page_title: Wales
section_title: Visual arts
hierarchical_section_title: Wales / Culture / Visual arts
caption_attribution_description: English: The Bard, 1774, by Welsh artist Thomas Jones. Oil on Canvas, now belonging to the National Museum of Wales in Cardiff
context_page_description: Wales is a country that is part of the United Kingdom. It is bordered by England to the east, the Irish Sea to the north and west, and the Bristol Channel to the south. It had a population in 2011 of 3,063,456 and has a total area of 20,779 km². Wales has over 1,680 miles of coastline and is largely mountainous with its higher peaks in the north and central areas, including Snowdon, its highest summit. The country lies within the north temperate zone and has a changeable, maritime climate.
  Welsh national identity emerged among the Britons after the Roman withdrawal from Britain in the 5th century, and Wales is regarded as one of the modern Celtic nations. Llywelyn ap Gruffudd's death in 1282 marked the completion of Edward I of England's conquest of Wales, though Owain Glyndŵr briefly restored independence to Wales in the early 15th century. The whole of Wales was annexed by England and incorporated within the English legal system under the Laws in Wales Acts 1535 and 1542. Distinctive Welsh politics developed in the 19th century. Welsh Liberalism, exemplified in the early 20th century by Lloyd George, was displaced by the growth of socialism and the Labour Party.
context_section_description: Works of Celtic art have been found in Wales. In the Early Medieval period, the Celtic Christianity of Wales was part of the Insular art of the British Isles. A number of illuminated manuscripts from Wales survive, including the 8th-century Hereford Gospels and Lichfield Gospels. The 11th-century Ricemarch Psalter (now in Dublin) is certainly Welsh, made in St David's, and shows a late Insular style with unusual Viking influence.
  Some Welsh artists of the 16th–18th centuries tended to leave the country to work, moving to London or Italy. Richard Wilson (1714–1782) is arguably the first major British landscapist. Although more notable for his Italian scenes, he painted several Welsh scenes on visits from London. By the late 18th century, the popularity of landscape art grew and clients were found in the larger Welsh towns, allowing more Welsh artists to stay in their homeland. Artists from outside Wales were also drawn to paint Welsh scenery, at first because of the Celtic Revival.
  An Act of Parliament in 1857 provided for the establishment of a number of art schools throughout the United Kingdom and the Cardiff School of Art opened in 1865. Graduates still very often had to leave Wales to work, but Betws-y-Coed became a popular centre for artists and its artists' colony helped form the Royal Cambrian Academy of Art in 1881.The sculptor Sir William Goscombe John made works for Welsh commissions, although he had settled in London. Christopher Williams, whose subjects were mostly resolutely Welsh, was also based in London. Thomas E. Stephens and Andrew Vicari had very successful careers as portraitists based respectively in the United States and France.
  Welsh painters gravitated towards the art capitals of Europe. Augustus John and his sister Gwen John lived mostly in London and Paris. However, the landscapists Sir Kyffin Williams and Peter Prendergast lived in Wales for most of their lives, while remaining in touch with the wider art world. Ceri Richards was very engaged in the Welsh art scene as a teacher in Cardiff and even after moving to London. He was a figurative painter in international styles including Surrealism. Various artists have moved to Wales, including Eric Gill, the London-Welshman David Jones and the sculptor Jonah Jones. The Kardomah Gang was an intellectual circle centred on the poet Dylan Thomas and poet and artist Vernon Watkins in Swansea, which also included the painter Alfred Janes.
  South Wales had several notable potteries, one of the first important sites being the Ewenny Pottery in Bridgend, which began producing earthenware in the 17th century. In the 18th and 19th centuries, with more scientific methods becoming available more refined ceramics were produced led by the Cambrian Pottery (1764–1870, also known as "Swansea pottery") and later Nantgarw Pottery near Cardiff, which was in operation from 1813 to 1822 making fine porcelain and then utilitarian pottery until 1920. Portmeirion Pottery, founded in 1960 by Susan Williams-Ellis, daughter of Clough Williams-Ellis, creator of the Italianate village of Portmeirion, Gwynedd, is based in Stoke-on-Trent, England.
caption: The Bard, 1774, by Thomas Jones (1742–1803)
exif: {}