page_title: Isabella Clara Eugenia
section_title: Court of Brussels
hierarchical_section_title: Isabella Clara Eugenia / Patronage of Arts / Court of Brussels
caption_attribution_description: English: This painting of a private gallery or cabinet of a Flemish collector depicts a visit by Archdukes Albert and Isabella, the Habsburg governors of the Southern Netherlands. Isabella is seated, while her husband stands to her right and their unidentified host, behind. The walls are covered with paintings by Flemish artists. The sculpture displayed throughout is from various schools, but includes the bronze "Allegory of Architecture" by Giambologna, a Flemish sculptor who made his fortune in Florence. A painted "Allegory of Iconoclasm," depicting people who destroy art as animals, rests against a chair. Visitors examining paintings and objects on the tables draw the viewer's attention to these objects, as well as shells and a stuffed bird of paradise, from the Spice Islands. Pets include a monkey, kept out of mischief on a chain, and a dog, apparently with two heads (an alteration by the artist that has "bled" through). The globe-like object on the table at the left is one of Cornelis Drebbels' attempts at a perpetual-motion clock; the principles which ran it are now lost. Depictions of art collections were a specialty of Antwerp painters. Albert's and Isabella's role as rulers and patrons of the arts is celebrated here in an unprecedented way. The immense vase of flowers by Jan Brueghel, the greatest Flemish flower painter, is crowned by a large sunflower. This South American flower which could grow to be 14 feet tall and could turn toward the sun, was first seen by Europeans in the mid-1500s. It had been illustrated as a New World wonder in botanical treatises, but this is its earliest inclusion in a painting and its earliest use as a symbol of princely patronage. In turning to the sun (but here toward Albert and Isabella), it symbolizes the way that the arts grow and blossom in the light and warmth of princely patronage.
context_page_description: Isabella Clara Eugenia, sometimes referred to as Clara Isabella Eugenia, was sovereign of the Spanish Netherlands in the Low Countries and the north of modern France with her husband, Archduke Albert VII of Austria. Their reign is considered the Golden Age of the Spanish Netherlands. Isabella was one of the most powerful women in 16th and 17th century Europe.
context_section_description: Isabella and Albert stimulated the growth of this artistic movement, which resulted in the creation of the Flemish Baroque painting. Their patronage of such artists and architects as Peter Paul Rubens (their court painter since 1609), Wenceslas Cobergher, Jacob Franquart, Pieter Brueghel the Younger,  the De Nole family, the Van Veens and many others made the Court of Brussels one of the foremost artistic centers in Europe of that time.
  However, virtually nothing remains of Albert and Isabella's palace on the Koudenberg in Brussels, their summer retreat in Mariemont or their hunting lodge in Tervuren. Their once magnificent collections were scattered after 1633 and considerable parts of them have been lost. Still, the Archdukes enjoy a well merited reputation as patrons of the arts. By far, the best preserved ensemble of art from the archducal period is to be found at Scherpenheuvel, where Albert and Isabella directed Cobergher, and Theodoor van Loon and the de Noles to create a pilgrimage church in a planned city.
caption: Albert and Isabella visiting a private art gallery.[11]
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