page_title: Crewe Hall
section_title: Gardens and park
hierarchical_section_title: Crewe Hall / Gardens and park
caption_attribution_description: English: Entrance gates of Crewe Hall, near Crewe, Cheshire
context_page_description: Crewe Hall is a Jacobean mansion located near Crewe Green, east of Crewe, in Cheshire, England. Described by Nikolaus Pevsner as one of the two finest Jacobean houses in Cheshire, it is listed at grade I. Built in 1615–36 for Sir Randolph Crewe, it was one of the county's largest houses in the 17th century, and was said to have "brought London into Cheshire".
  The hall was extended in the late 18th century and altered by Edward Blore in the early Victorian era. It was extensively restored by E. M. Barry after a fire in 1866, and is considered among his best works. Other artists and craftsmen employed during the restoration include J. Birnie Philip, J. G. Crace, Henry Weekes and the firm of Clayton and Bell. The interior is elaborately decorated and contains many fine examples of wood carving, chimneypieces and plasterwork, some of which are Jacobean in date.
  The park was landscaped during the 18th century by Lancelot Brown, William Emes, John Webb and Humphry Repton, and formal gardens were designed by W. A. Nesfield in the 19th century.
context_section_description: The National Register of Historic Parks and Gardens lists 497 acres (201 ha) of the gardens and surrounding parkland at grade II. An early engraving shows a walled forecourt to the south of the original hall, with a large stone gateway carved with Sir Randolph Crewe's arms and motto. The forecourt had terraces, balustrades and a path decorated with diamond patterns. As depicted in a painting of around 1710, the grounds were laid out in extensive formal walled pleasure gardens with parterres.
  During the 18th century, the park was landscaped in a more naturalistic style for John Crewe (later the first Baron Crewe) by Lancelot Brown (before 1768), William Emes (1768–71), and Humphry Repton and John Webb (1791). Repton's design included an ornamental lake of 23 hectares (57 acres) immediately north of the house, created by damming Engelsea Brook, which still runs through the park. He also created new approaches to the house. The lake drained away in 1941 when a dam burst, and the area is now planted with poplars. A stone statue of Neptune with a reclining female, originally located on the banks of the lake, now stands in woodland; it dates from the early 19th century. A boathouse, originally at the head of the lake, was in need of restoration in 2007. A Temple of Peace formerly stood on the north shore of the lake, but was demolished some time after 1892. Much of the parkland is now covered with mixed woodland, including Rookery Wood and Temple of Peace Wood.
  Formal gardens were laid out around the house by W. A. Nesfield in around 1840–50 for Hungerford Crewe. Nesfield's design included statuary, gravelled walks and elaborate parterres realised using low box hedges and coloured minerals. Balustraded terraces were also constructed on the north and south sides of the hall, probably designed by E. M. Barry, and incorporating statues of lions, griffins and other heraldic beasts, echoing the interior staircase. Military usage during the Second World War, however, destroyed parts of the gardens; army buildings were erected near the house, and the area in front of the hall served as a parade ground and later was ploughed up to grow potatoes. The grounds were further neglected while the house was used as offices, and little has survived except the terraces, gates and statues. In 2009, English Heritage placed the hall on the Heritage at Risk Register as highly vulnerable, considering that the historic character of the gardens and park is compromised by recent developments to the hotel complex, in particular the conference centre, spa and associated parking area.
  The entrance gates and wall separating the gardens from the park and farmland date from 1878 and are listed at grade II. The wrought-iron gates are by Cubitt & Co., and were exhibited at the Paris Exhibition of 1878. Two outer single gates and a double inner gate are supported by four sandstone piers. The outer pair of gate piers are capped by a bud-shaped device supported on scrolls; the inner pair are surmounted by a griffin and a lion, mirroring the statuary of the hall's terraces. The lower gate sections of lyre-like panels with leaf and spearhead motifs are topped with Jacobean-style arched panels. The ornate gate overthrows include shields and emblems capped with crowns, sheaves and sickles. The inner gates bear the inscription Quid retribuam domino ("What can I render to the Lord?"), while the outer gates bear the date. The wall, of brick with stone dressings, features arcading and has piers surmounted with ogee caps carved to match the tiles of the main hall tower. A further feature of the gardens to survive is a grade-II-listed sundial dating from the early 19th century, which stands to the rear of the house.
caption: Entrance gates by Cubitt & Co.
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