page_title: Arts in Australia
section_title: Painting, drawing and sculpture
hierarchical_section_title: Arts in Australia / Visual arts / Painting, drawing and sculpture
caption_attribution_description: English: The large crowd at the 2006 Bondi Sculpture by the Sea. The event attracts a large number of locals and tourists. Some sculptures are visible at the front of the photo, and Marcs Park is on the right of the photo, which holds a large number of the sculptures.
context_page_description: The Arts in Australia refers to the visual arts, literature, performing arts and music in the area of, on the subject of, or by the people of the Commonwealth of Australia and its preceding Indigenous and colonial societies. Indigenous Australian art, music and story telling attaches to a 40–60,000-year heritage and continues to affect the broader arts and culture of Australia. During its early western history, Australia was a collection of British colonies, therefore, its literary, visual and theatrical traditions began with strong links to the broader traditions of English and Irish literature, British art and English and Celtic music. However, the works of Australian artists – including Indigenous as well as Anglo-Celtic and multicultural migrant Australians – has, since 1788, introduced the character of a new continent to the global arts scene – exploring such themes as Aboriginality, Australian landscape, migrant and national identity, distance from other Western nations and proximity to Asia, the complexities of urban living and the "beauty and the terror" of life in the Australian bush.
context_section_description: The visual arts have a long history in Australia, dating back around 30,000 years, and examples of ancient Aboriginal rock art can be found throughout the continent, notably in national parks such as the UNESCO-listed sites at Uluru and Kakadu National Park in the Northern Territory, and also within protected parks in urban areas such as Ku-ring-gai Chase National Park in Sydney. In the mid-twentieth century, the landscape paintings of Albert Namatjira were popular and received national and international acclaim. Since the 1970s, contemporary Indigenous Australian artists have used acrylic paints in styles such as that of the Western Desert Art Movement, which leading critic Robert Hughes saw as "the last great art movement of the 20th century". Art is important both culturally and economically to Indigenous society; art critic Sasha Grishin concluded that central Australian Indigenous communities have "the highest per capita concentrations of artists anywhere in the world". Contemporary artists whose work has been exhibited internationally such as at the Venice Biennale, include Rover Thomas and Emily Kngwarreye, while designs were commissioned from several nationally recognised artists in 2006 for the new Musée du quai Branly buildings. The artists included Paddy Bedford, John Mawurndjul, Ningura Napurrula, Lena Nyadbi, Michael Riley, Judy Watson, Tommy Watson and Gulumbu Yunupingu.
  Following the arrival of permanent European settlement in Australia in 1788, the story of early Australian painting has been described as requiring of artists a shift from a "European sense of light" to an "Australian sense of light". The origins of distinctly Australian painting is often associated with the Heidelberg School of the 1880s–1890s. Artists such as Arthur Streeton, Frederick McCubbin and Tom Roberts applied themselves to recreating in their art a truer sense of light and colour as seen in the Australian landscape. Like the European Impressionists, they painted in the open air. These artists found inspiration in the unique light and colour which characterises the Australian bush.
  Among the first Australian artists to gain a reputation overseas was the impressionist John Russell during the 1880s. Another notable expatriate artist of the era was Rupert Bunny, a painter of landscape, allegory and sensual and intimate portraits. Ernst William Christmas also made a name internationally.
  Among the principal Australian artists of the 20th century are the surrealists Sidney Nolan, Arthur Boyd and Russell Drysdale, the avant-garde Brett Whiteley, the painter/sculptors William Dobell and Norman Lindsay, the landscapists Emily Kame Kngwarreye, Albert Namatjira and Lloyd Rees, and modernist photographer Max Dupain. Each has helped to define the unique character of the visual arts in Australia.
  Modernism arrived in Australia early in the 20th century. Among the earliest exponents were Grace Cossington Smith and Margaret Preston. Humorist Barry Humphries has been a provocative exponent of dadaism in Australia.
  Popular with the general community have been Ken Done, best known for his design work, Pro Hart and Rolf Harris, a British/Australian living in the UK who is popular as a musician, composer, painter and television host. Ricky Swallow, Patricia Piccinini, Susan Norrie, Callum Morton, Rover Thomas and Emily Kame Kngwarreye have all represented Australians at the Venice Biennale using the traditional mediums of sculpture, photography and painting while instilling them with a renewed vigour. A new generation of Aboriginal artists, while not rejecting the culture of the past, endeavour to move the artistic dialog forward, including Gordon Bennett, Rosella Namok, Richard Bell and Julie Dowling.
  In recent years the art market has been democratised and art is judged on its merits rather than snobbery. A cohort of male artists aged under fifty (Dane Lovett, Adam Cullen, Ben Quilty, Anthony Bennett, Simon Cuthbert, Rhys Lee, Ben Frost and Alasdair McIntyre) have an expressive style and use humour in their work.
  In addition street art is also a pr
caption: The large crowd at the 2006 Bondi Beach Sculpture by the Sea
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