page_title: Brian Reffin Smith
hierarchical_section_title: Brian Reffin Smith
caption_attribution_description: English: BRSmith at "la 'Pataphysique EST la Science", Cité des Sciences, La Villette, Paris, 2010 Français&#160;: BRSmith au "la 'Pataphysique EST la Science", Cité des Sciences, La Villette, Paris, 2010
context_page_description: Brian Reffin Smith is an artist, writer, teacher and musician born in Sudbury, Suffolk, in the United Kingdom, who won the first-ever Prix Ars Electronica, the Golden Nica, in Linz, Austria, 1987. He lives in Berlin, Germany. Brought up in Sileby, Leicestershire, he attended what was then an early comprehensive school, Humphrey Perkins School, at Barrow-upon-Soar.
  Smith studied metallurgy and metal physics at Brunel University and later in the multi-disciplinary DDR at the Royal College of Art, where he also was appointed a Research Fellow in 1979 and was later appointed College Tutor in computer-based art and design at the RCA from 1980 to 1984. He taught in the UK and France including most London art schools and French Écoles nationales, the Open University in the UK, and the Sorbonne and Arts et Métiers ParisTech in Paris. From 1986 to 2011 he was Professeur, art et informatique, at the École nationale supérieure d'art, Bourges, France.
context_section_description: Brian Reffin Smith (born 1946) is an artist, writer, teacher and musician born in Sudbury, Suffolk, in the United Kingdom, who won the first-ever Prix Ars Electronica, the Golden Nica, in Linz, Austria, 1987. He lives in Berlin, Germany. Brought up in Sileby, Leicestershire, he attended what was then an early comprehensive school, Humphrey Perkins School, at Barrow-upon-Soar.
  Smith studied metallurgy and metal physics at Brunel University (his sculptural use of metals' internal crystal structures featured in the BBC TV's science and technology programme Tomorrow's World) and later in the multi-disciplinary DDR (Department of Design Research) at the Royal College of Art, where he also was appointed a Research Fellow in 1979 and was later appointed College Tutor in computer-based art and design at the RCA from 1980 to 1984. He taught in the UK and France including most London art schools and French Écoles nationales, the Open University in the UK, and the Sorbonne and Arts et Métiers ParisTech in Paris. From 1986 to 2011 he was Professeur, art et informatique, at the École nationale supérieure d'art, Bourges, France.
  Working with computers since the late 1960s, Smith was a pioneer of computer-based conceptual art, with the aim of trying to resist technological determinism and "state of the art" technology which might merely produce "state of the technology" art. He was a council member of IRAT, the London-based Institute for Research in Art and Technology. After showing interactive artworks at the Musée d'art Moderne de la Ville de Paris in 1983 he was invited by the French Ministry of Culture to intervene in art education, and was later appointed to a teaching post in the École nationale supérieure d'art (National Art School) in Bourges. In the UK in 1979, Smith wrote 'Jackson', one of the first digital painting programs, for the Research Machines 380Z computer, software which was distributed by the Ministry of Education and used in schools and elsewhere. He was involved on-screen and as a programme adviser in BBC TV's The Computer Programme in 1982 and the BBC published his art software for the BBC Micro.
  In the Portsmouth Sinfonia orchestra, composed of players who could barely play their instruments, Smith sometimes played sixth clarinet, for example on the orchestra's World Tour, which started and ended one night in Cardiff, Wales.
  Smith has been cited as among the most prolific letter-writers to the UK newspaper The Guardian, along with the celebrated Keith Flett amongst others.
  Smith is a member of the OuPeinPo group of artists, Paris, France (OuPeinPo is to art what the OuLiPo is to literature); and Regent of the College of 'Pataphysics, Paris, France, holding the Chair of Catachemistry and Speculative (or sometimes 'Computational') Metallurgy. He regularly shows artworks and makes performances in the context of 'Pataphysics, often 'zombifying' the audience by wrapping their heads in lengths of bandage or toilet paper.
  Areas of work, research, teaching and performance include ideas of Zombie and 'Pataphysics in art and elsewhere, and the détournement or "hijacking" of systems, mechanisms, programs, etc. from computing and other areas of science and technology, as well as cognitive psychology, to make conceptual art. Smith claims to have become a Philosophical Zombie, and hence to have a deeper insight into problems of existence, artificial intelligence and art, after a botched heart operation in a Paris hospital when, instead of the more usual latex balloon being used to inflate a blocked artery during angioplasty, the team had recourse to a pufferfish (or fugu) which swells rapidly when a harmless voltage is applied to its tail. Smith has insisted, contrary to David Chalmers who invoked the idea of a philosophical zombie as an attempted refutation of physicalism, that it's "Zombies all the way down" (at the 5th International Conference on the Histories of Media Art, Science and Technology, Riga, Latvia, 2013.)
  Exhibitions of conceptual art, installation art, performance art etc., often computer based, include "Art
caption: Smith during Zombie-Pataphysical Steampunk Show, Berlin, 2010
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