page_title: Tithonus (The X-Files)
section_title: Themes
hierarchical_section_title: Tithonus (The X-Files) / Themes
caption_attribution_description: Carbon print of Alfred Lord Tennyson, 1869, printed 1875/79
context_page_description: "Tithonus" is the tenth episode of the sixth season of the American science fiction television series The X-Files. It premiered on the Fox network on January 24, 1999. The episode was written by Vince Gilligan, and directed by Michael W. Watkins. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Tithonus" earned a Nielsen household rating of 9.2, being watched by 15.90 million people in its initial broadcast. The episode received positive reviews.
  The show centers on FBI special agents Fox Mulder and Dana Scully who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, Scully learns that she, but not Mulder, is being given a chance to prove her worth at the FBI, and—paired with a new partner—she investigates a crime scene photographer with an uncanny knack for arriving just in time to see his victims' final moments. What she does not expect, however, is for Death to play a role himself.
  Vince Gilligan wrote "Tithonus" in an attempt to create a story wherein immortality is portrayed as scary.
context_section_description: Besides a direct reference to the titular mythological character, Matthew VanWinkle, in the chapter "Tennyson's 'Tithonus' and the Exhaustion of Survival in The X-Files", of the book The X-Files and Literature: Unweaving the Story, Unraveling the Lie to Find the Truth, argues that the episode bears a striking resemblance to Alfred, Lord Tennyson's dramatic monologue "Tithonus". In the poem, one line reads "Alas! For this gray shadow, once a man." VanWinkle argues that in The X-Files episode, this line is paralleled by Alfred Fellig's tendency to see those about to die in a monochromatic vision. Furthermore, both the poem and the episode stress that death is not appealing because it is simply "a means to an end". Rather, it is to be sought because it "is the event that most fully unites us with other humans."
  VanWinkle compared and contrasted Fellig with Eugene Victor Tooms, from the first season episodes "Squeeze" and "Tooms", and John Barnett, from the first season entry "Young at Heart". While all three are similar in that they have obtained, to a varying degree, elements of immortality, Tooms is different from Fellig because he is a "monstrous predator", and Barnett is unlike Fellig because he is a mere sociopath. Fellig, however, is the only character, out of the three, to possess true immortality. Furthermore, he is separated from Tooms and Barnett due to his distinct hatred for his ability; he did not want to be immortal; rather, it was forced upon him. VanWinkle also notes that Fellig is, furthermore, different from Tennyson's Tithonus because the latter actively sought immortality, due to the flaw of hubris or extreme pride, in order to become more like a god.
  In the episode, VanWinkle draws parallels between Scully and Tithonus' lover Aurora. In the end, both will "continue [their] ending and invariable office"—in the former's case, investigating crimes, and in the latter's case, raising the dawn. The themes of immortality and escaping death were later revisited in the eight season episode "The Gift". In the episode, Agent John Doggett, played by Robert Patrick, is looking for clues following Mulder's abduction. Without Scully, he travels to Pennsylvania and seeks out a soul eater: a being that can consume another person's injuries. In the end, Doggett is fatally shot, and the soul eater, wishing to die, consumes Doggett's death. VanWinkle argues that this episode serves as a direct parallel to "Tithonus", although it switches the perspective significantly.
caption: Alfred Fellig has thematically been compared to the Tithonus in Alfred, Lord Tennyson's dramatic monologue of the same name.
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