page_title: Martyn Jope
section_title: Life and career
hierarchical_section_title: Martyn Jope / Life and career
caption_attribution_description: The Snettisham Hoard Great Torc - gold torc from the Snettisham Hoard. Tag on exhibit reads: "The Great Torc, Snettisham, buried around 100 BC. The torc is one of the most elaborate golden objects from the ancient world. It is made from gold mixed with silver and weighs over 1 kg. Torcs are made from complex threads of metal, grouped into ropes and twisted around each other. The ends of the torc were cast in moulds and welded onto the metal ropes. Gift of The Art Fund. P&amp;E 1951,0402.2" See BM database entry for more details.
context_page_description: Edward Martyn Jope
  was an English archaeologist and chemist. He worked temporarily during the Second World War as a biochemist. Following the war, he returned to working in archaeology, first as a medievalist and later as a prehistorian.
context_section_description: Martyn Jope studied at Oriel College, Oxford. While studying for his first degree in chemistry, he worked intensively on the archaeology of the city of Oxford. Soon he joined the Oxford University Archaeological Society and in due course became secretary and president.
  His first appointment was in 1938 by the Royal Commission on the Ancient and Historical Monuments of Wales. Until the outbreak of World War II, he excavated the medieval settlement of Bere together with R. I. Threlfall, near the village of North Tawton on the River Taw in Devon and created one of the first recorded plans of an English medieval farmhouse.
  During World War II, he temporarily gave up the archaeology and received in 1940 a grant from the Nuffield Foundation for the study of haemoglobins in human blood at the London Hospital in Whitechapel. Later, the Medical Research Council supported his research on the application of spectroscopic methods and chemical-biological spectro-microscopy for biological studies, but later he moved back towards archaeology. In 1946, Jope was elected a Fellow of the Society of Antiquaries of London.
  In 1949, Jope received a call for a new post as a lecturer of Archaeology at Queen's University Belfast at the suggestion of geography Professor Emyr Estyn Evans. This lectureship has evolved into a department under Jope, first as a lecturer from 1954 to 1963, and then as professor from 1963 until his retirement in 1981.
  Jope maintained a house in Oxford for his holidays and later retirement. He used this as the basis for his English field work, especially on the subject of medieval pottery in the southwest of England. From there, he has excavated Ascot d'Oilly Castle, Deddington Castle, the medieval pottery kilns at Brill and some medieval sites in Oxford.
  He devoted himself to various parts of the provincial archaeology publications on topics such as the Neolithic Axe trade, metalwork from the Iron Age, the raths and earthworks of the early Christian period, such as the fort of Dunglady, medieval castles and the houses of the plantations of the 18th Century.
  The result was the publication of the magisterial archaeological survey of County Down in 1966. This was the first systematic examination of the entire Archaeology of an Irish county.
  In 1963 he became a Fellow of the British Academy. Until the early 1960s he was one of the main actors in the development of the archaeology of the Middle Ages either by the survey of buildings, by the study of ceramics or by being one of the first teams excavating a medieval city. His attention then turned to more research on the Iron Age, in particular the completion of a book on the art of this period in the British Isles. He published his preliminary studies on the subject, but unfortunately he did not survive the final release of the entire work.
  The two-volume work, "Early Celtic Art in the British Isles" was published posthumously and provides a comprehensive analysis of the development of the Celtic designs from the 4th Century BC to the beginnings of the British Romanization in the 1st Century AD. Jope showed the unique traces of the origins of art on the islands of Great Britain by a variety of art objects, especially swords, scabbards and brooches, and examined the development of the decoration of ceremonial armour and shields. The use of gold in the 3rd Century BC and images of humans, animals and plants are also discussed and compared in the whole work amongst each other and with Celtic artefacts. Weapons, armour, vessels, mirrors, jewellery and horse equipment illustrate the sophistication of Celtic designs. A large part of the study to take a single Celtic design elements, such as the use of S-shapes and spirals, the principles of design and metal working techniques and tools.
  He led the campaign of the British Academy for a separate state funds for archaeological research since 1976 and served in its first science-based Archaeology Committee. The creation of the Department of Archaeological Sciences at the University of Bradford goes back to his inspiration. He was a vis
caption: Celtic Art - The "Great Torc" from the Snettisham Hoard, 1st century BC.
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