page_title: The Taking of Christ (Caravaggio)
section_title: Loss and rediscovery
hierarchical_section_title: The Taking of Christ (Caravaggio) / Loss and rediscovery
context_page_description: The Taking of Christ is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin.
context_section_description: By the late 18th century, the painting was thought to have disappeared, and its whereabouts remained unknown for about 200 years. In 1990, Caravaggio's lost masterpiece was recognized in the residence of the Society of Jesus in Dublin, Ireland. The rediscovery was published in November 1993.
  The painting had been hanging in the Dublin Jesuits’ dining room since the early 1930s but had long been considered a copy of the lost original by Gerard van Honthorst, also known as Gherardo delle Notti, one of Caravaggio's Dutch followers. This erroneous attribution had already been made while the painting was in the possession of the Roman Mattei family, whose ancestor had originally commissioned it. In 1802, the Mattei sold it, as a work by Honthorst, to William Hamilton Nisbet, in whose home in Scotland it hung until 1921. Later in that decade, still unrecognised for what it was, the painting was sold to an Irish paediatrician, Marie Lea-Wilson, who eventually donated it in the 1930s to the Jesuit Fathers in Dublin, in gratitude for their support following the shooting of her husband, Capt. Percival Lea-Wilson, a District Inspector in the Royal Irish Constabulary in Gorey, County Wexford, by the Irish Republican Army on 15 June 1920.
  The Taking of Christ remained in the Dublin Jesuits' possession for about 60 years, until it was spotted and recognised, in the early 1990s, by Sergio Benedetti, Senior Conservator of the National Gallery of Ireland, who had been asked by Father Noel Barber, S.J., to examine a number of paintings in the Leeson Street Jesuit Community (of which Barber was superior) for the purposes of restoration. As layers of dirt and discoloured varnish were removed, the high technical quality of the painting was revealed, and it was tentatively identified as Caravaggio's lost painting. Much of the credit for verifying the authenticity of this painting belongs to Francesca Cappelletti and Laura Testa, two graduate students at the University of Rome. During a long period of research, they found the first recorded mention of The Taking of Christ, in an ancient and decaying account book documenting the original commission and payments to Caravaggio, in the archives of the Mattei family, kept in the cellar of a palazzo in the small town of Recanati.
  The painting is on indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson Street, Dublin, who acknowledge the kind generosity of Dr Marie Lea-Wilson. It was displayed in the United States as the centrepiece of a 1999 exhibition entitled "Saints and Sinners" at the McMullen Museum of Art, at Boston College, and at the 2006 "Rembrandt / Caravaggio" exhibition in the van Gogh Museum, Amsterdam. In 2010 it was displayed from February to June at the Scuderie del Quirinale, Rome, for the 400th anniversary of Caravaggio's death. In 2016 it was displayed in the National Gallery, London.
caption: Damaged copy in Odessa
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