page_title: Primary tone
hierarchical_section_title: Primary tone
caption_attribution_description: English: Schenker's Urlinie in relation to the tonic triad. Made with Finale and Photoshop
context_page_description: In Schenkerian analysis, the primary tone or head tone is the starting tone of the fundamental line. The fundamental line itself originates as an arpeggiation of the tonic chord, filled by passing tones:
  In accordance with the arpeggiation from which it stems, the fundamental line exhibits the space of a third, fifth, or octave. These spaces are filled by passing tones.
  The primary tone therefore necessarily is one of the higher tones of the tonic chord, or.
  The fundamental line descends from its primary tone to the tonic, :
  To man is given the experience of ending, the cessation of all tensions and efforts. In this sense, we feel by nature that the fundamental line must lead downward until it reaches, and the bass must fall back to the fundamental.
context_section_description: In Schenkerian analysis, the primary tone or head tone (German: Kopfton) is the starting tone of the fundamental line. The fundamental line itself originates as an arpeggiation of the tonic chord, filled by passing tones:
  In accordance with the arpeggiation from which it stems, the fundamental line exhibits the space of a third, fifth, or octave. These spaces are filled by passing tones.
  The primary tone therefore necessarily is one of the higher tones of the tonic chord, ,  or .
  The fundamental line descends from its primary tone to the tonic, :
  To man is given the experience of ending, the cessation of all tensions and efforts. In this sense, we feel by nature that the fundamental line must lead downward until it reaches , and the bass must fall back to the fundamental.
caption: Free Composition, Example 4. Fundamental line in relation to the tonic triad. The possible primary tones are shown as whole notes: scale degree 8, scale degree 5 or scale degree 3.
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