page_title: Thunderbirds (TV series)
section_title: Title sequence
hierarchical_section_title: Thunderbirds (TV series) / Production / Design and effects / Title sequence
caption_attribution_description: English: Gerry Anderson at the Odeon Covent Garden, London, UK. signing DVD's of his productions. 中文（繁體）‎: 《雷鳥神機隊》（Thunderbirds）的製作人葛瑞·安德森。
context_page_description: Thunderbirds is a British science-fiction television series created by Gerry and Sylvia Anderson, filmed by their production company AP Films and distributed by ITC Entertainment. It was produced between 1964 and 1966 using a form of electronic marionette puppetry combined with scale-model special effects sequences. Two series were filmed, comprising a total of thirty-two 50-minute episodes; production ceased following the completion of the second series' sixth episode when Lew Grade, the Andersons' financial backer, failed in his efforts to sell the programme to American network television.
  Set in the 2060s, Thunderbirds is a follow-up to the earlier Supermarionation productions Four Feather Falls, Supercar, Fireball XL5 and Stingray. It follows the exploits of International Rescue, a life-saving organisation equipped with technologically-advanced land, sea, air and space rescue craft; these are headed by a fleet of five vehicles named the Thunderbirds and launched from IR's secret base in the Pacific Ocean. The main characters are ex-astronaut Jeff Tracy, the founder of IR, and his five adult sons, who pilot the Thunderbird machines.
context_section_description: The series' title sequence, storyboarded by Gerry Anderson, is made up of two parts. It opens with a countdown of "5, 4, 3, 2, 1: Thunderbirds Are Go!", provided by Dyneley in character as Jeff Tracy. In a departure from the style of Stingray, the Thunderbirds title sequence varies with each episode: the first part consists of an action montage that serves as a preview of the plot. Simon Archer and Marcus Hearn, biographers of Gerry Anderson, compare this device favourably to a film trailer.
  The second part, accompanied by composer Barry Gray's "The Thunderbirds March", features portraits of the main puppet cast superimposed on various vehicles and settings. Peel describes this as "ostensibly a return to the 'series stars' concept long known in TV", while Garland considers such imagery demonstrative of Anderson's commitment to "incremental realism" through a convergence of human and puppet characteristics. Essayist Jonathan Bignell suggests that the use of portraits conveys Anderson's partiality to "visual revelation of machines and physical action".
  According to Daniel O'Brien, writer of SF:UK: How British Science Fiction Changed the World, the Thunderbirds title sequence encapsulates the reasons for the series' enduring popularity. Dyneley's countdown is particularly well remembered and has been widely quoted. Dean Newman of the Syfy channel website ranks Thunderbirds eighth in a list of "Top 10 TV title sequences", while Den of Geek's Martin Anderson considers the sequence the best of any TV series.
caption: Co-creator Gerry Anderson storyboarded the title sequence.
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