page_title: Munich Residenz
section_title: The Alte Residenz
hierarchical_section_title: Munich Residenz / History and architecture / The Alte Residenz
caption_attribution_description: Deutsch: Münchner Residenz, Bronzelöwe vor dem Eingang zum Kapellenhof und unter der Bronzestatue von Fortitudo. Wappenschild mit Inschrift „DIFFRACTAS LONGE REMITTIT“ („Die gebrochenen wirft er weit zurück“).
context_page_description: The Residenz in central Munich is the former royal palace of the Wittelsbach monarchs of Bavaria. The Residenz is the largest city palace in Germany and is today open to visitors for its architecture, room decorations, and displays from the former royal collections.
  The complex of buildings contains ten courtyards and displays 130 rooms. The three main parts are the Königsbau, the Alte Residenz and the Festsaalbau. A wing of the Festsaalbau contains the Cuvilliés Theatre since the reconstruction of the Residenz after World War II. It also houses the Herkulessaal, the primary concert venue for the Bavarian Radio Symphony Orchestra.
  The Byzantine Court Church of All Saints at the east side is facing the Marstall, the building for the former Court Riding School and the royal stables.
context_section_description: With the order of William IV (1508–1550) to expand the Neuveste with the so-called Rundstubenbau and to set up the first Court Garden, began the history of the Munich Residenz as a representative palace. To the history cycle of this garden pavilion belonged once also the Battle of Issus of Albrecht Altdorfer.
  Under Albert V (1550–1579) Wilhelm Egkl built next to a banqueting hall of the Neuveste (St. George Hall) an art chamber in the building of the former ducal stables, many collections in Munich originate from there. Since there was not enough space for the extensive collection of sculptures, the building for the Antiquarium was created 1568–1571. It had to be built outside the castle, as there was no place in the Neuveste.
  William V (1579–1597) ordered the construction of the Witwenstock (Widow Wing) for the dowager Duchess Anna and in 1581–1586 the four wings of the Grottenhof. Friedrich Sustris was the architect. Around 1590 the construction of the Black Hall was begun to the southeast on the Antiquarium. Under direction of Sustris the Erbprinzentrakt (Prince Wing), north of the Witwenstock was added.
  Maximilian I (1597–1651) commissioned what is now called the Maximilian Residenz (Maximilianische Residenz ), the west wing of the palace. Until the 19th century, it was the only publicly visible facade and it still is preserved. The portals are guarded by two lions and a statue of the Virgin Mary as patroness of Bavaria in a wall niche between the portals on the west side of the residence complex. Maximilian had rebuilt and connected the existing buildings. In addition, Maximilian I had from 1612 large parts of the south and west wings of the Neuveste with the Silver Tower demolished. Between 1611 and 1619, the wing at the large Emperor's Courtyard (Kaiserhof) was created to the north of the complex. It documents the high political claims of Maximilian.
  Its large dimensions satisfied Maximilian's successors up to 18th century, who contented themselves with interior upgrading and smaller extensions such as the wing for the Grüne Galerie (1730) and the Residenz Theatre (1751).
caption: Lion in front of the Alte Residenz
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