page_title: Tom Driberg
section_title: "The Talk of London"
hierarchical_section_title: Tom Driberg / Daily Express columnist / "The Talk of London"
caption_attribution_description: English: Portrait of Edith Sitwell (1887-1964)
context_page_description: Thomas Edward Neil Driberg, Baron Bradwell was a British journalist, politician, High Anglican churchman and possible Soviet spy, who served as a Member of Parliament from 1942–55, and again from 1959–74. A member of the Communist Party of Great Britain for more than twenty years, he was first elected to parliament as an Independent and joined the Labour Party in 1945. He never held any ministerial office, but rose to senior positions within the Labour Party and was a popular and influential figure in left-wing politics for many years.
  The son of a retired colonial officer, Driberg was educated at Lancing and Christ Church, Oxford. After leaving the university without a degree, he attempted to establish himself as a poet before joining the Daily Express as a reporter, later becoming a columnist. In 1933 he began the "William Hickey" society column, which he continued to write until 1943. He was later a regular columnist for the Co-operative Group newspaper Reynold's News and for other left-leaning journals. He wrote several books, including biographies of the press baron Lord Beaverbrook and the Soviet spy Guy Burgess.
context_section_description: After leaving Oxford, Driberg lived precariously in London, attempting to establish himself as a poet while doing odd jobs and pawning his few valuables. Occasionally he had chance encounters with Oxford acquaintances; Evelyn Waugh's diary entry for 30 October 1927 records: "I went to church in Margaret Street where I was discomposed to observe Tom Driberg's satanic face in the congregation". Driberg had maintained his contact with Edith Sitwell, and attended regular literary tea parties at her Bayswater flat. When Sitwell discovered her protégé's impoverished circumstances she arranged an interview for him with the Daily Express. After his submission of an article on London's nightlife, he was engaged in January 1928 for a six-week trial as a reporter; coincidentally, Waugh had undergone an unsuccessful trial with the same newspaper a few months earlier.
  Within a month of beginning his duties, Driberg achieved a scoop with the first national newspaper reports of the activities in Oxford of the American evangelist Frank Buchman, whose movement would in time be known as Moral Re-Armament. Driberg's reports were generally abrasive, even mocking in tone, and drew complaints from Buchman's organisation about news bias. The trial period at the Express was extended, and in July 1928 Driberg filed an exclusive report on a society party at the swimming baths in Buckingham Palace Road, where the guests included Lytton Strachey and Tallulah Bankhead. This evidence of Driberg's social contacts led to a permanent contract with the Express, as assistant to Percy Sewell who, under the name "The Dragoman", wrote a daily feature called "The Talk of London". Driberg later defended his association with an inconsequential society column by arguing that his approach was satirical, and that he deliberately exaggerated the doings of the idle rich as a way of enraging working-class opinion and helping the Communist Party.
  Driberg used the column to introduce readers to up-and-coming socialites and literary figures, Acton, Betjeman, Nancy Mitford and Peter Quennell among them. Sometimes he introduced more serious causes: capital punishment, modern architecture, the works of D. H. Lawrence and Jacob Epstein, and the lesbian novel The Well of Loneliness by Radclyffe Hall, which had been denounced in the Express editorial columns as "infamous". By prior arrangement with Waugh, the column included a discreet announcement in September 1930 of Waugh's conversion to Roman Catholicism; Driberg was his only guest at the service. He further assisted Waugh in 1932 by giving him space in the column to attack the editor of the Catholic journal The Tablet, after it had described Waugh's Black Mischief as blasphemous.
caption: Portrait (1915) of Edith Sitwell, Driberg's early mentor (by Roger Fry)
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