page_title: Quyllurit'i
section_title: Pilgrims
hierarchical_section_title: Quyllurit'i / Pilgrims
caption_attribution_description: Festive Costume
context_page_description: Quyllurit'i or Qoyllur R'iti is a syncretic religious festival held annually at the Sinakara Valley in the southern highlands Cusco Region of Peru. Local indigenous people of the Andes know this festival as a native celebration of the stars. In particular they celebrate the reappearance of the Pleiades constellation, known in Quechua as Qullqa, or "storehouse," and associated with the upcoming harvest and New Year. The Pleiades disappears from view in April and reappears in June. The new year is marked by indigenous people of the Southern Hemisphere on the Winter Solstice in June, and it is also a Catholic festival. The people have celebrated this period of time for hundreds if not thousands of years. The pilgrimage and associated festival was inscribed in 2011 on the UNESCO Intangible Cultural Heritage Lists.
  According to the Catholic Church, the festival is in honor of the Lord of Quyllurit'i and it originated in the late 18th century. The young native herder Mariano Mayta befriended a mestizo boy named Manuel on the mountain Qullqipunku. Thanks to Manuel, Mariano's herd prospered, so his father sent him to Cusco to buy a new shirt for Manuel.
context_section_description: The Quyllurit'i festival attracts more than 10,000 pilgrims annually, most of them indigenous peoples from rural communities in nearby regions. They are from two moieties: Quechua-speaking Paucartambo, people from agricultural communities located to the northwest of the shrine in the provinces of Cusco, Calca, Paucartambo and Urubamba; and Aymara-speaking Quispicanchis, which encompasses those living to the southeast in the provinces of Acomayo, Canas, Canchis and Quispicanchi,  This geographic division also reflects social and economic distinctions, as the Quechuas of Paucartambo cultivate agricultural crops, whereas Quispicanchis is populated by the Aymara, whose lives are based on animal husbandry, especially herds of alpaca and llama. 
  Peasants from both moieties undertake an annual pilgrimage to the Quyllurit'i festival, with representatives of each community carrying a small image of Christ to the sanctuary. Together, these delegations include a large troupe of dancers and musicians dressed in four main styles:
  Ch'unchu: wearing feathered headdresses and carrying a wood staff, the ch'unchus represent the indigenous inhabitants of the Amazon Rainforest, to the north of the sanctuary. There are several types of ch'unchu dancers; the most common is wayri ch'unchu, which comprises up to 70% of all Quyllurit'i dancers.
  Qhapaq Qulla: dressed in a "waq'ullu" knitted mask, a hat, a woven sling and a llama skin, qullas represent the Aymara inhabitants of the Altiplano to the south of the sanctuary. Qulla is considered a mestizo dance style, whereas ch'unchu is regarded as indigenous.
  Ukuku: clad in a dark coat and a woolen mask, the ukukus (spectacled bear) represent the role of tricksters; they speak in high-pitched voices, and play pranks, but have the serious responsibility of keeping order among the thousands of pilgrims. Some also go up to the glacier to spend the night. They cut blocks of glacier ice and carry them on their backs to their people at the festival in the valley. When melted, the water is believed to be medicinal for body and mind. It is used for holy water in the churches during the next year. In Quechua mythology, ukukus are the offspring of a woman and a bear, feared by everyone because of their supernatural strength. In these stories, the ukuku redeems itself by defeating a condenado, a cursed soul, and becoming an exemplary farmer.
  Machula: wearing a mask, a humpback, and a long coat, and carrying a walking stick, machulas represent the ñawpa machus, the mythical first inhabitants of the Andes. In a similar way to the ukukus, they perform an ambiguous role in the festival, being comical as well as constabulary figures.
  Quyllur Rit'i also attracts visitors from outside the Paucartambo and Quispicanchis moieties. Since the 1970s, an increasing number of middle-class mainstream Peruvians undertake the pilgrimage, some of them at a different date than more traditional pilgrims. There has also been a rapid growth in the number of North American and European tourists drawn to the indigenous festival, prompting fears that it is becoming too commercialized. The pilgrimage and associated festival were inscribed in 2011 on the UNESCO Intangible Cultural Heritage Lists.
caption: Festive costume of Qhapaq Qulla dancers
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