page_title: Santiago de Compostela Cathedral
section_title: South façade or das Pratarías
hierarchical_section_title: Santiago de Compostela Cathedral / Exterior of the cathedral / South façade or das Pratarías
caption_attribution_description: ¨raza das Praterias; cathedral of Santiago de Compostela, Spain
context_page_description: The Santiago de Compostela Cathedral is part of the Roman Catholic Archdiocese of Santiago de Compostela and is an integral component of the Santiago de Compostela World Heritage Site in Galicia, Spain. The cathedral is the reputed burial place of Saint James the Great, the apostle of Jesus Christ. It is also one of the only three known churches in the world built over the tomb of an apostle of Jesus, the other two being St. Peter's Basilica in Vatican City and St. Thomas Cathedral Basilica, Chennai in India.
  The cathedral has historically been a place of pilgrimage on the Way of St. James since the Early Middle Ages and marks the traditional end of the pilgrimage route. The building is a Romanesque structure, with later Gothic and Baroque additions.
context_section_description: The façade of the Silverware (Pratarías in Galician) is the southern façade of the transept of the cathedral of Santiago de Compostela; it is the only Romanesque façade that is preserved in the cathedral. It was built between 1103 and 1117 and elements from other parts of the cathedral have been added in subsequent years. The square is bound by the cathedral and cloister on two sides. Next to the cathedral is the Casa do Cabido.
  It has two entrance doors in degradation with archivolts and historical tympanums. The archivolts are attached over eleven columns, three are of white marble (middle and corners) and the rest of granite. In the center are the figures of twelve prophets and the Apostles on the sideline. On the tympanums is a large frieze separated from the upper body by a strip supported by grotesque corbels; on this floor are two windows decorated with Romanesque archivolts.
  In the central frieze is Christ, with various characters and scenes. On the right six figures belong to the choir of Master Mateo that were placed in the late 19th century. The original provision of the iconographic elements was invalidated since in the 18th century numerous images were introduced recovered from the dismantled Acibecharía facade. A central medallion shows the Eternal Father (or Transfiguration) with open hands and on the top surface there are four angels with trumpets heralding the Final Judgment.
  In the tympanum of the left door is Christ tempted by a group of demons. To the right is a half-dressed woman with a skull in her hands, which could be Eve or the adulterous woman. This figure is not praying on her knees but is sitting on two lions. The jambs are Saint Andrew and Moses. In the left abutment, the Biblical King David seated on his throne with his legs crossed, translucent through the thin fabric of his clothes, and playing what appears to be a rebec, personifies the triumph over evil and is an outstanding Romanesque work, sculpted by Master Esteban. The creation of Adam and Christ's blessing is also shown. Many of these figures come from the Romanesque façade of the north or do Paraíso (current façade of the Acibecharía) and were placed on this façade in the 18th century.
  
  In the tympanum of the right door there are several scenes from the Passion of Christ and the Adoration of the Magi. In one of the jambs is the inscription commemorating the laying of the stone:
   Registration follows the Roman calendar, according to the computation of the Spanish era, corresponding to July 11, 1078. An image, unidentified, of a fox eating a rabbit and, against this, a badly dressed woman with an animal in her lap. Supported on the wall of the tower Berenguela appear other images representing the creation of Eve, Christ on a throne, and the Binding of Isaac.
caption: The square of the Romanesque façade das Pratarías, this facade keep the trace of its second church, which was built between 1103 and 1117.
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