. Much to his surprise, he saw Narayana himself narrating the story. He also saw a scene of the Kurukshetra War as if it were happening in front of him. However, Kumara had violated the condition that he not search for the source of the voice. At that point, the lord disappeared and the narration of the Mahabharata stopped forever.
  Kumara has shown an exemplary writing style in the introduction. He proudly claims that his poetry is matchless and that it caters to the taste of all kinds of readers. He writes that in his poetry "A king enjoys the valor, A brahmin the essence of all vedas, philosopher the ultimate philosophy, ministers and state administrators the tact of rule and Lovers the romantic notes." In addition, he proudly acclaims that this work of his is the "Master of the works of all other great scholars."  However, his selflessness may be noted when he says he merely noted all that was narrated by his lord, the actual poet.
  Kumara Vyasa's other, lesser-known work is Airavata.
caption: Parts of the Kannada epics-Kumaravyasa's Mahabharata and Lakshmisha's Jaimini Bharata
exif: {"Image Make": "Canon", "Image Model": "Canon EOS REBEL T2i", "Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image DateTime": "2015:04:21 12:36:40", "Image Artist": "", "Image YCbCrPositioning": "Co-sited", "Image Copyright": "", "Image ExifOffset": "348", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "8736", "Thumbnail JPEGInterchangeFormatLength": "10670", "EXIF ExposureTime": "1/30", "EXIF FNumber": "7/2", "EXIF ExposureProgram": "Unidentified", "EXIF ISOSpeedRatings": "2000", "EXIF ExifVersion": "0221", "EXIF DateTimeOriginal": "2015:04:21 12:36:40", "EXIF DateTimeDigitized": "2015:04:21 12:36:40", "EXIF ComponentsConfiguration": "YCbCr", "EXIF ShutterSpeedValue": "5", "EXIF ApertureValue": "29/8", "EXIF ExposureBiasValue": "0", "EXIF MeteringMode": "Pattern", "EXIF Flash": "Flash did not fire, compulsory flash mode", "EXIF FocalLength": "20", "EXIF SubSecTime": "98", "EXIF SubSecTimeOriginal": "98", "EXIF SubSecTimeDigitized": "98", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "5184", "EXIF ExifImageLength": "3456", "Interoperability InteroperabilityIndex": "R98", "Interoperability InteroperabilityVersion": "[48, 49, 48, 48]", "EXIF InteroperabilityOffset": "8596", "EXIF FocalPlaneXResolution": "1036800/181", "EXIF FocalPlaneYResolution": "691200/119", "EXIF FocalPlaneResolutionUnit": "2", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF SceneCaptureType": "Standard"}