page_title: List of musical items in Claudio Monteverdi's L'Orfeo
hierarchical_section_title: List of musical items in Claudio Monteverdi's L'Orfeo
caption_attribution_description: Title page of Monteverdi's opera L'Orfeo; Published in Venice in 1609 by Ricciardo Amadino
context_page_description: The early baroque opera L'Orfeo, composed by Claudio Monteverdi to a libretto by Alessandro Striggio the Younger, was first performed in 1607. It is Monteverdi's first opera, and one of the earliest in the new genre. In Monteverdi's hands, according to music historian Donald Jay Grout, "the new form [of opera] passed out of the experimental stage, acquiring ... a power and depth of expression that makes his music dramas still living works after more than three hundred years". In his work, Monteverdi incorporates the "speech-song" or recitative first used in Jacopo Peri's opera Dafne and Giulio Caccini's Euridice, both direct precursors of L'Orfeo, and adds solo arias, duets, ensembles, dances and instrumental interludes.
  The story of the opera follows the Greek legend of Orpheus, who descends to Hades to persuade the gods of the Underworld to allow him to bring his dead bride, Eurydice, back to the living world. His plea is granted, on the condition that he does not look back while leading Eurydice out of Hades. However, fearful that he is being betrayed, Orpheus does look back and Eurydice is lost to him for ever.
context_section_description: The early baroque opera L'Orfeo, composed by Claudio Monteverdi to a libretto by Alessandro Striggio the Younger, was first performed in 1607. It is Monteverdi's first opera, and one of the earliest in the new genre. In Monteverdi's hands, according to music historian Donald Jay Grout, "the new form [of opera] passed out of the experimental stage, acquiring ... a power and depth of expression that makes his music dramas still living works after more than three hundred years". In his work, Monteverdi incorporates the "speech-song" or recitative first used in Jacopo Peri's opera Dafne and Giulio Caccini's Euridice, both direct precursors of L'Orfeo, and adds solo arias, duets, ensembles, dances and instrumental interludes.
  The story of the opera follows the Greek legend of Orpheus, who descends to Hades to persuade the gods of the Underworld to allow him to bring his dead bride, Eurydice, back to the living world. His plea is granted, on the condition that he does not look back while leading Eurydice out of Hades. However, fearful that he is being betrayed, Orpheus does look back and Eurydice is lost to him for ever. In an ending which departs from the myth, Orpheus is rescued from his grief by Apollo, who invites him to ascend to the heavens where he will be able to look on Eurydice's semblance in the stars. Striggio's original ending, not preserved in the first published score of 1609, followed more closely to that of the myth, in which the grieving Orpheus is set upon by wild women (maenads or Bacchantes) and dismembered (though Striggio's version does not include the bloody denouement).
caption: Front cover of the 1609 published score of L'Orfeo
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