page_title: Chesterfield House, Westminster
section_title: Description in 1869
hierarchical_section_title: Chesterfield House, Westminster / Description in 1869
caption_attribution_description: English: Dr. Johnson in the ante-room of Lord Chesterfield. Coloured engraving. Shrewsbury Museums Service (SHYMS: FA/1995/008) image sy1386. From the original painting [Dr. Johnson in Lord Chesterfield's anteroom] [graphic] / E.M. WARD 1845. 1 painting on board&#160;: oil&#160;; image 104 x 137 cm. Summary: Portrait of Dr. Samuel Johnson. Notes: Signed and dated E.M. Ward/1845, lower left. Part of the Hyde Collection, Houghton Library, Harvard University. Call no.: *2003JM-10.
context_page_description: Chesterfield House was a grand London townhouse built between 1747 and 1752 by Philip Stanhope, 4th Earl of Chesterfield, statesman and man of letters. The exterior was in the Palladian style, the interior Baroque. It was demolished in 1937 and on its site now stands an eponymous block of flats. It stood in Mayfair on the north side of Curzon Street, between South Audley Street and what is now Chesterfield Street.
  The French travel writer Pierre-Jean Grosley in his 1770 book Londres considered the house to be equal to the hotel particuliers of the nobility in Paris.
context_section_description: The following description is reproduced in Edward Walford's Old & New London:
  The house itself has many fine points, and in others, it must be owned, it is slightly disappointing. Passing from the porter's lodge across a noble court paved with stones, and entering the hall, the visitor cannot fail to be struck by the grand marble staircase, up and down which the great Chandos must have walked when it stood beneath his own palatial roof at Canons. And, apart from historical traditions, it is really a staircase for ideas to mount, especially when one is met on its first landing, not only by busts of Pitt and Fox, but by a lofty clock, apparently of antique French construction, and which looks as though it had, at some time or other, chimed out the hours at Versailles. Entering the music-room by means of this same staircase, we confess to some sense of disappointment. Not, of course, that we had expected to be greeted by any harmony of sweet sounds, but that the symbolism of decoration on the walls, on the ceiling, and the mantelpiece, might on the whole have been more graceful and more appropriate than it is, considering that the two fiddles in bas-relief, gilt and crossed one over the other, are scarcely to be compared in appearance with harps, lyres, etc., the usual metaphorical tributes to the Muse of Melody...More pleasingly reminded, however, of that same court (i.e. Versailles) is the visitor on descending to the reception rooms on the lower floor, and entering the drawing room, which is especially called the French room. There not only do the panelling of the walls, and the construction of the various pieces of furniture transport one back to the glories of the ancient regime of the time when Chesterfield enjoyed its society, but the looking-glasses, one over the fire-place and another facing it, appear as though they had mirrored that society, and not only mirrored but multiplied it; for thes looking-glasses, being severally formed of various panels, fit mosaic-like one into another and the divisions of these panels being ornamented by wreaths of painted flowers, etc., the beholder is reproduced again and again, and in many a fantastic multiform, may judge of himself under various, not to say versatile, aspects. In one of the apartments – another drawing room to which this French salon leads – hangs a large chandelier,  formed of pendant crystal, which once belonged to Napoleon I. The mantel-shelf in this room is classically beautiful; and amongst the pictures on the walls is a fine copy of Titian's Venus. But perhaps the most interesting apartment in the whole house is the library. There where Lord Chesterfield used to sit and write, still stand the books which it is only fair to suppose that he read – books of wide-world and enduring interest, and which stand in goodly array, one row above another by hundreds...
  
  In another room, not far from the library, one seems to gain an idea of the noble letter-writer's daily life, for we can still see its ante-chamber, in which the aspirants for his lordship's favour were sometimes kept waiting. (This room is immortalised in the Victorian portrayal by E.M. Ward (d.1879) of Dr Johnson in the ante-room of Lord Chesterfield). On the garden-front outside is a stone or marble terrace, overlooking the large lawn, stretching out in lawn and flower-beds behind the house.
  George Capel-Coningsby, 5th Earl of Essex (d.1839) remembered seeing the earl sitting on a rustic seat in front of his mansion, basking in the sun.
caption: Dr. Johnson in the ante-room of Lord Chesterfield. Coloured engraving by E.M. Ward(d.1879) and C.W.Sharpe.
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