page_title: St Peter and St Paul's Church, Clare
section_title: History
hierarchical_section_title: St Peter and St Paul's Church, Clare / History
caption_attribution_description: English: The church of SS Peter and Paul in Clare, Suffolk - stained glass
context_page_description: St Peter and St Paul's Church, Clare is a Grade I listed parish church in the Church of England in Clare, Suffolk. It is one of the largest and most beautiful in East Anglia, described as a "large and handsome church... within a spacious churchyard", and is included by Simon Jenkins in his 2009 book England's Thousand Best Churches, where he awards it three stars.
context_section_description: The church is principally of the 14th and early 15th century, with 13th-century work in the west tower, in the perpendicular style. The list of past priests extends as far back as 1307. "The tower is unfortunately a little short for the church.....all the windows of the aisles and clerestory are slender and closely set, the effect has the same erectness as Holy Trinity Church, Long Melford and St Peter and St Paul's Church, Lavenham. The remodelling of the interior made it very airy." 'Seen from any angle it floats on the skyline like a great ship, with a small tower for a fo'c'stle and two turrets for masts.....The interior is ablaze with light.'
  The church possesses a late 15th-century brass lectern in the form of an eagle with three dogs as feet rather than lions; this may have served as a collection-box, money posted at the beak exiting at the tail.  There are two fine private pews, one with the emblems of Henry VIII and Catherine of Aragon, the other an ostentatious Stuart gallery pew with scroll-sided poppyheads "so like those at Little Thurlow that they may have been carved by the same man".  In the chancel there are rare Jacobean carved choir stalls. The motto above the sundial over the south porch reads: 'Go about your business', not a mercantile admonition but a peremptory version of St Paul's advice: "For we hear that there are some which walk among you disorderly, working not at all, but are busybodies". Around the doorway may be seen carved ten faces of the Green Man, a somewhat pagan image to be seen on a church, but widely used across Christian Europe.
  The greatest disaster to befall the church was the visit of William Dowsing in 1643. The Puritan Parliament decreed the demolition of altars, removal of candlesticks, and defacement of pictures and images. 'Basher' Dowsing, a fanatical anti-Romanist, was appointed as 'Parliamentary Visitor for the East Anglian counties for demolishing the superstitious pictures and ornaments of churches'.  'Cromwell's iconoclast' kept a journal of his visits.  On 6 January 1644, he visited six churches, including Haverhill.  As for Clare, he wrote: "We brake down 1000 pictures superstitious: I brake down 200; 3 of God the Father, and 3 of Christ, and of the Holy Lamb, and 3 of the Holy Ghost like a Dove with Wings; and the Twelve Apostles were carved in wood, on top of the Roof, which we gave order to take down; and 20 Cherubim to be taken down; and the Sun and the Moon in the East window, by the King's Arms to be taken down".  Bullet holes in the roof suggest one inaccurate method; the rest being done with arrows, stones, poles and whitewash.  The Sun and Moon still survive. 
  Like most English churches, it was altered in the Victorian era. It was first 'repaired and beautified' in 1834-36, and a gallery was also added. In 1876 a plan was given by the architect James Piers St Aubyn for work done between 1877-83. In 1898, Detmar Blow, architect for the Society for the Protection of Ancient Buildings, was brought in to repair the tower.
caption: The sun - a fragment of medieval stained glass saved from William Dowsing
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