page_title: Tourism in Kerala
section_title: Culture
hierarchical_section_title: Tourism in Kerala / Culture
caption_attribution_description: The face of a Kathakali artist Kerala, India
context_page_description: Kerala, a state situated on the tropical Malabar Coast of southwestern India, is one of the most popular tourist destinations in the country. Named as one of the ten paradises of the world by National Geographic Traveler, Kerala is famous especially for its ecotourism initiatives and beautiful backwaters. Its unique culture and traditions, coupled with its varied demography, have made Kerala one of the most popular tourist destinations in the world. Growing at a rate of 13.31%, the tourism industry is a major contributor to the state's economy.
  Until the early 1980s, Kerala was a relatively unknown destination, with most tourism circuits concentrated around the north of the country. Aggressive marketing campaigns launched by the Kerala Tourism Development Corporation—the government agency that oversees tourism prospects of the state—laid the foundation for the growth of the tourism industry. In the decades that followed, Kerala Tourism was able to transform itself into one of the niche holiday destinations in India. The tag line Kerala – God's Own Country was adopted in its tourism promotions and became a global superbrand.
context_section_description: Kerala's culture is mainly Hindu in origin, deriving from a greater Tamil-heritage region known as Tamilakam. Later, Kerala's culture was elaborated on through centuries of contact with overseas cultures. Native performing arts include koodiyattom, kathakali—from katha ("story") and kali ("play")—and its offshoot Kerala Natanam, koothu (akin to stand-up comedy), mohiniaattam ("dance of the enchantress"), thullal, padayani, thirayattam, and theyyam. Other arts are more religion- and tribal-themed. These include chavittu nadakom, oppana (originally from Malabar), which combines dance, rhythmic hand clapping, and ishal vocalisations. However, many of these art forms largely play to tourists or at youth festivals, and are not as popular among most ordinary Keralites, who look to more contemporary art and performance styles, including those employing mimicry and parody. Additionally, a substantial Malayalam film industry effectively competes against both Bollywood and Hollywood.
  Several ancient ritualised arts are Keralite in origin; these include kalaripayattu (kalari ("place", "threshing floor", or "battlefield") and payattu ("exercise" or "practice")). Among the world's oldest martial arts, oral tradition attributes kalaripayattu's emergence to Parasurama. Other ritual arts includeThirayattam, theyyam, poorakkali and Kuthiyottam. Thirayattam is a ritual performing folk aet form of south malabe region in kerala.This vibrant art form blend of dance, music, theatre, satire, facial & body painting, masking, martial art and ritualistic function.Thirayattam enacted i courtyards of "Kaavukal"(sacred groves)and village shrine.
  Kuthiyottam is a ritualistic symbolic representation of human bali (homicide). Folklore exponents see this art form, with enchanting well–structured choreography and songs, as one among the rare Adi Dravida folklore traditions still preserved and practised in Central Kerala in accordance with the true tradition and environment. Typical to the Adi Dravida folk dances and songs, the movements and formations of dancers (clad in white thorthu and banyan) choreographed in Kuthiyottam are quick, peaks at a particular point and ends abruptly. The traditional songs also start in a stylish slow pace, then gain momentum and end abruptly.
  Kuthiyotta Kalaris', run by Kuthiyotta Ashans (Teachers or leaders), train the group to perform the dances and songs. Normally, the training starts about one to two months before the season. Young boys between 8 and 14 years are taught Kuthiyottam, a ritual dance in the house amidst a big social gathering before the portrait of the deity. Early in the morning on Bharani, after the feast and other rituals, the boys whose bodies are coiled with silver wires, one end of which is tied around his neck and an arecanut fixed on the tip of a knife held high over his head, are taken in procession to the temple with the accompaniment of beating of drums, music, ornamental umbrellas, and other classical folk art forms, and richly caparisoned elephants.
  All through the way to the temple tender coconut water will be continually poured on his body. After the circumambulation the boys stands at a position facing the Sreekovil (Sanctum Sanctorum) and begins to dance. This ceremony ends with dragging the coil pierced to the skin whereby a few drops of blood comes out.
  On this day just after midday the residents of the locality bring huge decorated effigies of Bhima panchalia, Hanuman and extremely beautiful tall chariots in wheeled platforms, and after having darshan the parties take up their respective position in the paddy fields lying east of the temple.
  During the night, the image of Devi will be carried in procession to the effigies stationed in the paddy fields. On the next day these structures will be taken back. A big bazaar is also held at Chetikulangara as part of this festival. Kuthiyottam is the main vazipadu of the Chettikulangara temple, Mavelikkara.
  In respect of Fine Arts, the State has an abounding tradition of both ancient and contemporary art and artists. The traditional Kerala mura
caption: Face of a Kathakali artist (Kathi Vesham)
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