page_title: Alexander Kircher
section_title: Life
hierarchical_section_title: Alexander Kircher / Life
caption_attribution_description: English: Germany, Saxony - Villa in the Lößnitz, around 1930 Deutsch: Deutschland, Land Sachsen - Villa in der Lößnitz, um 1930
context_page_description: Alexander Kircher was an Austrian-German marine and landscape painter and illustrator. Many of his paintings can be seen in museums in Germany, Austria, Croatia, and Slovenia while others are held by private owners in those same countries, as well as the United States of America, Great Britain, Scandinavia, and Greece.
  From time to time Kircher's paintings are presented for sale at such leading auction houses as Christie's and Bonhams in London, Sotheby's in New York, the Burchard Galleries in St. Petersburg, Florida, Stahl Hamburg, Van Ham Cologne, the Dorotheum in Vienna, and several others.
  The artist signed the majority of his paintings "Alex Kircher", sometimes adding the year of their creation. The Bergmann Auction House in Erlangen, Germany, maintains a directory of Kircher's various signature styles.
context_section_description: Kircher was born in Trieste, which belonged at that time to the Austro-Hungarian Empire (Habsburg Monarchy). As a young man he intended to choose the profession of a naval officer in the Austro-Hungarian Navy. Because of a foot injury his application was rejected. In 1888 he opted for studying painting at the Berlin Academy, where he concentrated mainly on marine painting from the start. His teachers were Hans Gude and Hermann Eschke.
  Kircher made numerous study trips throughout Europa, Asia, North America and Egypt. During these travels, he made several important paintings, drawings and illustrations. In 1893 he worked on the picturesque decoration of buildings at the World Exhibition in Chicago as well as panoramas and dioramas of the marine painter de:Hans von Petersen. In addition, Kircher worked as an illustrator for popular German and foreign magazines and publishers of which only a few can be mentioned: The Leipziger Illustrierte Zeitung or the modern illustrated weekly Reclams universe (Leipzig), the writings of the Austrian (Vienna) and the German fleet association (Berlin) and the Viennese publisher Philipp & Kramer, for which he designed the postcard series "Dalmatia and Istria". These include Feldpost, postcards which Kircher created for the Austrian Red Cross, the War Welfare Office or the War Aid Office and also for the London Postcard Publisher Raphael Tuck & Sons and the Swedish Postcards Publisher: "Gothenburg Lithographic AB and Meyer & Köster" etc. For some time Kircher owned a steam yacht, which he named Romana – this was his wife's name. With this ship he could better motives collect and draw maritime objects from the area. This he did for example in fleet parades.
  Between 1895 and 1900 he was a professor at the Art Academy in Trieste and married Romana Salmassi in the Chiesa di Sant'Antonio Taumaturgo on 15 October 1898. This marriage produced three sons and three daughters. In 1904, after a short stay in Vienna, Kircher moved from Trieste to Dresden, where he lived until 1906 and where he joined the General German Art Cooperative as a freelance artist. In 1906 the family moved to Moritzburg. From 1922 the Kirchers occupied a villa at 6 Jagdweg in Niederlößnitz and from 1933 to about 1935 they lived in Kötzschenbroda-Niederlößnitz. In June 1935, Kircher's wife died. The painter then moved to Klotzsche, where he took up residence in a building belonging to the former Air War School in that town.
  Influential members of the nobility and some industrialists – especially from the circles of Maritime Navigation – promoted the artist. First of them Emperor Franz Joseph I and Emperor Wilhelm II. On behalf of these two monarchs, Kircher painted numerous images of the Austro-Hungarian Navy and the Imperial German Navy. His paintings were also found on the large passenger ships of the time, as well as in the offices of well known shipping companies and shipyards and of course also in private ownership. During World War II, several images got lost or disappeared. An example of the many lost images is the large oil painting of the steamship Columbus ("The Columbus in the Kaiser lock"). This painting was given by the North German Lloyd as a gift to the city of Bremerhaven on the occasion of its 100th anniversary in 1927. The painting has disappeared at the end of World War II (1945). Others of his paintings have been preserved for posterity and can be seen in many museums today; see list of locations excerpt.
  Kircher concluded his life's work with a series of one hundred paintings which documented the development of German shipping over a millennium and which hung in the Institute and Museum of Oceanography MfM. of the University of Berlin. The current location of the works is unknown, reproductions have since appeared as an image panel work (1934) and in book form (1939) and recently only in parts on CD-ROM (2010). Meanwhile, 22 images, of which the majority is from the collection of MfM, were rediscovered in the archives of Wehrgeschichtliches Training Centre of the Naval Academy Mürwik in Flensburg-Mürwik. Kir
caption: The villa at 6 Jagdweg, Niederlößnitz, where Kircher and his family lived from 1922 to 1933
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