page_title: Hip hop soul
section_title: History
hierarchical_section_title: Hip hop soul / History
caption_attribution_description: English: Mary J. Blige live in Charlotte, NC
context_page_description: Hip hop soul is a subgenre of contemporary R&B music, most popular during the early and mid 1990s, which fuses R&B/gospel singing with hip hop musical production. The subgenre had evolved from a previous R&B subgenre, new jack swing, which had incorporated hip-hop influences into R&B music. By contrast, hip hop soul is, as described in The Encyclopedia of African American Music, "quite literally soul singing over hip hop grooves".
  The genre was most popular during the mid and late 1990s with artists such as Mary J. Blige, Jodeci, Faith Evans, TLC, and R. Kelly. By the late 1990s, hip hop soul would lead to the creation of neo soul, which retained the hip-hop and R&B/gospel influences while also adding elements of classic 1970s soul music.
context_section_description: The term "hip hop soul" is attributed to record producer and later rapper Sean "Puffy" Combs, who came up with the term during the promotion of What's the 411?, the 1992 debut album of Uptown Records artist Mary J. Blige. Blige was promoted by the company as the "Queen of Hip-Hop Soul", and her debut album, primarily produced by Combs, was filled with mid-tempo R&B ballads sung over hip-hop beats and samples. Similarly, Diary of a Mad Band (1993), the second album from another Uptown act, Jodeci, featured the four-man male vocal group moving away from its new jack swing origins into hip hop soul recordings driven more by hip-hop rhythms than melodies.  A large number of male acts, both solo performers and groups, followed or competed with Jodeci, among them R. Kelly, 112, Tony! Toni! Toné! and Blackstreet, a second group formed by Teddy Riley.
  Hip hop soul artist Montell Jordan was the first R&B singer signed to hip-hop record label Def Jam Recordings; his 1995 single "This Is How We Do It", built around a sample of Slick Rick's 1989 hip-hop song "Children's Story", typified the sound of the subgenre. Another key recording is "I'll Be There for You/You're All I Need to Get By", a 1995 duet between Wu-Tang rapper Method Man and Mary J. Blige which interpolated Method Man's rapped verses with Blige singing a cover of Marvin Gaye and Tammi Terrell's "You're All I Need to Get By". "I'll Be There For You/You're All I Need to Get By" won the 1996 Grammy Award for Best Rap Performance by a Duo or Group.
  The female vocal group TLC, consisting of two singers and a rapper, had their start in new jack swing (dubbed "new jill swing" in their case) with their debut album, Ooooooohhh... On the TLC Tip (1992). Their second album, CrazySexyCool, to which Puffy Combs was a significant contributor, moved the group into the aesthetic of hip hop soul. Similar female acts of the time included SWV, Adina Howard, Faith Evans, and Total, the latter two acts signed to Puffy Combs' own label, Bad Boy Entertainment.
  Hip hop soul as a distinct subgenre experienced a lull in popularity with the spread of hip-hop influences into more standard R&B music by the end of the 1990s and the emergence of neo soul, an R&B subgenre which blended hip-hop and contemporary R&B with heavier influences from the soul music of the 1960s and 1970s. Examples of neo soul artists include Tony! Toni! Toné!, D'Angelo, Erykah Badu, and Lauryn Hill. Several newer artists continued to perform in the hip hop soul subgenre in its original form from the 2000s forward, among them John Legend, Anthony Hamilton, and Keyshia Cole.
caption: R&B singer Mary J. Blige is known as the "queen of hip hop soul" due to her frequent collaborations with rappers and hip hop producers.[9][10]
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