page_title: Music of the United Kingdom (1990s)
section_title: Folk resurgence
hierarchical_section_title: Music of the United Kingdom (1990s) / Folk resurgence
caption_attribution_description: English: Sourced from https://www.flickr.com/photos/andy-roo/246893950/. Attributed to user: https://www.flickr.com/photos/andy-roo/ This image may be on Commons as :commons:File:KateRusbylive.jpg
context_page_description: Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Travis and Feeder.
context_section_description: Traditional folk music, having been in a slow decline from mainstream popularity since the 1970s, began to enjoy a resurgence in the 1990s, benefiting from the more general interest in World music. The arrival, and sometimes mainstream success, of acts like Kate Rusby, Nancy Kerr, Kathryn Tickell, Spiers and Boden, Seth Lakeman, Eliza Carthy, Runrig and Capercaillie, all largely concerned with acoustic performance of traditional material, marked a radical turn around in the fortunes of British folk music. This was reflected in the adoption creation of the BBC Radio 2 Folk Awards in 2000 and the profile for folk music was as high as it had been for over thirty years.
caption: Kate Rusby on stage.
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