page_title: Asger Jorn
section_title: Situationist International
hierarchical_section_title: Asger Jorn / Post-war / Situationist International
caption_attribution_description: English: Pamphlets by Unpopular Books
context_page_description: Asger Oluf Jorn was a Danish painter, sculptor, ceramic artist, and author. He was a founding member of the avant-garde movement COBRA and the Situationist International. He was born in Vejrum, in the northwest corner of Jutland, Denmark, and baptized Asger Oluf Jørgensen.
  The largest collection of Asger Jorn's works—including his major work Stalingrad—can be seen in the Museum Jorn, Silkeborg, Denmark.
  Asger Jorn willed his property and the works of art located inside to the Municipality of Albissola Marina, so the Italian museum called "Casa Museo Jorn" was created for displaying his works.
context_section_description: In 1954 he met Guy Debord, who was to become a close friend. The two men collaborated on two artist's books, Fin de Copenhague (1957) and Mémoires (1959), along with prints, and forewords to each other's work.
  He participated in the conference that led to the merger of the International Movement for an Imaginist Bauhaus, the Lettriste Internationale, and London Psychogeographical Association to form the Situationist International in 1957. Here he applied his scientific and mathematical knowledge drawn from Henri Poincaré and Niels Bohr to develop his situlogical technique. Jorn never believed in a conception of the Situationist ideas as exclusively artistic and separated from political involvement. He was at the root and at the core of the Situationist International project, fully sharing the revolutionary intentions with Debord. The Situationist general principles were an attack on the capitalist exploitation and degradation of the life of people, and solution of alternative life experiences, construction of situations, unitary urbanism, psychogeography, with the union of play, freedom and critical thinking. Such general principles were applied by Jorn to painting.
  In 1961 he amicably quit his activity in the SI, still fully supporting its contents and goals, and continuing to support it financially, but believing that the new strategy of the SI was ineffective.
  He went on to found the Scandinavian Institute of Comparative Vandalism in Silkeborg and contributed material to the Situationist Times. Later, he donated a museum for modern art to the Danish town of Silkeborg, near where he grew up. He was to remain close to Debord, however, and continued to fund Situationist publications.
  His philosophical system Triolectics was given a practical manifestation through the development of three sided football.
caption: English translation of Creation Ouvert published by Unpopular Books
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