page_title: Parthenon Frieze
section_title: Description
hierarchical_section_title: Parthenon Frieze / Description
caption_attribution_description: English: So-called Ergastinai (“weavers”) block, from the east frieze of the Parthenon in Athens. Traces of ancient polychromy, Pentelic marble, c. 445–435 B.C. Français&#160;: Fragment de la plaque dite «&#160;des Ergastines&#160;» (tisseuses), frise Est du Parthénon (Athènes). Marbre du Pentélique portant des traces de polychromie, c. 445–435 av. J.-C.
context_page_description: The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 437 BC, most likely under the direction of Pheidias. Of the 160 meters of the original frieze, 128 meters survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.
  At present, the majority of the frieze is at the British Museum in London; the largest proportion of the rest is at the Acropolis Museum in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.
context_section_description: The narrative of the frieze begins at the southwest corner where the procession appears to divide into two separate files. The first third of the west frieze is not part of the procession, but instead, seems to be the preparatory stages for the participants. The first figure here is a marshal dressing, W30, followed by several men preparing the horses W28–23 until figure W22 who, it has been suggested, may be engaged in the dokimasia, the tryout or enrollment of the knights. W24 is an ambiguous figure who might be either the protesting owner of a rejected horse or a keryx (herald) whose hand held part of an otherwise lost salpinx (trumpet), but either way this point marks the beginning of the procession proper.
  The following ranks W21–1 along with N75–136 and S1–61 are all of horsemen and constitute 46% of the whole frieze. They are divided into two lines of ten ranks – the same number as that of the Attic tribes. All figures are beardless youths with the exception of two, W8 and W15, who along with S2–7 wear Thracian dress of fur cap, a patterned cloak, and high boots; these have been identified by Martin Robertson as hipparchs. Next are the four-horse chariots, each with charioteer and armed passenger, there are ten on the south frieze and eleven on the north. Since these passengers are sometimes depicted as dismounting they may be taken to represent the apobatai, participants in the ceremonial race found in Attica and Boeotia.
  By N42 and S89 the equestrian parade is at an end, and the following 16 figures on the north and 18 on the south are taken to be the elders of Athens judging by their braided hair, an attribute of distinguished age in Classical art. Four of these figures raise their right hand in a clenched fist gesture suggestive of a pose associated with the thallophoroi (olive branch bearers) who were older men chosen in competition for their good looks alone. No drill holes, however, exist for any branch to be inserted in their hands. Next in line (S107–114, N20–28) are the musicians: four kithara (a variant of the lyre) and four aulos (flute) players. N16–19 and S115–118 (conjectured) perhaps, as hydriaphoroi, the water-vessel carriers, here men, rather than metic girls mentioned in the literature on the Panathenaia. N13–15, S119–121 are the skaphephoroi, the tray bearers of the honeycombs and cakes used to entice the sacrificial animals to the altar. N1–12, S122–149 are the four cows and four sheep on the north and ten cows on the south meant for sacrifice on the acropolis, presumably an abbreviated form of the hecatomb usually offered on this occasion – there is an a-b-a rhythm of placid and restive cows.
  As the files converge on the east frieze we encounter the first women celebrants E2–27, E50–51, E53–63. The priestesses carry the sacrificial instruments and paraphernalia including the phiale (phial or jug), oinochoai (wine jars), thymiaterion (incense burner), and in the case of E50–51, evidently they have just handed the marshal E49 a kanoun, making the girl the kanephoros. The next groups E18–23, E43–46, are problematic. Six on the left and four on the right, if one does not count two other figures who may or may not be marshals, then this group might be taken to be the ten eponymous heroes who gave their names to the ten tribes. Their proximity to the deities indicates their importance, but selecting differently, then nine of them may be the archons of the polis or athlothetai officials who managed the procession; there is insufficient iconographic evidence to determine which interpretation is correct.
  Interpretations of the figures varies. The twelve seated deities are taken to be the Olympians, they are one third taller than any other figure on the frieze and are arranged in two groups of six on diphroi (backless) stools, common forms of ancient furniture, with the exception of Zeus who is enthroned. Their backs are turned to what must be the culminating event of the procession E31–35; five figures (three children and two adults, and although badly corroded, the two children on the left appear to 
caption: Weavers section of the frieze, East VII, 49–56, Louvre, (MR 825)
exif: {"Image Make": "NIKON CORPORATION", "Image Model": "NIKON D70", "Image Orientation": "Horizontal (normal)", "Image XResolution": "300", "Image YResolution": "300", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "DxO Optics Pro Standard MACOSX 3.55b.6377581.356110 BMVDCTF", "Image DateTime": "2006:12:02 17:58:37", "Image YCbCrPositioning": "Co-sited", "Image ReferenceBlackWhite": "[0, 255, 0, 255, 0, 255]", "Image DateTimeOriginal": "2006:12:02 17:58:37", "Image Tag 0x9216": "[1, 0, 0, 0]", "Image Tag 0xD000": "1", "Image ExifOffset": "374", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "8140", "Thumbnail JPEGInterchangeFormatLength": "5176", "EXIF ExposureTime": "1/25", "EXIF FNumber": "21/5", "EXIF ExposureProgram": "Aperture Priority", "EXIF ISOSpeedRatings": "800", "EXIF ExifVersion": "0210", "EXIF DateTimeOriginal": "2006:12:02 17:58:37", "EXIF DateTimeDigitized": "2006:12:02 17:58:37", "EXIF ComponentsConfiguration": "RedGreenBlue", "EXIF ShutterSpeedValue": "290241/62500", "EXIF ApertureValue": "207039/50000", "EXIF ExposureBiasValue": "0", "EXIF MaxApertureValue": "4", "EXIF MeteringMode": "CenterWeightedAverage", "EXIF LightSource": "Unknown", "EXIF Flash": "Flash did not fire", "EXIF FocalLength": "31", "EXIF SubSecTime": "90", "EXIF SubSecTimeOriginal": "90", "EXIF SubSecTimeDigitized": "90", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "3008", "EXIF ExifImageLength": "2000", "EXIF SensingMethod": "One-chip color area", "EXIF FileSource": "Digital Camera", "EXIF SceneType": "Directly Photographed", "EXIF CVAPattern": "[0, 2, 0, 2, 2, 1, 1, 0]", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Manual", "EXIF DigitalZoomRatio": "1", "EXIF FocalLengthIn35mmFilm": "46", "EXIF SceneCaptureType": "Standard", "EXIF GainControl": "Low gain up", "EXIF Contrast": "Normal", "EXIF Saturation": "Normal", "EXIF Sharpness": "Normal", "EXIF SubjectDistanceRange": "0", "Interoperability InteroperabilityIndex": "R98", "Interoperability InteroperabilityVersion": "[48, 49, 48, 48]", "EXIF InteroperabilityOffset": "8016"}