page_title: Ukraine
section_title: Architecture
hierarchical_section_title: Ukraine / Culture / Architecture
caption_attribution_description: Українська: Комплекс споруд Михайлівського Золотоверхого монастиря, Київ, вул. Трьохсвятительська, 4–8 This is a photo of a monument in Ukraine, number: 80-391-9007
context_page_description: Ukraine is a country in Eastern Europe. It is bordered by Russia to the east and north-east; Belarus to the north; Poland, Slovakia and Hungary to the west; and Romania, Moldova, and the Black Sea to the south. Ukraine also borders the Crimean Peninsula to its south, which Russia annexed from Ukraine in 2014, though Ukraine still continues to claim the territory. Including the Crimean Peninsula, Ukraine has an area of 603,628 km², making it the second-largest country by area in Europe after Russia, and the 46th-largest country in the world. Excluding Crimea, Ukraine has a population of about 42 million, making it the eighth or ninth-most populous country in Europe, and the 32nd-most populous country in the world. Its capital and largest city is Kiev. Ukrainian is the official language and its alphabet is Cyrillic. The dominant religion in the country is Eastern Orthodoxy.
  The territory of modern Ukraine has been inhabited since 32,000 BC. During the Middle Ages, the area was a key centre of East Slavic culture, with the powerful state of Kievan Rus' forming the basis of Ukrainian identity.
context_section_description: Ukrainian architecture includes the motifs and styles that are found in structures built in modern Ukraine, and by Ukrainians worldwide.
  These include initial roots which were established in the Eastern Slavic state of Kievan Rus'. Since the Christianization of Kievan Rus' for several ages Ukrainian architecture was influenced by the Byzantine architecture. After the 12th century, the distinct architectural history continued in the principalities of Galicia-Volhynia. During the epoch of the Zaporozhian Cossacks, a new style unique to Ukraine was developed under the western influences of the Polish–Lithuanian Commonwealth. After the union with the Tsardom of Russia, many structures in the larger eastern, Russian-ruled area were built in the styles of Russian architecture of that period, whilst the western Galicia was developed under Austro-Hungarian architectural influences. Ukrainian national motifs would finally be used during the period of the Soviet Union and in modern independent Ukraine.
  The great churches of the Rus', built after the adoption of Christianity in 988, were the first examples of monumental architecture in the East Slavic lands. The architectural style of the Kievan state was strongly influenced by the Byzantine. Early Eastern Orthodox churches were mainly made of wood, with the simplest form of church becoming known as a cell church. Major cathedrals often featured scores of small domes, which led some art historians to take this as an indication of the appearance of pre-Christian pagan Slavic temples.
  Several examples of these churches survive; however, during the 16th, 17th and 18th centuries, many were externally rebuilt in the Ukrainian Baroque style (see below). Examples include the grand St. Sophia of Kiev – the year 1017 is the earliest record of foundation laid, Church of the Saviour at Berestove – built from 1113 to 1125 and St. Cyril's Church, circa 12th-century. All can still be found in the Ukrainian capital. Several buildings were reconstructed during the late-19th century, including the Assumption Cathedral in Volodymyr-Volynskyi, built in 1160 and reconstructed in 1896–1900, the Paraskevi church in Chernihiv, built in 1201 with reconstruction done in the late 1940s, and the Golden gates in Kiev, built in 1037 and reconstructed in 1982. The latter's reconstruction was criticised by some art and architecture historians as a revivalist fantasy. Unfortunately little secular or vernacular architecture of Kievan Rus' has survived.
  As Ukraine became increasingly integrated into the Russian Empire, Russian architects had the opportunity to realise their projects in the picturesque landscape that many Ukrainian cities and regions offered. St. Andrew's Church of Kiev (1747–1754), built by Bartolomeo Rastrelli, is a notable example of Baroque architecture, and its location on top of the Kievan mountain made it a recognisable monument of the city. An equally notable contribution of Rasetrelli was the Mariyinsky Palace, which was built to be a summer residence to Russian Empress Elizabeth. During the reign of the last Hetman of Ukraine, Kirill Razumovsky, many of the Cossack Hetmanate's towns such as Hlukhiv, Baturyn and Koselets had grandiose projects built by Andrey Kvasov. Russia eventually conquered the south of Ukraine and Crimea, and renamed them as New Russia. New cities such as Nikolayev, Odessa, Kherson and Sevastopol were founded. These would contain notable examples of Imperial Russian architecture.
  In 1934, the capital of Soviet Ukraine moved from Kharkiv to Kiev. Previously, the city was seen as only a regional centre, hence received little attention. All of that was to change, at great price. The first examples of Stalinist architecture were already showing, and, in light of the official policy, a new city was to be built on top of the old one. This meant that much-admired examples such as the St. Michael's Golden-Domed Monastery were destroyed. Even the St. Sophia Cathedral was under threat. Also, the Second World War contributed to the wreckage. After the war, a new project for the r
caption: St. Michael's Golden-Domed Cathedral in Kiev, foremost example of Cossack Baroque and one of Ukraine's most recognizable landmarks
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