page_title: Alvan Fisher
section_title: Career
hierarchical_section_title: Alvan Fisher / Career
context_page_description: Alvan Fisher was one of the United States's pioneers in landscape painting and genre works.
context_section_description: In 1815, at the age of twenty-two, he began his professional career, opening a studio on School Street in Boston. During his first ten years as a painter, he set the tone of his entire career.  
  He traveled extensively painting landscapes, rural scenes, portraits of animals, and portraits of people. The growing popularity of landscape and genre painting coincided with the growing population of the United States and an economically improved middle class. This was the age of democracy and people wanted art that depicted their own contemporary life.  
  In his book, Mirror to the American Past: A Survey of American Genre Painting, 1750-1900, Herman Warner Williams, Jr., wrote, "As our first native-born painter to specialize in genre subjects and to engage a wide audience for them, Alvan Fisher is entitled to more than the slight notice that has been given him ... Only the canny Alvan Fisher was successful in turning a profit from the new themes in his paintings."
  Fisher traveled throughout the northeastern United States searching out sites of landscape beauty such as the views of Springfield, Hartford, and Providence and the spectacular scenery of the White Mountains of New Hampshire.  He sketched outdoors and began to compose pastoral scenes in his studio before Thomas Cole, Thomas Doughty, Asher B. Durand, or others of the Hudson River School gave serious attention to nature. The Watering Place, 1816, now in the collection of Fruitlands Museum, Harvard, Massachusetts, is his earliest extant pure landscape.  His paintings of Niagara Falls, commissioned by Judge Daniel Appleton White of Salem, Massachusetts, were completed following his visit there in 1820.  
  His interest in depicting topographical subjects was activated when he obtained a commission to paint views of Harvard College. These paintings were executed expressly for the purpose of issuing engravings for wide distribution to the public.  The images of Harvard Yard were later reproduced on Stafforshire transfer-printed earthenware produced by several English companies for the American market. He was commissioned by Charles Henry Hall, owner of the Harlem Stud Farm in New York, to paint portraits of the famous American race horses of the period. He completed at least six portraits of the renowned American Eclipse between 1822 and 1823. Lithograph prints made from these paintings were used in The American Turf Register, the first magazine attempting to improve the breeding of thoroughbred horses in America.
caption: Alvan Fisher (American, 1792–1863). View of Springfield on the Connecticut River, 1819. Oil on canvas. Brooklyn Museum
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