page_title: Manchester School of Painters
section_title: Principal Members of the Manchester School of Painters
hierarchical_section_title: Manchester School of Painters / Principal Members of the Manchester School of Painters
caption_attribution_description: English: My (Rodolph (talk) 11:28, 9 August 2013 (UTC)) photo of F. W. Jackson's Windmill at Thorne, near Doncaster, 1911. In a frame made by his brother, Chas A Jackson. Sight size: 11 x 15 inches. Exhibited in the F. W. Jackson exhibition in the City of Manchester Art Gallery, 1918.
context_page_description: The Manchester School of Painters was formed by a number of disgruntled young vanguard painters in the 1870s. They were deeply influenced by the artist Joseph Knight, who was a successful painter, etcher and photographer. He was the founder member of the Manchester School of Painters. Knight painted how he desired and refused to conform to traditional Art School rules and this appealed to his young admirers. Twice weekly they would all meet up at Knight’s studio in York Place behind the Union Chapel in Oxford Road, Manchester to discuss new ways to develop their techniques.
  The group were very discontented with the old school of teaching and working. They decided they would work in a different way, experimenting with different tones and colours especially after a number of them spent four months working in the open air in Pont-Aven, Brittany. The place was vibrant and full to the brim with an eminent and cosmopolitan crowd of painters known as the Pont-Aven School and the group became influenced by all their different ways of working.
context_section_description: Joshua Anderson Hague - 1850–1916
  John Houghton Hague  - 1842–1934
  James Hey Davies  - 1844–1930
  Frederick William Jackson - 1859–1918
  William Meredith - 1851–1916
  John Herbert Evelyn Partington - 1843–1899
  Richard Gay Somerset - 1848–1928
caption: Windmill at Thorne, 1911, a late watercolour by F. W. Jackson. Thorne is 12 miles north-north-east of Doncaster.
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