page_title: Thomas Phillipps
section_title: The Collection
hierarchical_section_title: Thomas Phillipps / The Collection
caption_attribution_description: English: by Amelia Elizabeth Guppy, salted paper print, 1853, Houghton Library, Harvard
context_page_description: Sir Thomas Phillipps, 1st Baronet, was an English antiquary and book collector who amassed the largest collection of manuscript material in the 19th century. He was an illegitimate son of a textile manufacturer and inherited a substantial estate, which he spent almost entirely on vellum manuscripts and, when out of funds, borrowed heavily to buy manuscripts, thereby putting his family deep into debt. Phillipps recorded in an early catalogue that his collection was instigated by reading various accounts of the destruction of valuable manuscripts. Such was his devotion that he acquired some 40,000 printed books and 60,000 manuscripts, arguably the largest collection a single individual has created, and coined the term "vello-maniac" to describe his obsession, which is more commonly termed bibliomania.
context_section_description: In 1808, when Phillipps was 16 years old, he already owned 112 books (largely Gothic chapbooks). Later in life he is recorded to have said that he wanted to own one of every book in the world. Philipps began collecting in earnest while still at Rugby, and his manuscript catalog from 1811, now at the Grolier Club, shows a turn in his collecting from 1808. He continued buying books when he went on to University College Oxford and graduated in 1815. In 1820, he was elected a Fellow of the Royal Society.
  A. N. L. Munby notes that, "[Phillipps] spent perhaps between two hundred thousand and a quarter of a million pounds[,] altogether four or five thousand pounds a year, while accessions came in at the rate of forty or fifty a week.". Phillipps would go into book shops and purchase the entire stock; he would receive dealers catalogues and buy all the listings; his agents bought entire lots of books at auction, outbidding his rival the British Museum. His country seat, Middle Hill near Broadway, Worcestershire gave over sixteen of twenty rooms to books.
  In 1850 at a meeting of the Cambrian Archaeological society (Cymdeithas Hynafiaethau Cymru), Phillips announced that he was seeking to locate his large collection at a location in Wales. He employed a distant relative by marriage, Amelia Elizabeth Guppy, to photograph some of his collection in 1853 including artefacts from Babylon and Utrecht.
  In 1863, Phillipps began to move the collection as he was fearful that his son-in-law, James Orchard Halliwell, would gain ownership of it when Phillipps's estranged daughter inherited Middle Hill. Halliwell was apparently a book thief (Phillips accused Halliwell of stealing his 1603 copy of Hamlet which he sold to the British Museum minus the title page containing Phillipps' book stamp) and also a destroyer of other valuable old books, cutting out pages to stick them in his scrapbook. At least 105 wagon-loads, each drawn by two horses and accompanied by one or two men, were used to move the collection to Thirlestaine House in Cheltenham over a period of eight months, leaving Middle Hill to fall to ruin. The previous owner of Thirlestaine House was John Rushout, 2nd Baron Northwick, whose important art collection had been sold in 1859 after he died intestate. There are thus numerous MSS named "Codex Middlehillianus", "Cheltenham Codex" or "Codex Cheltenhamensis".
  On his death in 1872 the probate valuation (by Edward Bond of the British Museum) of his manuscripts was £74,779 17s 0d. His success as a collector owed something to the dispersal of the monastic libraries following the French Revolution and the relative cheapness of a large amount of vellum material, in particular English legal documents, many of which owe their survival to Phillipps. He was an assiduous cataloguer who established the Middle Hill Press  (‘Typis Medio-Montanis’) in 1822 not only to record his book holdings but also to publish his findings in English topography and genealogy. The press was housed in Broadway Tower, a folly completed on Broadway Hill, Worcestershire, in 1798.
  During his lifetime, Phillipps attempted to turn over his collection to the British nation and corresponded with the then-Chancellor of the Exchequer Disraeli in order that it should be acquired for the British Museum. Negotiations proved unsuccessful and, ultimately, the dispersal of his collection took over 100 years. Phillipps's will stipulated that his books should remain intact at Thirlestaine House, that no bookseller or stranger should rearrange them and that no Roman Catholic, especially his son-in-law James Halliwell, should be permitted to view them. In 1885, the Court of Chancery declared this too restrictive and thus made possible the sale of the library which Phillipps's grandson Thomas FitzRoy Fenwick supervised for the next fifty years. Significant portions of the European material were sold to the national collections on the continent including the Royal Library, Berlin, the Royal Library of Belgium, and the Provincial Archives (:nl:Gemeentearchief) in Utrecht as well as the sal
caption: Still life with ancient Babylonian artifacts on books, salted paper print, 1853, by Amelia Elizabeth Guppy
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