page_title: Jokhang
section_title: Architecture
hierarchical_section_title: Jokhang / Architecture
caption_attribution_description: Jokhang Temple, Lhasa, Tibet
context_page_description: The Jokhang, also known as the Qoikang Monastery, Jokang, Jokhang Temple, Jokhang Monastery and Zuglagkang, is a Buddhist temple in Barkhor Square in Lhasa, the capital city of Tibet. Tibetans, in general, consider this temple as the most sacred and important temple in Tibet. The temple is currently maintained by the Gelug school, but they accept worshipers from all sects of Buddhism. The temple's architectural style is a mixture of Indian vihara design, Tibetan and Nepalese design.
  The Jokhang was founded during the reign of King Songtsen Gampo. According to tradition, the temple was built for the king's two brides: Princess Wencheng of the Chinese Tang dynasty and Princess Bhrikuti of Nepal. Both are said to have brought important Buddhist statues and images from China and Nepal to Tibet, which were housed here, as part of their dowries. The oldest part of the temple was built in 652. Over the next 900 years, the temple was enlarged several times with the last renovation done in 1610 by the Fifth Dalai Lama. Following the death of Gampo, the image in Ramcho Lake temple was moved to the Jokhang temple for security reasons.
context_section_description: The Jokhang temple covers an area of 2.51 hectares (6.2 acres). When it was built during the seventh century, it had eight rooms on two floors to house scriptures and sculptures of the Buddha. The temple had brick-lined floors, columns and door frames and carvings made of wood. During the Tubo period, there was conflict between followers of Buddhism and the indigenous Bon religion. Changes in dynastic rule affected the Jokhang Monastery; after 1409, during the Ming dynasty, many improvements were made to the temple. The second and third floors of the Buddha Hall and the annex buildings were built during the 11th century. The main hall is the four-story Buddha Hall.  
  The temple has an east-west orientation, facing Nepal to the west in honour of Princess Bhrikuti. Additionally, the monastery's main gate faces west. The Jokhang is aligned along an axis, beginning with an arch gate and followed by the Buddha Hall, an enclosed  passage, a cloister, atriums and a hostel for the lamas (monks). Inside the entrance are four "Guardian Kings" (Chokyong), two on each side. The main shrine is on the ground floor. On the first floor are murals, residences for the monks and a private room for the Dalai Lama, and there are residences for the monks and chapels on all four sides of the shrine. The temple is made of wood and stone. Its architecture features the Tibetan Buddhist style, with influences from China, Indian vihara design and Nepal. The roof is covered with gilded bronze tiles, figurines and decorated pavilions.
  The central Buddha Hall is tall, with a large, paved courtyard. A porch leads to the open courtyard, which is two concentric circles with two temples: one in the outer circle and another in the inner circle. The outer circle has a circular path, with a number of large prayer wheels (nangkhor); this path leads to the main shrine, which is surrounded by chapels. Only one of the temple murals remains, depicting the arrival of Queen Wencheng and an image of the Buddha. The image, brought by the king's Nepalese wife and initially kept at Ramoche, was moved to Jokhang and kept in the rear center of the inner temple. This Buddha has remained on a platform since the eighth century; on a number of  occasions, it was moved for safekeeping. The image, amidst those of the king and his two consorts, has been gilded several times. In the main hall on the ground floor is a gilded bronze statue of Jowo Sakyamuni, 1.5 metres (4 ft 11 in) tall, representing the Buddha at age twelve. The image has a bejeweled crown, cover around its shoulder, a diamond on its forehead and wears a pearl-studded garment. The Buddha is seated in a lotus position on a three-tiered lotus throne, with his left hand on his lap and his right hand touching the earth. A number of chapels surround the Jowo Sakayamuni, dedicated to gods and bodhisattvas. The most important bodhisattva here is the Avalokiteshwara, the patron saint of Tibet, with a thousand eyes and a thousand arms. Flanking the main hall are halls for Amitabha (the Buddha of the past) and Qamba (the Buddha of the future). Incarnations of Sakyamuni are enshrined on either side of a central axis, and the Buddha's warrior guard is in the middle of the halls on the left side.
  In addition to the main hall and its adjoining halls, on both sides of the Buddha Hall are dozens of 20-square-metre (220 sq ft) chapels. The Prince of Dharma chapel is on the third floor, including sculptures of Songtsen Gampo, Princess Wencheng, Princess Bhrikuti, Gar Tongtsan (the Tabo minister) and Thonmi Sambhota, the inventor of Tibetan script. The halls are surrounded by enclosed walkways.
  Decorations of winged apsaras, human and animal figurines, flowers and grasses are carved on the superstructure. Images of sphinxes with a variety of expressions are carved below the roof.
  The temple complex has more than 3,000 images of the Buddha and other deities (including an 85-foot (26 m) image of the Buddha) and historical figures, in addition to manuscripts and other objects. The temple walls are decorated with religious and historic
caption: Temple interior
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