page_title: Scuola del Santo
hierarchical_section_title: Scuola del Santo
caption_attribution_description: English: Morosini's discovery records the only instance of Titian's use of three-dimensional technique of his career. shows a detail from Titian's fresco, The Miracle of the Jealous Husband, where Titian built three-dimensionally with the intonaco, the hand and arm of the wife, instead of the two-dimensional effects he uses throughout the painting. Morosini's photograph records the only instance of Titian's use of three-dimensional technique within a painting in his entire oevre. Author of the Photograph, Sergio Rossetti Morosini. Subject: Jealous Husband, fresco, detail by Titian, 1511, in the Scuola del Santo in Padova, Italy. Atributtion required. Reproduction/distribution for commercial use only with Author's written permission.
context_page_description: The Scuola del Santo or Scoletta was the headquarters of the Archconfraternity of St Anthony of Padua. It overhangs the churchyard of Basilica of Saint Anthony of Padua, next door to the St. George's Oratory.
  The Confraternity built the Scoletta in 1427 and it was expanded in 1504 with the Sala Priorale decorated with a cycle of fifteen frescoes and three canvases, which were worked on by the young Titian between 1510 and 1511. He was entrusted with three paintings of miracles performed by Anthony of Padua, The Miracle of the Newborn, The Miracle of the Healed Foot and The Miracle of the Jealous Husband. The three large frescoes were painted by him between April and December 1511 in the main room of the Scuola del Santo - they were is first large-scale independent work. The raised arm of the wife in Husband is sculpted in relief rather than painted illusionistically.
context_section_description: The Scuola del Santo or Scoletta was the headquarters of the Archconfraternity of St Anthony of Padua. It overhangs the churchyard of Basilica of Saint Anthony of Padua, next door to the St. George's Oratory.
  The Confraternity built the Scoletta in 1427 and it was expanded in 1504 with the Sala Priorale (Prior's Room) decorated with a cycle of fifteen frescoes and three canvases, which were worked on by the young Titian between 1510 and 1511. He was entrusted with three paintings of miracles performed by Anthony of Padua, The Miracle of the Newborn, The Miracle of the Healed Foot and The Miracle of the Jealous Husband. The three large frescoes were painted by him between April and December 1511 in the main room of the Scuola del Santo - they were is first large-scale independent work. The raised arm of the wife in Husband  is sculpted in relief rather than painted illusionistically.
caption: Titian, Miracle of the Jealous Husband, 1511: detail under raking light, photographed by  Ana and Sergio Rossetti Morosini 1992, Padua, Italy
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