page_title: Alvar Aalto
section_title: Early career: classicism
hierarchical_section_title: Alvar Aalto / Architecture career / Early career: classicism
caption_attribution_description: English: Baker House, MIT, Cambridge, Massachusetts. Architect Alvar Aalto. This is just a small portion of this interesting and beautiful building. Photograph taken by me, September 2005. en:Category:Massachusetts Institute of Technology en:Category:Alvar Aalto buildings
context_page_description: Hugo Alvar Henrik Aalto was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards. Typical for his entire career is a concern for design as a Gesamtkunstwerk, a total work of art, in which he – together with his first wife Aino Aalto – would design the building, and give special treatment to the interior surfaces, furniture, lamps and glassware.
context_section_description: Although he is sometimes regarded as among the first and most influential architects of Nordic modernism, closer examination reveals that Aalto (while a pioneer in Finland) closely followed and had personal contacts with other pioneers in Sweden, in particular Gunnar Asplund and Sven Markelius. What they, and many others of that generation in the Nordic countries shared, was a common classical education and an approach to classical architecture, that historians now call Nordic Classicism It was a style that had been a reaction to the previous dominant style of National Romanticism before moving, in the late 1920s, towards Modernism.
  Upon returning to Jyväskylä in 1923 to establish his own architect's office, Aalto designed several single-family homes designed in the style of Nordic Classicism. For example, the manor-like house for his mother's cousin Terho Manner in Töysa (1923), a summer villa for the Jyväskylä chief constable (also from 1923) and the Alatalo farmhouse in Tarvaala (1924). During this period he completed his first public buildings, the Jyväskylä Workers' Club in 1925, the Jyväskylä Defence Corps building in 1926 and the Seinäjoki Defence Corp building in 1924–29. He entered several architectural competitions for prestigious state public buildings, in Finland and abroad. This included two competitions for the Finnish Parliament building in 1923 and 1924, the extension to the University of Helsinki in 1931, and the building to house the League of Nations in Geneva, Switzerland, in 1926–27.
  This was the period when Aalto was most prolific in his writings, with articles for professional journals and newspapers. Among his most well-known essays from this period are "Urban culture" (1924), "Temple baths on Jyväskylä ridge" (1925), "Abbé Coignard's sermon" (1925), and "From doorstep to living room" (1926).
caption: Facade of Baker House on the Charles River
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