page_title: The Tennis Court Oath (David)
section_title: History
hierarchical_section_title: The Tennis Court Oath (David) / History
context_page_description: The Tennis Court Oath is an incomplete painting by Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis Court Oath at Versailles, one of the foundational events of the French Revolution.
  Political reversals and financial difficulties meant that David was never able to finish the canvas, which measures 400 by 660 cm and is now in the Musée national du Château de Versailles.
context_section_description: The first engravings showing The Tennis Court Oath only appeared in 1790, the year David convinced the Jacobin Club to launch a national subscription to fund a painting to depict the event. He exhibited a pen and brown ink drawing of his planned painting in the Louvre in 1791 but did not have enough money to follow it through as the subscription had only had a 10% take-up. The National Constituent Assembly thus decided to fund the work from the public treasury instead, topped up by selling engravings of the painting.
  David set up a studio in the former Les Feuillants Convent to hold sittings for the deputies, then meeting in the nearby salle du Manège. However, by 1793, he was too busy as a deputy himself to complete his sketch for the painting and French political life was no longer conducive to the work – Mirabeau, one of the heroes of 1789, had been declared an enemy of the Revolution on the discovery of his secret correspondence with Louis XVI and was now considered as a traitor by public opinion. A large number of deputies to the National Constituent Assembly had been identified as enemies of the Government of Public Safety. David therefore left the work unfinished and the subscribers reclaimed their engraving from him.
  David's 1810 The Distribution of the Eagle Standards and his 1814 Leonidas at Thermopylae were directly inspired by The Tennis Court Oath. The work was also reprised and adapted by several artists from the late 18th century onwards. These included Auguste Couder in 1848 and Luc-Olivier Merson in 1883.
  In 1820, David ceded the engraving rights on Jean Pierre Marie Jazet's engraving of The Tennis Court Oath to Daniel Isoard de Martouret. The canvas itself was finally acquired in 1836 by the royal museums for the Louvre, where it was exhibited from 1880 onwards.
caption: The Tennis Court Oath by Auguste Couder, 1848, (musée de la Révolution française).
exif: {}