page_title: W. D. Amaradeva
section_title: Early life and education
hierarchical_section_title: W. D. Amaradeva / Early life and education
caption_attribution_description: English: Photograph of acclaimed Sri Lankan Vocalist and Musical Composer,Pandit W. D. Amaradeva (පණ්ඩිත් ඩබ්ලිව්.ඩි.අමරදේව)
context_page_description: Sri Lankabhimanya Wannakuwattawaduge Don Albert Perera better known by his adopted name Amaradeva, was a prominent Sri Lankan vocalist, violinist and composer. Primarily using traditional instruments like sitars, tablas and harmoniums, Amaradeva incorporates Sinhala folk music with Indian ragas in his work. Many consider Pandit Amaradeva's contribution to the development of Sinhala music as unmatched; hence, he is occasionally cited as the Maestro of Sri Lankan Music.
  In the mid-1950s, Amaradeva in his Janagayana project consulted experts of the Kandyan dance tradition like Pani Bharata, Kiriganita, Gunamala, Ukkuva and Suramba in his path to understand what constituted Sinhala folk music. Noting that it mostly revolved around a single melody, he decided to add verses that would lead up to the central melody which would now be a chorus thus forming two parts removing restrictions that had existed earlier. In doing so, Amaradeva created a uniquely Sinhalese music style that stayed true to folk tradition while incorporating outside influences. His work was vital in the creation of the sarala gee genre practised subsequently by artists like Sanath Nandasiri, Victor Ratnayake, T.M.
context_section_description: Amaradeva was born the youngest of seven children to a carpenter, Wannakuwatta Waduge Don Ginoris Perera, and Balapuwaduge Maggie Weslina Mendis at Janapriya Mawatha in Koralawella, Moratuwa. Perera was a Buddhist while Mendis was a Methodist bringing both Christian and Buddhist values and music traditions to the family.
  Amardeva was introduced to music at a young age by his father who crafted and repaired violins at Moratumulla Wadu Kaarmika Vidyalaya (Carpentry School). Amaradeva would often strum the violin while his mother sang hymns. Another family influence was Amaradeva's elder brother who taught Indian classical music to him. Amaradeva was presented with his own instrument on his seventh birthday which was a Japanese made tin violin by his father.
  Amaradeva obtained his early education under Ven. Malalankara Nayaka Tero of the Koralawella temple. With the development of his musical talent, Amaradeva was asked to recite poems and prayers at the temple; he was subsequently picked to lead the village choir.He was first entered into Sri Saddharmodaya Buddhist mixed School in Koralawella. The principal of that school, Mr. Ku. Jo. Fernando was an active member of Hela Hawula and had a close connection with Kumaratunga Munidasa. He knew about Amaradeva's talent and introduced him to Kumaratunga. Amaradeva was lucky to be appreciated by Kumaratunga for his singing talent. Since he had a chance to accompany all these scholars during his childhood, he had an interest in national identity and language. When he was studying in grade five at Koralawella School, a music teacher called Mr. W. J. Fernando was transferred to his school from Kalutara. Hence, W.J. Fernando was the first school music teacher of Amaradeva. He realized Amaradeva's talent and directed him on singing and playing. Under his guidance, Amaradeva won all the school singing competitions. Even the teacher let him conduct the classroom when he was not there.
  While attending the school, he won a poetry contest held at the Moratuwa Vidyalaya. Amaradeva also led the school choir to a triumphant showing at a contest held by the Colombo Arts Society. His poetry win prompted school teachers to get him a showcase to recite poetry on Radio Ceylon. In 1945 Amaradeva won a gold medal at a music and violin contest held by Jana Kala Mandalaya Amaradeva's fame that was limited only to the Koralawella, started spreading over other areas. Because of his increasing popularity, several schools offered him scholarships.
  Amaradeva entered Sri Sumangala College, Panadura after completing his primary education with a scholarship for English. At the school, he formed a friendship with the music teacher and principal Danister Thomas Fernando, who was the elder brother of Amaradeva's first music teacher W. J. Fernando.  D. T. Fernando who was living in Kalutara helped Amaradeva get into Kalutara Vidyalaya and subsequently to Siddharta Vidyalaya Balapitiya.
  Young Amaradewa met Sunil Santha, a prominent artist at the time at one of Sunil Santha's concerts. Since he showed interest Sunil Santha invited Amaradewa to audition at Chitrasena studios. There he played in front of Sunil Santha, Chitrasena and A. J. Ranasinghe and impressed them. This meeting and related events are described in detail by A. J. Ranasinghe, Dr. Nandadasa Kodagoda and Sunil Santha. After the audition Sunil Santha brought Amaradewa to stay at Chitrasena Studios, his roommate was A. J. Ranasinghe.
  By chance filming of the film Ashokamala commenced nearby. Gerard J. Pieris of Moratuwa introduced Amaradeva to Mohamed Ghouse Master who was handling the music for the film and Ghouse recognising Amaradeva's skill enlisted him as the top violinist in his orchestra. Amardeva left his studies and accompanied Ghouse to India to work on the film. He would play a triple role of singing, dancing and acting on the film with the song "Ayi Yameku Kale Ale.".    At Lucknow, Bhatkande Amaradeva came under the tutelage of the supreme violinist Vishnu Govind Jog who regarded the young Sri Lankan as a prized pupil and protégé. Amaradev
caption: Amaradeva at one of his performances.
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