page_title: Sant'Agostino Altarpiece
hierarchical_section_title: Sant'Agostino Altarpiece
caption_attribution_description: Français&#160;: Montage d'éléments permettant une vue globale du Polyptyque de Sant'Agostino
context_page_description: The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around 1502 and 1512 and then around 1513 to 1523. The altarpiece's 28, 29 or 30 panels were split up during the Napoleonic suppression of religious houses - most of its panels are now in the Galleria Nazionale dell'Umbria in Perugia. It is notable as the painter's last masterwork before he moved into his late phase producing more provincial commissions.
  It was commissioned by the monks of Sant'Agostino church in Perugia. The first phase included the artist's peak years and the crisis from 1508 onwards which distanced him from the major artistic centres of Italy. The second phase included the end of those crisis years and after 1520 his final years. The work is often used as a base-line for dating other works from his late period.
  The main panel shows the Baptism of Christ in the Jordan by John the Baptist, with the Holy Spirit descending in a gilded nimbus, angels assisting, saints around the scene and the heads of seraphim above. All the panels were held in a frame by Mattia da Reggio, making the altarpiece double-sided.
context_section_description: The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around 1502 and 1512 and then around 1513 to 1523. The altarpiece's 28, 29 or 30 panels were split up during the Napoleonic suppression of religious houses - most of its panels are now in the Galleria Nazionale dell'Umbria in Perugia. It is notable as the painter's last masterwork before he moved into his late phase producing more provincial commissions.
  It was commissioned by the monks of Sant'Agostino church in Perugia. The first phase included the artist's peak years and the crisis from 1508 onwards which distanced him from the major artistic centres of Italy. The second phase included the end of those crisis years and after 1520 his final years. The work is often used as a base-line for dating other works from his late period.
  The main panel shows the Baptism of Christ in the Jordan by John the Baptist, with the Holy Spirit descending in a gilded nimbus, angels assisting, saints around the scene and the heads of seraphim above. All the panels were held in a frame by Mattia da Reggio, making the altarpiece double-sided. They were placed in the frame as the artist completed them, working up from the predella at the base, the columns, the main panels, an entablature, a cymatium and finally the works flanking the central panel.
caption: Reconstruction
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