page_title: Art of ancient Egypt
section_title: Naqada II
hierarchical_section_title: Art of ancient Egypt / Art of Pre-Dynastic Egypt (6000–3000 BC) / Naqada culture (4000–3000 BC) / Naqada II
caption_attribution_description: English: Jar, decorated ware, boats and trees
context_page_description: Ancient Egyptian art refers art produced in ancient Egypt between the 31st century BC and the 4th century AD. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
  The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Hence, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order.
context_section_description: The Gerzean culture (Naqada II), from about 3500 to 3200 BC, is named after the site of Gerzeh. It was the next stage in Egyptian cultural development, and it was during this time that the foundation of Dynastic Egypt was laid. Gerzean culture is largely an unbroken development of Amratian culture, starting in the Nile delta and moving south through upper Egypt, but failing to dislodge Amratian culture in Nubia. Gerzean pottery has been assigned SD values of 40 through 62, and is distinctly different from Amratian white cross-lined wares or black-topped ware. It was painted mostly in dark red with pictures of animals, people, and ships, as well as geometric symbols that appear to have been derived from animals. Wavy handles, which were rare before this period (though occasionally found as early as SD 35), became more common and more elaborate until they were almost completely ornamental.
  During this period, distinctly foreign objects and art forms entered Egypt, indicating contact with several parts of Asia, particularly with Mesopotamia. Objects such as the Gebel el-Arak knife handle, which has patently Mesopotamian relief carvings on it, have been found in Egypt, and the silver which appears in this period can only have been obtained from Asia Minor. In addition, Egyptian objects were created which clearly mimic Mesopotamian forms. Cylinder seals appeared in Egypt, as well as recessed paneling architecture. The Egyptian reliefs on cosmetic palettes were made in the same style as the contemporary Mesopotamian Uruk culture, and ceremonial mace heads from the late Gerzean and early Semainean were crafted in the Mesopotamian "pear-shaped" style, instead of the Egyptian native style.
  The route of this trade is difficult to determine, but contact with Canaan does not predate the early dynastic, so it is usually assumed to have been by water. During the time when the Dynastic Race Theory was popular, it was theorized that Uruk sailors circumnavigated Arabia, but a Mediterranean route, probably by middlemen through Byblos, is more likely, as evidenced by the presence of Byblian objects in Egypt.
  The fact that so many Gerzean sites are at the mouths of wadis which lead to the Red Sea may indicate some amount of trade via the Red Sea (though Byblian trade potentially could have crossed the Sinai and then taken to the Red Sea). Also, it is considered unlikely that something as complicated as recessed panel architecture could have worked its way into Egypt by proxy, and at least a small contingent of migrants is often suspected.
  Despite this evidence of foreign influence, Egyptologists generally agree that the Gerzean Culture is predominantly indigenous to Egypt.
caption: Decorated ware jar illustrating boats and trees; 3650–3500 BC; painted pottery; height: 16.2 cm, diameter: 12.9 cm; Metropolitan Museum of Art (New York City)
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