page_title: Arsenije IV Jovanović Šakabenta
section_title: Treaty of Belgrade
hierarchical_section_title: Arsenije IV Jovanović Šakabenta / Treaty of Belgrade
caption_attribution_description: Српски / srpski: Privilegije Leoploda, Jozefa I i Karla VI date Ilirskoj deputaciji, a obnovljene od strane Marije Terezije. The privileges of Leopold, Joseph I and Charles VI were given to the Illyrian deputy, and restored by Maria Theresa
context_page_description: Arsenije IV Jovanović Šakabenta was the Archbishop of Peć and Serbian Patriarch from 1725 to 1737 and Head of the Serbian Orthodox Church in Habsburg Monarchy from 1737 to his death in 1748.
  He commissioned the Slavic heraldic bearings called Stemmatographia. He opened the first official Academy of Painting on the territory of the Metropolitanate of Karlovci after the artistic and cultural reforms were commenced under the auspices and blessing of Vikentije Jovanović, his predecessor. He was succeeded by Joannicius III of Constantinople.
context_section_description: With the 1739 Treaty of Belgrade which ended the Austro-Turkish War (1737–1739), the Kingdom of Serbia ceased to exist. The Ottoman sultan deposed the pro-Serbian Patriarch of Peć Arsenije IV and in his place appointed the Greek Joannicius, who took the title of Archbishop of Peć and Patriarch of the Serbs. The entry of Patriarch Arsenije IV Jovanović into Belgrade was symbolic of many things in the minds of simple folk (the transformation of man into an ideal, into an example, etc.). The entry celebrated the long-awaited arrival of Arsenije IV, the Patriarch of Peć, into Belgrade to take up the position of spiritual leader of the Orthodox faithful in Austria.
  Arsenije IV commissioned Pavle Nenadović, a clergyman and poet from the town of Karlovci, to compose a heraldic handbook, Stemmatographia (meaning "the drawing of ancestry" in Greek). This heraldic album was modelled after a book of the same title on Slavonic heraldic bearings, engraved in 1701 by Croatian poet Pavao Ritter Vitezović (who modelled his Stemmatographia after an older version of Slavic heraldry composed by Mavro Orbini). Arsenije IV's Stemmatographia was perceived by some as an illustrated political programme that was supposed to act both as a verification of the Serbian historical past and as a clear geo-political statement of the lands belonging to the Serbs in the Balkans. His intention, however, was educational, and for this work he hired three people: Hristofor Zhefarovich originally from Dojran as an artist; German-born Thomas Mesmer as an engraver; and clergyman Pavle Nenadović as a poet. Arsenije IV was well aware of the power of communuication that printed imagery had in those early days of the printing press and the art of engraving. His Stemmatographia was widely distributed among the Serbian villages and towns in the then Habsburg-occupied Serbian lands, and in Imperial Russia where Serbian colonies existed. (The letter from Arsenije IV, written and dated 19 June 1743, demanding a wide distribution is kept in the Archiepiscopal Archives Sremski Karlovci under the presswork B-1743-68).
  The previous Patriarch Arsenije IV moved north to the Habsburg Monarchy along with many Serbs, in what is known as the Second Serbian Migration. Arsenije IV became Metropolitan of Karlovci, maintaining however deep connections with the Serbs who remained in the Ottoman Empire, particularly the Kosovo Vilayet, now under the Phanariote jurisdiction of Joannicius. Joannicius remained Patriarch of Peć until 1746, when, burdened with debts due to his high-living, he was forced to sell the title to pay his creditors. He was succeeded by Atanasije II (Gavrilović).
caption: Confirmation of Serbian Privileges, issued by Maria Theresa in 1743
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