page_title: Kulintang
section_title: History
hierarchical_section_title: Kulintang / History
caption_attribution_description: English: Bangsamoro and Lumad Cultures Gallery, Museum of the Filipino People, Rizal Park, Manila, Philippines. Complete indexed photo collection at WorldHistoryPics.com.
context_page_description: Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Indonesia, Southern Philippines, Eastern Malaysia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.
  Technically, kulintang is the Ternate, Mollucas, Maguindanao, Lumad and Timor term for the idiophone of metal gong kettles which are laid horizontally upon a rack to create an entire kulintang set. It is played by striking the bosses of the gongs with two wooden beaters.
context_section_description: Kulintang music is considered an ancient tradition that predates the influences of Hinduism, Buddhism, Islam, Christianity, and the West. In the Philippines, it represents the highest form of gong music attained by Filipinos and in North Maluku, it is said to have existed for centuries.
  As ancient as this music is, there has never been substantial data recorded regarding the kulintang's origins. The earliest historical accounts of instruments resembling those of the present day kulintang are in the writings of various European explorers from the 16th century who would have seen such instruments used in passing.
  Because of limited data concerning gong music prior to European exploration, theories abound as to when the prototypes of what is now the kulintang came to be. One theory suggest that the bronze gong had an ancient history in Southeast Asia, arriving in the Indonesian archipelago two or even three thousand years ago, making its way to the Philippines from China in the 3rd century AD. Another theory lays doubt to the former claim, suggesting the kulintang could not have existed prior to the 15th century due to the belief that Javanese (Indonesian) gong tradition, which is what the kulintang was believed to be derived from, developed only by the 15th century.
  Though different theories abound as to the exact centuries the kulintang was finally realized, there is a consensus that kulintang music developed from a foreign musical tradition which was borrowed and adapted to the indigenous music tradition already present in the area. It's likely the earliest gongs used among the indigenous populace had no recreational value but were simply used for making signals and sending messages.
  Kulintang music likely evolved from this simple signaling tradition, transitioning into a period consisting of one player, one-gong type ensembles (like those found among the Ifugao of Luzon or Tiruray of Mindanao), developing into a multi-gong, multiplayer ensemble with the incorporation of concepts originating from Sunda and finally transforming into the present day kulintang ensemble, with the addition of the d’bakan, babndir and musical concepts of Islam via Islam traders.
caption: Maranao agong
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