page_title: Themes of The Lord of the Rings
section_title: Addiction to power
hierarchical_section_title: Themes of The Lord of the Rings / Addiction to power
caption_attribution_description: English: Picture of John Dalberg-Acton, 1st Baron Acton
context_page_description: Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements like hope and redemptive suffering. There is also a strong thread throughout the work of language, its sound, and its relationship to peoples and places, along with moralisation from descriptions of landscape. Out of these, Tolkien stated that the central theme is death and immortality.
  In addition, some commentators have criticised Tolkien for supposed failings in The Lord of the Rings, such as not including significant women, not being relevant to city-dwellers, not overtly showing any religion, and for racism, though others have defended Tolkien against all these charges.
context_section_description: A major theme is the corrupting influence of the One Ring through the power it offers, especially to those already powerful. Tom Shippey notes Gandalf's statements the corrupting influence the Ring has on its bearers. The powerful Gandalf, Elrond, Galadriel, Aragorn and Faramir all reject it, believing that it would overpower them. The Hobbits Frodo and Sam, much less ambitious for power, are less susceptible but not totally immune to its effects, as can be seen in the changes it works in Frodo, Bilbo and Gollum. On the other hand, Boromir becomes murderously obsessed with the Ring, but never possesses it, while Sméagol kills his friend Déagol, the first Ringbearer after Isildur, to obtain it.
  The corrupting effect of power is, according to Shippey, a modern theme, since in earlier times, power was considered to "reveal character", not alter it. Shippey quotes Lord Acton's 1887 statement:
  Power tends to corrupt, and absolute power corrupts absolutely. Great men are almost always bad men
  Critics have argued that this theme can be found as far back as Plato's The Republic, where the character Glaucon argued that doing justice to others is never to one's benefit; he cited the mythical Ring of Gyges, which could make any man who wore it invisible and thus able to get away with theft or other crime. Glaucon claimed that such power would corrupt any man, and that therefore no man truly believes that acting justly toward others is good for him. 
  Colin Manlove criticises Tolkien's attitude towards power as inconsistent, with exceptions to the supposedly overwhelming influence of the Ring. The Ring can be handed over relatively easily (Sam and Bilbo), and removing the Ring by force (Gollum to Frodo) does not, despite Gandalf's assertion at the beginning of the story, break Frodo's mind. The Ring also appears to have little effect on characters such as Aragorn, Legolas and Gimli. 
  Shippey replies to Manlove's doubt with "one word": addictive. He writes that this sums up Gandalf's whole argument, as in the early stages, as with Bilbo and Sam, the addiction can be shaken off easily enough, while for those who are not yet addicted, as with Aragorn and indeed others like Galadriel and Faramir, its pull is like any other temptation. What Gandalf could not do to Frodo, Shippey writes, is make him want to hand the Ring over. And for the owner of the  Ring, the destructive aspect is the urge to use it, no matter how good the intentions of the owner might be at the start.
caption: Lord Acton famously stated "Power tends to corrupt, and absolute power corrupts absolutely", an idea embodied in the addictive power of the One Ring.[33]
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