page_title: Peterskirche, Vienna
section_title: The new building
hierarchical_section_title: Peterskirche, Vienna / The new building
caption_attribution_description: Deutsch: Peterskirche English: St. Peter church's atrium (Peterskirche) Español: Atrio de la iglesia de San Pedro (Peterskirche)
context_page_description: The Peterskirche is a Baroque Roman Catholic parish church in Vienna, Austria. It was transferred in 1970 by the Archbishop of Vienna Franz Cardinal König to the priests of the Opus Dei.
context_section_description: The construction of the new Baroque church was begun around 1701 under Gabriele Montani, who was replaced by Johann Lukas von Hildebrandt in 1703. The design was inspired by the St. Peter's Basilica of the Vatican in Rome. Francesco Martinelli was the main architect. By 1722, most of the building was finished, and in 1733 the Peterskirche was finally consecrated to the Holy Trinity. The new church was the first domed structure in baroque Vienna. Due to the confinement of available space, it was built in a very compact form, with its oval interior housing an astonishing amount of space and rectangular attachments. The church makes an overwhelming impression on the visitor with its surprisingly rich interior filled with golden stucco.
  The turreted dome was mainly designed by Matthias Steinl, who was also responsible for the interior decoration and the pews with their fabulous cherubic heads. The frescoes were originally painted by the famous Italian Andrea Pozzo, whose paintings were removed after his death. As a result, in 1713, Johann Michael Rottmayr was able to start a completely new set. The fresco in the cupola represents the Coronation of Our Lady. On the triumphal arch one can see the coat of arms of emperor Leopold I. In the spandrels around the dome are portrayals of the four Evangelists and four Fathers of the Church, painted by the Viennese artist J.G. Schmidt. The same artist also painted the altarpiece in the side chapel of St. Michael.
  The Baroque high altar was created by Antonio Galli Bibiena and his Bolognese workshop (construction) and Martino Altomonte (1657–1745) (altarpiece). The altarpiece portrays the Healing of the Lame by St. Peter and St. John in Jerusalem. The same artist also painted the altarpiece in the side chapel of the Holy Family. The small painting of the Immaculate Conception above the high altar is by the 19th century artist Kupelwieser. The shrines in the side chapels of the Holy Family and St. Michael contain martyrs from Roman catacombs, donated by Cardinal Kollonitz in 1733. They were clothed in this period and placed in the glass coffins.
  The gilded, ornate pulpit is a magnificent sculpture by Matthias Steinl (1726) with on top of the canopy a representation of the Holy Trinity. Opposite the pulpit there is a dramatic gold-and-silver representation of the Martyrdom of St. John of Nepomuk, sculpted by Lorenzo Mattielli. On top of it is the beautiful statue of The Mother of God.
  Over the years, the paintings had become darker, and the interior began to take on a grey appearance.  From 1998 to 2004, the church underwent a renovation, which returned the paintings to their original rich colouring and brightness.
caption: View of the dome and altar
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