page_title: Michelin Man
section_title: Development
hierarchical_section_title: Michelin Man / Development
caption_attribution_description: The first depiction of the Michelin Man making a toast. He is also known as Bibendum, possibly because of this poster. The phrase Nunc est Bibendum! is taken from the Odes of Horace.
context_page_description: Bibendum, commonly referred to in English as the Michelin Man or Michelin Tyre Man, is the official mascot of the Michelin tyre company. A humanoid figure consisting of stacked white tyres, the mascot was introduced at the Lyon Exhibition of 1894 where the Michelin brothers had a stand, and is one of the world's oldest trademarks. The slogan Nunc est bibendum is taken from Horace's Odes. He is also referred to as Bib or Bibelobis.
  Michelin dominated the French tyre industry for decades and remains a leading player in the market. It was one of the leading advertisers; to this day its famous guidebooks are widely used by travellers. Bibendum was depicted visually as a lord of industry, a master of all he surveyed, and a patriotic exponent of the French spirit. In the 1920s, Bibendum urged Frenchmen to adopt America's superior factory system, but to patriotically avoid using the "inferior" products of those factories. As automobiles became available to the middle classes, Michelin advertising likewise shifted downscale, and its restaurant and hotel guides likewise covered a broader range of price categories.
context_section_description: While attending the Universal and Colonial Exposition in Lyon in 1894, Édouard and André Michelin noticed a stack of tyres that suggested to Édouard the figure of a man without arms. Four years later, André met French cartoonist Marius Rossillon, popularly known as O'Galop, who showed him a rejected image he had created for a Munich brewery — a large, regal figure holding a huge glass of beer and quoting Horace's phrase "Nunc est bibendum". André immediately suggested replacing the man with a figure made from tyres. Thus O'Galop transformed the earlier image into Michelin's symbol. Today, Bibendum is one of the world's most recognised trademarks, representing Michelin in over 150 countries.
  The 1898 poster showed him offering the toast Nunc est bibendum to his scrawny competitors with a glass full of road hazards, with the title and the tag C'est à dire : À votre santé. Le pneu Michelin boit l'obstacle ("That is to say: Here's to your health. The Michelin tyre drinks up obstacles"). The implication is that Michelin tyres will easily take on road hazards.  The company used this basic poster format for fifteen years, adding its latest products to the table in front of the figure. It is unclear when the word "Bibendum" came to be the name of the character himself. At the latest, it was in 1908, when Michelin commissioned Curnonsky to write a newspaper column signed "Bibendum".  In 1922, Michelin ran a contest for "naming the Michelin Tire Man" in the United States.
  From 1912 onwards, tyres became black in colour because carbon was added as a preservative and a strengthener to the basic rubber material. Before then, they were a gray-white or light and translucent-beige colour. Bibendum's appearance also changed, becoming black. Though Michelin briefly featured him that way in several print ads, it quickly changed back his appearance, citing printing and aesthetic issues for the change, and not racial concerns as commonly believed.
  The name of the plump tyre-man has entered the language to describe someone obese or wearing comically bulky clothing (e.g. "How can I wrap up warmly without looking like the Michelin Man?").
  Bibendum's shape has changed over the years.  O'Galop's logo was based on bicycle tyres, wore pince-nez glasses with lanyard, and smoked a cigar.  By the 1980s, Bibendum was being shown running, and in 1998, his 100th anniversary, a slimmed-down version became the company's new logo. He had long since given up the cigar and pince-nez.  The slimming of the logo reflected lower-profile, smaller tyres of modern cars.  Bib even had a similar-looking puppy as a companion when the duo were CGI animated for recent American television advertisements.
  A history of the emblem was written by Olivier Darmon and published in 1997: Le Grand Siècle de Bibendum; Paris: Hoëbeke.
caption: A poster by "O'Galop" of Bibendum, the Michelin Man, produced in 1898.
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