page_title: Ingmar Bergman
section_title: Repertory company
hierarchical_section_title: Ingmar Bergman / Style of working / Repertory company
context_page_description: Ernst Ingmar Bergman was a Swedish director, writer, and producer who worked in film, television, theatre, and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's films include Smiles of a Summer Night, The Seventh Seal, Wild Strawberries, Persona, Cries and Whispers, Scenes from a Marriage, and Fanny and Alexander; the last two exist in extended television versions.
  Bergman directed over sixty films and documentaries for cinematic release and for television screenings, most of which he also wrote. He also directed over 170 plays. He eventually forged a creative partnership with his cinematographers Gunnar Fischer and Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin, and Max von Sydow. Most of his films were set in Sweden, and many films from Through a Glass Darkly onward were filmed on the island of Fårö.
  Philip French referred to Bergman as "one of the greatest artists of the 20th century ... he found in literature and the performing arts a way of both recreating and questioning the human condition."
context_section_description: Bergman developed a personal "repertory company" of Swedish actors whom he repeatedly cast in his films, including Max von Sydow, Bibi Andersson, Harriet Andersson, Erland Josephson, Ingrid Thulin, Gunnel Lindblom, and Gunnar Björnstrand, each of whom appeared in at least five Bergman features. Norwegian actress Liv Ullmann, who appeared in nine of Bergman's films and one televisual film (Saraband), was the last to join this group (in the film Persona), and ultimately became the most closely associated with Bergman, both artistically and personally. They had a daughter together, Linn Ullmann (born 1966).
  In Bergman's working arrangement with Sven Nykvist, his best-known cinematographer, the two men developed sufficient rapport to allow Bergman not to worry about the composition of a shot until the day before it was filmed. On the morning of the shoot, he would briefly speak to Nykvist about the mood and composition he hoped for, and then leave Nykvist to work, lacking interruption or comment until post-production discussion of the next day's work.
caption: A great number of Bergman's interior scenes were filmed at the Filmstaden studios north of Stockholm
exif: {}