page_title: Cultural references to Leonardo da Vinci
section_title: Copies
hierarchical_section_title: Cultural references to Leonardo da Vinci / Artworks after originals by Leonardo / Copies
caption_attribution_description: Copy after a fresco in the Palazzo della Signoria in Florence, executed in 1504-1505 and destroyed around 1560.
context_page_description: Leonardo da Vinci was an Italian Renaissance painter and polymath who achieved legendary fame and iconic status within his own lifetime. His renown primarily rests upon his brilliant achievements as a painter, the Mona Lisa and The Last Supper, being two of the most famous artworks ever created, but also upon his diverse skills as a scientist and inventor. He became so highly valued during his lifetime that the King of France bore him home like a trophy of war, supported him in his old age and, according to legend, cradled his head as he died.
  Leonardo's portrait was used, within his own lifetime, as the iconic image of Plato in Raphael's School of Athens. His biography was written in superlative terms by Vasari. He has been repeatedly acclaimed the greatest genius to have lived. His painting of the Mona Lisa has been the most imitated artwork of all time and his drawing the Vitruvian Man iconically represents the fusion of Art and Science.
  Leonardo's biography has appeared in many forms, both scholarly and fictionalized. Every known aspect of his life has been scrutinized and analyzed.
context_section_description: Leonardo's pupils and followers copied or closely imitated many of his pictures. Several of his important works exist only as copies by his admirers. These include:
  His cartoon of The Virgin and Child with St Anne and St John the Baptist copied as an oil painting by Luini
  The Battle of Anghiari was copied several times by unknown Florentine artists as well by Peter Paul Rubens.
  Leda and the Swan exists only as copies in the Louvre and Villa Borhgese.
  Other much much-copied works include:
  Mona Lisa for which Angela della Chiesa cites 14 examples of which 6 are bare-breasted. These include paintings by Bernardino Luini, Salaì and Joos van Cleve.
  John the Baptist for which there exist at least five versions by other hands including Salai.
caption: Peter Paul Rubens' copy of the lost Battle of Anghiari
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