page_title: Jules Pascin
section_title: Career
hierarchical_section_title: Jules Pascin / Career
context_page_description: Julius Mordecai Pincas, known as Pascin, Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed.
  Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45.
context_section_description: Like Henri de Toulouse-Lautrec, Pascin drew upon his surroundings and his friends, both male and female, as subjects. During the 1920s, Pascin mostly painted fragile petites filles, prostitutes waiting for clients, or models waiting for the sitting to end. His fleetingly rendered paintings sold readily, but the money he made was quickly spent. Famous as the host of numerous large parties in his flat, whenever he was invited elsewhere for dinner, he arrived with as many bottles of wine as he could carry. He frequently led a large group of friends on summer picnics beside the River Marne, where their excursions lasted all afternoon.
  According to his biographer, Georges Charensol:
  Scarcely had he chosen his table at the Dôme or the Sélect than he would be surrounded by five or six friends; at nine o'clock, when we got up to dinner, we would be 20 in all, and later in the evening, when we decided to go up to Montmartre to Charlotte Gardelle's or the Princess Marfa's—where Pascin loved to take the place of the drummer in the jazz band—he had to provide for 10 taxis.
  Among Pascin's circle of Parisian friends was Ernest Hemingway, whose memoir A Moveable Feast includes a chapter titled "With Pascin At the Dôme", which recounts a night in 1923 when he met Pascin and two of his young models for drinks at the café.
caption: Portrait of Mimi Laurent, c. 1927–28, oil on canvas, Hirshhorn Museum and Sculpture Garden, Washington, DC.
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