page_title: Greek mythology
section_title: Age of gods and mortals
hierarchical_section_title: Greek mythology / Survey of mythic history / Age of gods and mortals
caption_attribution_description: Deutsch: Demeter und Metaneira. Detail auf dem Bauch einer apulisch-rotfigurigen Hydria, um 340 v. Chr. English: Demeter and Metanira. Detail of the belly of an Apulian red-figure hydria, ca. 340 BC. Français&#160;: Déméter et Métanire. Détail de la panse d'une hydrie apulienne à figures rouges, v. 340 av. J.-C.
context_page_description: Greek mythology is the body of myths originally told by the ancient Greeks and a genre of Ancient Greek folklore. These stories concern the origin and the nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths in an attempt to shed light on the religious and political institutions of ancient Greece and its civilization, and to gain understanding of the nature of myth-making itself.
  The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the Iliad and the Odyssey. Two poems by Homer's near contemporary Hesiod, the Theogony and the Works and Days, contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices.
context_section_description: Bridging the age when gods lived alone and the age when divine interference in human affairs was limited was a transitional age in which gods and mortals moved together. These were the early days of the world when the groups mingled more freely than they did later. Most of these tales were later told by Ovid's Metamorphoses and they are often divided into two thematic groups: tales of love, and tales of punishment.
  Tales of love often involve incest, or the seduction or rape of a mortal woman by a male god, resulting in heroic offspring. The stories generally suggest that relationships between gods and mortals are something to avoid; even consenting relationships rarely have happy endings. In a few cases, a female divinity mates with a mortal man, as in the Homeric Hymn to Aphrodite, where the goddess lies with Anchises to produce Aeneas.
  The second type (tales of punishment) involves the appropriation or invention of some important cultural artifact, as when Prometheus steals fire from the gods, when Tantalus steals nectar and ambrosia from Zeus' table and gives it to his own subjects—revealing to them the secrets of the gods, when Prometheus or Lycaon invents sacrifice, when Demeter teaches agriculture and the Mysteries to Triptolemus, or when Marsyas invents the aulos and enters into a musical contest with Apollo. Ian Morris considers Prometheus' adventures as "a place between the history of the gods and that of man." An anonymous papyrus fragment, dated to the third century, vividly portrays Dionysus' punishment of the king of Thrace, Lycurgus, whose recognition of the new god came too late, resulting in horrific penalties that extended into the afterlife. The story of the arrival of Dionysus to establish his cult in Thrace was also the subject of an Aeschylean trilogy. In another tragedy, Euripides' The Bacchae, the king of Thebes, Pentheus, is punished by Dionysus, because he disrespected the god and spied on his Maenads, the female worshippers of the god.
  In another story, based on an old folktale-motif, and echoing a similar theme, Demeter was searching for her daughter, Persephone, having taken the form of an old woman called Doso, and received a hospitable welcome from Celeus, the King of Eleusis in Attica. As a gift to Celeus, because of his hospitality, Demeter planned to make his son Demophon a god, but she was unable to complete the ritual because his mother Metanira walked in and saw her son in the fire and screamed in fright, which angered Demeter, who lamented that foolish mortals do not understand the concept and ritual.
caption: Demeter and Metanira in a detail on an Apulian red-figure hydria, circa 340 BC (Altes Museum, Berlin).
exif: {"Image SubfileType": "Full-resolution Image", "Image Make": "NIKON CORPORATION", "Image Model": "NIKON D50", "Image Orientation": "Horizontal (normal)", "Image XResolution": "300", "Image YResolution": "300", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "The GIMP", "Image DateTime": "2008:04:06 20:21:38", "Image ReferenceBlackWhite": "[0, 255, 0, 255, 0, 255]", "Image CFARepeatPatternDim": "[2, 2]", "Image CFAPattern": "[2, 1, 1, 0]", "Image ExifOffset": "304", "Image Tag 0x9216": "[1, 0, 0, 0]", "EXIF ExposureTime": "1/30", "EXIF FNumber": "14/5", "EXIF ExposureProgram": "Aperture Priority", "EXIF DateTimeOriginal": "2008:02:17 12:50:20", "EXIF DateTimeDigitized": "2008:02:17 12:50:20", "EXIF ExposureBiasValue": "-2/3", "EXIF MaxApertureValue": "3", "EXIF MeteringMode": "Pattern", "EXIF LightSource": "Unknown", "EXIF Flash": "Flash did not fire", "EXIF FocalLength": "50", "EXIF SubSecTime": "20", "EXIF SubSecTimeOriginal": "20", "EXIF SubSecTimeDigitized": "20", "EXIF SensingMethod": "One-chip color area", "EXIF FileSource": "Digital Camera", "EXIF SceneType": "Directly Photographed", "EXIF CVAPattern": "[0, 2, 0, 2, 2, 1, 1, 0]", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Manual", "EXIF DigitalZoomRatio": "1", "EXIF FocalLengthIn35mmFilm": "75", "EXIF SceneCaptureType": "Standard", "EXIF GainControl": "Low gain up", "EXIF Contrast": "Normal", "EXIF Saturation": "Normal", "EXIF Sharpness": "Normal", "EXIF SubjectDistanceRange": "0"}