page_title: Milled coinage
section_title: Introduction
hierarchical_section_title: Milled coinage / Introduction
caption_attribution_description: A coining press.
context_page_description: In numismatics, the term milled coinage is used to describe coins which are produced by some form of machine, rather than by manually hammering coin blanks between two dies or casting coins from dies.
context_section_description: Until 1550, coinage techniques used in European mints had not progressed from the hammered coinage of Ancient Greece.  This was problematic because an increase in the supply of bullion from central Europe and America was overworking mints. That led to low quality coins which were easily forged or clipped, i.e. precious metal was shaved from the edges of the coins.  In accordance with Gresham's law, the clipped and forged coins drove good coins out of circulation, depreciating the currency.
  Leonardo da Vinci's notebooks showed there was a better way and Donato Bramante, the architect who made the initial plans for St. Peter's Basilica, developed a screw press to make the lead bulla attached to Papal documents.   In 1550, the French ambassador to Augsburg, Charles de Marillac, saw a way for France to get an economic advantage over the Holy Roman Empire when he learned that a local engineer had perfected a mechanical process of rolling bullion to the required thickness, cutting blanks from the rolled metal, and striking coins from those blanks.  This technology was significantly more advanced than the general manufacturing processes of the sixteenth century making the coins difficult to counterfeit.  The negotiations which obtained rights to the process for France were so secret that the inventor was identified with a codename, but he was most likely Marx Schwab.  Aubin Olivier went to Augsburg to learn the technique and Henry II of France made him chief engineer of a mechanized mint in Paris, called the Moulin des Étuves, on 27 March 1551.  This mint produced well-struck and perfectly round gold and silver coins.  Having perfectly round coins made it easy to detect clipping, but the coiners establishment would have none of this and within a decade the Moulin des Étuves’ ex-employees were finding work in Navarre and England.
  In England, a 1560 proclamation of Elizabeth I exchanged old debased coins for new pure coins.  The Tower Mint added machinery to its hammering for this "great recoinage".  Eloy Mestrelle did the technology transfer from France but when the great recoinage ended mint authorities found him redundant and in 1578 he was hanged for counterfeiting.  In 1632, Charles I employed another French refugee, Nicholas Briot, to improve coinage standards in both England and Scotland, which had its own coinage until 1707, but the English Civil War ended his machine coinage.  Yet another Frenchman, Peter Blondeau, provided machinery for a proposed coinage designed by Thomas Simon with Oliver Cromwell's portrait.  The restoration of 1660 ended that, but in 1662 Charles II recalled Blondeau to establish a permanent machine made coinage.  He employed a secret process for placing lettering or other designs on the edges of coins. The inscription chosen for the edge—DECVS ET TVTAMEN, meaning an ornament and a safeguard—refers to the protection against clipping which the lettered edge provided. In accordance with Gresham's law, however, the inferior hammered coins limited the circulation of his coins until the hammered coins were demonetized in 1695.
  Meanwhile, in continental Europe, France readopted machine made coins in 1639.  Both machine made and hammered coins continued through the recoinage of French silver in 1641, but this time machine made coinage's time had come and hammered French coinage ended in 1645.  Zurich and Heidelberg experimented with coinage machinery in 1558 and 1567 respectively and the Hall mint in Tirol permanently adopted coinage machinery in 1567.   Unlike the screw press used in France and England, Hall used a roller press.   Here two cylindrical dies impressed designs on bullion which rolled between them.  Coins were then cut from the rolled and impressed metal.  This technique spread from Hall to Cologne in 1568, Dresden in 1574, Kremnica in 1577, Danzig in 1577, and other small mints.  Its most significant impact occurred when Philip II of Spain used his personal funds to build a mint at Segovia which used this technique to convert silver from the Americas to coins efficiently.  This allowed the 
caption: French-made coining press from 1831 (M.A.N., Madrid)
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