page_title: Havana Plan Piloto
section_title: Hotel Habana Riviera
hierarchical_section_title: Havana Plan Piloto / Architecture of the mafia / Hotel Habana Riviera
caption_attribution_description: Um dos hoteis mais tradicionais de Havana
context_page_description: The Havana Plan Piloto was a 1955-1958 urban proposal by Town Planning Associates which included Paul Lester Wiener, Paul Schulz, the Catalan architect Josep Lluis Sert, Seely Stevenson of Value & Knecht, Consulting Engineers seeking to combine "architecture, planning, and law," in a project heavily influenced by the politics of Fulgencio Batista which in turn were dictated by his involvement with the American Mafia and their desire to augment United States tourism, and thru his architects, the modernist principles of CIAM and the Athens Charter. The Charter got its name from the location of the fourth CIAM conference in 1933, which, due to the deteriorating political situation in Russia, took place on the in SS Patris II bound for Athens from Marseilles. This conference is documented in a film commissioned by Sigfried Giedion and made by his friend Laszlo Moholy-Nagy "Architects' Congress." The Charter had a significant impact on urban planning after World War II and, thru Josep Lluis Sert and Paul Lester Wiener, on the proposed modernization of Havana and in the effort erase all vestiges of the 16th-century city.
context_section_description: Originally known as the Hotel Habana Riviera, it is a historic resort hotel located on the Malecón waterfront boulevard in the Vedado district of Havana, Cuba. The hotel, which is managed by the Spanish Iberostar chain, was built in 1957 and still maintains its original 1950s style. It has twenty-one floors containing 352 rooms all of which feature views of the water and the Vedado neighborhood.
   The Havana Rivera was originally owned by mobster Meyer Lansky who had been inspired to build it after visiting his friend, Moe Dalitz's nine-storey Riviera Casino on the Las Vegas Strip. It was intended to rival the comfort and contemporary luxury of any Las Vegas hotel of the era. The choice to build in Havana was because Lansky simply did not want to be subject to U.S. laws or the scrutiny of the FBI. The hotel was officially operated by the "Riviera de Cuba S.A. company", established in 1956. The original incorporation papers also listed the names of certain "Miami hotel operators", a Canadian textile company and several others. It was built at a cost of US $8 million, most of which was provided by the Bank for Economic and Social Development (BANDES), a state-run development bank set up by then President, Fulgencio Batista.
  Lansky's investment partners included some of Las Vegas's biggest power brokers. Besides Dalitz were his old friends Morris Kleinman, Sam Tucker, Wilbur Clark of the Desert Inn (and Lansky's Hotel Nacional casino); Ed Levinson of the Fremont Hotel; Charles "Babe" Baron looking after Sam Giancana's interests and Hyman Abrams and Morris Rosen of the Flamingo Las Vegas (of Bugsy Siegel fame). As with all of Lansky's dealings, he and his underworld associates’ ownership of the Riviera were hidden behind layers of managers and frontmen.
  In selecting an architect for the Riviera, Lansky initially approached Wayne McAllister, who was the prolific Los Angeles–based designer of Las Vegas's stylish Desert Inn, Fremont, and Sands hotels—all properties controlled by Lansky's associates in the "Cleveland Gang". But Lansky's insistence that the hotel be completed in less than six months led McAllister to respectfully decline the offer. Instead, Igor Boris Polevitzky, one of the deans of Miami Modern architecture, took the job with Irving Feldman, who had a dozen prestigious hotels and apartment blocks to his credit in Miami Beach, serving as the project's general contractor. Original blueprints of the hotel were made in Miami by the Feldman Construction Corporation, as well as by the Cuban-based architect, Manuel Carrera Machado.
  Lansky then hired Albert B. Parvin of Los Angeles to design the hotel's original decor. Parvin was an interior decorator whose only previous chief claim to fame in decorating was having laid carpets in many of the big hotels in Vegas. His main occupation was operating the Flamingo, a post he held between 1955 and 1960; nine years after Lansky himself agreed to Lucky Luciano's demands that a hit be put out on the casino's would-be original operator, Bugsy Siegal at the infamous Havana Conference. Lansky also hired two of Cuba's great artists, muralist Rolando Lopez Dirube and sculptor Florencio Gelabert, who designed the white marble sculptures of an intertwined mermaid and swordfish that fronts the entrance porte cochere, and "Ritmo Cubano" (Cuban Rhythm), a large lobby sculpture that depicts twirling male and female dancers rendered in bronze. Between them, the three men deftly captured the marine outdoor atmosphere.
  Work began on the site of a former sports arena in December 1956 in the midst of the revolutionary upheaval. Already envisioned as "The Riviera of the Caribbean", it was considered the epitome of resort-construction, and certainly was one of the more costly hotels in Cuba. It was also the first of its kind in Havana to have air-conditioned rooms. Each room had a view of the Gulf of Mexico.
  The Havana Riviera was originally commissioned by its promoter Meyer Lansky to be located on a traffic island near a high-income neighborhood along the Malecón (a road that runs along the coas
caption: Hotel Riviera, 1957.
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