page_title: Cutty Sark
section_title: Fundraising
hierarchical_section_title: Cutty Sark / Museum ship / Conservation and fire / Fundraising
caption_attribution_description: English: Shot of the clipper Cutty Sark in Greenwich, London, UK. Building work continuing to landscape the area surrounding the ship which is now re-emerging from surrounding scaffolding after reconstruction following the fire on the ship
context_page_description: Cutty Sark is a British clipper ship. Built on the River Leven, Dumbarton, Scotland in 1869 for the Jock Willis Shipping Line, she was one of the last tea clippers to be built and one of the fastest, coming at the end of a long period of design development, which halted as sailing ships gave way to steam propulsion.
  The opening of the Suez Canal meant that steamships now enjoyed a much shorter route to China, so Cutty Sark spent only a few years on the tea trade before turning to the trade in wool from Australia, where she held the record time to Britain for ten years. Improvements in steam technology meant that gradually steamships also came to dominate the longer sailing route to Australia, and the ship was sold to the Portuguese company Ferreira and Co. in 1895 and renamed Ferreira. She continued as a cargo ship until purchased in 1922 by retired sea captain Wilfred Dowman, who used her as a training ship operating from Falmouth, Cornwall. After his death, Cutty Sark was transferred to the Thames Nautical Training College, Greenhithe in 1938 where she became an auxiliary cadet training ship alongside HMS Worcester.
context_section_description: The design for the renovation project by Grimshaw architects with, during design development stage, newly established Youmeheshe architects and Buro Happold engineers involved raising the ship out of her dry berth using a Kevlar web, allowing visitors to pass under the hull to view it. Unfortunately it was discovered that the proposed web would not follow the reverse curves of the ship's hull which would effectively mask the hull's shape from view. An alternate design for the support of the ship had to be developed; this involved installing a deep steel belt around the hull tied by diagonal steel members passing through the hold to a new steel-reinforced keel. Horizontal tubular steel struts passing through the hold brace the diagonals apart while many of the corroded original hull frames have been doubled.
  A new steelwork lower deck of contemporary design incorporating an amphitheatre feature was installed in the main hold while a glass-encased lift installed within the ship terminates in a new steel-and-glass housing structure on the weather deck. A second new steel-and-glass box has been installed above the forehold to enclose a new staircase. Access to the ship is through a new opening cut through the hull below the waterline in the ship's starboard quarter. The new access hole has required the addition of new steel framing. Visitors arriving on board the ship now do so via this entrance, which leads to the lower hold. Maldwin Drummond, Chairman of the Cutty Sark Trust, has explained in Classic Boat magazine's September 2010 issue the need to retain the spirit of the ship and he quotes the ideal that "The visitor should see the ship as though for some unexplained reason the crew had gone ashore". Doubts over the wisdom of Grimshaw's proposals have been raised by many ship conservationists including the Cutty Sark Trust's own engineer Peter Mason.
  The project was costed at £25 million when it commenced in 2006 with £11.75 million of this total being provided by a grant from the Heritage Lottery Fund.
  Oscar-winning film producer Jerry Bruckheimer aided in the repair and restoration of Cutty Sark. A collection of photos taken by Bruckheimer went on display in London in November 2007 to help raise money for the Cutty Sark Conservation Project. The exhibition featured more than thirty pictures taken on set during the filming of Pirates of the Caribbean: At World's End.
  In January 2008, the Heritage Lottery Fund awarded the Cutty Sark Trust another £10 million towards the restoration of the ship, meaning that the Trust had now achieved £30 million of the £35 million needed for the completion of the project. In June 2008, Israeli shipping magnate Sammy Ofer donated the outstanding £3.3 million needed to fully restore the ship although by January 2009 the London Evening Standard reported that the cost had risen further to £40 million creating a new shortfall.
  In February 2010, The Daily Telegraph reported the project cost had risen to £46 million with public money now being made available by London Borough of Greenwich to fill the funding gap.
caption: Cutty Sark in February 2012, repairs nearing completion. The temporary cover which surrounded the ship during repair has been removed although workmen can still be seen on deck and in the rigging where not all yards have been replaced. Work was underway around the dock to lay new paving.
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