page_title: Knight
section_title: Medieval and Renaissance chivalric literature
hierarchical_section_title: Knight / Medieval and Renaissance chivalric literature
caption_attribution_description: Français&#160;: Enluminure du Livre des tournois du Roi René d'Anjou, dessins de Barthélemy d'Eyck
context_page_description: A knight is a person granted an honorary title of knighthood by a head of state or representative for service to the monarch, the church or the country, especially in a military capacity.
  The background of knighthood can be traced back to the Greek hippeis and Roman eques of classical antiquity.
  In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter, a bodyguard or a mercenary for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship from its origins in the 12th century until its final flowering as a fashion among the high nobility in the Duchy of Burgundy in the 15th century. This linkage is reflected in the etymology of chivalry, cavalier and related terms.
context_section_description: Knights and the ideals of knighthood featured largely in medieval and Renaissance literature, and have secured a permanent place in literary romance. While chivalric romances abound, particularly notable literary portrayals of knighthood include The Song of Roland, Cantar de Mio Cid, The Twelve of England, Geoffrey Chaucer's The Knight's Tale, Baldassare Castiglione's The Book of the Courtier, and Miguel de Cervantes' Don Quixote, as well as Sir Thomas Malory's Le Morte d'Arthur and other Arthurian tales (Geoffrey of Monmouth's Historia Regum Britanniae, the Pearl Poet's Sir Gawain and the Green Knight, etc.).
  Geoffrey of Monmouth's  Historia Regum Britanniae (History of the Kings of Britain), written in the 1130s, introduced the legend of King Arthur, which was to be important to the development of chivalric ideals in literature. Sir Thomas Malory's Le Morte d'Arthur (The Death of Arthur), written in 1469, was important in defining the ideal of chivalry, which is essential to the modern concept of the knight, as an elite warrior sworn to uphold the values of faith, loyalty, courage, and honour.
  Instructional literature was also created. Geoffroi de Charny's "Book of Chivalry" expounded upon the importance of Christian faith in every area of a knight's life, though still laying stress on the primarily military focus of knighthood.
  In the early Renaissance greater emphasis was laid upon courtliness. The ideal courtier—the chivalrous knight—of Baldassarre Castiglione's The Book of the Courtier became a model of the ideal virtues of nobility.  Castiglione's tale took the form of a discussion among the nobility of the court of the Duke of Urbino, in which the characters determine that the ideal knight should be renowned not only for his bravery and prowess in battle, but also as a skilled dancer, athlete, singer and orator, and he should also be well-read in the humanities and classical Greek and Latin literature.
  Later Renaissance literature, such as Miguel de Cervantes's Don Quixote, rejected the code of chivalry as unrealistic idealism.  The rise of Christian humanism in Renaissance literature demonstrated a marked departure from the chivalric romance of late medieval literature, and the chivalric ideal ceased to influence literature over successive centuries until it saw some pockets of revival in post-Victorian literature.
caption: Page from King René's Tournament Book (BnF Ms Fr 2695)
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