page_title: List of works by William Hogarth
section_title: 1750s
hierarchical_section_title: List of works by William Hogarth / 1750s
caption_attribution_description: Satire on "False Perspective": Whoever makes a Design without the knowledge of Perspective will be liable to such absurdities as are shewn in this Frontispiece.
context_page_description: This is a list of works by William Hogarth by publication date.
  As a printmaker Hogarth often employed other engravers to produce his work and frequently revised his works between one print run and the next, so it is often difficult to accurately differentiate between works by Hogarth and those in the style of or "after". Some of the less likely, possible, doubtful works and those formerly identified as Hogarth's works are listed at the end. Numbers in square brackets refer to the catalogue numbers in Ronald Paulson's third edition of Hogarth's Graphic Works.
  The works are all paintings, prints or drawings, apart from Hogarth's 1753 book The Analysis of Beauty.
context_section_description: View of Ranby's House (1750s?) [182]
  View of David Loudon's Bun House at Chelsey (1750)
  Designs for the tombstone of George Taylor (c.1750)
  George Taylor Triumphing over Death
  Death Giving George Taylor a Cross-Buttock
  A Stand of Arms, Musical Instruments, etc. (1750)—subscription ticket for The March of the Guards to Finchley [183]
  The March of the Guards to Finchley / The March to Finchley (1750) [184]
  Hogarth's Servants / Heads of Six of Hogarth's Servants (c. 1750-5)
  Beer Street and Gin Lane (1751)—a stark illustration of the relative merits of beer and gin [185,186]
  The Four Stages of Cruelty (1751)—four prints issued in response to the barbaric practices Hogarth witnessed in the streets of London [187–190]
  The First Stage of Cruelty
  The Second Stage of Cruelty
  The Third Stage of Cruelty
  The Forth Stage of Cruelty
  Paul Before Felix Burlesqued (1751)—subscription ticket for Paul Before Felix and Moses Brought Before Pharaoh's Daughter [191]
  Paul Before Felix (1752) [192]
  Moses Brought Before Pharaoh's Daughter (1752) [193]
  Columbus Breaking the Egg (1752)—subscription ticket of The Analysis of Beauty [194]
  The Analysis of Beauty—Book (1753)
  Satire on False Perspective (1754) [232*]
  Crowns, Mitres and Maces—subscription ticket for Four Prints of an Election paintings (1754) prints (1755) [197]
  Four Prints of an Election / Humours of an Election / An Election Series (1755)—a wry look at election practices [198–201]
  An Election Entertainment
  Canvassing for Votes
  The Polling
  Chairing the Member
  Francis Matthew Schutz in his Bed (c.1755-60)—the original which showed Schutz vomiting into a bowl was eventually overpainted to show him reading a book
  John Pine (c.1755)
  The Altarpiece of St Mary Redcliffe (1756)
  The Invasion; or France and England (1756) [202,203]
  Plate 1: France
  Plate 2: England
  Boy in a Green Coat (1756)
  David Garrick with His Wife Eva-Maria Veigel "La Violette" or "Violette" (1757)
  Inigo Jones (1757–58)
  Hogarth Painting the Comic Muse painting (c.1757) print (1758)—self-portrait [204]
  The Bench [205]
  First state (1758)
  Second state (unfinished) (1764)—issued posthumously.
  The Lady's Last Stake / Picquet or Virtue in Danger (1758–59)
  Sigismunda mourning over the Heart of Guiscardo (1758–59)
  The Cockpit (1759) [206]
  Bookplate of the Arms of John Holland (1759–61) [207]
  James Caulfield, 1st Earl of Charlemont (c.1759)
  Frontispiece and illustration for Tristram Shandy (1759–61) [204—41*]
  Sir Francis Dashwood at his Devotions (late 1750s)
caption: Satire on False Perspective (1754)
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