page_title: Plácido Domingo
section_title: As an opera company director
hierarchical_section_title: Plácido Domingo / Career / Since 1990 / As an opera company director
caption_attribution_description: English: Il Trovatore, Salzburg Festival 2014 with Riccardo Zanellato (Ferrando), Francesco Meli (Manrico), Plácido Domingo (Conte di Luna) and the Chorus of Vienna State Opera
context_page_description: José Plácido Domingo Embil KBE is a Spanish opera singer, conductor and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a lirico-spinto tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José, and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into almost exclusively baritone parts, most notably Simon Boccanegra. He has performed 151 different roles.
  Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum and multi-platinum. His first pop album, Perhaps Love, spread his fame beyond the opera world.
context_section_description: Domingo began an affiliation with the Washington National Opera in 1986, when he appeared in its world premiere production of Menotti's Goya. This was followed by performances in a production of Tosca in the 1988/89 season. Beginning in the 1996/97 season, he took on the role of Artistic Director, bringing new life to the company's productions through his many connections to singers throughout the world and his own annual appearances in one role each season. One example of his ability to bring new singers to the stage were those by the then up-and-coming Anna Netrebko as Gilda in Rigoletto during the 1999/2000 season. In 2003 Domingo became General Director and his contract was extended through the 2010–2011 season.
  Parallel to Domingo's management of the Washington company, he had been Artistic Director of the Los Angeles Opera since 2000. He assumed the position of General Director of the company in 2003. On 20 September 2010, he announced that he would renew his contract as General Director through 2013. A week later he announced that he would not renew his contract as General Director of the Washington National Opera beyond its June 2011 expiration date. Reaction to this included The Washington Post 's comments on his accomplishments: 
  Domingo's goal was to make the WNO an internationally regarded company. At the beginning of his tenure, he lifted the opera to a new level, bringing in more international stars and big-name productions – including José Carreras in Wolf-Ferrari's Sly, Mirella Freni singing opposite Domingo in Fedora, and Renée Fleming in Lucrezia Borgia. And his commitment to American opera meant that the WNO presented the second or third productions of a number of important works: Maw's Sophie's Choice, Bolcom's A View From the Bridge, Previn's A Streetcar Named Desire.
  Domingo attempted to quash criticism in East Coast newspapers that he was taking on too much when the singer gave an interview in the Los Angeles Times in which he restated his long-time motto, "When I rest, I rust".
  In October 2019, Domingo resigned as general director of the Los Angeles Opera amid accusations of sexual harassment.
caption: Domingo (center right) as the baritone in Il trovatore at the 2014 Salzburg Festival with Francesco Meli (far left, with sword)
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