page_title: The Big City (1928 film)
hierarchical_section_title: The Big City (1928 film)
caption_attribution_description: English: Window poster for the 1928 film The Big City. There are no copyright marks. At bottom is Country of origin USA. United States Copyright Office page 2 "Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies. 1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.” 2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles. 3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe."
context_page_description: The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. The film is now lost. The last known print of the film had been sent to Australia in the late 1950s. The film was returned to MGM and placed in their vaults where it was destroyed in the same vault fire that also claimed London After Midnight in 1965. A short trailer for the film survives at Cinémathèque française in France, but it does not include any footage from the film. This was Betty Compson's only film at MGM.
context_section_description: The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. The film is now lost. The last known print of the film had been sent to Australia in the late 1950s. The film was returned to MGM and placed in their vaults where it was destroyed in the same vault fire that also claimed London After Midnight in 1965. A short trailer for the film survives at Cinémathèque française in France, but it does not include any footage from the film. This was Betty Compson's only film at MGM.
caption: Film poster or trade advert.
exif: {}