page_title: Lloret de Mar
section_title: Modernist cemetery of the Indianos
hierarchical_section_title: Lloret de Mar / Art and culture / Modernist cemetery of the Indianos
caption_attribution_description: Hipogeu Camps-Nonell (1908) (Lloret de Mar-La Selva-Catalunya), obra d'Ismael Smith i Marí (1886-1972) dins del cementiri modernista de Lloret de Mar
context_page_description: Lloret de Mar is a Mediterranean coastal town in Catalonia, Spain. It is 40 kilometres south of Girona and 75 kilometres northeast of Barcelona. With a population of 39,364 in 2009, it is the second largest town in the Selva comarca of Catalonia.
  Lloret de Mar attracts summer visitors on package tours. Its main beach is one of the most popular Costa Brava beaches, and is consistently awarded the Blue Flag for cleanliness.
context_section_description: The modernist cemetery of Lloret de Mar is one of the most important Indiano cemeteries in Catalonia and one of the most representative anywhere in Spain. The essence of Lloret de Mar cemetery can be traced to the arrival of the newly rich Indianos, those who returned to the town after making their fortune in the Americas. Designed by Joaquim Artau i Fàbregas, the main avenue contains a series of dazzling pantheons and hypogea in a highly evocative modernist style.
  Bonaventura Conill i Montobbio, a disciple of Gaudí, was one of the cemetery's most prolific architects, producing high crosses, dragons that watch over the darkness and death, and angels with heads bowed who mourn like any mortal.
  The Indianos were families with many good connections, which explains the presence of works by architects such as Puig i Cadafalch and Ismael Smith i Marí, who designed the pale marble female figure that symbolises death and that rests surrounded by red roses. At the end of the central avenue there is a chapel around which the second category hypogea are arranged. There are rows of avenues lined with very similar and highly decorative pantheons, all joined together, some adorned with fresh flowers and others left bare.
  Work on the new cemetery began in 1896 and its construction was completed in 1901. Relatively unknown, it offers a wide perspective on the funerary art of the period. The completed basic structure of the cemetery was impressive for a town with fewer than 4000 inhabitants. Once it was officially opened the leading architects and sculptors of the time contributed works. Joaquim Artau i Fàbregas drew up the original plans and once the cemetery opened the architects Antoni Maria Gallissà and Josep Puig i Cadafalch were the first to execute projects for the new necropolis. Another architect, Vicenç Artigas i Albertí, soon became involved and over the course of 1903 Bonaventura Conill i Montobbio, a disciple of Gaudí, joined the group. Both of these architects continued to work for the cemetery on a regular basis and most of the works that make up the complex constituted an important part of their output. In 1905 Ramon Maria Riudor joined the list of contributors. This architect, who worked on and off in Lloret de Mar, designed a pantheon for the cemetery. The cemetery of Lloret de Mar is possibly one of the most important examples of Catalan funerary art of the modernist period. Although it is a rather small complex, it contains a good number of works capable of reviving the debate over modernist art and the modernists.
caption: Marble figure designed by Ismael Smith i Marí at the modernist cemetery of the Indianos
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