page_title: Jessica (The Merchant of Venice)
hierarchical_section_title: Jessica (The Merchant of Venice)
caption_attribution_description: English: Jessica (1886). Engraved for The Graphic Gallery of Shakespeare's Heroines (1888) after a painting in oil on canvas by Luke Fildes.
context_page_description: Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice. In the play, she is in love with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household. In the play's dramatic structure, Jessica is a minor but pivotal role. Her actions motivate Shylock's vengeful insistence on his "pound of flesh" from Antonio; her relationships with Shylock serves as a mirror and contrast to Portia's with her father; her conversion to Christianity is the end of Shylock's line's adherence to the Jewish faith.
  Literary critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and apparently selfish motivations and aimless behaviour. Since the end of the 20th century their views have been more moderate and nuanced, pointing to an alternative reading that allows her actions to be motivated by love and generosity, and being driven by Shylock's own tyrannical and immoral behaviour.
  The use of Jessica as the character's given name in The Merchant of Venice is the oldest written record of the name with its current spelling.
context_section_description: Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice (c. 1598). In the play, she is in love with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household. In the play's dramatic structure, Jessica is a minor but pivotal role. Her actions motivate Shylock's vengeful insistence on his "pound of flesh" from Antonio; her relationships with  Shylock serves as a mirror and contrast to Portia's with her father; her conversion to Christianity is the end of Shylock's line's adherence to the Jewish faith.
  Literary critics have historically viewed the character negatively, highlighting her theft of her father's gold, her betrayal of his trust, and apparently selfish motivations and aimless behaviour. Since the end of the 20th century their views have been more moderate and nuanced, pointing to an alternative reading that allows her actions to be motivated by love and generosity, and being driven by Shylock's own tyrannical and immoral behaviour.
  The use of Jessica as the character's given name in The Merchant of Venice is the oldest written record of the name with its current spelling.
caption: Jessica (1888), by Luke Fildes.
exif: {}