page_title: Alboin
section_title: Skull cup
hierarchical_section_title: Alboin / Assassination / Skull cup
caption_attribution_description: English: A history painting on the Lombard king Alboin ordering to serve wine to Rosamunde in her father's skull, which he had previously killed. Probable help from the workshop.
context_page_description: Alboin was king of the Lombards from about 560 until 572. During his reign the Lombards ended their migrations by settling in Italy, the northern part of which Alboin conquered between 569 and 572. He had a lasting effect on Italy and the Pannonian Basin; in the former his invasion marked the beginning of centuries of Lombard rule, and in the latter his defeat of the Gepids and his departure from Pannonia ended the dominance there of the Germanic peoples.
  The period of Alboin's reign as king in Pannonia following the death of his father, Audoin, was one of confrontation and conflict between the Lombards and their main neighbors, the Gepids. The Gepids initially gained the upper hand, but in 567, thanks to his alliance with the Avars, Alboin inflicted a decisive defeat on his enemies, whose lands the Avars subsequently occupied. The increasing power of his new neighbours caused Alboin some unease however, and he therefore decided to leave Pannonia for Italy, hoping to take advantage of the Byzantine Empire's reduced ability to defend its territory in the wake of the Gothic War.
context_section_description: Elements present in Marius' account are echoed in Paul's Historia Langobardorum, which also contains distinctive features. One of the best known aspects unavailable in any other source is that of the skull cup. In Paul, the events that led to Alboin's downfall unfold in Verona. During a great feast, Alboin gets drunk and orders his wife Rosamund to drink from his cup, made from the skull of his father-in-law Cunimund after he had slain him in 567 and married Rosamund. Alboin "invited her to drink merrily with her father". This reignited the queen's determination to avenge her father.
  The tale has been often dismissed as a fable and Paul was conscious of the risk of disbelief. For this reason, he insists that he saw the skull cup personally during the 740s in the royal palace of Ticinum in the hands of king Ratchis. The use of skull cups has been noticed among nomadic peoples and, in particular, among the Lombards' neighbors, the Avars. Skull cups are believed to be part of a shamanistic ritual, where drinking from the cup was considered a way to assume the dead man's powers. In this context, Stefano Gasparri and Wilfried Menghen see in Cunimund's skull cup the sign of nomadic cultural influences on the Lombards: by drinking from his enemy's skull Alboin was taking his vital strength. As for the offering of the skull to Rosamund, that may have been a ritual request of complete submission of the queen and her people to the Lombards, and thus a cause of shame or humiliation. Alternatively, it may have been a rite to appease the dead through the offering of a libation. In the latter interpretation, the queen's answer reveals her determination not to let the wound opened by the killing of her father be healed through a ritual act, thus openly displaying her thirst for revenge.
  The episode is read in a radically different way by Walter Goffart. According to him, the whole story assumes an allegorical meaning, with Paul intent on telling an edifying story of the downfall of the hero and his expulsion from the promised land, because of his human weakness. In this story, the skull cup plays a key role as it unites original sin and barbarism. Goffart does not exclude the possibility that Paul had really seen the skull, but believes that by the 740s the connection between sin and barbarism as exemplified by the skull cup had already been established.
caption: The fatal banquet as painted by Peter Paul Rubens in 1615
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