page_title: Environmental art
section_title: History: landscape painting and representation
hierarchical_section_title: Environmental art / History: landscape painting and representation
context_page_description: Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. Environmental art has evolved away from formal concerns, worked out with earth as a sculptural material, towards a deeper relationship to systems, processes and phenomena in relationship to social concerns. Integrated social and ecological approaches developed as an ethical, restorative stance emerged in the 1990s. Over the past ten years environmental art has become a focal point of exhibitions around the world as the social and cultural aspects of climate change come to the forefront.
  The term "environmental art" often encompasses "ecological" concerns but is not specific to them. It primarily celebrates an artist's connection with nature using natural materials. The concept is best understood in relationship to historic earth/Land art and the evolving field of ecological art. The field is interdisciplinary in the fact that environmental artists embrace ideas from science and philosophy. The practice encompasses traditional media, new media and critical social forms of production.
context_section_description: It can be argued that environmental art began with the Paleolithic cave paintings of our ancestors. While no landscapes have (yet) been found, the cave paintings represented other aspects of nature important to early humans such as animals and human figures. "They are prehistoric observations of nature. In one-way or another, nature for centuries remained the preferential theme of creative art." More modern examples of environmental art stem from landscape painting and representation.  When artists painted onsite they developed a deep connection with the surrounding environment and its weather and brought these close observations into their canvases. John Constable's  sky paintings "most closely represent the sky in nature". Monet's London Series  also exemplifies the artist's connection with the environment. "For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life, the air and the light, which vary continually for me, it is only the surrounding atmosphere that gives subjects their true value."
  Contemporary painters, such as Diane Burko represent natural phenomena—and its change over time—to convey ecological issues, drawing  attention to climate change. Alexis Rockman's landscapes depict a sardonic view of climate change and humankind's interventions with other species by way of genetic engineering.
caption: Claude Monet, Waterloo Bridge, London
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