page_title: Asian feminist theology
section_title: Stages
hierarchical_section_title: Asian feminist theology / Stages
caption_attribution_description: English: Dr. Grace Ji-Sun Kim at Colorado Springs, 2010
context_page_description: Asian feminist theology is a Christian feminist theology developed to be especially relevant to women in Asia. Inspired by both liberation theology and feminist theology, it aims to contextualize them to the conditions and experiences of Asian women.
context_section_description: In the early stages of the late 1970s–1980s, Asian feminist theologians saw the need to stress the commonality of Asian women. There was a call to embrace their shared identity as Asian women first and foremost. Emphasis was placed on the shared and lived experiences of oppression, colonialism, and neo-colonialism and the theology of this stage was more reflective and descriptive than analytical.
  In the 1990s, this gave way to the awareness of the dangers of generalizing experiences. Asian feminist theologians began to call to attention the diversity and wide range of lives and situations experienced by women across Asia. Turning to their own traditions and cultures, Asian feminist theologians began to look at these with a critical feminist consciousness, while at the same time identifying in them liberating and life-affirming aspects to emulate and draw upon. 
  The third and present stage sees a huge range of diverse theories and subjects being engaged with. Christology was from the beginning a key issue of interest for Asian feminist theologians and this has remained so, however there are now works being done on subjects such as Mariology, sophia, soteriology, and ecclesiology. Theologians are engaging with a wider range of theories such as postcolonial theory, psychoanalysis, political feminist hermeneutics, and others. Additionally, other hallmarks of this stage include more work being done on the notion of hybrid identities by second- and third-generation immigrant Asian women such as Wonhee Anne Joh and Grace Ji-Sun Kim, as well as a shift in focus onto the oppression faced by Asian women in the Western world.
caption: Grace Ji-Sun Kim
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