page_title: William Hazlitt (Unitarian minister)
section_title: Minister at Wem
hierarchical_section_title: William Hazlitt (Unitarian minister) / Biography / Minister at Wem
caption_attribution_description: English: House in Wem where William Hazlitt (and his father) lived between 1787 and 1813. A stone plaque above the doorway provides this information.
context_page_description: William Hazlitt was a Unitarian minister and author, and the father of the Romantic essayist and social commentator of the same name. He was an important figure in eighteenth-century English and American Unitarianism, and had a major influence on his son's work.
context_section_description: Despite achieving some success as a writer, Hazlitt was unable to secure a permanent post, and in 1786 he returned to England. After failing to obtain a steady income in London, Hazlitt settled with his family at Wem in Shropshire. Hazlitt ministered at a dissenting meeting house in the town, for which he received a meagre annual stipend of £30, and ran the local school. He devoted much attention to the education of his son, William, with the intention that he would also become a Unitarian minister. While the Reverend William Hazlitt's intensive tutoring of his son may explain in part the brilliance of the latter's subsequent writings, it was also responsible for his physical and mental breakdown under the strain of his father's expectations. When the younger Hazlitt left the New College at Hackney after only two years, thereby signalling that he would never follow his father into the Unitarian ministry, the latter was bitterly disappointed. In 1798, Samuel Taylor Coleridge visited Hazlitt at Wem – an encounter which was later described by Hazlitt's son in the essay "My First Acquaintance with Poets". In the essay, Hazlitt's life at Wem is described as follows:
  After being tossed about from congregation to congregation in the heats of the Unitarian controversy, and squabbles about the American war, he had been relegated to an obscure village, where he was to spend the last thirty years of his life, far from the only converse that he loved, the talk about disputed texts of Scripture, and the cause of civil and religious liberty. Here he passed his days, repining, but resigned, in the study of the Bible and the perusal of the Commentators – huge folios, not easily got through, one of which would outlast a winter! ... My father's life was comparatively a dream; but it was a dream of infinity and eternity, of death, the resurrection, and a judgment to come!
  While Hazlitt's failure to secure a powerful position in the Unitarian ministry may have been a source of disappointment for him, he continued to participate in Unitarian debate on a national level. In addition to producing three volumes of sermons while living at Wem, he was a regular contributor to periodicals such as the Protestant Dissenter's Magazine and the Universal Theological Magazine.
  In 1801, Hazlitt's son William returned to Wem to paint his portrait. Sitting in the chapel at Wem, with the winter sun raking across the subject's face, the painter described his father as "then in a green old age, with strong-marked features, and scarred with the smallpox", who read an old copy of Shaftesbury's Characteristics as he sat. The painting – now in Maidstone Museum and Art Gallery – was shown at the prestigious Royal Academy summer exhibition in 1802. Paulin has argued that the younger Hazlitt's reference to Shaftesbury is significant, because it establishes "a deliberate connection between advanced Whig culture and his father in the tiny Unitarian meeting-house in Wem".
  In his retirement, Hazlitt lived at Addlestone in Surrey, at Bath in Somerset, and at Crediton in Devon, where he died in 1820.
caption: Hazlitt's house in Wem, Shropshire.
exif: {"Image Make": "Panasonic", "Image Model": "DMC-FX3", "Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "Ver.1.0", "Image DateTime": "2009:08:08 16:38:22", "Image YCbCrPositioning": "Co-sited", "Image ExifOffset": "418", "Image PrintIM": "[80, 114, 105, 110, 116, 73, 77, 0, 48, 50, 53, 48, 0, 0, 14, 0, 1, 0, 22, 0, ... ]", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail Orientation": "Horizontal (normal)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "7060", "Thumbnail JPEGInterchangeFormatLength": "6110", "Thumbnail YCbCrPositioning": "Co-sited", "EXIF ExposureTime": "1/640", "EXIF FNumber": "28/5", "EXIF ExposureProgram": "Program Normal", "EXIF ISOSpeedRatings": "100", "EXIF ExifVersion": "0221", "EXIF DateTimeOriginal": "2009:08:08 16:38:22", "EXIF DateTimeDigitized": "2009:08:08 16:38:22", "EXIF ComponentsConfiguration": "YCbCr", "EXIF CompressedBitsPerPixel": "4", "EXIF ExposureBiasValue": "33/100", "EXIF MaxApertureValue": "3", "EXIF MeteringMode": "Pattern", "EXIF LightSource": "Unknown", "EXIF Flash": "Flash did not fire, auto mode", "EXIF FocalLength": "29/5", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "2816", "EXIF ExifImageLength": "1880", "Interoperability InteroperabilityIndex": "R98", "Interoperability InteroperabilityVersion": "[48, 49, 48, 48]", "EXIF InteroperabilityOffset": "6630", "EXIF SensingMethod": "One-chip color area", "EXIF FileSource": "Digital Camera", "EXIF SceneType": "Directly Photographed", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF DigitalZoomRatio": "0", "EXIF FocalLengthIn35mmFilm": "36", "EXIF SceneCaptureType": "Standard", "EXIF GainControl": "None", "EXIF Contrast": "Normal", "EXIF Saturation": "Normal", "EXIF Sharpness": "Normal"}