page_title: Septimal kleisma
hierarchical_section_title: Septimal kleisma
caption_attribution_description: English: Septimal kleisma: two major thirds and one septimal minor third.
context_page_description: In music, the ratio 225/224 is called the septimal kleisma. It is a minute comma type interval of approximately 7.7 cents. Factoring it into primes gives 2⁻⁵ 3² 5² 7⁻¹, which can be rewritten 2⁻¹ ². That says that it is the amount that two major thirds of 5/4 and a septimal major third, or supermajor third, of 9/7 exceeds the octave. If the septimal kleisma is tempered out, as it is for instance in miracle temperament, septimal meantone temperament, septimal magic temperament and in many equal temperaments, for example 12, 19, 22, 31, 41, 53, 72 or 84 equal, then an augmented triad consisting of two major thirds and a supermajor third making up an octave becomes possible. The existence of such a chord, which might be termed the septimal kleisma augmented triad, is a significant feature of a tuning system.
  The septimal kleisma can also be viewed as the difference between the diatonic semitone and the septimal diatonic semitone.
context_section_description: In music, the ratio 225/224 is called the septimal kleisma ( play ). It is a minute comma type interval of approximately 7.7 cents. Factoring it into primes gives 2⁻⁵ 3² 5² 7⁻¹, which can be rewritten 2⁻¹ (5/4)² (9/7). That says that it is the amount that two major thirds of 5/4 and a septimal major third, or supermajor third, of 9/7 exceeds the octave. If the septimal kleisma is tempered out, as it is for instance in miracle temperament, septimal meantone temperament, septimal magic temperament and in many equal temperaments, for example 12, 19, 22, 31, 41, 53, 72 or 84 equal, then an augmented triad consisting of two major thirds and a supermajor third making up an octave becomes possible. The existence of such a chord, which might be termed the septimal kleisma augmented triad, is a significant feature of a tuning system.
  The septimal kleisma can also be viewed as the difference between the diatonic semitone (16:15) and the septimal diatonic semitone (15:14).
caption: Septimal kleisma: B7 upside-down♯
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