page_title: Liv Kristine
section_title: Contributions to music
hierarchical_section_title: Liv Kristine / Contributions to music
caption_attribution_description: עברית: Leaves' Eyes In Israel, 2016
context_page_description: Liv Kristine Espenæs, better known as Liv Kristine, is a Norwegian singer-songwriter who has performed and composed songs mostly for various subgenres of heavy metal music. She started her career in the music industry as a vocalist for the gothic metal band Theatre of Tragedy, and is the former lead vocalist for the symphonic metal band Leaves' Eyes. She is known for her work in close association with her then-husband and leader of the German band Atrocity, Alexander Krull. Currently she is a singer of a German band Midnattsol alongside her younger sister Carmen Elise Espenæs. She also released a number of solo albums in various genres.
context_section_description: Kristine helped to pioneer the beauty and the beast vocals approach, later used by many other successful bands such as Tristania, After Forever, Epica and Within Temptation in their beginnings. The term "beauty and the beast" refers to an aesthetic contrasting "angelic" female vocals with male growls or aggressive singing. Paradise Lost and The Gathering had already made use of this technique on some songs from their earlier albums but it was the Norwegian Theatre of Tragedy, Kristine's former band, that first released an entire album devoted to this approach with their self-titled debut in 1995.
  A second album Velvet Darkness They Fear arrived in the following year. Theatre of Tragedy's third album Aégis in 1998 saw the band "venturing into fresh musical territory". The piano was replaced by electronic keyboards while Raymond Rohonyi opted to discard his death growls in favor of a "soft, spoken, sometimes whispering voice". The music was more clean and soft, "stripped of guitar harshness" but with a "near flawless execution" that "prompted many European critics to award Aégis perfect review scores".
  For over a decade, this beauty and the beast aesthetic has flourished with many representatives across the European continent. Cradle of Filth has also been known to make use of this approach through guest female vocalists such as Liv Kristine and Sarah Jezebel Deva.
caption: Liv Kristine at a live show in Israel, 2016
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