page_title: BBC Radio 3
section_title: The "music" controllers
hierarchical_section_title: BBC Radio 3 / History / The "music" controllers
caption_attribution_description: Česky: Henry Purcell. English: Henry Purcell (September 10 (?), 1659 (?)–November 21, 1695), a Baroque composer.
context_page_description: BBC Radio 3 is a British radio station operated by the BBC. Its output centres on classical music and opera, but jazz, world music, drama, culture and the arts also feature. The station describes itself as 'the world's most significant commissioner of new music', and through its New Generation Artists scheme promotes young musicians of all nationalities. The station broadcasts the BBC Proms concerts, live and in full, each summer in addition to performances by the BBC Orchestras and Singers. There are regular productions of both classic plays and newly commissioned drama.
  Radio 3 won the Sony Radio Academy UK Station of the Year Gold Award for 2009 and was nominated again in 2011.
context_section_description: In 1987 the positions of Controller of Music and Controller of Radio 3 were merged, and with it the operation of the Proms, under the former Music Controller John Drummond. Drummond, like Hearst, believed that the music programmes' presentation was too stiff and formal and he therefore encouraged announcers to be more natural and enthusiastic. Repeats of classic drama performances by the likes of John Gielgud and Paul Scofield were also included because, in his view, newer drama was "gloomy and pretentious". He also introduced features and celebrations of the anniversaries of famous figures including William Glock, Michael Tippett and Isaiah Berlin. Drummond also introduced the show Mixing It which targeted the music genres that fell between Radios 1 and 3, often seen as a precursor to the programme Late Junction.
  During Drummond's time, Radio 3 also began to experiment with outside broadcasts including an ambitious Berlin Weekend to mark the reunification of Germany in 1990 and a much praised weekend of programming that was broadcast from London and Minneapolis-St Paul – creating broadcasting history by being the first time a whole weekend had been transmitted "live from another continent". However, Drummond complained about the former that "not one single senior person in the BBC had listened to any part of it", reflecting his general feeling that the BBC senior management paid little attention stating: "I can't remember ever having a serious conversation with anyone above me in the BBC about Radio 3 ... I would much rather have had the feeling that they thought it mattered what Radio 3 did."
  Drummond's successor was Nicholas Kenyon, previously chief music critic of The Observer, who took over in February 1992 and was immediately faced with the looming launch date for commercial competitor Classic FM who were, and still remain, Radio 3's biggest rivals. Kenyon, similar to Singer a decade earlier, believed that Radio 3 had to make changes to its presentation before the new station began broadcasting rather than react later. As a result, three senior producers were sent to study classical music stations in the United States and the station hired advertising agents Saatchi & Saatchi to help improve public perception. Kenyon's tenure was to meet with much controversy: in attempts to update the station's presentation, popular announcers Malcolm Ruthven, Peter Barker and Tony Scotland were axed as well as drama being cut by a quarter, resulting in a letter of protest to The Times signed by Harold Pinter, Tom Stoppard and Fay Weldon among others; two new programmes for drive time, entitled On Air and In Tune, were launched and a new three-hour programme of popular classics on Sunday mornings fronted by Brian Kay was also launched.
  These moves were defended by Kenyon who argued that the changes were not "some ghastly descent into populism" but were instead to create "access points" for new listeners. However, there was still "widespread disbelief" when it was announced in the summer that a new morning programme would take the 9 am spot from the revered Composer of the Week and would be presented by a signing from Classic FM – the disc jockey Paul Gambaccini. The criticism, especially once the programme went on air a few weeks later, was so unrelenting that Gambaccini announced the following spring that he would not be renewing his contract with Radio 3.
  However, Kenyon's controllership was marked by several highly distinguished programming successes. Fairest Isle was an ambitious project from 1995 which marked the 300th anniversary of the death of Henry Purcell with a year-long celebration of British music and the programme Sounding the Century, which ran for two years from 1997, presented a retrospective of 20th-century music. Both won awards.
  He also introduced a number of well received specialist programmes including children's programme The Music Machine, early music programme Spirit of the Age, jazz showcase Impressions, vocal music programme Voices and the arts programme Night Waves.
  BBC Radio 3 began nighttime transmiss
caption: The tercentenary of Henry Purcell's death was marked in 1995 by the award-winning Radio 3 series Fairest Isle
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