page_title: Charles-Valentin Alkan
section_title: Prodigy (1819–1831)
hierarchical_section_title: Charles-Valentin Alkan / Life / Prodigy (1819–1831)
caption_attribution_description: English: Report on the 1819 solfege audition of Charles-Valentin Alkan at the Paris Conservatoire
context_page_description: Charles-Valentin Alkan was a French-Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life.
  Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard. During this period he published, among other works, his collections of large-scale studies in all the major keys and all the minor keys. The latter includes his Symphony for Solo Piano and Concerto for Solo Piano, which are often considered among his masterpieces and are of great musical and technical complexity.
context_section_description: Alkan was a child prodigy. He entered the Conservatoire de Paris at an unusually early age, and studied both piano and organ. The records of his auditions survive in the Archives Nationales in Paris. At his solfège audition on 3 July 1819, when he was just over 5 years 7 months, the examiners noted Alkan (who is referred to even at this early date as "Alkan (Valentin)", and whose age is given incorrectly as six-and-a-half) as "having a pretty little voice". The profession of Alkan Morhange is given as "music-paper ruler". At Charles-Valentin's piano audition on 6 October 1820, when he was nearly seven (and where he is named as "Alkan (Morhange) Valentin"), the examiners comment "This child has amazing abilities."
  Alkan became a favourite of his teacher at the Conservatoire, Joseph Zimmerman, who also taught Georges Bizet, César Franck, Charles Gounod, and Ambroise Thomas. At the age of seven, Alkan won a first prize for solfège and in later years prizes in piano (1824), harmony (1827, as student of Victor Dourlen), and organ (1834). At the age of seven-and-a-half he gave his first public performance, appearing as a violinist and playing an air and variations by Pierre Rode. Alkan's Opus 1, a set of variations for piano based on a theme by Daniel Steibelt, dates from 1828, when he was 14 years old. At about this time he also undertook teaching duties at his father's school. Antoine Marmontel, one of Charles-Valentin's pupils there, who was later to become his bête noire, wrote of the school:
  Young children, mostly Jewish, were given elementary musical instruction and also learnt the first rudiments of French grammar ... [There] I received a few lessons from the young Alkan, four years my senior ... I see once more ... that really parochial environment where the talent of Valentin Alkan was formed and where his hard-working youth blossomed ... It was like a preparatory school, a juvenile annexe of the Conservatoire.
  From about 1826 Alkan began to appear as a piano soloist in leading Parisian salons, including those of the Princesse de la Moskova (widow of Marshal Ney), and the Duchesse de Montebello. He was probably introduced to these venues by his teacher Zimmerman. At the same time, Alkan Morhange arranged concerts featuring Charles-Valentin at public venues in Paris, in association with leading musicians including the sopranos Giuditta Pasta and Henriette Sontag, the cellist Auguste Franchomme and the violinist Lambert Massart, with whom Alkan gave concerts in a rare visit out of France to Brussels in 1827. In 1829, at the age of 15, Alkan was appointed joint professor of solfège – among his pupils in this class a few years later was his brother Napoléon. In this manner Alkan's musical career was launched well before the July Revolution of 1830, which initiated a period in which "keyboard virtuosity ... completely dominated professional music making" in the capital, attracting from all over Europe pianists who, as Heinrich Heine wrote, invaded "like a plague of locusts swarming to pick Paris clean". Alkan nonetheless continued his studies and in 1831 enrolled in the organ classes of François Benoist, from whom he may have learnt to appreciate the music of Johann Sebastian Bach, of whom Benoist was then one of the few French advocates.
caption: Report on Alkan's 1819 solfège audition at the Paris Conservatoire. (Archives Nationales, Paris)
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