page_title: Pocahontas (1995 film)
section_title: Writing
hierarchical_section_title: Pocahontas (1995 film) / Production / Writing
caption_attribution_description: English: American animator Tom Sito during a September 16, 2013 lecture on the history of computer animation at Manhattan's SVA Theatre, which is part of Sito's alma mater, the School of Visual Arts. The lecture was followed by a signing for Sito's then-new book, Moving Innovation: A History of Computer Animation. This photo was created by Luigi Novi. It is not in the public domain, and use of this file outside of the licensing terms is a copyright violation. If you would like to use this image outside of the Wikimedia projects, you may do so, only if I am properly credited, either by linking the photograph to this page, or with an easily visible credit placed near the photo in each instance in which it is used. Please credit authorship as follows: &#160;© Luigi Novi / Wikimedia Commons. Please maintain the original file name in all uses. You can see a gallery of some of my other photos here. If you have any questions, you can contact me by sending me an email or leaving a note at the bottom of my Wikipedia talk page.
context_page_description: Pocahontas is a 1995 American animated musical romantic drama film loosely based on the life of the Native American woman Pocahontas. It portrays a fictionalized account of her historical encounter with Englishman John Smith and the Jamestown settlers that arrived from the Virginia Company. The film was produced by Walt Disney Feature Animation and released by Walt Disney Pictures on June 16, 1995. It is the 33rd Disney animated feature film and the sixth film produced and released during the period known as the Disney Renaissance.
  The film was directed by Mike Gabriel and Eric Goldberg. The voice cast stars Irene Bedard and Mel Gibson as Pocahontas and Smith, respectively, with David Ogden Stiers, Russell Means, Christian Bale, Billy Connolly and Linda Hunt providing other voices. The score was written by Alan Menken, who also wrote the film's songs along with Stephen Schwartz.
  After making his directorial debut with The Rescuers Down Under, Gabriel conceived the film during a Thanksgiving weekend. The project went into development concurrently with The Lion King and attracted most of Disney's top animators.
context_section_description: In January 1993, Carl Binder joined the project, having previous expertise as a television writer on shows such as Punky Brewster, War of the Worlds, Friday the 13th: The Series, and Top Cops. Four months later, Susannah Grant and Philip LaZebnik joined the writing team. Susannah Grant was selected by Disney as a screenwriter on Pocahontas after winning the Nicholl Fellowships in Screenwriting awarded by the Academy of Motion Picture Arts and Sciences the year before while still attending film school. On board as a screenwriter, she was only one of the many who was contributing the specific vision the upper management at Disney had in mind, and collaborated with Native American consultants. While working on the movie, Susannah Grant wrote to a specific story outline, and no scene was rewritten less than thirty-five times until she felt it was perfect.
  Story supervisor Tom Sito, who became the project's unofficial historical consultant, did extensive research into the early colonial era and the story of John Smith and Pocahontas, and was confronted over the historical inaccuracies from historians. Already knowing that in reality Pocahontas married John Rolfe, Gabriel explained it was felt that "the story of Pocahontas and Rolfe was too complicated and violent for a youthful audience" so instead, they would focus on Pocahontas's meeting with John Smith. The filmmakers discovered that Pocahontas was around twelve years old and Smith was "not a very likeable character", in which producer James Pentecost confessed that dramatic license was needed to be taken. Likewise, when searching for an appropriate age for Pocahontas to begin her relationship with Smith, Glen Keane explained, "We had the choice of being historically accurate or socially responsible, so we chose the socially responsible side" by increasing Pocahontas's age from a girl into a young woman.
  One of Gabriel's early ideas was for Pocahontas's mother to be embodied in a certain star in the sky that by the end of the film, she would help Pocahontas find her path to Smith. The Lion King however had concurrently carried a similar idea of the ancestors giving wisdom and guidance to the protagonist so the idea was discarded. Michael Eisner pushed for Pocahontas to have a mother, lamenting that "We're always getting fried for having no mothers." The writers countered that Powhatan was polygamous and formed dynastic alliances among other neighboring tribes by impregnating a local woman and giving away the child, so it was believed that Pocahontas herself probably did not see her mother that much. "Well", Eisner conceded, "I guess that means we're toasted." Ultimately, her mother's spirit would become the swirling wind that occurs throughout the film. For the villain, they chose John Ratcliffe, whose portrayal was based on actual English captains, including John Martin, Christopher Newport and Edward Maria Wingfield. In reality, it was Wingfield who despised John Smith, but the filmmakers preferred the sinister sound of "Ratcliffe". The writers would continue to adapt actual events into the film such as Pocahontas warning Smith that the Indians were after him so he could escape in the middle of the night, Powhatan ordering the captured Smith to make bead necklaces to humiliate him, and Pocahontas being captured by Ratcliffe instead of Samuel Argall, though none of them worked with the story.
  Sito mentioned that Joe Grant contributed heavily towards the film, as he was the creator of Redfeather, Meeko, and Flit. Redfeather was a wise-cracking turkey who was intended to be voiced by John Candy, and Percy, who was to be voiced by Richard E. Grant, was revised to become mute. Following the death of John Candy in March 1994, co-screenwriter Susannah Grant decided the turkey was inappropriate for the script she co-wrote for Pocahontas, and a more realistic approach would have the animals pantomime instead of talking. Joe Grant stated Redfeather "had comic potential–he thought he was handsome, a lady's man. When we decided he couldn't talk, and, having no hands, he couldn't mim
caption: Tom Sito served as the story supervisor.
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