page_title: Étienne Geoffroy Saint-Hilaire
section_title: Later career
hierarchical_section_title: Étienne Geoffroy Saint-Hilaire / Later career
caption_attribution_description: English: A cartoon of Geoffroy as an ape (supposedly an Orang-utan) with Cuvier in background
context_page_description: Étienne Geoffroy Saint-Hilaire was a French naturalist who established the principle of "unity of composition". He was a colleague of Jean-Baptiste Lamarck and expanded and defended Lamarck's evolutionary theories. Geoffroy's scientific views had a transcendental flavor and were similar to those of German morphologists like Lorenz Oken. He believed in the underlying unity of organismal design, and the possibility of the transmutation of species in time, amassing evidence for his claims through research in comparative anatomy, paleontology, and embryology.
context_section_description: In 1809, the year after his return to France, Geoffroy was made professor of zoology at the faculty of sciences at Paris, and from that period he devoted himself more exclusively than before to anatomical study. In 1818 he published the first part of his celebrated Philosophie anatomique, the second volume of which, published in 1822, and subsequent memoirs account for the formation of monstrosities on the principle of arrest of development, and of the attraction of similar parts.
  Geoffroy's friend Robert Edmund Grant shared his views on unity of plan and corresponded with him while working on marine invertebrates in the late 1820s in Edinburgh (assisted in 1826 and 1827 by his student Charles Darwin) when Grant successfully identified the pancreas in molluscs. When, in 1830, Geoffroy proceeded to apply to the invertebrata his views as to the unity of animal composition, he found a vigorous opponent in Cuvier, his former friend.
  Geoffroy, a synthesiser, contended, in accordance with his theory of unity of plan in organic composition, that all animals are formed of the same elements, in the same number; and with the same connections: homologous parts, however they differ in form and size, must remain associated in the same invariable order. With Johann Wolfgang von Goethe he held that there is in nature a law of compensation or balancing of growth, so that if one organ take on an excess of development, it is at the expense of some other part; and he maintained that, since nature takes no sudden leaps, even organs which are superfluous in any given species, if they have played an important part in other species of the same family, are retained as rudiments, which testify to the permanence of the general plan of creation. It was his conviction that, owing to the conditions of life, the same forms had not been perpetuated since the origin of all things, although it was not his belief that existing species are becoming modified.
  Cuvier, who was an analytical observer of facts, admitted only the prevalence of laws of co-existence or harmony in animal organs, and maintained the absolute invariability of species, which he declared had been created with a regard to the circumstances in which they were placed, each organ contrived with a view to the function it had to fulfil, thus putting, in Geoffroy's considerations, the effect for the cause.
  In 1836 he coined the term phocomelia.
  In July 1840, Geoffroy became blind, and some months later he had a paralytic attack. From that time his strength gradually failed him. He resigned his chair at the museum in 1841, and was succeeded by his son, Isidore Geoffroy Saint-Hilaire.  He died in 1844.
caption: Cartoon of Geoffroy as an ape, with Cuvier in the background, by Jean Ignace Isidore Gérard Grandville, 1842
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