page_title: Joseon
section_title: Art
hierarchical_section_title: Joseon / Culture / Art
caption_attribution_description: English: Korean porcelain jar produced during the Joseon dynasty, 18th century AD, Korea
context_page_description: The Joseon dynasty was a Korean dynastic kingdom that lasted for approximately five centuries. Joseon was founded by Yi Seong-gye in July 1392 and was replaced by the Korean Empire in October 1897. It was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amnok and Tuman through the subjugation of the Jurchens. Joseon was the last dynasty of Korea and its longest-ruling Confucian dynasty.
  During its reign, Joseon encouraged the entrenchment of Chinese Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new dynasty's state ideology. Buddhism was accordingly discouraged and occasionally faced persecutions by the dynasty. Joseon consolidated its effective rule over the territory of current Korea and saw the height of classical Korean culture, trade, literature, and science and technology.
context_section_description: The Mid-Joseon dynasty painting styles moved towards increased realism. A national painting style of landscapes called "true view" began - moving from the traditional Chinese style of idealized general landscapes to particular locations exactly rendered. While not photographic, the style was academic enough to become established and supported as a standardized style in Korean painting. At this time China ceased to have pre-eminent influence, Korean art took its own course, and became increasingly distinctive to the traditional Chinese painting.
  Ceramics are a form of popular art during the Joseon Dynasty. Examples of ceramics include white porcelain or white porcelain decorated with cobalt, copper red underglaze, blue underglaze and iron underglaze. Ceramics from the Joseon period differ from other periods because artists felt that each piece of art deserved its own uniquely cultivated personality.
  Beginning in the 10th century, white porcelain has been crafted in Korea. Historically overshadowed by the popularity of celadon, it was not until the 15th and 16th centuries that white porcelain was recognized for its own artistic value. Among the most prized of Korean ceramics are large white jars. Their shape is symbolic of the moon and their color is associated with the ideals of purity and modesty of Confucianism. During this period, the bureau that oversaw the meals and court banquets of the royal family strictly controlled the production of white porcelain.
  Blue and white porcelain artifacts decorating white porcelain with paintings and designs in underglaze by using natural cobalt pigment are another example of popular wares of the Joseon period. Many of these items were created by court painters employed by the royal family. During this period, the popular style of landscape paintings is mirrored in the decoration of ceramics. Initially developed by the Chinese at the Jingdezhen kilns in the mid-14th century, Joseon began to produce this type of porcelain from the 15th century under Chinese influence. The first cobalt imported from China was used by Korean artists. In 1463 when sources of cobalt were discovered in Korea, artists and their buyers found the material was inferior in quality and preferred the more expensive imported cobalt. Korean porcelain with imported cobalt decoration contradict the emphasis of an orderly, frugal and moderate life in Neo-Confucianism.
  Strikingly different from cobalt, porcelain items with a copper-red underglaze are the most difficult to successfully craft. During production, these items require great skill and attention or will turn gray during the process of firing. While the birthplace of ceramics with copper red underglaze is widely disputed, these items originated during 12th century in Korea and became increasingly popular during the second half of the Joseon period. Some experts have pointed to the kilns of Bunwon-ri in Gwangju, Gyeonggi, a city that played a significant role in the production of ceramics during the Joseon period, as a possible birthplace.
  Porcelain was also decorated with iron. These items commonly consisted of jars or other utilitarian pieces.
caption: White porcelain jar, 18th century, Joseon Korea
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