page_title: Seeds of Destiny
hierarchical_section_title: Seeds of Destiny
caption_attribution_description: English: Title card from Seeds of Destiny, a 1946 short propaganda film about the aftermath of the Holocaust produced by the U.S. War Department.
context_page_description: Seeds of Destiny is a 1946 short propaganda film about the despairing situation faced by millions of children in the wake of the Holocaust who were homeless, parentless, orphaned, and in poor health. The film was produced by the Defense Department of The U.S. Army War Department to keep the world's attention focused on the suffering of displaced and orphaned refugee children in transit and displaced persons camps in Europe and to champion the work of UNRRA. It was the winner of the Oscar for Best Documentary Short Subject in 1946. It was directed by accomplished short film — and later feature film — director David Miller.
  In countries throughout Europe, as soon as an area had been liberated by the armed forces of the United Nations or as a consequence of retreat of the enemy, the U.S. Army Signal Corps filmed dramatic images of neglected and injured children in displaced persons' camps, refugee camps or wandering the streets in the rubble of bombed out cities.
  By 1944, the United States had joined with other nations as a signatory with the United Nations Relief and Rehabilitation Administration.
context_section_description: Seeds of Destiny is a 1946 short propaganda film about the despairing situation faced by millions of children in the wake of the Holocaust who were homeless, parentless, orphaned, and in poor health. The film was produced by the Defense Department of The U.S. Army War Department to keep the world's attention focused on the suffering of displaced and orphaned refugee children in transit and displaced persons camps in Europe and to champion the work of UNRRA. It was the winner of the Oscar for Best Documentary Short Subject in 1946. It was directed by accomplished short film — and later feature film — director David Miller.
  In countries throughout Europe, as soon as an area had been liberated by the armed forces of the United Nations or as a consequence of retreat of the enemy, the U.S. Army Signal Corps filmed dramatic images of neglected and injured children in displaced persons' camps, refugee camps or wandering the streets in the rubble of bombed out cities.
  By 1944, the United States had joined with other nations as a signatory with the United Nations Relief and Rehabilitation Administration (UNRRA). The film was premiered before the UNRRA in 1946, and the revenue raised from its distribution was pledged to relieve suffering of the civilians affected by the war, and to assist in their repatriation.
caption: The film's title card
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