page_title: Padua
section_title: Main sights
hierarchical_section_title: Padua / Main sights
caption_attribution_description: English: Basilica of Santa Giustina, seen from the Prato della Valle, Pádua.
context_page_description: Padua is a city and comune in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000. The city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area which has a population of around 2,600,000.
  Padua stands on the Bacchiglione River, 40 kilometres west of Venice and 29 km southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain. To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley.
  The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat.
  Saint Anthony, a Portuguese Franciscan, spent part of his life in the city and died there in 1231. It hosts the University of Padua, founded in 1222, where Galileo Galilei was a lecturer between 1592 and 1610.
context_section_description: The Scrovegni Chapel (Italian: Cappella degli Scrovegni) is Padua's most notable sight. It houses a cycle of frescoes completed in 1305 by Giotto.  It was commissioned by Enrico degli Scrovegni, a wealthy banker, as a private chapel once attached to his family's palazzo. It is also called the "Arena Chapel" because it stands on the site of a Roman-era arena. The fresco cycle details the life of the Virgin Mary and has been acknowledged by many to be one of the most important fresco cycles in the world for its role in the development of European painting. It also includes one of the earliest representations of a kiss in the history of art (Meeting at the Golden Gate, 1305). Entrance to the chapel is an elaborate ordeal, as it involves spending 15 minutes prior to entrance in a climate-controlled, airlocked vault, used to stabilize the temperature between the outside world and the inside of the chapel. This is intended to protect the frescoes from moisture and mold.
  The Palazzo della Ragione, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 81.5 m (267.39 ft), its breadth 27 m (88.58 ft), and its height 24 m (78.74 ft); the walls are covered with allegorical frescoes; the building stands upon arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the basilica of Vicenza. The Palazzo was begun in 1172 and finished in 1219. In 1306, Fra Giovanni, an Augustinian friar, covered the whole with one roof. Originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three spaces into one and forming the present great hall, the Salone. The new space was refrescoed by Nicolo' Miretto and Stefano da Ferrara, working from 1425 to 1440. Beneath the great hall, there is a centuries-old market.
  In the Piazza dei Signori is the loggia called the Gran Guardia, (1493–1526), and close by is the Palazzo del Capitaniato, the residence of the Venetian governors, with its great door, the work of Giovanni Maria Falconetto, the Veronese architect-sculptor who introduced Renaissance architecture to Padua and who completed the door in 1532. Falconetto was the architect of Alvise Cornaro's garden loggia, (Loggia Cornaro), the first fully Renaissance building in Padua. Nearby stands the Cathedral, remodelled in 1552 after a design of Michelangelo. It contains works by Nicolò Semitecolo, Francesco Bassano and Giorgio Schiavone. The nearby Baptistry, consecrated in 1281, houses the most important frescoes cycle by Giusto de' Menabuoi.
  The Teatro Verdi is host to performances of operas, musicals, plays, ballets, and concerts.
  The most celebrated of the Paduan churches is the Basilica di Sant'Antonio da Padova, locally known as "Il Santo". The bones of the saint rest in a chapel richly ornamented with carved marble, the work of various artists, among them Sansovino and Falconetto. The basilica was begun around the year 1230 and completed in the following century. Tradition says that the building was designed by Nicola Pisano. It is covered by seven cupolas, two of them pyramidal. There are also four cloisters. The belltower has eight bells in C.
  Donatello's equestrian statue of the Venetian general Gattamelata (Erasmo da Narni) can be found on the piazza in front of the Basilica di Sant'Antonio da Padova. It was cast in 1453, and was the first full-size equestrian bronze cast since antiquity. It was inspired by the Marcus Aurelius equestrian sculpture at the Capitoline Hill in Rome.
  Not far from the Gattamelata statue are the St. George Oratory (13th century), with frescoes by Altichiero, and the Scuola di S. Antonio (16th century), with frescoes by Tiziano (Titian).
  One of the best known symbols of Padua is the Prato della Valle, a 90,000 m² (968,751.94 sq ft) elliptical square. This is one of the biggest in Europe. In the cen
caption: The Basilica of St. Giustina, facing the great piazza of Prato della Valle.
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