page_title: Faun
section_title: Origins
hierarchical_section_title: Faun / Origins
caption_attribution_description: English: Nymph and Faun by Charles Hodge Mackie (1862-1920), cast in lead. It was originally the centrepiece of a garden pond in Murrayfield, Edinburgh. Now in the National Museum of Scotland, Edinburgh. Nederlands: Nymph and Faun van Charles Hodge Mackie (1862-1920), een in lood gegoten beeld. Oorspronkelijk was het het aandachtspunt in een tuinvijver in Murrayfield, Edinburgh. Nu in het National Museum of Scotland, Edinburgh.
context_page_description: The faun is a mythological half human–half goat creature appearing in Roman mythology.
  The goat men, more commonly affiliated with the Satyrs of Greek mythology than the fauns of Roman, are bipedal creatures with the legs and tail of a goat and the head, torso, and arms of a man, and are often depicted with goat's horns and pointed ears. These creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their chieftain, Silenus, was a minor deity of Greek mythology.
context_section_description: Romans believed fauns inspired fear in men traveling in lonely, remote or wild places. They were also capable of guiding humans in need, as in the fable of The Satyr and the Traveller, in the title of which Latin authors substituted the word Faunus. Fauns and satyrs were originally quite different creatures: whereas fauns are half-man and half-goat, satyrs originally were depicted as stocky, hairy, ugly dwarves or woodwoses with the ears and tails of horses or asses. Satyrs also were more woman-loving than fauns, and fauns were rather foolish where satyrs had more knowledge.
  Ancient Roman mythological belief also included a god named Faunus often associated with enchanted woods and the Greek god Pan and a goddess named Fauna who were goat people.
caption: Nymph and Faun (cast in lead) in the National Museum of Scotland, Edinburgh
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