page_title: The Tortoise and the Hare
section_title: Illustrations of the fable
hierarchical_section_title: The Tortoise and the Hare / Illustrations of the fable
caption_attribution_description: English: Sculpture on the Broadway side of Van Cortlandt Park
context_page_description: "The Tortoise and the Hare" is one of Aesop's Fables and is numbered 226 in the Perry Index. The account of a race between unequal partners has attracted conflicting interpretations. The fable itself is a variant of a common folktale theme in which ingenuity and trickery are employed to overcome a stronger opponent.
context_section_description: There is a Greek version of the fable but no early Latin version. For this reason it did not begin to appear in printed editions of Aesop's fables until the 16th century, one of the earliest being Bernard Salomon's Les Fables d'Esope Phrygien, mises en Ryme Francoise (1547). Versions followed from the Netherlands (in Dutch, 1567) and Flanders (in French, 1578) but none in English before Francis Barlow's edition of 1667.
  Among the many illustrations of the fable, that by the French caricaturist Jean Grandville is novel in portraying the tortoise as running upright. This is also how he is shown in the Walt Disney cartoon version of "The Tortoise and the Hare" (1935). Another departure from the ordinary in Grandville's etching is the choice of a mole (complete with dark glasses) rather than, as usual, a fox as the judge at the finishing line. Auguste Delierre makes the judge a monkey in the 1883 edition of La Fontaine's fables that he illustrated. La Fontaine says in his rhyme that it does not matter who the judge is; his interpreters have taken him at his word.
  Outside of book production, there is an early 17th-century oil painting of the fable by the Flemish landscape artist Jan Wildens. The hare enters on the left, racing over an upland road as dawn breaks; the tortoise is nowhere in sight. In the mid-19th century, the French animal painter Philibert Léon Couturier also devoted an oil painting to the fable in which, as in Grandville's illustration, the tortoise is shown racing upright. In modern times there have been two pieces of popular sculpture aimed at children. Nancy Schön's was made to commemorate the centenary of the Boston Marathon in 1996 and is sited in Copley Square, the finishing line for the race. The tortoise is shown determinedly stumping forward while the hare has paused to scratch behind its ear. In the following year a painted steel sculpture by Michael Browne and Stuart Smith was set up near the cross-country finish line at Van Cortlandt Park in the Bronx. The hare is mounted on the tortoise's shell and appears to be trying to leap over him.
caption: The Van Cortlandt Park sculpture with the Tortoise & Hare Café across the street
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