page_title: Salon (gathering)
section_title: Debates surrounding women and the salon
hierarchical_section_title: Salon (gathering) / Conversation, content and the form of the salon / Debates surrounding women and the salon
caption_attribution_description: English: Presumed portrait of Madame Geoffrin.
context_page_description: A salon is a gathering of people held by an inspiring host. During the gathering they amuse one another and increase their knowledge through conversation. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate". Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries were carried on until as recently as the 1920s in urban settings.
context_section_description: When dealing with the salons, historians have traditionally focused upon the role of women within them.  Works in the 19th and much of the 20th centuries often focused on the scandals and 'petty intrigues' of the salons.  Other works from this period focused on the more positive aspects of women in the salon.  Indeed, according to Jolanta T. Pekacz, the fact women dominated history of the salons meant that study of the salons was often left to amateurs, while men concentrated on 'more important' (and masculine) areas of the Enlightenment.
  Historians tended to focus on individual salonnières, creating almost a 'great-woman' version of history that ran parallel to the Whiggish, male dominated history identified by Herbert Butterfield. Even in 1970, works were still being produced that concentrated only on individual stories, without analysing the effects of the salonnières' unique position. The integral role that women played within salons, as salonnières, began to receive greater - and more serious - study in latter parts of the 20th century, with the emergence of a distinctly feminist historiography. The salons, according to Carolyn Lougee, were distinguished by 'the very visible identification of women with salons', and the fact that they played a positive public role in French society. General texts on the Enlightenment, such as Daniel Roche's France in the Enlightenment tend to agree that women were dominant within the salons, but that their influence did not extend far outside of such venues.
  
  It was, however, Goodman's The Republic of Letters that ignited a real debate surrounding the role of women within the salons and the Enlightenment as a whole.  According to Goodman: 'The salonnières were not social climbers but intelligent, self-educated, and educating women who adopted and implemented the values of the Enlightenment Republic of Letters and used them to reshape the salon to their own social intellectual, and educational needs'.
  Wealthy members of the aristocracy have always drawn to their court poets, writers and artists, usually with the lure of patronage, an aspect that sets the court apart from the salon. Another feature that distinguished the salon from the court was its absence of social hierarchy and its mixing of different social ranks and orders. In the 17th and 18th centuries, "salon[s] encouraged socializing between the sexes [and] brought nobles and bourgeois together". Salons helped facilitate the breaking down of social barriers which made the development of the enlightenment salon possible. In the 18th century, under the guidance of Madame Geoffrin, Mlle de Lespinasse, and Madame Necker, the salon was transformed into an institution of Enlightenment. The enlightenment salon brought together Parisian society, the progressive philosophes who were producing the Encyclopédie, the Bluestockings and other intellectuals to discuss a variety of topics.
caption: Portrait of Mme Geoffrin, salonnière, by Marianne Loir (National Museum of Women in the Arts, Washington, DC)
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