page_title: Lodi ceramics
section_title: Coppellotti
hierarchical_section_title: Lodi ceramics / Factories / Coppellotti
caption_attribution_description: English: Ceramic plate, maiolica, 32 cm x 27 cm, produced in Lodi, Italy, Antonio Maria Coppellotti factory, about 1740, double firing, with 'AMC' mark in blue at the back. Pictures of the same dish are also published in: Felice Ferrari, La ceramica di Lodi, Azzano San Paolo, Bolis Edizioni, 2003, page 132. A. Novasconi, S.Ferrari, S.Corvi, La ceramica Lodigiana, Edizione della Banca Mutua Popolare Agricola di Lodi, 1964, page 110. Catalogo della mostra: Maioliche di Lodi, Milano e Pavia, Museo Poldi Pezzoli, Milano, number 100. Autori Vari, Lombardia, l'arte, la bellezza, le città, i tesori da riscoprire, Edizioni CELIP, Milano, 2001, page 304. Private collection Italiano: Piatto in ceramica, maiolica, sagomato, cm32 x cm27, fabbricato a Lodi, Italia, nella fabbrica di Antonio Maria Coppellotti, attorno al 1740, cottura a gran fuoco, marca AMC in azzurro sul retro. Immmagini dello stesso piatto sono pubblicate anche su: Felice Ferrari, La ceramica di Lodi, Azzano San Paolo, Bolis Edizioni, 2003, pagina 132. A. Novasconi, S.Ferrari, S.Corvi, La ceramica Lodigiana, Edizione della Banca Mutua Popolare Agricola di Lodi, 1964, pagina 110. Catalogo della mostra: Maioliche di Lodi, Milano e Pavia, Museo Poldi Pezzoli, Milano, numero 100. Autori Vari, Lombardia, l'arte, la bellezza, le città, i tesori da riscoprire, Edizioni CELIP, Milano, 2001, pagina 304. Collezione privata
context_page_description: Lodi ceramics were produced in Lodi, Italy from ancient times, but their artistic quality reached its peak in the 18th century.
context_section_description: The Coppellotti factory was active from 1641 to the end of the 18th century; the best ceramics date back to the period 1735-1740 and were produced with the gran fuoco technique: plates, centerpieces, teapots, coffeemakers, sugar bowls. Some of the decorative motives were influenced by French ceramics, in particular the decoration known as 'De lambrequins et rayonnants', introduced from Rouen, with arabesques, draperies and geometric-floral compositions arranged in a radial pattern. Most of these ceramics are in turquoise monochrome. There are also many other original polychrome decorations representing fruit, fish, landscapes, castles, peasants, wayfarers, music players, oriental figures, accompanied by animals, such as birds and dogs
caption: Ceramic dish with fruit decor, underglaze firing, Coppellotti factory, 1740 circa
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