page_title: Michel de Montaigne
section_title: Related writers and influence
hierarchical_section_title: Michel de Montaigne / Related writers and influence
caption_attribution_description: English: Student takes notes during annual Montaigne scholarship competition at Shimer College in Chicago in February 2011. A copy of en:J.M. Cohen's translation of Montaigne's Essays lies to the student's right.
context_page_description: Michel Eyquem de Montaigne, also known as Lord of Montaigne, was one of the most significant philosophers of the French Renaissance, known for popularizing the essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with intellectual insight. His massive volume Essais contains some of the most influential essays ever written.
  Montaigne had a direct influence on Western writers including Francis Bacon, René Descartes, Blaise Pascal, Jean-Jacques Rousseau, Virginia Woolf, Albert Hirschman, William Hazlitt, Ralph Waldo Emerson, Friedrich Nietzsche, Stefan Zweig, Eric Hoffer, Isaac Asimov, and possibly, on the later works of William Shakespeare.
  During his lifetime, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that, "I am myself the matter of my book", was viewed by his contemporaries as self-indulgent.
context_section_description: Thinkers exploring ideas similar to Montaigne include Erasmus, Thomas More, and Guillaume Budé, who all worked about fifty years before Montaigne. Many of Montaigne's Latin quotations are from Erasmus' Adagia, and most critically, all of his quotations from Socrates. Plutarch remains perhaps Montaigne's strongest influence, in terms of substance and style. Montaigne's quotations from Plutarch in the Essays number more than 500.
  Ever since Edward Capell first made the suggestion in 1780, scholars have suggested Montaigne to be an influence on Shakespeare. The latter would have had access to John Florio's translation of Montaigne's Essais, published in English in 1603, and a scene in The Tempest "follows the wording of Florio [translating Of Cannibals] so closely that his indebtedness is unmistakable".
  Most parallels between the two may be explained, however, as commonplaces: as similarities with writers in other nations to the works of Cervantes and Shakespeare could be due simply to their own study of Latin moral and philosophical writers such as Seneca the Younger, Horace, Ovid, and Virgil.
  Much of Blaise Pascal's skepticism in his Pensées has been attributed traditionally to his reading Montaigne.
  The English essayist William Hazlitt expressed boundless admiration for Montaigne, exclaiming that "he was the first who had the courage to say as an author what he felt as a man. ... He was neither a pedant nor a bigot.  ... In treating of men and manners, he spoke of them as he found them, not according to preconceived notions and abstract dogmas". Beginning most overtly with the essays in the "familiar" style in his own Table-Talk, Hazlitt tried to follow Montaigne's example.
  Ralph Waldo Emerson chose "Montaigne; or, the Skeptic" as a subject of one of his series of lectures entitled, Representative Men, alongside other subjects such as Shakespeare and Plato. In "The Skeptic" Emerson writes of his experience reading Montaigne, "It seemed to me as if I had myself written the book, in some former life, so sincerely it spoke to my thought and experience." Friedrich Nietzsche judged of Montaigne: "That such a man wrote has truly augmented the joy of living on this Earth". Sainte-Beuve advises us that "to restore lucidity and proportion to our judgments, let us read every evening a page of Montaigne."
  The American philosopher Eric Hoffer employed Montaigne both stylistically and in thought. In Hoffer's memoir, Truth Imagined, he said of Montaigne, "He was writing about me. He knew my innermost thoughts." The British novelist John Cowper Powys expressed his admiration for Montaigne's philosophy in his books, Suspended Judgements (1916) and The Pleasures of Literature (1938). Judith N. Shklar introduces her book Ordinary Vices (1984), "It is only if we step outside the divinely ruled moral universe that we can really put our minds to the common ills we inflict upon one another each day. That is what Montaigne did and that is why he is the hero of this book. In spirit he is on every one of its pages..."
  Twentieth-century literary critic Erich Auerbach called Montaigne the first modern man. "Among all his contemporaries", writes Auerbach (Mimesis, Chapter 12), "he had the clearest conception of the problem of man's self-orientation; that is, the task of making oneself at home in existence without fixed points of support".
caption: Student taking notes on Montaigne's Essays at Shimer College
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