page_title: James Russell Lowell
section_title: Writing style and literary theory
hierarchical_section_title: James Russell Lowell / Writing style and literary theory
caption_attribution_description: Caricature of James Russell Lowell (1819-1891). Caption read "Hosea Biglow".
context_page_description: James Russell Lowell was an American Romantic poet, critic, editor, and diplomat. He is associated with the Fireside Poets, a group of New England writers who were among the first American poets that rivaled the popularity of British poets. These writers usually used conventional forms and meters in their poetry, making them suitable for families entertaining at their fireside.
  Lowell graduated from Harvard College in 1838, despite his reputation as a troublemaker, and went on to earn a law degree from Harvard Law School. He published his first collection of poetry in 1841 and married Maria White in 1844. The couple had several children, though only one survived past childhood.
  He became involved in the movement to abolish slavery, with Lowell using poetry to express his anti-slavery views and taking a job in Philadelphia, Pennsylvania, as the editor of an abolitionist newspaper. After moving back to Cambridge, Lowell was one of the founders of a journal called The Pioneer, which lasted only three issues. He gained notoriety in 1848 with the publication of A Fable for Critics, a book-length poem satirizing contemporary critics and poets.
context_section_description: Early in his career, James Russell Lowell's writing was influenced by Swedenborgianism, a Spiritualism-infused form of Christianity founded by Emanuel Swedenborg, causing Frances Longfellow (wife of the poet Henry Wadsworth Longfellow) to mention that "he has been long in the habit of seeing spirits". He composed his poetry rapidly when inspired by an "inner light" but could not write to order. He subscribed to the common nineteenth-century belief that the poet was a prophet but went further, linking religion, nature, and poetry, as well as social reform. Evert Augustus Duyckinck and others welcomed Lowell as part of Young America, a New York-based movement. Though not officially affiliated with them, he shared some of their ideals, including the belief that writers have an inherent insight into the moral nature of humanity and have an obligation for literary action along with their aesthetic function. Unlike many of his contemporaries, including members of Young America, Lowell did not advocate for the creation of a new national literature. Instead, he called for a natural literature, regardless of country, caste, or race, and warned against provincialism which might "put farther off the hope of one great brotherhood". He agreed with his neighbor Longfellow that "whoever is most universal, is also most national". As Lowell said:
  I believe that no poet in this age can write much that is good unless he gives himself up to [the radical] tendency ... The proof of poetry is, in my mind, that it reduces to the essence of a single line the vague philosophy which is floating in all men's minds, and so render it portable and useful, and ready to the hand ... At least, no poem ever makes me respect its author which does not in some way convey a truth of philosophy.
  A scholar of linguistics, Lowell was one of the founders of the American Dialect Society. He used this interest in his writing, particularly in The Biglow Papers, presenting a heavily ungrammatical phonetic spelling of the Yankee dialect, a method called eye dialect. In using this vernacular, Lowell intended to get closer to the common man's experience and was rebelling against more formal and, as he thought, unnatural representations of Americans in literature. As he wrote in his introduction to The Biglow Papers, "few American writers or speakers wield their native language with the directness, precision, and force that are common as the day in the mother country". Though intentionally humorous, this accurate presentation of the dialect was pioneering work in American literature.  For example, Lowell's character Hosea Biglow says in verse:
  Ef you take a sword an' dror it,
  
  An go stick a feller thru,
  
  Guv'ment aint to answer to it,
  
  God'll send the bill to you.
  Lowell is considered one of the Fireside Poets, a group of writers from New England in the 1840s who all had a substantial national following and whose work was often read aloud by the family fireplace. Besides Lowell, the main figures from this group were Longfellow, Holmes, John Greenleaf Whittier, and William Cullen Bryant.
caption: Portrait of Lowell by Théobald Chartran, 1880
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