page_title: Filippo Bonanni
section_title: Life
hierarchical_section_title: Filippo Bonanni / Life
caption_attribution_description: English: Title page of Traité des vernis, où, L'on donne la maniere d'en composer un qui ressemble parfaitement à celui de la Chine, &amp; plusierus autres qui concernent la peinture, la dorure, la gravure à l'eau forte, &amp;c. A Paris&#160;: Chez Laurent d'Houry ..., 1723. This is a French translation of Buonanni’s exhaustive research on the secrets of Chinese lacquer, first published in his Trattato sopra la vernice detta communemente cinese (1720).
context_page_description: Filippo Bonanni; S.J. or Buonanni was an Italian Jesuit scholar. His many works included treatises on fields ranging from anatomy to music. He created the earliest practical illustrated guide for shell collectors in 1681, for which he is considered a founder of conchology. He also published a study of lacquer that has been of lasting value since his death.
context_section_description: Bonanni was born in Rome in 1638, and entered the Society of Jesus in 1654, when he was still 17 years old. After his novitiate, in 1656 he was sent to study at the Society's noted Roman College. There he became a pupil of the German scientist, Athanasius Kircher. While a student there, he undertook the manufacturing of microscopic lenses. He used his lenses to create his own microscope and to develop scientific studies of a number of specimens.  He also became a skilled copper plate engraver. 
  From Rome, Bonanni was sent to teach in the Jesuit Colleges of Orvieto and Ancona.  Upon Kircher's resignation of the post of Professor of Mathematics at the Roman College, Bonanni was chosen to succeed him.  After Kircher's death in 1698, Bonanni was appointed curator of the well-known cabinet of curiosities (collection of antiquities) gathered by Kircher and installed in the Roman College. He published a catalogue of the collection in 1709, titled Musæum Kicherianum. 
  Bonanni followed Aristotle in believing in theories of spontaneous generation. In critiquing the experimental work of Francesco Redi, Bonanni defended the Aristotelian view. Though he raised important questions—such as whether viewers through a microscope tended to see what they expected, rather than what was there—later writers tended to discount Bonanni as support for Aristotelianism waned. 
  Nonetheless, in early writing about the nature and origins of fossils, Bonanni admitted doubts about whether theories of transport could account for the numbers and distribution of fossils. He later speculated that fossils could be divided into two groups—the remains of organisms, and the "products of natural powers."  Such interpretations were consistent with the new and challenging idea that the earth must have undergone "extraordinary alterations" to explain the diversity of types and locations of fossils.
caption: French translation of Trattato sopra la vernice
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