page_title: Inhotim
section_title: History
hierarchical_section_title: Inhotim / History
caption_attribution_description: Brumadinho Mg Brasil - Inhotim
context_page_description: The Inhotim is home to one of the largest foundations of contemporary art in Brazil and one of the largest outdoor art centers in Latin America. It was founded by the former mining magnate Bernardo Paz in 2004 to house his personal art collection, but opened to the public a couple of years later. In 2014, the open-air museum was one of TripAdvisor's top 25 best-ranked museums in the world.
  Located in Brumadinho, just 60 km away from Belo Horizonte, the institute has a total area of 1942.25 acres, mostly located in the biome of the Atlantic Forest. Of the total area, 1087.26 acres are marked as preservation areas, of which 359 acres are part of the Reserva Particular do Patrimônio Natural RPPN, which makes it a natural heritage site. These geographic features made it possible for Inhotim to house a botanical garden, which has been developing since it was opened.
context_section_description: Paz soon converted the then 3,000-acre ranch into a sprawling, 5,000-acre botanical garden designed by his friend, the late landscape artist Roberto Burle Marx. The project began when Brazilian contemporary artist Tunga persuaded Paz to start collecting contemporary art. Eventually, he allowed artists all the space and resources they needed to create larger-than-life works. The garden, which boasts two dozen art “pavilions”, opened to the public in 2006. The pavilions include more than 500 works by noted Brazilian and international artists, such as Hélio Oiticica, Yayoi Kusama, Anish Kapoor, Thomas Hirschhorn, Dominique Gonzalez-Foerster, Steve McQueen, Cildo Meireles and Vik Muniz. One pavilion is devoted to one of Paz′s ex-wives, the Brazilian artist Adriana Varejão.
   
  In 2008, a geodesic dome designed by Paula Zasnicoff Cardoso of the Brazilian architectural practice Arquitetos Associados was constructed within a eucalyptus forest and now contains Matthew Barney's installation De Lama Lâmina [From Mud, a Blade] (2004–08), which shows a vehicle uprooting a tree. Chris Burden’s Beam Drop (1984–2008) is made of 72 steel beams dropped 45 meters from 150-foot-high cranes into a pit filled with wet cement. Sonic Pavilion by Doug Aitken was realized in 2009 and consists of a circular building of frosted glass on top of a hill which contains a well. This goes down 200 meters into the ground and at its bottom microphones capture the sounds of the earth, which are then amplified and played live in the gallery above. Vegetation Room (2012) by Cristina Iglesias is a cube of polished stainless steel reflecting the surrounding forest. Visitors slip into crevices where the walls are sculpted foliage, entering a labyrinth within the labyrinth; at the cube's heart, torrents of water periodically rush.
caption: Beam Drop by Chris Burden
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