page_title: Moravian traditional music
section_title: Folklorism
hierarchical_section_title: Moravian traditional music / Folklorism
caption_attribution_description: Čeština: Hradišťan, vánoční koncert v Břevnovském klášteře
context_page_description: Moravian traditional music or Moravian folk music represents a part of the European musical culture connected with the Moravian region of the Czech Republic. Styles of Moravian traditional music vary by location and subject, but much of it is characterized by a specific melodic and harmonic texture related to the Eastern European musical world. According to Czech musicologist Jiří Plocek, Moravia is the area where the European East musically meets the West.
  Moravian folk bands are mainly centered on a string section and a large cimbalom, which are often complemented by other instruments. Moravian traditional music influenced Czech classical composers, such as Antonín Dvořák, Bedřich Smetana and Leoš Janáček, who was at the forefront of the Moravian folklore movement. Towards the end of the 20th century, Moravian folk music had a noticeable influence on the Czech jazz scene, and folk songs have been adapted into rock bands' repertoires. Today, there are many festivals still held throughout Moravia with performances from traditional bands and dance ensembles.
context_section_description: Moravian traditional folk music has served as a source and inspiration to many different musical genres including classical composers such as Antonín Dvořák, Leoš Janáček, Vítězslav Novák and Bohuslav Martinů. Following World War II and the Czechoslovak coup d'état of 1948, folk songs were used as a part of the communist cultural programme. Ideology-influenced folk-song propaganda was created in order to support the new régime. The movement soon vanished, however, and the principles of traditional folk music headed toward more sophisticated processing. The "off-key and creaky" music of old village musicians was often replaced by the academic and virtuosic expression of professional players, typically represented by the Brněnský rozhasový orchestr lidových nástrojů (BROLN) (The Orchestra of Traditional Folk Instruments of the Brno Radio). In the second half of the 20th century, traditional folk bands were replaced with "chamber orchestras" which performed folk arrangements. Regional variability and originality was almost lost. Traditional music partially returned to its roots in the last decade of the 20th century and slowly began to restore its distinctives.
  The musical structure of Moravian folk song also influenced many jazz artists. Czech jazz musicians led by Karel Velebný and Jaromír Hnilička recorded the album "Týnom, tánom" in 1970, the first attempt to arrange the folk songs into jazz compositions. Other jazz musicians who have used elements of folk music include Jiří Stivín (Inspirations by Folklore CD) and Emil Viklický (Morava, 2003 CD, together with Billy Hart, George Mraz and Zuzana Lapčíková).
  The songwriter Petr Ulrych, the founder of the band Javory, was one of the first musicians to deal with traditional music in the 1980s. Ulrych closely collaborated with violinist Jiří Pavlica, the leader of the cimbalom band Hradišťan. Hradišťan, a well-known traditional folk band, later turned away from folklore and focused on fusion in various world music projects (Yas-Kaz, Dizu Plaatjies and Altai-Kai collaborations among others).
  Widespread use of traditional folk music in the repertoire of Czech rock bands began in the 1990s. Significant representatives of this genre are Čechomor, Fleret and Vlasta Redl. Another important musician who deals with Moravian traditional music is the avant-garde singer and violinist Iva Bittová.
caption: The Moravian folk ensemble Hradišťan at the Břevnov Monastery in Prague
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