page_title: Bathsheba at her Bath (Ricci)
hierarchical_section_title: Bathsheba at her Bath (Ricci)
context_page_description: Bathsheba at her Bath is an oil on canvas painting executed c.1720 by the Venetian artist Sebastiano Ricci which is in the collection of the Museum of Fine Arts, Budapest. A common subject amongst artists, this was the first of two of Ricci's portrayal on the theme.
  The painting depicts the Biblical story of the seduction of Bathsheba, the wife of Uriah the Hittite, by the Israelite king, David. In the painting Bathsheba, attended by four maidservants, is taking a ritual bath in the open air whilst being observed by King David from his nearby palace roof. In common with other artists Ricci portrays Bathsheba as somewhat vain and promiscuous, thereby excusing David's subsequent immoral behaviour, which was to send her a letter inviting her to his quarters and making her pregnant.
  As in the other Ricci work, the background is composed of columns and balconies and the painting uniformly illuminated with light with very little shade. Bathsheba's vanity is exemplified by the way she is looking into a mirror and David's kingship by the fact that he is wearing a crown.
  In Ricci's later reworking of the subject, the image of David is replaced by one of his messenger.
context_section_description: Bathsheba at her Bath is an oil on canvas painting executed c.1720 by the Venetian artist Sebastiano Ricci which is in the collection of the Museum of Fine Arts, Budapest. A common subject amongst artists, this was the first of two of Ricci's portrayal on the theme.
  The painting depicts the Biblical story (as narrated in II Samuel 11) of the seduction of Bathsheba, the wife of Uriah the Hittite, by the Israelite king, David. In the painting Bathsheba, attended by four maidservants, is taking a ritual bath in the open air whilst being observed by King David from his nearby palace roof. In common with other artists Ricci portrays Bathsheba as somewhat vain and promiscuous, thereby excusing David's subsequent immoral behaviour, which was to send her a letter inviting her to his quarters and making her pregnant. 
  As in the other Ricci work, the background is composed of columns and balconies and the painting uniformly illuminated with light with very little shade. Bathsheba's vanity is exemplified by the way she is looking into a mirror and David's kingship by the fact that he is wearing a crown.
  In Ricci's later reworking of the subject, the image of David is replaced by one of his messenger.
caption: Bathsheba, Sebastiano Ricci, 1725, Gemäldegalerie, Berlin
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