page_title: Frederic Goudy
section_title: Biography
hierarchical_section_title: Frederic Goudy / Biography
caption_attribution_description: English: "Printing" by William Morris, as reprinted by Arts &amp; Crafts period printers the Village Press, run by Will Ransom and Frederic Goudy
context_page_description: Frederic William Goudy was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley.
context_section_description: Goudy was not always a type designer. "At 40, this short, plump, pinkish, and puckish gentleman kept books for a Chicago realtor, and considered himself a failure. During the next 36 years, starting almost from scratch at an age when most men are permanently set in their chosen vocations, he cut 113 fonts of type, thereby creating more usable faces than did the seven greatest inventors of type and books, from Gutenberg to Garamond."
  Asked how to say his name, he told The Literary Digest "When I was a boy my father spelled our name 'Gowdy' which didn't offer any particular reason for verbal gymnastics. Later learning that the old Scots spelling was 'Goudy,' he changed to that form, while I, for some years, retained the old way. My brother in Chicago still spells with the w. However, I find that occasionally a stranger pronounces the word with ou as long o in go, sometimes as ou in soup, or goo and less frequently with the ou as oo in good. I retain the original pronunciation with ou as in out."
  After teaching lettering and becoming known as an advertising designer in Chicago, Goudy built his reputation as a type designer. In 1895 he founded his printing shop, Booklet Press (later renamed Camelot Press). Goudy designed his first typeface, Camelot, in 1896. In 1903, Goudy and Will Ransom founded the Village Press in Park Ridge, Illinois. The typeface used for the Village Press, dubbed "Village" was originally created in 1903 for the Chicago clothing manufacturer, Kuppenheimer & Company. This venture was modeled on the Arts and Crafts movement ideals of William Morris, whose Golden Type many of Goudy's earliest designs echo. It was moved to Boston, and then New York. In 1908, he created his first significant typeface for the Lanston Monotype Machine Company: E-38, sometimes known as Goudy Light. However, in that same year the Village Press burned to the ground, destroying all of his equipment and designs. In 1911, Goudy produced his first "hit", Kennerley Old Style, for an H. G. Wells anthology published by Mitchell Kennerley. This success was followed by Goudy's release of the titling letter Forum. Both Kennerley and Forum were cut for private use. Although Goudy was one of the first type designers to become established without working for a foundry, the American Type Founders Company(ATF) became interested in Goudy after his release of Kennerley and Forum. ATF commissioned Goudy to create a typeface. Goudy agreed "on the condition that his original drawings would not be subjected to interference by the founder's drawing room". This commission would become Goudy Old Style. Goudy Old Style was released in 1915 and became an instant success. (cite) It was well suited for newspaper's advertising sections because of its efficient use of space. ATF continued to expand the Goudy 'family' to Goudy Title in 1917, Goudy Bold in 1920, Goudy Catalogue in 1921, Goudy Handtooled in 1922 and Goudy Extrabold in 1927. Goudy types were clearly very lucrative for ATF, but Goudy did not receive anything because he had sold his original design for $1,500 instead of entering into a royalty agreement. ATF's refusal to give Goudy compensation for the success of the Goudy family led to the deterioration of Goudy's relationship with ATF. The only other typefaces Goudy designed for ATF was Goudytype, and series of initial letters, named Cloister Initials.
  From 1920 to 1947, Goudy was art director for Lanston Monotype. Although he continued to design for Monotype throughout this period, Goudy withdrew to his workshop in Marlborough, New York, which he dubbed the Village Letter Foundery. Goudy withdrew partly because he believed that the methods the Monotype firm used to transfer his designs to matrices compromised his work. "All of Goudy's types were drawn freehand, without the use of compass, straightedge or French curve."(cite) It was at the Village Letter Foundery (his workshop) that Goudy created the majority of his prolific work. In 1939, the Village Letter Foundery was destroyed by fire and much of his work was lost. Two of his most successful 
caption: "Printing" by William Morris, as reprinted by the Village Press, run by Goudy with Will Ransom, c. 1903
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