page_title: Buddhist art
section_title: Southern Buddhist art
hierarchical_section_title: Buddhist art / Southern Buddhist art
caption_attribution_description: English: Buddha from Preah Khan (Angkor), style post-bayon, 1250-1400, Musee Guimet, Paris. Personal photograph, 2004.
context_page_description: Buddhist art is the artistic practices that are influenced by Buddhism. It includes art media which depict Buddhas, bodhisattvas, and other entities; notable Buddhist figures, both historical and mythical; narrative scenes from the lives of all of these; mandalas and other graphic aids to practice; as well as physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated on the Indian subcontinent following the historical life of Siddhartha Gautama, 6th to 5th century BCE, and thereafter evolved by contact with other cultures as it spread throughout Asia and the world.
  Buddhist art followed believers as the dharma spread, adapted, and evolved in each new host country. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave temple complexes built together, each likely influencing the other.
context_section_description: The orthodox forms of Buddhism, also known as Southern Buddhism are still practised in Sri Lanka, Myanmar (Burma), Thailand, Laos, and Cambodia. During the 1st century CE, the trade on the overland Silk Road tended to be restricted by the rise of the Parthian empire in the Middle East, an unvanquished enemy of Rome, just as Romans were becoming extremely wealthy and their demand for Asian luxury was rising. This demand revived the sea connections between the Mediterranean Sea and China, with India as the intermediary of choice. From that time, through trade connections, commercial settlements, and even political interventions, India started to strongly influence Southeast Asian countries. Trade routes linked India with southern Burma, central and southern Siam, lower Cambodia and southern Vietnam, and numerous urbanized coastal settlements were established there.
  For more than a thousand years, Indian influence was therefore the major factor that brought a certain level of cultural unity to the various countries of the region. The Pali and Sanskrit languages and the Indian script, together with Mahayana and Theravada Buddhism, Brahmanism and Hinduism, were transmitted from direct contact and through sacred texts and Indian literature such as the Ramayana and the Mahabharata. This expansion provided the artistic context for the development of Buddhist art in these countries, which then developed characteristics of their own.
  Between the 1st and 8th centuries, several kingdoms competed for influence in the region (particularly the Cambodian Funan then the Burmese Mon kingdoms) contributing various artistic characteristics, mainly derived from the Indian Gupta style. Combined with a pervading Hindu influence, Buddhist images, votive tablets and Sanskrit inscriptions are found throughout the area. Between 8th- and 12th-century, under the patronage of Pala dynasty, arts and ideas of Buddhism and Hinduism co-developed and became increasingly intermeshed. However, with Muslim invasion and sacking of monasteries in India, states Richard Blurton,  "Buddhism collapsed as a major force in India".
  By the 8th to 9th century, Sailendran Buddhist art were developed and flourished in Medang Mataram kingdom of Central Java, Indonesia. This period marked the renaissance of Buddhist art in Java, as numerous exquisite monuments were built, including Kalasan, Manjusrigrha, Mendut and Borobudur stone mandala. The traditions would continue to the 13th century Singhasari Buddhist art of East Java.
  From the 9th to the 13th centuries, Southeast Asia had very powerful empires and became extremely active in Buddhist architectural and artistic creation. The Sri Vijaya Empire to the south and the Khmer Empire to the north competed for influence, but both were adherents of Mahayana Buddhism, and their art expressed the rich Mahayana pantheon of the Bodhisattvas.
  The Theravada Buddhism of the Pali canon was introduced to the region around the 13th century from Sri Lanka, and was adopted by the newly founded ethnic Thai kingdom of Sukhothai. Since in Theravada Buddhism of the period, Monasteries typically were the central places for the laity of the towns to receive instruction and have disputes arbitrated by the monks, the construction of temple complexes plays a particularly important role in the artistic expression of Southeast Asia from that time.
  From the 14th century, the main factor was the spread of Islam to the maritime areas of Southeast Asia, overrunning Malaysia, Indonesia, and most of the islands as far as the Southern Philippines. In the continental areas, Theravada Buddhism continued to expand into Burma, Laos and Cambodia.
caption: A Cambodian Buddha, 14th century
exif: {"Image ImageDescription": "SV-AS10 ImageData", "Image Make": "Panasonic", "Image Model": "SV-AS10", "Image Software": "Ver1.10J", "Image DateTime": "2000:02:26 09:32:54", "Image YCbCrPositioning": "Centered", "Image ExifOffset": "164", "EXIF ExposureTime": "64/481", "EXIF FNumber": "4", "EXIF ExposureProgram": "Program Normal", "EXIF ISOSpeedRatings": "200", "EXIF ExifVersion": "0220", "EXIF DateTimeOriginal": "2000:02:26 09:32:54", "EXIF DateTimeDigitized": "2000:02:26 09:32:54", "EXIF ComponentsConfiguration": "YCbCr", "EXIF CompressedBitsPerPixel": "12/5", "EXIF ShutterSpeedValue": "291/100", "EXIF ApertureValue": "4", "EXIF BrightnessValue": "39/50", "EXIF ExposureBiasValue": "0", "EXIF MaxApertureValue": "4", "EXIF MeteringMode": "CenterWeightedAverage", "EXIF LightSource": "Unknown", "EXIF Flash": "Flash did not fire, compulsory flash mode", "EXIF FocalLength": "9/2", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "1600", "EXIF ExifImageLength": "1200", "EXIF SensingMethod": "One-chip color area", "EXIF FileSource": "Digital Camera", "EXIF SceneType": "Directly Photographed", "EXIF CVAPattern": "[0, 2, 0, 2, 1, 0, 2, 1]", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF DigitalZoomRatio": "0", "EXIF FocalLengthIn35mmFilm": "35", "EXIF SceneCaptureType": "Standard"}