page_title: Daredevils of Sassoun
hierarchical_section_title: Daredevils of Sassoun
caption_attribution_description: English: David of Sassoun Հայերեն: Սասունցի Դավիթ
context_page_description: Daredevils of Sassoun is an Armenian heroic epic poem in four cycles.
  In the initial decades following the discovery of the epic in the late nineteenth century a general consensus emerged attributing its theme to the struggle of four generations of Sason's warriors against Muslim rule in the 8th to 10th centuries. The pioneers of this interpretation of the epic were the philologist Manuk Abeghian in Armenia and academic Joseph Orbeli at the Hermitage Museum in Leningrad, who argued that there are no characters in the epic that could be attributed to a historical person from before the 10th century.
  The historicist school held its sway until the Armenian philologist Grigoryan first in an article, then in a book argued following an incisive analysis of the epic, "it is indisputable that the roots of the epic go back deep into the centuries, and they reach not only the cuneiform times when monarchy was underway in Armenia, but even the prehistoric era." Grigoryan identified various episodes in the epic as of patently matriarchal origin, prompting various scholars both in Soviet Armenia and elsewhere to probe deeper into the proto-layers of the epic.
context_section_description: Daredevils of Sassoun (Armenian: Սասնա ծռեր Sasna cuṙer) is an Armenian heroic epic poem in four cycles (parts).
  In the initial decades following the discovery of the epic in the late nineteenth century a general consensus emerged attributing its theme to the struggle of four generations of Sason's warriors against Muslim rule in the 8th to 10th centuries. The pioneers of this interpretation of the epic were the philologist Manuk Abeghian in Armenia and academic Joseph Orbeli at the Hermitage Museum in Leningrad, who argued that there are no characters in the epic that could be attributed to a historical person from before the 10th century.
  The historicist school held its sway until the Armenian philologist Grigoryan first in an article (1981), then in a book (1989) argued following an incisive analysis of the epic, "it is indisputable that the roots of the epic go back deep into the centuries, and they reach not only the cuneiform times when monarchy was underway in Armenia, but even the prehistoric era." Grigoryan identified various episodes in the epic as of patently matriarchal origin, prompting various scholars both in Soviet Armenia and elsewhere to probe deeper into the proto-layers of the epic.
  The Daredevils of Sassoun is commonly cited as one of the most important works of Armenian folklore. This recital of the legendary deeds of four generations of strongmen in a warrior community in the Armenian highlands is in the tradition of heroic folktales that dramatise the story of a whole nation and voice its deepest sentiments and aspirations, but unlike such well-known epics as the Iliad and the Odyssey (Homeric Greek), Epic of Gilgamesh (Sumerian), Beowulf (English), The Song of Roland (French), Cantar de mio Cid (Spanish) and others, it has survived solely by word of mouth, transmitted from one generation to another by village bards. The literary merits of the Sassoun saga surpass its value as a historical or linguistic document. 
  The performance of the Daredevils of Sassoun was included in the UNESCO Intangible cultural heritage representative list in 2012.
caption: David of Sassoun, Hakob Kojoyan, 1922
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