page_title: Orchid Ensemble
hierarchical_section_title: Orchid Ensemble
caption_attribution_description: English: Left to right - Jonathan Bernard (percussion), Lan Tung (erhu), and Bei Bei He(zheng)
context_page_description: The Orchid Ensemble is a Canadian musical ensemble formed in 1997 in Vancouver. It is led by Lan Tung from Taiwan on erhu, with Yu-Chen Wang from Taiwan on guzheng and Jonathan Bernard from Canada on various percussion instruments. Former guzheng players include Haiqiong Deng, Mei Han, Geling Jiang, and Bei Bei He.
  The trio combines musical traditions from China and elsewhere, and its repertoire ranges from the traditional and contemporary music of China, world music, new music and creative improvisation.
  Active in North America, the ensemble gives close to one hundred performances every year, including music festivals, community concerts, primary and secondary school presentations, and university and college residencies. In the United States they have performed at the Kennedy Center for the Performing Arts, the Smithsonian Institution, the Detroit Institute of Arts and at Benaroya Hall for the Seattle Symphony Society.
context_section_description: The Orchid Ensemble is a Canadian musical ensemble formed in 1997 in Vancouver. It is led by Lan Tung from Taiwan on erhu, with Yu-Chen Wang from Taiwan on guzheng and Jonathan Bernard from Canada on various percussion instruments. Former guzheng players include Haiqiong Deng, Mei Han, Geling Jiang, and Bei Bei He.
  The trio combines musical traditions from China and elsewhere, and its repertoire ranges from the traditional and contemporary music of China, world music, new music and creative improvisation.
  Active in North America, the ensemble gives close to one hundred performances every year, including music festivals, community concerts, primary and secondary school presentations, and university and college residencies. In the United States they have performed at the Kennedy Center for the Performing Arts, the Smithsonian Institution, the Detroit Institute of Arts and at Benaroya Hall for the Seattle Symphony Society. Canadian performances included Ottawa's National Arts Centre, Canada Day Celebrations, Harbourfront Centre, Vancouver Jazz, Folk and Children's festivals, National Arts Gallery, National Library of Canada, Ottawa Chamber Music Festival, Jazz Festival, and Folk Festival, Sunfest, Halifax’s JazzEast, and Montreal’s Centre Pierre Péladeau.
  The Orchid Ensemble actively commissions new compositions, and its repertoire includes works by Mark Armanini, Dorothy Chang, Moshe Denburg, Janet Danielson, Sutrisno Hartana, Hope Lee, Kenneth Newby, John Oliver, Paul Plimley, Farshid Samandari, John Sharpley, Barry Truax, Matthew Tran-Adams, Lan Tung,  David Vayo, Yawen Wang, Jin Zhang, and Rui Shi Zhuo,. Its unique instrumentation provides composers a new vehicle for expression. By performing contemporary works to Folk and World Music audiences while conversely performing traditional music to a New Music audience, the ensemble breaks down boundaries between musical genres.
  The Orchid Ensemble’s concert productions represent its commitment to premiering Canadian music and presenting innovative cross-cultural programs. Past collaborators included Flicker Arts Collaboratory, Uzume Taiko, Sutrisno Hartana, Madrigal Singers of Vancouver Community College, Egret Ladies Choir (Taiwan), pianist/composer Ya-wen V. Wang, Iranian santur player Alan Kushan, African percussionist ManDido Morris and Jewish woodwind player Mike Braverman. Special projects included “Road to Kashgar” – a Silk Road project, “Jews in China”- exploring a thousand-years’ connection of the two cultures, “Contemporary Chinese New Year” – contemporary works by Chinese Canadians. These projects have pushed the musicians to expand their vocabulary and develop new musical languages.
  Interdisciplinary projects: “Gold Mountain Dream” (2011) explored cultural conflicts and diaspora with multimedia, spoken words and music; “Mountain High River Flow...without end” (2011)  featured animated landscape painting with original music and classic poetry; “Ghost Project” (2008) searched for a connection between humans and spirits through the practices of music, dance, media arts, and scenographic installations; “Triaspora” (2007) explored the Chinese Canadian experience, incorporating Asian traditions with contemporary expression in an exhilarating mix of style, movement and sound; “Parting at Yang Kuan” (2006) brought together Asian poetry and music, enhanced with multimedia and featured poetry reading by Britannia Secondary School students; “Café de Chinitas” (2006) combined fiery Flamenco footwork and Chinese sensitivity with Mozaico Flamenco Dance Theatre. In “Multi Media: Road to Kashgar” (2005), the rhythms, modes and character of the exotic lands of the Silk Road was enhanced by an animated video and imagery environment. The ensemble has so far collaborated with media artists Kenneth Newby, Aleksandra Dulic and Donna Szoke, contemporary Chinese dancers/choreographers Jessica Jone and Changxin Wei, Dervish dancer Raqib Brian Burke, Flamenco dancers/choreographers Oscar Nieto and Kasandra Lea, and Chinese calligraphers Yim Tse and Yukman Lai.
  Through educational programs
caption: Left to right - Jonathan Bernard (percussion), Lan Tung (erhu), and Bei Bei He(zheng)
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