page_title: Jacques Lipchitz
section_title: Selected works
hierarchical_section_title: Jacques Lipchitz / Selected works
context_page_description: Jacques Lipchitz was a Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915–16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the US and settled in New York City and eventually Hastings-on-Hudson.
context_section_description: Sailor with Guitar – 1917
  Drawing of a sculpture – 1916
  Bather – (1916–17)
  Woman with Book – (1918) at Carleton College
  Bather, bronze – 1923–25
  Reclining Nude with Guitar  – (1928), a prime example of Cubism
  Dancer with Veil – (1928)
  Dancer – (1929)
  The Song of the Vowels –  (Le Chant des Voyelles), – (1931) cast bronze sculptures at Cornell University; Princeton University; UCLA; Stanford University; Kykuit Estate Gardens (New York), Paris, and the Kröller-Müller Museum (Netherlands)
  Bull and Condor – (1932)
  Bust of a Woman  – (1932)
  David and Goliath  – (1933)
  Embracing Figures  –  (1941)
  Prometheus Strangling the Vulture  –  (1944)
  Rescue II- (1947)
  Mother and Child – (1949) at the Honolulu Museum of Art
  Daniel Greysolon, Sieur du Lhut - (1965) at the University of Minnesota Duluth
  Bellerophon Taming Pegasus: Large Version  –  (1966–1977), begun in 1966 and arrived at Columbia Law School in pieces for assembly in 1977
  Peace on Earth – (1967–1969)
  Government of the People – (1976)
caption: Amedeo Modigliani, 1916, Jacques and Berthe Lipchitz
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