page_title: Anton Chekhov
section_title: Sakhalin
hierarchical_section_title: Anton Chekhov / Biography / Sakhalin
caption_attribution_description: English: Chekhov
context_page_description: Anton Pavlovich Chekhov was a Russian playwright and short-story writer who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov practiced as a medical doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress."
  Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text".
context_section_description: In 1890, Chekhov undertook an arduous journey by train, horse-drawn carriage, and river steamer to the Russian Far East and the katorga, or penal colony, on Sakhalin Island, north of Japan, where he spent three months interviewing thousands of convicts and settlers for a census. The letters Chekhov wrote during the two-and-a-half-month journey to Sakhalin are considered to be among his best. His remarks to his sister about Tomsk were to become notorious.
  Tomsk is a very dull town. To judge from the drunkards whose acquaintance I have made, and from the intellectual people who have come to the hotel to pay their respects to me, the inhabitants are very dull, too.
  Chekhov witnessed much on Sakhalin that shocked and angered him, including floggings, embezzlement of supplies, and forced prostitution of women. He wrote,  "There were times I felt that I saw before me the extreme limits of man's degradation." He was particularly moved by the plight of the children living in the penal colony with their parents. For example:
  On the Amur steamer going to Sakhalin, there was a convict who had murdered his wife and wore fetters on his legs. His daughter, a little girl of six, was with him. I noticed wherever the convict moved the little girl scrambled after him, holding on to his fetters. At night the child slept with the convicts and soldiers all in a heap together.
  Chekhov later concluded that charity was not the answer, but that the government had a duty to finance humane treatment of the convicts. His findings were published in 1893 and 1894 as Ostrov Sakhalin (The Island of Sakhalin), a work of social science, not literature. Chekhov found literary expression for the "Hell of Sakhalin" in his long short story "The Murder," the last section of which is set on Sakhalin, where the murderer Yakov loads coal in the night while longing for home. Chekhov's writing on Sakhalin is the subject of brief comment and analysis in Haruki Murakami's novel 1Q84. It is also the subject of a poem by the Nobel Prize winner Seamus Heaney, "Chekhov on Sakhalin" (collected in the volume Station Island). Rebecca Ruth Gould has compared Chekhov's book on Sakhalin to Katherine Mansfield's Urewera Notebook (1907).
caption: Anton Chekhov in 1893
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