page_title: Shawl
section_title: History
hierarchical_section_title: Shawl / History
context_page_description: A shawl is a simple item of clothing, loosely worn over the shoulders, upper body and arms, and sometimes also over the head. It is usually a rectangular or square piece of cloth, which is often folded to make a triangle, but can also be triangular in shape. Other shapes include oblong shawls.
context_section_description: The words "shawl" and "pashmina" come from Kashmir, but originate from Hamedan, Iran. Sources report cashmere crafts were introduced by Sayeed Ali Hamadani, when the 14th century came to Ladakh, homeland of pashmina goats, where, for the first time in history, he found that the Ladakhi Kashmiri goats produced soft wool. He took some of this goat wool and made socks which he gave as a gift to the king of Kashmir, Sultan Qutabdin.  Afterwards, Hamadani suggested to the king that they start a shawl weaving industry in Kashmir using this wool. That is how pashmina shawls began. The United Nations agency UNESCO reported in 2014 that Ali Hamadani was one of the principal historical figures who shaped the culture of Kashmir, both architecturally and through the flourishing of arts and crafts, and hence economy, in Kashmir. The skills and knowledge that he brought to Kashmir gave rise to an entire industry.
  Kashmir was a pivotal point through which the wealth, knowledge, and products of ancient India passed to the world. Perhaps the most widely known woven textiles are the famed Kashmir shawls. The Kanikar, for instance, has intricately woven designs that are formalized imitations of Nature. The Chennai leaf (plane tree leaf), apple and cherry blossoms, the rose and tulip, the almond and pear, the nightingale—these are done in deep mellow tones of maroon, dark red, gold yellow and browns. Yet another type of Kashmir shawl is the Jamiavr, which is a brocaded woollen fabric sometimes in pure wool and sometimes with a little cotton added.
  The floral design appears in a heavy, close embroidery-like weave in dull silk or soft pashmina (Persian, meaning "woolen"), and usually comprises small or large flowers delicately sprayed and combined; some shawls have net-like patterns with floral ensemble motifs in them. Still another type of Kashmir shawl is the double-sided Dourukha (Persian, meaning "having two faces"), a woven shawl that is so done as to produce the same effect on both sides. This is a unique piece of craftsmanship, in which a multi-coloured schematic pattern is woven all over the surface, and after the shawl is completed, the rafugar (expert embroiderer) works the outlines of the motifs in darker shades to bring into relief the beauty of design. This attractive mode of craftsmanship not only produces a shawl which is reversible because of the perfect workmanship on both sides, but it combines the crafts of both weaving and embroidery and religious beliefs expressed in different shawls.
  The most expensive shawls, called shahtoosh, are made from the under-fleece of the Tibetan antelope or Chiru. These shawls are so fine that even a very tightly woven shawl can be easily pulled through a small finger ring.
  The naksha, a Persian device like the Jacquard loom invented centuries later, enabled Indian weavers to create sinuous floral patterns and creeper designs in brocade to rival any painted by a brush. The Kashmir shawl that evolved from this expertise in its heyday had greater fame than any other Indian textile. Always a luxury commodity, the intricate, tapestry-woven, fine wool shawl had become a fashionable wrap for the ladies of the English and French elite by the 18th century. Supply fell short of demand and manufacturers pressed to produce more, created convincing embroidered versions of the woven shawls that could be produced in half the time. As early as 1803, Kashmiri needlework production was established to increase and hasten output of these shawls, which had been imitated in England since 1784 and even in France. By 1870, the advent of the Jacquard loom in Europe destroyed the exclusivity of the original Kashmir shawl, which began to be produced in Paisley, Scotland. Even the characteristic Kashmiri motif, the mango-shape, began to be known simply as the paisley.
  The paisley motif is so ubiquitous to Indian fabrics that it is hard to realize that it is only about 250 years old. It evolved from 1600s floral and tree-of-life designs that were created in expensive, tapestry-woven Mughal textiles. The design in India o
caption: Brooklyn Museum - Doña Josefa de la Cotera y Calvo de la Puerta - Mexican overall
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