page_title: Second Empire architecture in the United States and Canada
section_title: History
hierarchical_section_title: Second Empire architecture in the United States and Canada / History
caption_attribution_description: The Old Executive Office Building in Washington DC.
context_page_description: Second Empire, in the United States and Canada, is an architectural style most popular between 1865 and 1900. Second Empire architecture developed from the redevelopment of Paris under Napoleon III's Second Empire and looked to French Renaissance precedents. It was characterized by a mansard roof, elaborate ornament, and strong massing and was notably used for public buildings as well as commercial and residential design.
context_section_description: The mansard roof, a defining feature of Second Empire design, had evolved since the 16th century in France and Germany and was often employed in 18th and 19th century European architecture. Its appearance in the US was comparatively uncommon in the 18th and early 19th century (Mount Pleasant in Philadelphia has an example of early mansard roofs on its side pavilions). In Canada, because of French influence in Quebec and Montreal, the mansard roof was more commonly seen in the 18th century and used as a design feature and never entirely fell out of favor.
  It was not until the mid-nineteenth century that the origin of Second Empire architecture in the United States can be found. A series of major projects and events in French urban planning and design provided the inspiration for Second Empire architecture. Haussmann's renovation of Paris under Napoleon III in the 1850s and the creation of baroque architectural ensembles employing mansard roofs and elaborate ornament provided the impetus for the development and emulation of the style in the US. Haussmann's work was targeted to renovating the decaying Medieval neighborhoods of Paris by wholesale demolition and new construction of streetscapes with uniform cornice lines and stylistic consistency, an urban ensemble that impressed 19th century architects and designers. Additionally, the reconstruction of the Louvre Palace between 1852–1857 by architects Louis Visconti and Hector Lefuel was widely publicized and served to provide a vocabulary of elaborate baroque architectural ornament for the new style. Finally, the Exposition Universelle of 1855 drew tourists and visitors to Paris and displayed the new architecture and urbanism of the city, an event that brought the style to international attention. These developments worked together to excite interest in design under the Second Empire in the US, particularly among francophiles and those interested in French fashion, then under the sway of Empress Eugenie whose tastes influenced clothing, furniture, and interior decoration. Despite the historicism of the ornamentation, Second Empire architecture was generally viewed as "modern" and hygienic as opposed to the revival styles of Italianate and Gothic Revival which hearkened to the Renaissance and Middle Ages.
  The European born and trained architect Detlef Lienau, who studied architecture in Paris and emigrated to the US in 1848, is credited with designing the first Second Empire house in the US, the Hart M. Schiff house in New York City, built in 1850. Lienau remained a prime designer of Second Empire houses, designing the Lockwood-Matthews Mansion in Norwalk, Connecticut (designed 1860). Despite Lienau's work, Second Empire did not displace dominant styles of the 1850s, Italianate and Gothic Revival and remained associated with only particularly wealthy patrons. The first major Second Empire structure designed by an American architect was James Renwick's gallery, now the Renwick Gallery designed for William Wilson Corcoran (1859-1860). Renwick's gallery was one of the first major public buildings in the style, and its favorable reception furthered interest in Second Empire design. These early buildings display a close affinity to the high-style designs found in the new Louvre construction, with quoins, stone detailing, carved elements and sculpture, a strong division between base and piano nobile, pavilioned roofs, and pilasters.
  The outbreak of the Civil War limited new construction in the US, and it was after the end of the war that Second Empire finally came to prominence in American design. The architects Alfred B. Mullett, who was supervising architect for the Treasury Department, and John McArthur, Jr. a major designer of public buildings in the Mid-Atlantic, helped popularize the style for public and institutional buildings. Mullet, in particular, who favored the style, was responsible from 1866-1874 for designing federal public buildings across the US, spreading Second Empire as a stylistic idiom across the country. His massive and expensive public buildings in St. Loui
caption: Eisenhower Executive Office Building, Washington, D.C.
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