page_title: Skopje
section_title: Architecture
hierarchical_section_title: Skopje / Culture / Architecture
caption_attribution_description: Archäologisches Museum von Mazedonien (Skopje) English: Archeological Museum of Macedonia
context_page_description: Skopje is the capital and largest city of North Macedonia. It is the country's political, cultural, economic, and academic centre.
  The territory of Skopje has been inhabited since at least 4000 BC; remains of Neolithic settlements have been found within the old Kale Fortress that overlooks the modern city centre. Originally a Paeonian city, Scupi became the capital of Dardania in the second century BC. On the eve of the 1st century AD, the settlement was seized by the Romans and became a military camp. When the Roman Empire was divided into eastern and western halves in 395 AD, Scupi came under Byzantine rule from Constantinople. During much of the early medieval period, the town was contested between the Byzantines and the Bulgarian Empire, whose capital it was between 972 and 992.
  From 1282, the town was part of the Serbian Empire, and acted as its capital city from 1346 to 1371. In 1392, Skopje was conquered by the Ottoman Turks, who called it Üsküb, with this name also being in use in English for a time. The town stayed under Ottoman control for over 500 years, serving as the capital of pashasanjak of Üsküp and later the Vilayet of Kosovo.
context_section_description: Although Skopje has been destroyed many times through its history, it still has many historical landmarks which reflect the successive occupations of the city. Skopje has one of the biggest Ottoman urban complexes in Europe, with many Ottoman monuments still serving their original purpose. It was also a ground for modernist experiments in the 20th century, following the 1963 earthquake. In the beginning of the 21st century, it is again the subject of massive building campaigns, thanks to the "Skopje 2014" project. Skopje is thus an environment where old, new, progressist, reactionary, eastern and western perspectives coexist.
  Skopje has some remains of Prehistorical architecture which can be seen on the Tumba Madžari Neolithic site. On the other side of the city lie the remains of the ancient Scupi, with ruins of a theatre, thermae and a basilica. The Skopje Aqueduct, located between Scupi and the city centre, is rather mysterious because its date of construction is unknown. It seems to have been built by the Byzantines or the Turks, but it was already out of use in the 16th century. It consists of 50 arches, worked in cloisonné masonry.
  Skopje Fortress was rebuilt several times before it was destroyed by the 1963 earthquake. Since then, it has been restored to its medieval appearance. It is the only medieval monument in Skopje, but several churches located around the city illustrate the Vardar architectural school which flourished around 1300. Among these churches are the ones around Matka Canyon (St Nicholas, St Andrew and Matka churches). The church of St. Panteleimon in Gorno Nerezi dates from the 12th century. Its expressive frescoes anticipate the Italian primitives.
  Examples of Ottoman Turkish architecture are located in the Old Bazaar. Mosques in Skopje are usually simple in design, with a square base and a single dome and minaret. There entrance is usually emphasized by a portico, as on Mustafa Pasha Mosque, dating from the 15th century. Some mosques show some originality in their appearance: Sultan Murad and Yahya Pasha mosques have lost their dome and have a pyramidal roof, while Isa Bey mosque has a rectangular base, two domes and two side wings. The Aladža Mosque was originally covered with blue faience, but it disappeared in the 1689 Great Fire. However, some tiles are still visible on the adjoining türbe. Other Turkish public monuments include the 16th-century clock tower, a bedesten, three caravanserais, two Turkish baths and the Stone Bridge, first mentioned in 1469.
  The oldest churches in the city centre, the Ascension and St Dimitri churches, were built in the 18th century, after the 1689 Great Fire. They were both renovated in the 19th century. The Church of the Ascension is particularly small it is half-buried in order not to overlook neighbouring mosques. In the 19th century, several new churches were built, including the Church of the Nativity of the Virgin Mary, which is a large three-nave building designed by Andrey Damyanov.
  After 1912, when Skopje was annexed by Serbia, the city was drastically westernized. Wealthy Serbs built mansions and town houses such as the 1926 Ristiḱ Palace. Architecture of that time is very similar to the one of Central Europe, but some buildings are more creative, such as the Neo-Moorish Arab House and the Neo-Byzantine train station, both built in 1938. Modernism appeared as early as 1933 with the former Ethnographic Museum (today the City Gallery), designed by Milan Zloković. However, modernist architecture only fully developed in Skopje after the 1963 earthquake. The reconstruction of city centre was partially planned by Japanese Kenzo Tange who designed the new train station. Macedonian architects also took part to the reconstruction: Georgi Konstantinovski designed the City Archives building in 1968 and the Hall of residence Goce Delčev in 1975, while Janko Konstantinov designed the Telecommunication Centre and the main post office (1974–1989). Slavko Brezovski designed the Church of St. Clement of Ohrid. These two buildings are noted for their originality althou
caption: National Archeological Museum.
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