page_title: Exposition Internationale des Arts et Techniques dans la Vie Moderne
section_title: German Pavilion
hierarchical_section_title: Exposition Internationale des Arts et Techniques dans la Vie Moderne / Pavilions / German Pavilion
caption_attribution_description: Détail de la carte de l'exposition de 1937 (zone du Trocadéro et de la Tour Eiffel) Le palais de Tokyo est construit pour accueillir le musée d'art moderne de la ville de Paris (toujours en place) et le Musée national d'art moderne (qui a déménagé au centre G. Pompidou). Le Palais d'Iéna, (pavillon des travaux publics, aujourd'hui conseil économique, social et environnemental) est construit par Auguste Perret, mais ne sera terminé qu'en 1946. Sur la carte, il est représenté terminé alors qu'en 1937 une seule aile a été édifiée. Article de Wikipedia sur l'exposition de 1937 fr.wikipedia.org/wiki/Exposition_universelle_de_1937 Site de l'exposition Robert Delaunay au musée national d'art moderne (Centre Georges Pompidou) www.centrepompidou.fr/cpv/resource/cjGRbr/rgGo4r
context_page_description: The Exposition Internationale des Arts et Techniques dans la Vie Moderne was held from 25 May to 25 November 1937 in Paris, France. Both the Palais de Chaillot, housing the Musée de l'Homme, and the Palais de Tokyo, which houses the Musée d'Art Moderne de la Ville de Paris, were created for this exhibition that was officially sanctioned by the Bureau International des Expositions.
context_section_description: Two of the other notable pavilions were those of Nazi Germany and the Soviet Union. The organization of the world exhibition had placed the German and the Soviet pavilions directly across from each other. Hitler had desired to withdraw from participation, but his architect Albert Speer convinced him to participate after all, showing Hitler his plans for the German pavilion. Speer later revealed in his autobiographies that he had had a clandestine look at the plans for the Soviet pavilion, and had designed the German pavilion to represent a bulwark against Communism.
  The preparation and construction of the exhibits were plagued by delay. On the opening day of the exhibition, only the German and the Soviet pavilions had been completed. This, as well as the fact that the two pavilions faced each other, turned the exhibition into a competition between the two great ideological rivals.
  Speer's pavilion was culminated by a tall tower crowned with the symbols of the Nazi state: an eagle and the swastika. The pavilion was conceived as a monument to "German pride and achievement". It was to broadcast to the world that a new and powerful Germany had a restored sense of national pride. At night, the pavilion was illuminated by floodlights. Josef Thorak's sculpture Comradeship stood outside the pavilion, depicting two enormous nude males, clasping hands and standing defiantly side by side, in a pose of mutual defense and "racial camaraderie".
caption: Map of the exhibition
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