page_title: Realization (figured bass)
hierarchical_section_title: Realization (figured bass)
caption_attribution_description: English: 'A Music Party' oil on canvas, by Philip Mercier (1689-1760)
context_page_description: Realization is the art of creating music, typically an accompaniment, from a figured bass, whether by improvisation in real time, or as a detained exercise in writing. It is most commonly associated with Baroque music.
  Competent performers of the era were expected to realize a stylistically appropriate accompaniment from a mere harmonic sketch, called a figured bass, and to do it at sight. A system that allowed much flexibilty, it became a lost art, but was revived in the 20th century by scholar-performers.
  To realize a figured bass by writing down the actual notes to be played was a traditional exercise for students learning harmony and composition, and is used by music editors.
  It was rare for established composers of the Baroque era to write down realizations. With few exceptions, those that have survived are short teaching demonstrations, or else student exercises. From this exiguous material must present-day scholars seek to recover the styles of the period, which varied considerably from time to time and place to place.
context_section_description: Realization is the art of creating music, typically an accompaniment, from a figured bass,  whether by improvisation in real time, or as a detained exercise in writing.  It is most commonly associated with Baroque music.
  Competent performers of the era were expected to realize a stylistically appropriate accompaniment from a mere harmonic sketch, called a figured bass, and to do it at sight.  A system that allowed much flexibilty, it became a lost art, but was revived in the 20th century by scholar-performers.
  To realize a figured bass by writing down the actual notes to be played was (and is) a traditional exercise for students learning harmony and composition, and is used by music editors. 
  It was rare for established composers of the Baroque era to write down realizations.  With few exceptions, those that have survived are short teaching demonstrations, or else student exercises.  From this exiguous material must present-day scholars seek to recover the styles of the period, which varied considerably from time to time and place to place.
caption: Philip Mercier (1689-1760), A Music Party.  A viol player looks over the harpsichordist's shoulder to see the figured bass line.  18th century amateurs routinely realized accompaniments from figured bass.
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