page_title: Mỹ Sơn
section_title: Building techniques
hierarchical_section_title: Mỹ Sơn / Archeology and architecture / Building techniques
caption_attribution_description: English: My Son sanctuary
context_page_description: Mỹ Sơn is a cluster of abandoned and partially ruined Hindu temples in Quảng Nam province, central Vietnam, constructed between the 4th and the 14th century by the Kings of Champa, an Indianized kingdom of the Cham people. The temples are dedicated to the worship of the god Shiva, known under various local names, the most important of which is Bhadreshvara.
  Mỹ Sơn is located near the village of Duy Phú, in the administrative district of Duy Xuyên in Quảng Nam Province in Central Vietnam, 69 km southwest of Da Nang, and approximately 10 km from the historic Champa capital of Trà Kiệu. The temples are in a valley roughly two kilometres wide that is surrounded by two mountain ranges.
  From the 4th to the 14th century AD, the valley at Mỹ Sơn was a site of religious ceremony for kings of the ruling dynasties of Champa, as well as a burial place for Cham royalty and national heroes. It was closely associated with the nearby Cham cities of Indrapura and Simhapura. At one time, the site encompassed over 70 temples as well as numerous stele bearing historically important inscriptions in Sanskrit and Cham.
context_section_description: Most of the temples at Mỹ Sơn were made of red brick, and only one (the temple labelled "B1") was made of stone. Even the decorative carvings on the Cham temples were cut directly onto the bricks themselves, rather than onto sandstone slabs inserted into brick walls as is observable for example in the 9th century Cambodian temple of Bakong.
  To this day, the construction techniques used by the Cham builders are not completely understood. Issues that have not been completely resolved include issues about the firing of the bricks, the mortar between the bricks, and decorative carvings found on the bricks.
  At what point in the building process were the bricks hardened by fire? Were the bricks hardened first, and then arranged in order to build the structures, or were the structures built out of partially hardened bricks, after which the entire structures were heated by fire to finish the hardening of the bricks? The hypothesis that the entire structures were reheated following assembly is supported by evidence that the mortar between the bricks was at some point subjected to high temperatures. The contrary hypothesis is supported by the observation that the structures bear no signs of scarring from large intense fires such as would be needed in order to reheat them as whole.
  How were the bricks stuck together? One hypothesis is that the builders at Mỹ Sơn developed a way to glue bricks together using tree resin native to central Vietnam. Another hypothesis is that the builders used a sticky mortar made from the same clay as the bricks themselves. The latter hypothesis is supported by chemical tests that have found no trace of any organic substance between the bricks, but instead have found mineral substances similar to those present in the core of the bricks. Today the mortar that once held the bricks together has largely decayed, and even a strong wind can knock loose bricks from the structures.
  At what point in the process were the decorative carvings made? Were the walls constructed and then carved, or were the bricks carved first and then assembled so as to create the walls? An examination of the carvings reveals no broken lines as would be expected if the bricks were carved first and then assembled; and as a result scholars have concluded that the Cham craftsmen made their carvings directly onto finished brick walls.
caption: The temples at Mỹ Sơn are made of a reddish brick. Decorative carvings have been cut directly into the bricks.
exif: {}