page_title: William Fisk (painter)
section_title: Works
hierarchical_section_title: William Fisk (painter) / Works
caption_attribution_description: English: History painting, The last moments of King Charles the First.
context_page_description: William Fisk was an English portrait and history painter.
context_section_description: In 1818 Fisk sent to the Royal Academy a portrait of Mr. G. Fisk, and in 1819 a portrait of a Child and Favourite Dog.  In 1829 he sent to the Royal Academy a portrait of William Redmore Bigg, R. A., and continued to exhibit portraits there for a few years. At the British Institution he exhibited in 1830 The Widow, and in 1832 Puck.
  From about 1834 Fisk took to painting the large historical compositions, for which he  became  best known. He took care to obtain contemporary portraits and authorities for costume, which he faithfully reproduced on his canvases. Some of them were engraved, and were popular. They comprised Lady Jane Grey, when in confinement in the Tower, visited by Feckenhain (British Institution, 1834); The Coronation of Robert Bruce (Royal Academy, 1836); La Journée des Dupes (Royal Academy, 1837); Leonardo da Vinci expiring in the arms of Francis I (Royal Academy, 1838); The Chancellor Wriothesley approaching to apprehend Katherine Parr on a charge of heresy, and Mary, widow of Louis XII of France, receiving Charles Brandon, Duke of Suffolk, ambassador from Henry VIII (British Institution, 1838); The Queen Mother, Marie de' Medici, demanding the dismissal of Cardinal Richelieu (British Institution, 1839); The Conspiracy of the Pazzi, or the attempt to assassinate Lorenzo de' Medici (Royal Academy, 1839), which was awarded the gold medal of the Manchester Institution for the best historical picture exhibited in their gallery in 1840.
  About 1840 Fisk started a series of pictures connected with the reign of Charles I, namely, Cromwell's Family interceding for the life of Charles I (Royal Academy, 1840); The Trial of the Earl of Strafford (never exhibited, engraved by James Scott in 1841, and acquired for the Walker Art Gallery, Liverpool); The Trial of Charles I in Westminster Hall (Royal Academy, 1842); Charles I passing through the banqueting-house, Whitehall, to the Scaffold (Royal Academy, 1843); The last interview of Charles I with his Children (British Institution, 1844). He was also a frequent contributor to the Suffolk Street exhibition.
  His obituary in the Art Journal said that "if Mr. Fisk’s works may not be classed in a high rank of historical painting, they are most creditable examples — well composed, careful in execution, and accurate in costumes and accessories."
caption: The Last Moments of King Charles the First, 1838 engraving by James Scott.
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