page_title: Architecture of Kievan Rus'
section_title: Church architecture
hierarchical_section_title: Architecture of Kievan Rus' / Church architecture
caption_attribution_description: Description: reconstruction of the St. Sophia of Kiev, as it looked originally Author: Alexander Noskin Date: 8-12-2005
context_page_description: The medieval state of Kievan Rus' incorporated parts of what is now modern Ukraine, Russia, and Belarus, and was centered on Kiev and Novgorod. Its architecture is the earliest period of Russian architecture, with a style that quickly established itself after the adoption of Christianity in 988 and was strongly influenced by Byzantine architecture.
  After the disintegration of Kievan Rus' followed by Mongol invasion in the first half of the 13th century, the architectural tradition continued in the principalities of Novgorod, Vladimir-Suzdal, Galicia-Volhynia and eventually had direct influence on the Russian, Ukrainian, and Belarusian architecture.
context_section_description: The great churches of Kievan Rus', built after the adoption of Christianity in 988, were the first examples of monumental architecture in the East Slavic lands. The architectural style of the Kievan state, which quickly established itself, was strongly influenced by Byzantine architecture. Early Eastern Orthodox churches were mainly made of wood with the simplest form of church becoming known as a cell church. Major cathedrals often featured scores of small domes, which led some art historians to take this as an indication of what the pagan Slavic temples should have looked like. The 10th-century Church of the Tithes in Kiev was the first cult building to be made of stone. The earliest Kievan churches were built and decorated with frescoes and mosaics by Byzantine masters.
  Another great example of an early church of Kievan Rus' was the thirteen-domed Saint Sophia Cathedral in Kiev (1037–54), built by Yaroslav the Wise. Much of its exterior has been altered with time, extending over the area and eventually acquiring 25 domes.
  Saint Sophia Cathedral in Novgorod (1045–1050), on the other hand, expressed a new style that exerted a strong influence on Russian church architecture. Its austere thick walls, small narrow windows, and helmeted cupolas have much in common with the Romanesque architecture of Western Europe.
  Even further departure from Byzantine models is evident in succeeding cathedrals of Novgorod: St Nicholas's (1113), St Anthony's (1117–19), and St George's (1119).
  Along with cathedrals, of note was the architecture of monasteries of these times.
  The 12th–13th centuries were the period of feudal division of Kievan Rus into princedoms which were in nearly permanent feud, with multiplication of cathedrals in emerging princedoms and courts of local princes (knyazes).
  By the end of the 12th century, the divide of the country was final and new centers of power took the Kievan style and adopted it to their traditions. In the northern principality of Vladimir-Suzdal the local churches were built of white stone with the help of Friedrich Barbarossa's Romanesque masters, whilst their wall statuary was elaborately carved by craftsmen from Georgia. The Suzdal style is also known as "white-stone architecture" ("белокаменное зодчество"). The first white-stone church was the St. Boris and Gleb Church commissioned by Yuri Dolgoruky, a church-fortress in Kideksha near Suzdal, at the supposed place of the stay of knyazes Boris and Gleb on their pilgrimage to Kiev. The white-stone churches mark the highest point of pre-Mongolian Rus' architecture. The most important churches in Vladimir are the Assumption Cathedral (built 1158–60, enlarged 1185–98, frescoes 1408) and St Demetrios Cathedral (built 1194–97).
  In the western splinter of Kingdom of Halych-Volhynia churches in a traditional Kievan style were built for some time, but eventually the style began to drift towards Central European Romanesque tradition.
  Celebrated as these structures are, the contemporaries were even more impressed by churches of Southern Rus', particularly the Svirskaya Church of Smolensk (1191–94). As southern structures were either ruined or rebuilt, restoration of their original outlook has been a source of contention between art historians. The most memorable reconstruction is the Pyatnitskaya Church (1196–99) in Chernigov (modern Chernihiv, Ukraine), by Peter Baranovsky.
caption: Before its reconstruction in the 18th century, St. Sofia in Kiev was a prime example and a model for all churches in Kievan Rus
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