page_title: Australian Aboriginal fibre sculpture
hierarchical_section_title: Australian Aboriginal fibre sculpture
caption_attribution_description: English: The screenprinting room at Injalak Arts in Gunbalanya. The fibre work on the table is by Ganbaladj Nabegeyo and is being prepared for display.
context_page_description: The production of sculptural fibre objects has a long history within Aboriginal Australian culture. Historically, such objects had practical or ceremonial purposes, and some appeared in both contexts. The terms “art” and “craft” are difficult to apply in historical contexts, as they are not originally Aboriginal conceptual divisions. However, in a contemporary context, these objects are now generally regarded as contemporary art whenever they are presented as such. This categorisation is often applied to objects with historically practical or ceremonial applications, as well as a growing category of new fibre forms which have been innovated in the past decades and produced for a fine art market. The border between Aboriginal fibre sculpture and fibre craft is not clearly delineated, and some works may be regarded as either depending on the context of their display and use.
context_section_description: The production of sculptural fibre objects has a long history within Aboriginal Australian culture. Historically, such objects had practical or ceremonial purposes, and some appeared in both contexts. The terms “art” and “craft” are difficult to apply in historical contexts, as they are not originally Aboriginal conceptual divisions. However, in a contemporary context, these objects are now generally regarded as contemporary art whenever they are presented as such. This categorisation is often applied to objects with historically practical or ceremonial applications, as well as a growing category of new fibre forms which have been innovated in the past decades and produced for a fine art market.  The border between Aboriginal fibre sculpture and fibre craft is not clearly delineated, and some works may be regarded as either depending on the context of their display and use.
caption: The screenprinting room at Injalak Arts in Gunbalanya. The work on the table is by Ganbaladj Nabegeyo and is typical of the Kuninjku fibre sculpture tradition.
exif: {"Image Make": "Apple", "Image Model": "iPhone 5", "Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "Adobe Photoshop CS4 Windows", "Image DateTime": "2014:08:04 17:29:56", "Image YCbCrPositioning": "Centered", "Image ExifOffset": "216", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "846", "Thumbnail JPEGInterchangeFormatLength": "9095", "EXIF ExposureTime": "1/20", "EXIF FNumber": "12/5", "EXIF ExposureProgram": "Program Normal", "EXIF ISOSpeedRatings": "100", "EXIF ExifVersion": "0221", "EXIF DateTimeOriginal": "2014:06:23 17:39:41", "EXIF DateTimeDigitized": "2014:06:23 17:39:41", "EXIF ComponentsConfiguration": "YCbCr", "EXIF ShutterSpeedValue": "3799/879", "EXIF ApertureValue": "4845/1918", "EXIF BrightnessValue": "5893/2372", "EXIF MeteringMode": "Pattern", "EXIF Flash": "Flash did not fire, compulsory flash mode", "EXIF FocalLength": "103/25", "EXIF SubjectArea": "[1631, 1223, 1795, 1077]", "EXIF SubSecTimeOriginal": "991", "EXIF SubSecTimeDigitized": "991", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "1197", "EXIF ExifImageLength": "898", "EXIF SensingMethod": "One-chip color area", "EXIF SceneType": "Directly Photographed", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF FocalLengthIn35mmFilm": "33", "EXIF SceneCaptureType": "Standard", "EXIF LensSpecification": "[103/25, 103/25, 12/5, 12/5]", "EXIF LensMake": "Apple", "EXIF LensModel": "iPhone 5 back camera 4.12mm f/2.4"}