page_title: Symphony No. 5 (Sallinen)
section_title: Notable performances
hierarchical_section_title: Symphony No. 5 (Sallinen) / Reception / Notable performances
caption_attribution_description: Kennedy Center
context_page_description: The Symphony No. 5, Washington Mosaics, Op. 57, is an orchestral composition by the Finnish composer Aulis Sallinen, who wrote the piece from 1984–85, revising the finale in 1987. The National Symphony Orchestra, the commissioning institution, premiered the work in 10 October 1985 at the Kennedy Center in Washington, D.C., under the direction of its music director, Mstislav Rostropovich.
context_section_description: The Fifth Symphony had its world premiere on 10 October 1985, with Mstislav Rostropovich conducting the National Symphony Orchestra (NSO) at the Kennedy Center; also on the program was Sibelius's tone poem, En saga, and Beethoven's Second Symphony. The Washington Post reviewed the work with ambivalence, calling it a "big, ambitious new symphony" with "genuinely moving moments" that nonetheless was "more intriguing than convincing," its "disjointed brilliance" unable "to resolve emotionally". Three days later, Rostropovich and the NSO played the Fifth Symphony at Avery Fisher Hall in New York, along with Shostakovich's Fifth Symphony and Haydn's Cello Concerto in C major (Rostropovich serving as soloist). On 23 September 1988, Rostropovich and the NSO performed the revised version of the Fifth, again at the Kennedy Center in Washington; also on the program was Mozart's serenade for strings, Eine Kleine Nachtmusik, and Grieg's two Peer Gynt Suites.
  The British premiere took place on 15 February 1987, with Okko Kamu conducting the London Philharmonic at the Royal Festival Hall; also on the program was Gounod's St. Cecilia Mass. The performance of Sallinen's Fifth, which commenced London's three-month multi-venue, multi-orchestra 'Spotlight on Finland' music festival, was received positively, with The Financial Times characterizing the work as consisting of "icy fragments of symphonic material [that] have been chipped off to clink and tinkle in Sallinen's structural cocktail shaker". While noting the Fifth Symphony's "allusions to other music" (in particular its "post-Sibelian desolation"), The Sunday Times applauded the "vitality of Sallinen's rhythms and the sheer eventfulness of his scoring," as well as his "imaginative and masterly ... handling of the large orchestra".
caption: The John F. Kennedy Center for the Performing Arts, at which the NSO premiered Sallinen's Fifth Symphony
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