page_title: Franco-Provençal language
section_title: Literature
hierarchical_section_title: Franco-Provençal language / Literature
caption_attribution_description: Jean-Baptiste Cerlogne (1826-1910)
context_page_description: Franco-Provençal is a dialect group within Gallo-Romance spoken in east-central France, western Switzerland, northwestern Italy, and in enclaves in the Province of Foggia in Apulia, Italy.
  Franco-Provençal has several distinct dialects and is separate from but closely related to neighboring Romance dialects.
  The designation Franco-Provençal dates to the 19th century. Traditionally, the dialect group is also referred to as patois
  , and since the late 20th century as Arpitan, and its areal as Arpitania. The number of speakers of Franco-Provençal has been declining significantly. According to UNESCO, Franco-Provençal is a "potentially endangered language" in Italy and an "endangered language" in Switzerland and France.
  Formerly spoken throughout the territory of Savoy, Franco-Provençal speakers are now found in the Aosta Valley, an autonomous administrative division of Italy.
  The language is also spoken in alpine valleys in the Metropolitan City of Turin, two isolated towns in the Province of Foggia, and rural areas of the Swiss Romandie.
context_section_description: A long tradition of Franco-Provençal literature exists, although no prevailing written form of the language has materialized. An early 12th century fragment containing 105 verses from a poem about Alexander the Great may be the earliest known work in the language. Girart de Roussillon, an epic with 10,002 lines from the mid-12th century, has been asserted to be Franco-Provençal. It certainly contains prominent Franco-Provençal features, although the editor of an authoritative edition of this work claims that the language is a mixture of French and Occitan forms. A significant document from the same period containing a list of vassals in the County of Forez also is not without literary value.
  Among the first historical writings in Franco-Provençal are legal texts by civil law notaries that appeared in the 13th century as Latin was being abandoned for official administration. These include a translation of the Corpus Juris Civilis (known as the Justinian Code) in the vernacular spoken in Grenoble. Religious works also were translated and conceived in Franco-Provençal dialects at some monasteries in the region. The Legend of Saint Bartholomew is one such work that survives in Lyonnais patois from the 13th century.
  Marguerite d'Oingt (ca. 1240–1310), prioress of a Carthusian nunnery near Mionnay (France), composed two remarkable sacred texts in her native Lyonnais dialect, in addition to her writings in Latin. The first, entitled Speculum ("The Mirror"), describes three miraculous visions and their meanings. The other work, Li Via seiti Biatrix, virgina de Ornaciu ("The Life of the Blessed Virgin Beatrix d'Ornacieux"), is a long biography of a nun and mystic consecrated to the Passion whose faith lead to a devout cult. This text contributed to the beatification of the nun more than 500 years later by Pope Pius IX in 1869. A line from the work in her dialect follows:
  § 112 : « Quant vit co li diz vicayros que ay o coventavet fayre, ce alyet cela part et en ot mout de dongiers et de travayl, ancis que cil qui gardont lo lua d'Emuet li volissant layssyer co que il demandavet et que li evesques de Valenci o volit commandar. Totes veys yses com Deus o aveyt ordonat oy se fit. »
  Religious conflicts in Geneva between Calvinist Reformers and staunch Catholics, supported by the Duchy of Savoy, brought forth many texts in Franco-Provençal during the early 17th century. One of the best known is Cé qu'è lainô ("The One Above"), which was composed by an unknown writer in 1603. The long narrative poem describes l'Escalade, a raid by the Savoyard army that generated patriotic sentiments. It became the unofficial national anthem of the Republic of Geneva. The first three verses follow below (in Genevois dialect) with a translation:
  Several writers created satirical, moralistic, poetic, comic, and theatrical texts during the era that followed, which indicates the vitality of the language at that time. These include: Bernardin Uchard (1575–1624), author and playwright from Bresse; Henri Perrin, comic playwright from Lyon; Jean Millet (1600?–1675), author of pastorals, poems, and comedies from Grenoble; Jacques Brossard de Montaney (1638–1702), writer of comedies and carols from Bresse; Jean Chapelon (1647–1694), priest and composer of more than 1,500 carols, songs, epistles, and essays from Saint-Étienne; and François Blanc dit la Goutte (1690–1742), writer of prose poems, including Grenoblo maléirou about the great flood of 1733 in Grenoble. 19th century authors include Guillaume Roquille (1804–1860), working-class poet from Rive-de-Gier near Saint-Chamond, Joseph Béard dit l'Éclair (1805–1872), physician, poet, and songwriter from Rumilly, and Louis Bornet (1818–1880) of Gruyères. Clair Tisseur (1827–1896), architect of Bon-Pasteur Church in Lyon, published many writings under the pen name "Nizier du Puitspelu". These include a popular dictionary and humorous works in Lyonnaise dialect that have reprinted for more than 100 years.
  Amélie Gex (1835–1883) wrote in her native patois as well as French. She was a passionate advocate for her langu
caption: Jean-Baptiste Cerlogne originating from Saint-Nicolas, Aosta Valley
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