page_title: Kamala Chakravarty
section_title: International years with Ravi Shankar
hierarchical_section_title: Kamala Chakravarty / Biography / International years with Ravi Shankar
caption_attribution_description: English: Ravi Shankar and colleagues holding cups of tea
context_page_description: Kamala Chakravarty is an Indian classical musician and former dancer, known for her association with sitar maestro Ravi Shankar. From 1967 until the late 1970s, she accompanied Shankar, in the role of tambura player and singer, in a number of acclaimed performances, including the Monterey International Pop Festival, his Human Rights Day duet with violinist Yehudi Menuhin, the Concert for Bangladesh and the Music Festival from India. She also lived with Shankar as his wife from 1967 to 1981, during which he was still married to musician and teacher Annapurna Devi.
  While in her teens, Chakravarty trained and performed with Uday Shankar's dance company. She is the younger sister of noted Hindustani classical vocalist Lakshmi Shankar and the widow of Bombay film director Amiya Chakravarty.
context_section_description: Following Amiya Chakravarty's death in 1957, Shankar and Chakravarty renewed their relationship. She helped run his Kinnara School of Music from 1963 onwards, and after Shankar left Devi in 1967, they lived together until 1981, for much of the time in the United States.
  Chakravarty accompanied Shankar, on tambura or as a singer, on several of his recordings and international performances. These included his warmly received set with tabla player Alla Rakha at the Monterey International Pop Festival, in June 1967, the live album from which remains Shankar's highest-charting work on the Billboard pop albums chart. In December that year, she and Rakha accompanied Shankar and American violinist Yehudi Menuhin during their Human Rights Day duet in New York, which was the first recital of Indian classical music to be broadcast globally. Chakravarty subsequently contributed to the recording of the same piece, "Raga Piloo", for Menuhin and Shankar's album West Meets East, Volume 2 (1968).
  Also over 1967–68, she participated in filming for the Raga documentary (1971), appearing in footage of Shankar's performances from the period and as his companion in off-stage scenes filmed at the Monterey festival and (with Lakshmi) at the Los Angeles branch of his Kinnara School. Among other Shankar albums, she plays tambura on In San Francisco (1967) and Transmigration Macabre (1973), a soundtrack recorded in 1968 with French experimental percussionists Les Structures Sonores for the art film Viola. Later in 1968, she, Lakshmi and Jitendra Abhisheki were the singers in Shankar's Festival from India ensemble, which recorded an eponymous double album in Los Angeles before touring the United States.
  In August 1971, Chakravarty accompanied Shankar, sarod master Ali Akbar Khan and Rakha at the Concert for Bangladesh, held at New York's Madison Square Garden. The success of the resulting live album and concert film gained Indian music its largest audience up to that point. Although she provided a minor role in the performance, as the tambura player, George Harrison's introduction of Chakravarty to the New York audience ensured that her name became linked to the event.
  In 1973, Chakravarty was among the chorus singers at the Los Angeles sessions for Shankar's genre-fusing album Shankar Family & Friends (1974). The album was produced by Harrison and featured Lakshmi as lead vocalist and Shubho Shankar (Shankar's son by Devi) on sitar. In 1974, Chakravarty, Lakshmi and the latter's daughter Viji performed in Europe as part of Ravi Shankar's Music Festival from India, the first Indian orchestra to play in Europe. Her contributions, on tambura and as a backing singer, also appeared on the Music Festival's studio album, recorded in England at Harrison's Friar Park and released in 1976. That same year, Chakravarty participated in the recording of the third volume of Shankar and Menuhin's West Meets East series, issued in 1977. The album included "Morning Love", featuring Shankar and French flautist Jean-Pierre Rampal backed by Rakha and Chakravarty – a piece that Shankar later named as a favourite among his various collaborative works.
caption: Chakravarty's longtime romantic partner Ravi Shankar, pictured in Bombay during the recording of his score for the 1955 film Pather Panchali
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