page_title: Artus Quellinus II
section_title: Selected works
hierarchical_section_title: Artus Quellinus II / Selected works
caption_attribution_description: Nederlands: Sint-Salvatorskathedraal (Brugge, België): beeld van God de Vader door beeldhouwer Artus Quellinus de Jonge (1625-1700)English: Sint-Salvators cathedral (Bruges, Belgium): statue of God the Father by sculptor Artus Quellinus the Younger (1625-1700)Français&#160;: Cathédrale Saint-Sauveur (Bruges, Belgique)&#160;: statue de Dieu le Père par le sculpteur Artus Quellinus le Jeune (1625-1700) This is a photo of onroerend erfgoed number 29716
context_page_description: Artus Quellinus II or Artus Quellinus the Younger was a Flemish sculptor who played an important role in the evolution of Northern-European sculpture from High Baroque to Late Baroque.
context_section_description: C. 1666–1670: St. Paul's Church, in Antwerp: the marble figure group of St. Rosa of Lima
  1667: St. Walburga Church in Bruges: an oak pulpit remarkable for breaking with tradition: the barrel is not supported by heavy volutes but rests firmly on a single figure representing Faith (rather than the more usual multiple archangels and church fathers) and the stairs at the back. The barrel’s form is traditional, except that the scallop shell of St. James has taken the place of the customary flat wooden surface of the sound board.  The iconography was based on that of the Jesuit father Willem Hesius.
  1668–1675: Herkenrode Abbey: The tomb of Abbess Anna-Catharina de Lamboy (now in the Virga Jesse Basilica in Hasselt).
  1676: Cathedral of Our Lady in Antwerp: The tomb of Bishop Ambrosius Capello is the first work of Quellinus reflecting Bernini's ideas.
  1682: St. Salvator's Cathedral in Bruges: the sculpture of God
  1685: St. James' Church in Antwerp: high altar with The Apotheosis of St. James, which is one of the highpoints in his oeuvre.
caption: God the Father
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