page_title: Olana State Historic Site
section_title: Main residence
hierarchical_section_title: Olana State Historic Site / Main residence
caption_attribution_description: Olana State Historic Site, Columbia County, New York, USA.
context_page_description: Olana State Historic Site is a historic house museum and property in Greenport, New York, near the city of Hudson. The estate was home to Frederic Edwin Church, one of the major figures in the Hudson River School of landscape painting. The centerpiece of Olana is an eclectic villa which overlooks parkland and a working farm designed by the artist. The residence has a wide view of the Hudson River Valley, the Catskill Mountains and the Taconic Range. Church and his wife Isabel named their estate after a fortress-treasure house in ancient Greater Persia, which also overlooked a river valley.
  Olana is one of the few intact artists' home-, studio- and estate-complexes in the United States; it was designated a National Historic Landmark in 1965. The house is also a prime example of Orientalist architecture. It is owned and operated by the New York State Office of Parks, Recreation and Historic Preservation, and is also supported by The Olana Partnership, a non-profit 501 organization. The main building is an architectural masterpiece designed by the architect Calvert Vaux working closely with Church.
context_section_description: The stone, brick, and polychrome-stenciled villa at Olana is an unusual mixture of Victorian structural elements and Middle-Eastern decorative motifs from different times and places. Moorish elements mix with contrasting Italianate themes. Frederic and Isabel Church were impressed by the architecture they had seen on their travels in Beirut, Jerusalem and Damascus in 1868. Upon their return to their farm, they abandoned preliminary plans from Richard Morris Hunt delineating a manor house in the French style. Instead, Church worked closely with architect Calvert Vaux to realize a more personal vision. Church was responsible for the overall design and much of the detail, with Vaux's involvement essentially that of consultant. Church wrote to a friend, "I am building a house and am principally my own Architect. I give directions all day and draw plans and working drawings all night." The result was a villa with asymmetrical massing of towers and block masonry punctuated by fanciful windows and porches. The irregular silhouette of the exterior contrasted with the more regular rhythm of rooms arranged around a central hall. On the exterior, Middle Eastern motifs were carried out in colored brick, slate, ceramic tile and especially stenciling. The cornices of the separate sections of the structure were each ornamented with multi-colored and gilt stenciling, the patterns designed by Church himself. The stenciling continued in the principle rooms of the first floor. Together, the various motifs and themes create a unique artistic unity, one that is difficult to categorize. It has been called variously Persian-Moorish-Eclectic, and Italianate-Eastern-Picturesque. Poet John Ashbery described the results: "The ensemble is breathtaking, and despite the proliferation of architectural elements and polychrome tile decoration, it is not busy but solemn and wildly fanciful, like Church's painting."
  Church designed or commissioned many other ingenious devices, such as amber glass windows overlaid by cut-paper patterns and  carved teak woodwork by Lockwood de Forest's workshops in Ahmadabad, India. With no architectural adviser, Church designed and built the studio wing at the west end of the house, which included guest rooms and a glassed-in observation room in the tower. Describing his house to a newspaper reporter, Church characterized it as "Persian, adapted to the Occident".
  The furnishings Frederic and Isabel acquired over the course of their lives remain in the house.   There are paintings by Frederic Church as well as artwork by his mentor Thomas Cole and friends Martin Johnson Heade and Erastus Dow Palmer. The dining room houses a collection of Old Master paintings. The eclectic assortment of furniture and decorative arts includes carpets, metalwork, ceramics and costumes from the Middle East, folk art and fine art from Mexico, and high-style American and Oriental furniture. The main residence at Olana has been described as a prime example of the Aesthetic Movement in America.
caption: The south facade of the main house
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