page_title: Wolf-Dieter Hauschild
section_title: Station in Frankfurt (Oder)
hierarchical_section_title: Wolf-Dieter Hauschild / Life / Station in Frankfurt (Oder)
caption_attribution_description: Deutsch: Frankfurt (Oder), Brandenburg, Deutschland 1967 Deutsch: Frankfurt (Oder), Brandenburg, Germany 1967
context_page_description: Wolf-Dieter Hauschild, is a German conductor, choirmaster, artistic director, composer, harpsichordist and university lecturer.
  After working for the Berliner Rundfunk from 1971, he was principal conductor of the MDR Leipzig Radio Symphony Orchestra and the Rundfunkchor Leipzig from 1978 to 1985. In 1984 he was still awarded the National Prize of the German Democratic Republic, but in 1985 he came to terms with the GDR authorities and moved to the FRG.
  In Stuttgart he was appointed General Music Director and helped the Stuttgart Philharmonic Orchestra there to national recognition. In 1991 he went to Essen, where he was also opera director of the Aalto Theater from 1992 to 1997. In the 2000s he returned to the new states of Germany and conducted the Philharmonisches Staatsorchester Halle and the Norddeutsche Philharmonie Rostock. The latter appointed him its honorary conductor in 2004.
  Especially with the Berlin and Leipzig radio sound institutions, he brought numerous contemporary works to world premieres. He also recorded the complete choral works of Johannes Brahms. In Essen he could realize the complete Ring by Wagner.
context_section_description: From 1963 to 1970 Hauschild was musical director at the Kleist Theater and permanent conductor of the Brandenburgisches Staatsorchester Frankfurt. His tasks there extended accordingly to both the music theatre and the concert series. His repertoire included among others Verdi, Mozart and Bizet. In 1966 he conducted the Kurt Hübenthal's production of Georg Friedrich Handel's opera Serse. He was also responsible for the world premiere of the symphonic work Schwedter Impulse by Nikolai Badinski as well as the GDR premiere of the opera Der zerbrochene Krug by Zbynik Vostrak and The Rake’s Progress by Stravinsky. Because of its proximity to Berlin, as Hauschild explained, renowned singers such as Reiner Süß could be won for roles. With the politician Erich Mückenberger, Hauschild at the time advocated a new venue, the future Konzerthalle Carl Philipp Emanuel Bach.
caption: Former Franciscan church, later Konzerthalle Carl Philipp Emanuel Bach Frankfurt (Oder) (1967)
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