page_title: Shanghai opera
section_title: History
hierarchical_section_title: Shanghai opera / History
caption_attribution_description: 中文（中国大陆）‎: 茅善玉 一级演员 梅花奖得主
context_page_description: Shanghai opera or Huju is a variety of Chinese opera from Shanghai, typically sung in Shanghainese. It is not to be confused with other Chinese opera genres popular in Shanghai, especially Yue opera. Unlike most forms of Chinese opera, Shanghai operas are typically set in the modern era, especially the Republican period.
  Huju is particularly popular in Baihe, the oldest town in the Qingpu District of Shanghai. There are eight to ten huju ensembles in the Baihe, and many local residents hire these ensembles to perform for weddings and funerals.
  Huju is accompanied by traditional Chinese instruments, including dizi, erhu, pipa, yangqin, and percussion. The instrumentation and style are closely related to the instrumental genre of Jiangnan sizhu.
  The well-known Chinese composition "Purple Bamboo Melody" has been adapted and used for huju.
context_section_description: The Shanghai opera is rooted in the folksongs of the Huangpu River area. According to historical records from 1796, there was more than 200 years of cultural development from the original Huaguxi operas before the emergence of contemporary Shanghai opera.
  During the rule of the Qianlong emperor of the Qing dynasty, Huaguxi was very popular in Shanghai. Influenced by Huaguxi and other forms of drama during the reign of the Guangxu emperor of Qing dynasty, these folksongs developed into Tanhuang (滩簧). In order to distinguish them from Sutan and Nibo Tanhuang, Shanghainese people called them "bentan" (本滩) or "shentan" (申滩). Performance of shentan began in Shanghai around the 1900s.
  Before and after the revolution of 1911, shentan were performed in various venues across Shanghai. In 1914, Wenbin shao (邵文滨), Lanting Shi (施兰亭), and Shaolan Ding (丁少兰) organized "zhenxinji " to improve bentan. It was then renamed "shenqu " (申曲).
  In 1941, Shanghai Huju She was founded in Shanghai. It was an ensemble that consisted of several opera performers. They renamed shenqu as Huju. During this period, Huju became a more concrete art form.
  During the 1950s and 1960s, Huju adapted many modern plays. It adopted divisions of acts and recognized the role of the playwright and director at a much earlier time than other similar art forms. Red Lantern and Shajiabang—the most influential Jingju (Peking opera) plays among the eight model plays created during the Cultural Revolution—were both adapted from Huju plays.
caption: Shanghai opera legend Mao Shanyu in 2019
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