page_title: Veroli Casket
hierarchical_section_title: Veroli Casket
caption_attribution_description: Veroli casket, 10th century AD.
context_page_description: The Veroli Casket is a casket, made in Constantinople in the late tenth or early eleventh century, and now in the Victoria and Albert Museum, London. It is thought to have been made for a person close to the Imperial Court of Constantinople, the capital of the Byzantine Empire, and may have been used to hold scent bottles or jewellery. It was later kept in the Cathedral Treasury at Veroli, south east of Rome, until 1861.
  The casket is made of carved ivory and bone panels showing scenes from classical mythology. On the lid is a depiction of the Rape of Europa. On the front are scenes from the stories of Bellerophon and Iphigenia. On the back is part of a dionysiac procession, with two figures identified as Mars, god of war, and Venus, goddess of love. The ends bear scenes of Bacchus, god of wine, in a chariot drawn by panthers, and a nymph riding a seahorse. There is a carcass of wood, and metal fittings.
  As the Empire had been Christianised for centuries, these pagan motifs presumably represent a revived taste for classical style and imagery.
context_section_description: The Veroli Casket is a casket, made in Constantinople (now Istanbul) in the late tenth or early eleventh century, and now in the Victoria and Albert Museum, London. It is thought to have been made for a person close to the Imperial Court of Constantinople, the capital of the Byzantine Empire, and may have been used to hold scent bottles or jewellery. It was later kept in the Cathedral Treasury at Veroli, south east of Rome, until 1861.
  The casket is made of carved ivory and bone panels showing scenes from classical mythology. On the lid is a depiction of the Rape of Europa. On the front are scenes from the stories of Bellerophon and Iphigenia. On the back is part of a dionysiac procession, with two figures identified as Mars, god of war (the Greek Ares), and Venus, goddess of love (the Greek Aphrodite). The ends bear scenes of Bacchus, god of wine (the Greek Dionysius), in a chariot drawn by panthers, and a nymph riding a seahorse.  There is a carcass of wood, and metal fittings.
  As the Empire had been Christianised for centuries, these pagan motifs presumably represent a revived taste for classical style and imagery.
  The casket from Veroli is one of some 43 caskets, in addition to dozens more separated panels, that show a fashion for "pseudo-antique motives derived from silver plate or manuscripts, put together with little understanding of the original significance," as Sir Kenneth Clark observed of the group as a whole, during the medieval eclipse of the nude.
caption: Front side
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