page_title: Erfreut euch, ihr Herzen, BWV 66
hierarchical_section_title: Erfreut euch, ihr Herzen, BWV 66
caption_attribution_description: English: Thomaskirche Interior Български: Църквата Св. Томас, Лайпциг, (интериор)
context_page_description: Erfreut euch, ihr Herzen, BWV 66.2, BWV 66, is a church cantata for Easter by Johann Sebastian Bach. He composed it for the Second Day of Easter in Leipzig and first performed it on 10 April 1724. He based it on his congratulatory cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66.1, first performed in Köthen on 10 December 1718.
  The prescribed readings for the second of three Easter feast days included the narration of the Road to Emmaus. The cantata was Bach's first composition for Easter as Thomaskantor in Leipzig. He derived it from his earlier Serenata, which had a similar celebratory mood. An unknown librettist solved the problem that Bach's congratulatory cantata was a dialogue of tenor and alto by retaining a dialogue in three movements, assigned to Hope and Fear. They represent different attitudes to the news of the Resurrection of Jesus, which may be found in the two disciples, discussing the events on their walk, but also within the listener of the cantata.
context_section_description: Erfreut euch, ihr Herzen (Rejoice, you hearts), BWV 66.2, BWV 66,  is a church cantata for Easter by Johann Sebastian Bach. He composed it for the Second Day of Easter in Leipzig and first performed it on 10 April 1724. He based it on his congratulatory cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66.1, first performed in Köthen on 10 December 1718.
  The prescribed readings for the second of three Easter feast days included the narration of the Road to Emmaus. The cantata was Bach's first composition for Easter as Thomaskantor in Leipzig. He derived it from his earlier Serenata, which had a similar celebratory mood. An unknown librettist solved the problem that Bach's congratulatory cantata was a dialogue of tenor and alto by retaining a dialogue in three movements, assigned to Hope and Fear. They represent different attitudes to the news of the Resurrection of Jesus, which may be found in the two disciples, discussing the events on their walk, but also within the listener of the cantata.
  Bach structured the cantata in six movements, an exuberant choral opening, a set of recitative and aria for bass, another such set for alto and tenor, and a closing chorale taken from  the medieval Easter hymn "Christ ist erstanden". A Baroque instrumental ensemble included trumpet, two oboes, bassoon, strings and continuo. The music expresses moods of mourning and fear which should be overcome, but especially exhilarating joy.
caption: Thomaskirche, Leipzig, where the work was first performed
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