page_title: Mae Busch
section_title: Early life and career
hierarchical_section_title: Mae Busch / Early life and career
caption_attribution_description: English: Publicity photo of Mae Busch from Stars of the Photoplay. Mae Busch is an Australian by birth, but was educated in New Jersey. Her original ambition was to become a singer. She began her career in vaudeville. She made her first big hit on the screen in "The Devil's Pass-Key," a picture directed by Erich von Stroheim. She was given her greatest opportunity in pictures in Maurice Tourneur's production of "The Christian." Her parents were theatrical people, known as the Busch-DeVore Trio. She is about twenty-eight years old, is five feet, five inches tall, weighs 130 pounds, and has black hair and grey eyes.
context_page_description: Mae Busch was an Australian-born actress who worked in both silent and sound films in early Hollywood. In the latter part of her career she appeared in many Laurel and Hardy comedies, where she frequently played Hardy's shrewish wife.
context_section_description: Busch was born in Melbourne, Victoria to popular Australian vaudeville performers Elizabeth Maria Lay and Frederick William Busch. Her mother had been active since 1883 under the stage names Dora Devere and then Dora Busch; she toured India with Hudson's Surprise Party and toured New Zealand twice. They continued to tour with various companies with short breaks when their two children were born, Dorothy in 1889 (who lived for only 4 months) and Annie May in 1891. Following a concert tour of New Zealand, the family left for the United States via Tahiti. They departed on 8 August 1896 and arrived in San Francisco at the end of 1896 or in early 1897.
  While her parents were touring the United States, 6-year-old Annie May was placed in a convent school in New Jersey. At the age of 12, she joined her parents as the Busch Devere Trio, which was active from 1903 until 1912. As Mae Busch she performed with her mother in Guy Fletch Bragdon's "The Fixer" to good reviews, and in 1911 they featured in Tom Reeves' "Big Show Burlesque". Mae's big break came in March 1912 when she replaced Lillian Lorraine as the lead female in "Over the River" with Eddie Foy.
  Mae's first film appearances were in The Agitator and The Water Nymph, both released in 1912. There is some doubt about Mae being in these films as the production of both films in California appears to clash with commitments in New York. In 1915 she began working at Keystone Studios, where she appeared in comedy two-reelers. Her dalliance with studio chief Mack Sennett famously ended his engagement to actress Mabel Normand—who had actually been Busch's mentor and friend—when Normand walked in on the pair. According to some accounts, Busch, who was known for pinpoint throwing accuracy, inflicted a serious head injury on Normand by striking her with a vase.
  At the pinnacle of her film career, Busch was known as the versatile vamp. She starred in such feature films as The Devil's Pass Key (1920) and Foolish Wives (1923), both directed by Erich von Stroheim, and in The Unholy Three (1925), with Lon Chaney. Her career declined abruptly after 1926, when she walked out on her contract at Metro–Goldwyn–Mayer and suffered a nervous breakdown. Afterwards, she found herself working for less prestigious studios such as Gotham and Tiffany, where she was relegated mostly to supporting roles.
  In 1927, she was offered a leading role in a Hal Roach two-reeler, Love 'em and Weep, which began her long association with Laurel and Hardy. She appeared in 13 of their comedies, often as shrewish, gold-digging floozies (Chickens Come Home, Come Clean), a volatile wife of Oliver Hardy (Sons of the Desert, Their First Mistake), or more sympathetic roles (Them Thar Hills, Tit for Tat, The Fixer Uppers). Her last role in a Laurel and Hardy film was in The Bohemian Girl, again as a combative spouse of Hardy's, released in 1936. Her film roles after 1936 were often uncredited. Overall, she had roles in approximately 130 motion pictures between 1912 and 1946. Jackie Gleason later mentioned her name on his TV show as "the ever-popular Mae Busch".
  In 2014, the believed-lost 1919 film. which was the first feature to star Harry Houdini, The Grim Game, was discovered and restored by Rick Schmidlin for Turner Classic Movies. Busch appears, credited as Bush.
caption: Busch in the film publication the Stars of the Photoplay, 1924
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