page_title: The X-Files: I Want to Believe
section_title: Filming
hierarchical_section_title: The X-Files: I Want to Believe / Production / Filming
caption_attribution_description: English: A field of haybales in a sunny field in beautiful Pemberton, BC
context_page_description: The X-Files: I Want to Believe is a 2008 American supernatural thriller film directed by Chris Carter and written by both Carter and Frank Spotnitz. It is the second feature film installment of The X-Files franchise created by Carter, following the 1998 film. Three main actors from the television series, David Duchovny, Gillian Anderson, and Mitch Pileggi, reappear in the film to reprise their respective roles as Fox Mulder, Dana Scully, and Walter Skinner.
  Unlike the first film, the plot does not focus on the series' ongoing extraterrestrial-based mytharc themes, but instead works as a standalone thriller horror story, like many of the monster-of-the-week episodes frequently seen in the TV series, as well as focusing on the personal relationship between Mulder and Scully. The story follows Mulder and Scully who have been out of the FBI for several years, with Mulder living in isolation and Scully having become a doctor at a Catholic hospital, where she has formed a bond with a critically ill child patient.
context_section_description: Principal photography took place in Vancouver and Pemberton, in British Columbia, Canada. According to Spotnitz, the script was written specifically for these locations. Filming began in December 2007 in Vancouver under the direction of Carter, and shooting finished on March 11, 2008. In a teaser trailer shown at Wondercon on February 23, 2008, the date "July 25, 2008" appeared at the end, and was the only text in the trailer. On March 27, 2008, the horror film site Bloody Disgusting reported a bootleg video of the official trailer uploaded by a user on YouTube. The first public trailer was released after midnight on May 12, 2008, after a period of downtime on the official website.
  The decision to shoot in Vancouver, where the first five years of The X-Files had been filmed and produced before the series had moved to Los Angeles, was an early idea—one that seemed right to both Chris Carter and David Duchovny. According to Duchovny, "It all makes sense. You know, when Chris and I first talked about doing this movie, we kind of unconsciously both said, 'You know, I guess it should be in Vancouver, it really should be,' and it just felt like you know, almost superstitiously like the right thing to do."  Filming in Vancouver also facilitated the return of many former crew members who had previously worked on The X-Files, as well as individuals who had worked on the other series that Ten Thirteen Productions had created. Frank Spotnitz said that "In terms of making of the movie, we've brought together as many people as we can, not just from The X-Files but from all the shows that we did here in Vancouver – Harsh Realm, Millennium and The Lone Gunmen – and our crew is populated with all these faces that we'd worked with, over the past fifteen years. And there's even some people from the L.A. crew."
  The exterior of Monica Bannan's house was actually filmed in Pemberton, British Columbia, Canada, a location that Spotnitz found to be beautiful but extremely cold. Although the location is shown in exterior shots incorporated into the scene in which Fox Mulder (Duchovny), Whitney (Amanda Peet), Drummy (Alvin "Xzibit" Joiner), and Father Joe (Billy Connolly) drove to the missing agent's home, the same scene also includes footage of the actors that was filmed on a stage, using a rear projection to show the exterior from inside the car. The latter method was used for all the shots in which any of the travelers appear.
  Several of the other locations were filmed in and around Pemberton Valley. Key scenes were also filmed in Riverlands. The interior of Mulder’s home was a set in Burnaby, outside of Vancouver. The set was an old roller rink or at least sounded like one, as it was very noisy. During filming, Carter placed a carrot juice bottle on the table of the set, having just finished the drink, as he thought it would be "a nice sort of Mulder touch." Some of the artwork in Mulder's office came from a friend of Carter's who had a gallery in Vancouver and was named Monica Reyes, a name that had previously been used in her honor for a character who features in a recurring role in the series' eighth season and appears as a main character in every episode of the series' ninth season. One of the pictures on the wall of Mulder's office was by Douglas Coupland, who was featured in the real Monica Reyes' gallery and had written a book Carter liked which was called Hey Nostradamus!, so Carter stuck a Post-it on which he wrote the book's title onto the picture.
  The exterior of the dorms for habitual sex offenders where Father Joe lives was actually an apartment complex in Vancouver that was slated for demolition while the production crew were filming there. Snow that can be seen outside the dorms was actually fake snow that was imported by the crew and fabricated by the film's Special Effects Department. Bill Roe and Mark Freeborn worked together to create a creepy green glow on the location using green lights. The production crew also created their own factory smoke for chimneys in the background, as Carter opined that the smoking chimneys made
caption: A haybale field in Pemberton, like the location used for filming the scene involving the second abduction of FBI agent Cunningham.
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