page_title: Giovanni Villani
section_title: Nuova Cronica
hierarchical_section_title: Giovanni Villani / Nuova Cronica
caption_attribution_description: The second panel of Paolo Uccello's Miracle of the Profaned Host from the Urbino Confraternity of Corpus Domini predella. A Jewish moneylender is cooking the host, which emanates blood. The Jew's wife, her unborn child, and her children look on in terror as the blood pours into the street in rivers while soldiers break through the door. The painting is structured around the Golden Section.
context_page_description: Giovanni Villani was an Italian banker, official, diplomat and chronicler from Florence who wrote the Nuova Cronica on the history of Florence. He was a leading statesman of Florence but later gained an unsavory reputation and served time in prison as a result of the bankruptcy of a trading and banking company he worked for. His interest in and elaboration of economic details, statistical information, and political and psychological insight mark him as a more modern chronicler of late medieval Europe. His Cronica is viewed as the first introduction of statistics as a positive element in history.
  However, historian Kenneth R. Bartlett notes that, in contrast to his Renaissance-era successors, "his reliance on such elements as divine providence links Villani closely with the medieval vernacular chronicle tradition." In recurring themes made implicit through significant events described in his Cronica, Villani also emphasized three assumptions about the relationship of sin and morality to historical events, these being that excess brings disaster, that forces of right and wrong are in constant struggle, and that events are directly influenced by the will of God.
context_section_description: Villani's work is an Italian chronicle written from the perspective of the political class of Florence just as the city rose to a rich and powerful position. Only scanty and partly legendary records had preceded his work, and there is little known of events before the death of Countess Matilda in 1115. The Chronica de origine civitatis was composed sometime before 1231, but there is little comparison between this work and Villani's; mid-20th-century historian Nicolai Rubinstein states that the legendary accounts in this earlier chronicle were "arbitrarily selected by a compiler whose learning and critical faculties were considerably below the standard of his age." In contrast, Rubinstein states Villani provided "a mature expression" of Florentine history. Yet Villani still relied upon the Chronica de origine civitatis as the prime source for Florence's early history in his narrative.
  In the 36th chapter of Book 8, Villani states that the idea of writing the Cronica was suggested to him during the jubilee of Rome in 1300, under the following circumstances after Pope Boniface VIII made in honor of Christ's nativity a great indulgence; Villani writes:
  And being on that blessed pilgrimage in the sacred city of Rome and seeing its great and ancient monuments and reading the great deeds of the Romans as described by Virgil, Sallust, Lucan, Livy, Valerius, Orosius, and other masters of history ... I took my prompting from them although I am a disciple unworthy of such an undertaking. But in view of the fact that our city of Florence, daughter and offspring of Rome, was mounting and pursuing great purposes, while Rome was in its decline, I thought it proper to trace in this chronicle the origins of the city of Florence, so far as I have been able to recover them, and to relate the city's further development at greater length, and at the same time to give a brief account of events throughout the world as long as it please God, in the hope of whose favor I undertook the said enterprise rather than in reliance on my own poor wits. And thus in the year 1300, on my return from Rome, I began to compile this book in the name of God and the blessed John the Baptist and in honor of our city of Florence.
  In his writing, Villani states that he considers Florence to be the "daughter and creation of Rome," but asserts Rome's decline and Florence's rise as a great city compelled him to lay out a detailed history of the city. To emphasize the imperial greatness of Florentine history, Villani also asserted that the city was given a second founding when it was rebuilt by Charlemagne (r. 800–814 as Holy Roman Emperor)—which was absent from the Chronica de origine civitatis. Historian J. K. Hyde writes that the idea of Florence being the daughter of Rome would have given the Florentines a sense of destiny, while the second founding by Charlemagne provided historical context for alliance with France, which Hyde calls "the touchstone of Guelphism". Villani's reasoning for Rome's decline was the schisms of the Church and rebellion against the papal institution, while the ascension of Otto I, Holy Roman Emperor (r. 962–973) allowed for the conditions of Florence's rise against enemies of papal authority, such as Florentine-conquered Fiesole. Villani was certain that the Republic of Florence had experienced a great setback on its path to glory with the defeat of the Guelphs by the Ghibellines at the Battle of Montaperti in 1260. Despite this, Villani states that the paramount prosperity and tranquility of the city by 1293 was evidenced by the fact that its gates were no longer locked at night and that indirect taxes such as the gate fee (common in times of war) were not levied. Historian Felicity Ratté states that the validity of this comment should be heavily scrutinized considering the Florence statutes of 1290 that designated employment for individuals in charge of locking the city gates. Villani also contradicts himself by writing of a night attack on Florence in 1323 which clearly demonstrates the fact that the gates were locked at night.
  In 1300 
caption: A scene in Paolo Uccello's Corpus Domini predella (c. 1465–1468), set in a Jewish pawnbroker's home. Blood in the background emanates from the Host, which the moneylender has attempted to cook, and seeps under the door.
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