page_title: Iphigenia in Tauris
section_title: Plot
hierarchical_section_title: Iphigenia in Tauris / Plot
context_page_description: Iphigenia in Tauris is a drama by the playwright Euripides, written between 414 BC and 412 BC. It has much in common with another of Euripides's plays, Helen, as well as the lost play Andromeda, and is often described as a romance, a melodrama, a tragi-comedy or an escape play.
  Although the play is generally known in English as Iphigenia in Tauris, this is, strictly speaking, the Latin title of the play, the meaning of which is Iphigenia among the Taurians. There is no such place as "Tauris" in Euripides' play, although Goethe, in his play Iphigenie auf Tauris, ironically utilising this translation error, posits such a place. The name refers to the Crimean Peninsula.
context_section_description: The scene represents the front of the temple of Artemis in the land of the Taurians (modern Crimea in Ukraine). The altar is in the center.
  The play begins with Iphigenia reflecting on her brother's death. She recounts her "sacrifice" at the hands of Agamemnon, and how she was saved by Artemis and made priestess in this temple. She has had a dream in which the structure of her family's house crashed down in ruins, leaving only a single column which she then washed clean as if preparing it for ritual sacrifice. She interprets this dream to mean that Orestes is dead.
  Orestes and Pylades enter, having just arrived in this land. Orestes was sent by Apollo to retrieve the image of Artemis from the temple, and Pylades has accompanied him. Orestes explains that he has avenged Agamemnon's death by killing Clytaemnestra and Aegisthus. The two decide to hide and make a plan to retrieve the idol without being captured. They know that the Taurians sacrifice Hellene blood in their temple of Artemis. Orestes and Pylades exit. Iphigenia enters and discusses her sad life with the chorus, composed of captive Greek maidens, attendants of Iphigenia. She believes that her father's bloodline has ended with the death of Orestes.
  A herdsman enters and explains to Iphigenia that he has captured two Hellenes and that Iphigenia should make ready the lustral water and the rites of consecration. The herdsman heard one called Pylades by the other, but did not hear the name of the other. Iphigenia tells the herdsmen to bring the strangers to the temple, and says that she will prepare to sacrifice them. The herdsman leaves to fetch the strangers. Iphigenia explains that she was tricked into going to Aulis, through the treachery of Odysseus. She was told that she was being married to Achilles, but upon arriving in Aulis, she discovered that she was going to be sacrificed by Agamemnon. Now, she presides over the sacrifices of any Hellene trespassers in the land of the Taurians, to avenge the crimes against her.
  Orestes and Pylades enter in bonds. Iphigenia demands that the prisoners' bonds be loosened, because they are hallowed. The attendants to Iphigenia leave to prepare for the sacrifice. Iphigenia asks Orestes his origins, but Orestes refuses to tell Iphigenia his name. Iphigenia finds out which of the two is Pylades and that they are from Argos. Iphigenia asks Orestes many questions, especially of Greeks who fought in Troy. She asks if Helen has returned home to the house of Menelaus, and of the fates of Calchas, Odysseus, Achilles, and Agamemnon. Orestes informs Iphigenia that Agamemnon is dead, but that his son lives. Upon hearing this, Iphigenia decides that she wants one of the strangers to return a letter to Argos, and that she will only sacrifice one of them. Orestes demands that he be sacrificed, and that Pylades be sent home with the letter, because Orestes brought Pylades on this trip, and it would not be right for Pylades to die while Orestes lives.
  Pylades promises to deliver the letter unless his boat is shipwrecked and the letter is lost. Iphigenia then recites the letter to Pylades so that, if it is lost, he can still relay the message. She recites:
  She that was sacrificed in Aulis send this message, Iphigenia, still alive, though dead to those at Argos. Fetch me back to Argos, my brother, before I die. Rescue me from this barbarian land, free me from this slaughterous priesthood, in which it is my office to kill strangers. Else I shall become a curse upon your house, Orestes. Goddess Artemis saved me and substituted a deer, which my father sacrificed believing he was thrusting the sharp blade into me. Then she brought me to stay in this land. 
  During this recitation, Orestes asks Pylades what he should do, having realized that he was standing in front of his sister.
  Orestes reveals his identity to Iphigenia, who demands proof. First, Orestes recounts how Iphigenia embroidered the scene of the quarrel between Atreus and Thyestes on a fine web. Orestes also spoke of Pelops’ ancient spear, which he brandished in his hands when he killed
caption: Iphigenia's escape from Tauris. Ancient Roman relief, end of a marble sarchophagus. Middle of the 2nd century A.D.
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