page_title: Hazel Lavery
section_title: Other portraits
hierarchical_section_title: Hazel Lavery / Personal life / Other portraits
caption_attribution_description: English: Photograph of "The Red Rose", 1923. Oil on canvas, by John Lavery. In the public domain. Crawford Art Gallery, London. Painting copyright not renewed in US, in 1950 or 1951 thus public domain in US: [1].
context_page_description: Hazel, Lady Lavery was a painter and the second wife of portrait artist Sir John Lavery. Her likeness appeared on Banknotes of Ireland for much of the 20th century.
context_section_description: Lady Lavery sat for more than 400 portraits by Sir John. Many were similarly named, leading an expert to remark that "Hazel in ..." is virtually a Lavery trademark.
  Lavery's biographer described "Hazel in rose and grey" as "One of the nicest of Lavery's "Hazel in" pictures. For once he abandons the full-length format and the composition gains a more curvy, dynamic appearance. Hazel, profiled by what photographers call a hair light, wears a wispy dress the colour of faded hydrangeas".
  Another well-known portrait of Hazel Lavery painted by her husband is known as "The Red Rose" (1923). As one expert describes, this painting has a complicated history: 
  Her well-known face and the characteristic red, purple and gold colour harmonies make The Red Rose immediately recognizable as a portrait of her. However, the canvas was begun in 1892 as a portrait of Mrs William Burrell. In 1912 it was transformed into a portrait of Sarah Bernhardt, and in the early twenties it was, for a brief period, a portrait of Viscountess Curzon.
caption: The Red Rose, 1923, Crawford Art Gallery
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