page_title: Lyke-Wake Dirge
section_title: The lyrics
hierarchical_section_title: Lyke-Wake Dirge / The lyrics
caption_attribution_description: English: Traditional Roman Catholic depiction of the Anima Sola ("lonely soul") praying in the fires of Purgatory. From an old holy card.
context_page_description: The "Lyke-Wake Dirge" is a traditional English folk song that tells of the soul's travel, and the hazards it faces, on its way from earth to purgatory. Though the song is from the Christian era and features references to Christianity, much of the symbolism is thought to be of pre-Christian origin.
context_section_description: The song is written in an old form of the Yorkshire dialect of Northern English.  It goes:
  This ae nighte, this ae nighte,
  
      (Refrain:) —Every nighte and alle,
  
  Fire and fleet and candle-lighte,
  
      (Refrain:) And Christe receive thy saule.
  
  When thou from hence away art past,
  
  To Whinny-muir thou com'st at last;
  If ever thou gavest hosen and shoon,
  
  Sit thee down and put them on;
  
  If hosen and shoon thou ne'er gav'st nane
  
  The whinnes sall prick thee to the bare bane;
  
  From Whinny-muir when thou may'st pass,
  
  To Brig o' Dread thou com'st at last;
  
  From Brig o' Dread when thou may'st pass,
  
  To Purgatory fire thou com'st at last;
  
  If ever thou gavest meat or drink,
  
  The fire sall never make thee shrink;
  
  If meat or drink thou ne'er gav'st nane,
  
  The fire will burn thee to the bare bane;
  
  This ae nighte, this ae nighte,
  
      —Every nighte and alle,
  
  Fire and fleet and candle-lighte,
  
      And Christe receive thy saule.
  — from the Oxford Book of English Verse (1900) #381
       Note: ae: one; hosen: stockings; shoon: shoes; whinnes: thorns; bane: bone; brig: bridge
  The safety and comfort of the soul in faring over the hazards it faces in the afterlife, are in the old ballad made contingent on the dead person's willingness in life to participate in charity. The poem was first collected by John Aubrey in 1686, who also recorded that it was being sung in 1616, but it is believed to be much older.
  There would appear to be a lacuna in the version that Aubrey collected.  Unlike the preceding and following pairs of stanzas, nothing happens at the Brig o' Dread.  Richard Blakeborough, in his Wit, Character, Folklore, and Customs of the North Riding, fills this apparent gap with verses he says were in use in 1800, and which seem likely to be authentic:
  If ivver thoo gav' o' thi siller an' gawd,
  
  At t' Brigg o' Dreead thoo'll finnd footho'd,
  
  Bud if o' siller an' gawd thoo nivver ga' neean,
  
  Thoo'll doon, doon tumm'l tiwards Hell fleeames,
  — Stanzas 6 and 7
       Note: siller: silver; gawd: gold; footho'd: foothold
  In this version, the Brig o' Dread is the decisive ordeal that determines whether the soul's destination is Heaven or Hell.
  This ballad was one of 25 traditional works included in Ballads Weird and Wonderful (1912) and illustrated by Vernon Hill.
  The Whinny-muir of this tale also appears in The Well of the World's End as the "Muir o' Heckle-pins".
caption: The Anima Sola (lonely soul), often interpreted as a soul in the fires of purgatory.
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