page_title: The Lower Depths
section_title: Plot
hierarchical_section_title: The Lower Depths / Plot
caption_attribution_description: English: Ivan Moskvin and Vasily Kachalov in The Lower Depths (1902) Russian postcard, no. 8572. Photo: publicity still for the Moscow Art Theatre production of The Lower Depths (1902) by Maxim Gorky, with Ivan Moskvin as Luka and Vasili Kachalov as the Baron. Collection: Didier Hanson
context_page_description: The Lower Depths is perhaps the best known of Maxim Gorky's plays. It was written during the winter of 1901 and the spring of 1902. Subtitled "Scenes from Russian Life," it depicted a group of impoverished Russians living in a shelter near the Volga. Produced by the Moscow Arts Theatre on December 18, 1902, Konstantin Stanislavski directed and starred. It became his first major success, and a hallmark of Russian social realism.
  The characters of The Lower Depths are said to have been inspired by the denizens of the Bugrov Homeless Shelter in Nizhny Novgorod, which had been built in 1880–83 by the Old Believer grain merchant and philanthropist Nikolai Alexandrovich Bugrov in memory of his father, A. P. Bugrov. When the actors of the Moscow Arts Theatre were preparing the play for its first run in 1902, Maxim Gorky supplied them with photographs of the Nizhny Novgorod underclass taken by the famous local photographer, Maxim Dmitriev, to help with the realism of the acting and costumes.
  When it first appeared, The Lower Depths was criticized for its pessimism and ambiguous ethical message.
context_section_description: The cellar resembles a cave, with only one small window to illuminate its dank recesses. In a corner, thin boards partition off the room of Vaska, the young thief. In the kitchen live Kvashnya (Dough), a vendor of meat pies, the decrepit Baron, and the streetwalker Nastya. All around the room are bunks occupied by other lodgers.
  Nastya, her head bent down, is absorbed in reading a novel titled Fatal Love. The Baron, who lives largely on Nastya's earnings, seizes the book and reads its title aloud. Then he bangs Nastya over the head with it and calls her a lovesick fool. Satine raises himself painfully from his bunk at the noise. His memory is vague, but he knows he took a beating the night before, and the others tell him he had been caught cheating at cards. The Actor stirs in his bed on top of the stove. He predicts that some day Satine will be beaten to death.
  The Actor reminds the Baron to sweep the floor. The landlady is strict and makes them clean every day. The Baron loudly announces that he has to go shopping; he and Kvashnya leave to make the day's purchases.
  The Actor climbs down from his bunk and declares that the doctor has told him he has an organ poisoned by alcohol, and sweeping the floor would be bad for his health. Anna coughs loudly in her bunk. She is dying of consumption—there is no hope for her. Her husband, Kleshtch (Tick), is busy at his bench, where he fits old keys and locks. Anna sits up and calls to Kleshtch, offering him the dumplings that Kvashnya has left for her in the pot. Kleshtch agrees that there is no use feeding a dying woman, and so with a clear conscience he eats the dumplings.
  The Actor helps Anna down from her high bed and out into the drafty hall. The sick woman is wrapped in rags. As they go through the door, the landlord, Kostilyoff, enters, nearly knocking them down. Kostilyoff looks around the dirty cellar and glances several times at Kleshtch, working at his bench. Loudly, the landlord says that the locksmith occupies too much room for two rubles a month and that henceforth the rent will be two and one-half rubles. Then Kostilyoff edges toward Vaska's room and inquires furtively if his wife has been in. Kostilyoff has good reason to suspect that his wife, Vassilisa, is sleeping with Vaska.
  At last, Kostilyoff gets up the courage to call out to Vaska. The thief comes out of his room and denounces the landlord for not paying his debts, saying that Kostilyoff still owes seven rubles for a watch he had bought. Ordering Kostilyoff to produce the money immediately, Vaska sends him roughly out of the room.
  The others admire Vaska for his courage and urge him to kill Kostilyoff and marry Vassilisa; then he could be landlord. Vaska thinks the idea over for a time but decides that he is too softhearted to be a landlord. Besides, he is thinking of discarding Vassilisa for her sister, Natasha. Satine asks Vaska for twenty kopecks, which the thief is glad to give; he is afraid Satine will want a ruble next.
  Natasha comes in with the tramp Luka. She puts him in the kitchen to sleep with the three already there. Luka, a merry fellow, begins to sing, but he stops when all the others object. The whole group sits silent when Vassilisa comes in, sees the dirty floor, and gives orders for an immediate sweeping. She looks over the new arrival, Luka, and asks to see his passport. Because he has none, he is more readily accepted by the others. Miedviedeff, who is a policeman and Vassilisa's uncle, enters the cellar to check up on the lodging. He begins to question Luka, but when the tramp calls him sergeant, Miedviedeff leaves him alone.
  That night, Anna lies in her bunk while a noisy, quarrelsome card game goes on. Luka talks gently to the consumptive woman, and Kleshtch comes from time to time to look at her. Luka remarks that her death will be hard on her husband, but Anna accuses Kleshtch of causing her death. She says that she looks forward to the rest and peace she has never known. Luka assures her she will be at peace after her death.
  The card players become louder and Satine is accused of c
caption: Ivan Moskvin as Luka and Vasily Kachalov as the Baron. Moscow Art Theatre, 1902
exif: {}