page_title: Zamość
section_title: Architecture
hierarchical_section_title: Zamość / Architecture
caption_attribution_description: Polski: Kościół św. Anny przy zespole klasztornym klarysek - po renowacji. Widok z ulicy Moranda od strony murów bastionu II.
context_page_description: Zamość is a historical city in southeastern Poland and a UNESCO World Heritage Site. It is situated in the southern part of Lublin Voivodeship, about 90 km from Lublin, 247 km from Warsaw. In 2014, the population was 65,149.
  The historical centre of Zamość was added to the World Heritage List in 1992, following a decision of the sixteenth ordinary session of the World Heritage Committee, held between 7 and 14 December 1992 in Santa Fe, New Mexico, United States. As described by UNESCO:
  Zamość is a unique example of a Renaissance town in Central Europe, consistently designed and built in accordance with the Italian theories of the "ideal town," on the basis of a plan which was the result of perfect cooperation between the open-minded founder, Jan Zamoyski, and the outstanding architect, Bernardo Morando. Zamość is an outstanding example of an innovative approach to town planning, combining the functions of an urban ensemble, a residence, and a fortress in accordance with a consistently implemented Renaissance concept. The result of this is a stylistically homogeneous urban composition with a high level of architectural and landscape values.
context_section_description: Most historic buildings are located in the Old Town, whose main distinguishing features have been retained. It includes the regular Great Market Square (Rynek Wielki) of 100 x 100 metres with the splendid Town Hall (Ratusz) and the so-called "Armenian houses", as well as fragments of the original fortress and fortifications, including those of the Russian occupation in the 19th century. (The destroyed sections of fortifications have been largely rebuilt to restore the city's appearance.)
  It is often called "the new Padua".
  Jan Zamoyski commissioned the Venetian (from Padua) architect Bernardo Morando to design the city, based upon the anthropomorphic concept. Its "head" was to be the Zamoyski Palace, "backbone" Grodzka Street, crossing the Great Market Square from east to west, in the direction of the palace, and with the "arms" embodied by 10 streets intersecting the main streets: Solna Street (north of the Great Market Square) and Bernardo Morando Street (south of the Great Market Square). In these streets, the other squares were placed: Salt Square (Rynek Solny) and Water Square (Rynek Wodny), functioning as the "internal organs" of the city whereas the bastions are the "hands and legs" for self-defence.
  The most prominent building is the Town Hall, built at the turn of the 16th and 17th centuries, following Bernardo Morando's design. In 1639–1651, Jan Jaroszewicz and Jan Wolff redesigned the structure. They enlarged the edifice and added three storeys with a high parapet. The façades were built in accordance with Mannerist proportions, regular divisions and excessive architectural décor. The 18th century witnessed the construction of a guardroom and a fan-shaped double stairway, built in front of the building. In 1770 a slender dome with a lantern was added to the top of the tower.
  The Town Hall stands on the north side of the Great Market Square, regarded as one of the most beautiful 16th-century squares in Europe. It is surrounded by a complex of arcaded houses built by the richest Zamość merchants. It is a square, measuring exactly 100 metres in both width and length, crossed by the two main axes of the old town. The 600-metre longitudinal axis goes east-west: from Bastion No. 7 to the Zamoyski Palace. The 400-metre crosswise axis goes north-south, linking the Great Market Square with the two smaller market squares: Solny and Wodny.
  The red "Under the Angel" House at 26 Ormiańska street (Armenian street) was built in the early 1630s by a rich Armenian merchant, Gabriel Bartoszewicz. It is embellished with a carved figure of the founder's saint patron, the Archangel Gabriel holding a lily. The walls of the second floor are decorated with lions and a dragon, illustrating that the lions should protect the house against the evil embodied by the dragon. The house is the seat of the Zamość Museum.
  The brightly coloured houses are vital to the square's character. The yellow "Under The Madonna" House at 22 Ormiańska street (Armenian Street) features the Madonna with the baby Jesus; showing the Madonna standing on a dragon. Built by a Lwów merchant, Sołtan Sachwelowicz, in the 17th century, the house has been refurbished recently to expose its façade. A high parapet has been reconstructed on the basis of old photographs. At present the house is the venue of the Bernardo Morando Fine Arts State Secondary School.
  The "Under St. Casimir" House was erected in the 17th century and was owned alternately by Polish chemists and Armenian merchants. The façade of the house is embellished with a figure of St. Casimir, the saint patron of the new owner – Kazimierz Lubecki.
  Built at the beginning of the 17th century, the green Wilczek House at 30 Ormiańska Street (Armenian Street) displays a Baroque decor, including a relief featuring St. John the Baptist and St. Thomas the Apostle with three spears. The house was remodelled in 1665–1674 by Jan Wilczek, a town councillor.
  The blue "Under The Married Couple" House, also known as the "Sapphire" House, at 24 Ormiańska street (Armenian Street) was built in the second quarter of the 17th ce
caption: Saint Anne's Church
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