page_title: Niccolò Machiavelli
section_title: Influences
hierarchical_section_title: Niccolò Machiavelli / Originality / Influences
caption_attribution_description: English: Original caption: Xenophon: Marmorbüste im Kgl. Museum, Berlin
context_page_description: Niccolò di Bernardo dei Machiavelli was an Italian Renaissance diplomat, philosopher and writer, best known for The Prince, written in 1513. He has often been called the father of modern political philosophy or political science.
  For many years he served as a senior official in the Florentine Republic with responsibilities in diplomatic and military affairs. He wrote comedies, carnival songs, and poetry. His personal correspondence is of high importance to historians and scholars. He worked as secretary to the Second Chancery of the Republic of Florence from 1498 to 1512, when the Medici were out of power.
  Machiavelli's name came to evoke unscrupulous politicians of the sort Machiavelli advised most famously in The Prince. Machiavelli considered political battles, not through a lens of morality, but as though they are a board game with established rules. His experience showed him that politics have always been played with deception, treachery and crime. He also notably said that a ruler who is establishing a kingdom or a republic, and is criticized for his deeds, including violence, should be excused when the intention and the result is beneficial.
context_section_description: Commentators such as Leo Strauss have gone so far as to name Machiavelli as the deliberate originator of modernity itself. Others have argued that Machiavelli is only a particularly interesting example of trends which were happening around him. In any case Machiavelli presented himself at various times as someone reminding Italians of the old virtues of the Romans and Greeks, and other times as someone promoting a completely new approach to politics.
  That Machiavelli had a wide range of influences is in itself not controversial. Their relative importance is however a subject of on-going discussion. It is possible to summarize some of the main influences emphasized by different commentators.
  I. The Mirror of Princes genre
  Gilbert (1938) summarized the similarities between The Prince and the genre it obviously imitates, the so-called "Mirror of Princes" style. This was a classically influenced genre, with models at least as far back as Xenophon and Isocrates. While Gilbert emphasized the similarities, however, he agreed with all other commentators that Machiavelli was particularly novel in the way he used this genre, even when compared to his contemporaries such as Baldassare Castiglione and Erasmus. One of the major innovations Gilbert noted was that Machiavelli focused upon the "deliberate purpose of dealing with a new ruler who will need to establish himself in defiance of custom". Normally, these types of works were addressed only to hereditary princes. (Xenophon is also an exception in this regard.)
  II. Classical republicanism
  Commentators such as Quentin Skinner and J.G.A. Pocock, in the so-called "Cambridge School" of interpretation, have asserted that some of the republican themes in Machiavelli's political works, particularly the Discourses on Livy, can be found in medieval Italian literature which was influenced by classical authors such as Sallust.
  III. Classical political philosophy: Xenophon, Plato and Aristotle
  The Socratic school of classical political philosophy, especially Aristotle, had become a major influence upon European political thinking in the late Middle Ages. It existed both in the Catholicised form presented by Thomas Aquinas, and in the more controversial "Averroist" form of authors like Marsilius of Padua. Machiavelli was critical of Catholic political thinking and may have been influenced by Averroism. But he rarely cites Plato and Aristotle, and most likely did not approve of them. Leo Strauss argued that the strong influence of Xenophon, a student of Socrates more known as an historian, rhetorician and soldier, was a major source of Socratic ideas for Machiavelli, sometimes not in line with Aristotle. While interest in Plato was increasing in Florence during Machiavelli's lifetime, Machiavelli does not show particular interest in him, but was indirectly influenced by his readings of authors such as Polybius, Plutarch and Cicero.
  The major difference between Machiavelli and the Socratics, according to Strauss, is Machiavelli's materialism, and therefore his rejection of both a teleological view of nature and of the view that philosophy is higher than politics. With their teleological understanding of things, Socratics argued that desirable things tend to happen by nature, as if nature desired them, but Machiavelli claimed that such things happen by blind chance or human action.
  IV. Classical materialism
  Strauss argued that Machiavelli may have seen himself as influenced by some ideas from classical materialists such as Democritus, Epicurus and Lucretius. Strauss however sees this also as a sign of major innovation in Machiavelli, because classical materialists did not share the Socratic regard for political life, while Machiavelli clearly did.
  V. Thucydides
  Some scholars note the similarity between Machiavelli and the Greek historian Thucydides, since both emphasized power politics. Strauss argued that Machiavelli may indeed have been influenced by pre-Socratic philosophers, but he felt it was a new combination:
  ...contemporary readers are reminded by Machiavelli's teaching of Thucydides; th
caption: Xenophon, author of the Cyropedia
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