page_title: Portuguese Architecture
section_title: Portuguese Renaissance
hierarchical_section_title: Portuguese Architecture / History / Portuguese Renaissance
caption_attribution_description: General view of the cloister to the church.
context_page_description: Portuguese architecture refers to both the architecture of present-day Portugal's territory in Continental Portugal, the Azores and Madeira, as well as the architectural heritage/patrimony of Portuguese architects and styles throughout the world, particularly in countries formerly part of the Portuguese Empire.
  Like all aspects of Portuguese culture, Portuguese architecture reflects the artistic influences of the various cultures that have either inhabited Portugal or come in contact with the Portuguese people throughout the history of Portugal, including the Lusitanians, Celtiberians, Romans, Suebi, Visigoths, Moors, Mozarabs, Goans, Macanese, Kristang people, and many more. Because of the history of the Portuguese Empire, several countries across the world are home to sizable heritages of Portuguese colonial architecture, notably Brazil and Uruguay in the Americas, Angola, Cabo Verde, São Tomé and Príncipe, Benin, Ghana, Morocco, Guinea Bissau, Zimbabwe, and Mozambique in Africa, and China, India, Indonesia, Malaysia, and Timor Leste in Asia.
context_section_description: The adoption of the austere Renaissance style did not catch on well in Portugal. Introduced by a French architect in 1517, it was mainly practiced from the 1530s on by foreign architects and was therefore called estrangeirada (foreign-influenced). In later years this style slowly evolved into Mannerism. The painter and architect Francisco de Holanda, writer of the book Diálogos da Pintura Antiga ("Dialogues on Ancient Painting"), dissiminated in this treatise the fundamentals of this new style.
  The basilica of Nossa Senhora da Conceição in Tomar was one of the earliest churches in pure Renaissance style. It was begun by the Castilian architect Diogo de Torralva in the period 1532–1540. Its beautiful and clear architecture turns it into one of the best early Renaissance buildings in Portugal. The small church of Bom Jesus de Valverde, south of Évora, attributed to both Manuel Pires and Diogo de Torralva, is another early example.
  The most eminent example of this style is the Claustro de D. João III (Cloister of John III) in the Convent of the Order of Christ in Tomar.  Started under the Portuguese King João III, it was finished during the reign of Philip I of Portugal (also King of Spain under the name of Philip II). The first architect was the Spaniard Diogo de Torralva, who began the work in 1557, only to be finished in 1591 by Philip II's architect, the Italian Filippo Terzi. This magnificent, two-storey cloister is considered one of the most important examples of Mannerist architecture in Portugal.
  However, the best known Portuguese architect in this period was Afonso Álvares, whose works include the cathedrals of Leiria (1551–1574), Portalegre (begun 1556), and the Church of São Roque in Lisbon. During this period he evolved into the Mannerist style.
  This last church was completed by the Jesuit architect, the Italian Filippo Terzi, who also built the Jesuit college at Évora, the Monastery of São Vicente de Fora in Lisbon and the episcopal palace in Coimbra. He had an enormous production and, besides churches, he also built several aqueducts and fortresses.
  In his wake came several Portuguese architects:
  Miguel de Arruda: Church of Our Lady of Grace (in Évora)
  Baltasar Álvares, best known for the Sé Nova in Coimbra and the Igreja de São Lourenço in Porto.
  Francisco Velasquez: Cathedral of Mirando do Douro and the designs for the monastery of S. Salvador (Grijó)
  the military architect Manuel Pires: St. Anton's church in Évora.
caption: The Cloister of King João III, in Tomar, designed by Diogo de Torralva and Filippo Terzi; c. 1557-91.
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