page_title: Ynglingatal
section_title: Verse forms and text history
hierarchical_section_title: Ynglingatal / Verse forms and text history
caption_attribution_description: English: Location: Near Ödeshög in south Sweden This is a picture of an archaeological site or a monument in Sweden, number Rök 1:1 in the RAÄ Fornsök database.
context_page_description: Ynglingatal or Ynglinga tal is a Skaldic poem cited by Snorri Sturluson in the Ynglinga saga, the first saga of Snorri's Heimskringla. Snorri quotes frequently from this poem and cites it as one of the sources of the saga. The composition of the poem has variously been dated between the late 9th and the early 12th century.
  Þjóðólfr of Hvinir, who was a poet for Harald Fairhair, is traditionally credited with its authorship.
  The poem lists the partly mythical and partly historical ancient Swedish kings; twenty-seven of whom are mentioned in the poem, along with details about their deaths and burial places. The title Ynglingatal alludes to Yngling, who had the name Yngve-Frey—another name for Frey, the god who was worshipped in Svealand. Yngling allegedly descended from Frey's son Fjölnir. Snorri portrayed Harald Fairhair as a descendant of the Ynglings. The poem was written on behalf of Ragnvald the Mountain-High, a cousin of King Harald Fairhair, and its last stanza is about Ragnvald.
context_section_description: Ynglingatal is composed in kviðuháttr (modern Norwegian kviduhått); this genealogical verse form is also used in Son loss (Sonatorrek) in Egils saga. In this form of verse, the lines alternate between three and four syllables—the first line has three syllables, the next has four, the next three, and so on. For example:
  Ok Vísburs
  vilja byrgi
  sævar niðr
  svelga knátti
  Ynglingatal has also makes extensive use of acquaintance, such as rewriting and metaphors that give life to the poem, which  otherwise contains much litany.
  The Icelandic philologist Finnur Jonsson believed the eight-line stanza defines Ynglingatal's structure, while Walter Akerlund believed the four-line helming—the half-stanza as in the example above—defines the poem's structure. Akerlund has also said the bard Thjodolf learned the verse-form kviðuháttr by studying the Rök runestone in present-day Sweden, which dates from around the year 800.
caption: The Rök runestone, the stone that may have inspired the bard who wrote Ynglingatal
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