page_title: Nativity scene
section_title: Static nativity scenes
hierarchical_section_title: Nativity scene / Components / Static nativity scenes
caption_attribution_description: English: Nativity scene in Barcelona (2009)
context_page_description: In the Christian tradition, a nativity scene is the special exhibition, particularly during the Christmas season, of art objects representing the birth of Jesus. While the term "nativity scene" may be used of any representation of the very common subject of the Nativity of Jesus in art, it has a more specialized sense referring to seasonal displays, either using model figures in a setting or reenactments called "living nativity scenes" in which real humans and animals participate. Nativity scenes exhibit figures representing the infant Jesus, his mother, Mary, and her husband, Joseph.
  Other characters from the nativity story, such as shepherds, sheep, and angels may be displayed near the manger in a barn intended to accommodate farm animals, as described in the Gospel of Luke. A donkey and an ox are typically depicted in the scene, and the Magi and their camels, described in the Gospel of Matthew, are also included. Several cultures add other characters and objects that may or may not be Biblical.
  Saint Francis of Assisi
  is credited with creating the first live nativity scene in 1223 in order to cultivate the worship of Christ.
context_section_description: Static nativity scenes may be erected indoors or outdoors during the Christmas season, and are composed of figurines depicting the infant Jesus resting in a manger, Mary, and Joseph. Other figures in the scene may include angels, shepherds, and various animals. The figures may be made of any material, and arranged in a stable or grotto. The Magi may also appear, and are sometimes not placed in the scene until the week following Christmas to account for their travel time to Bethlehem. While most home nativity scenes are packed away at Christmas or shortly thereafter, nativity scenes in churches usually remain on display until the feast of the Baptism of the Lord.
  The nativity scene may not accurately reflect gospel events. With no basis in the gospels, for example, the shepherds, the Magi, and the ox and ass may be displayed together at the manger. The art form can be traced back to eighteenth-century Naples, Italy. Neapolitan nativity scenes do not represent Palestine at the time of Jesus but the life of the Naples of 1700, during the Bourbon period. Families competed with each other to produce the most elegant and elaborate scenes and so, next to the Child Jesus, to the Holy Family and the shepherds, were placed ladies and gentlemen of the nobility, representatives of the bourgeoisie of the time, vendors with their banks and miniatures of cheese, bread, sheep, pigs, ducks or geese, and typical figures of the time like gypsy predicting the future, people playing cards, housewives doing shopping, dogs, cats and chickens.
  Regional variants on the standard nativity scene are many. The putz of Pennsylvania Dutch Americans evolved into elaborate decorative Christmas villages in the twentieth century. In Colombia, the pesebre may feature a town and its surrounding countryside with shepherds and animals. Mary and Joseph are often depicted as rural Boyacá people with Mary clad in a countrywoman's shawl and fedora hat, and Joseph garbed in a poncho. The infant Jesus is depicted as European with Italianate features. Visitors bringing gifts to the Christ child are depicted as Colombian natives. After World War I, large, lighted manger scenes in churches and public buildings grew in popularity, and, by the 1950s, many companies were selling lawn ornaments of non-fading, long-lasting, weather resistant materials telling the nativity story.
caption: Outdoor nativity scene of life-sized figurines in Barcelona (2009)
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