page_title: Portrait of Comtesse d'Haussonville
hierarchical_section_title: Portrait of Comtesse d'Haussonville
context_page_description: The Portrait of Comtesse d'Haussonville is an 1845 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres.
  The sitter was Louise de Broglie, Countess d'Haussonville, of the wealthy House of Broglie. The Princesse de Broglie, whom Ingres later portrayed c. 1851–53, was married to Louise's brother Albert de Broglie, the French monarchist politician, diplomat and writer. Highly educated, Louise de Broglie was later an essayist and biographer, and published historical romance novels based on the lives of Lord Byron, Robert Emmett and Margaret of Valois.
  The painting is one of the few portrait commissions Ingres accepted at the time, as he was more interested Neoclassical subject matter, which to his frustration was a far less lucrative source of income than portraiture. He had made a preparatory sketch and had begun an oil and canvas version two years earlier, but abandoned the commission when de Broglie became pregnant and was no longer able to pose for the long periods he required, and she had anyway found interminable and "boring". The final work is signed and dated at the lower left.
context_section_description: The Portrait of Comtesse d'Haussonville is an 1845 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres.
  The sitter was Louise de Broglie, Countess d'Haussonville, of the wealthy House of Broglie. The Princesse de Broglie, whom Ingres later portrayed c.  1851–53, was married to Louise's brother Albert de Broglie, the French monarchist politician, diplomat and writer. Highly educated, Louise de Broglie  was later an essayist and biographer, and published historical romance novels based on the lives of Lord Byron, Robert Emmett and Margaret of Valois.
  The painting is one of the few portrait commissions Ingres accepted at the time, as he was more interested Neoclassical subject matter, which to his frustration was a far less lucrative source of income than portraiture. He had made a preparatory sketch and had begun an oil and canvas version two years earlier, but abandoned the commission when de Broglie became pregnant and was no longer able to pose for the long periods he required, and she had anyway found interminable and "boring". The final work is signed and dated at the lower left.
caption: Ingres, Portrait of Comtesse d'Haussonville, 1845, 131.8 x 91cm. The Frick Collection, New York
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