page_title: Columbia Museum of Art
section_title: 1998 building and collections
hierarchical_section_title: Columbia Museum of Art / 1998 building and collections
context_page_description: The Columbia Museum of Art is an art museum in the American city of Columbia, South Carolina.
context_section_description: Following the opening of the South Carolina State Museum in 1988, the Columbia Museum of Art and Science eliminated its science component to focus its interests and resources on the role of an art museum. Despite the additional gallery space made available by the removal of the science displays and the planetarium, by the 1990s the museum had outgrown the Taylor House complex and the 7,000 sq. ft. (650m2) exhibition space there.
  The site eventually chosen for a new museum building was at the intersection of Main and Hampton Streets. This location was occupied by two adjacent department stores (Belk and Macy's) that then stood deserted. The Belk building was partially demolished to allow for the creation of a public space and sculpture garden, called Boyd Plaza, in front of the new museum. (The rear portion of the Belk building became the framework on which the TD Bank building was built).  The 2017 plaza renovation was a gift to the city from the Darnall W. and Susan F. Boyd Foundation Inc. The structural skeleton of the other department-store building, Macy's, provided the steel framework around which the new building was constructed. Designed by architects Bobby Lyles and Ashby Gressette of the Columbia-based firm of Stevens & Wilkinson, the new museum opened to the public in 1998 with 22,000 sq. ft. (2,055m2) of gallery space and 30,000 sq. ft. (2,787m2) for future utilization.
  The exterior of the new museum building, although postmodern in style and mirroring the former Macy's facade, preserves its earlier appearance through the use of brick veneer and the entrance portico of the institution's Taylor House past. The brick-paved Boyd Plaza includes the sculptures Upright Motive No. 8 (c. 1955-1956) by Henry Moore, Apollo Cascade (2007) by Robert Carroll, and Jali XXXVII (2013) by Steven Naifeh.
  The glass entry doors of the museum open into the Robinson Jr. atrium and Dubose-Preston Reception Hall, which extends to the full two-story height of the building. The inverted-truss roof design allows natural light. Since 2010, the atrium has included a 14-ft. (4.27m) chandelier composed of bundled strands of red, orange, and gold glass by Dale Chihuly, commissioned by The Contemporaries, the museum's young professional group. Adjacent to the atrium is a 164-seat auditorium; the first-floor galleries are on the far side. Four of these galleries accommodate changing exhibitions and two more display selections of modern and contemporary art from the permanent collection.
  Fourteen galleries on the second floor contain a timeline of the history of European and American art from antiquity to the modern era. A small but significant collection of art and artifacts from the ancient Mediterranean world is presented in the first gallery. Included in antiquities are examples of early Greek ceramics from the R.V.D. Magoffin Collection, a large black-figured Greek lekythos acquired in 1973, the Robert L. Hanlin Collection of 4th-century BCE Greek vases from Southern Italy, Roman glass from the George C. Brauer Collection, and a collection of 12 Greco-Roman marble sculptures donated by Dr. Robert Y. Turner in 2002. The Turner marbles include a headless standing statue of Hygeia and 11 Roman portrait heads.
  Old Master European paintings and sculpture from the Renaissance and Baroque periods, including art from Kress collection, are also presented. At the former Taylor House, the Kress collection was separated from the rest of the museum's collection; in the new building, the Kress works are integrated into the whole, aiming for chronological continuity and a smoother progression through the history of Western art. Artists represented include:
  Bernardo Daddi
  Sandro Botticelli (with his only fresco in an American collection)
  Ambrosius Benson
  Andrea Solario
  Francesco Parmigianino
  Jacopo Tintoretto
  Bernardo Strozzi
  Salvatore Rosa
  Guido Cagnacci
  Jacob van Ruisdael
  Alessandro Magnasco
  Jusepe de Ribera
  François Boucher
  Joshua Reynolds
  George Romney
  Benjamin Wilson
  Giovanni Canaletto
  Francesco Guardi
  The sequence of the European tradition was inter
caption: Eos, by Evelyn De Morgan, 1895
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