page_title: Triumphal Arch (woodcut)
hierarchical_section_title: Triumphal Arch (woodcut)
context_page_description: The Triumphal Arch is a 16th-century monumental woodcut print, commissioned by the Holy Roman Emperor Maximilian I. The composite image was printed on 36 large sheets of paper from 195 separate wood blocks. At 295 × 357 centimetres, it is one of the largest prints ever produced, and was intended to be pasted to walls in city halls or the palaces of princes. It is part of a series of three huge prints created for Maximilian, the others being a Triumphal Procession which is led by a Large Triumphal Carriage; only the Arch was completed in Maximilian's lifetime and distributed as propaganda, as he intended. Together, this series has been described by art historian Hyatt Mayor as "Maximilian's program of paper grandeur". They stand alongside two published biographical allegories in verse, the Theuerdank and Weisskunig, heavily illustrated with woodcuts.
  Very large multi-sheet prints designed to decorate walls were a feature of the early 16th century, although their use in this way means their survival rate is exceptionally low. The prints were intended to be hand-coloured, but only two sets of impressions from the first edition survive with contemporary colouring.
context_section_description: The Triumphal Arch (also known as the Arch of Maximilian I, German: Ehrenpforte Maximilians I.) is a 16th-century monumental woodcut print, commissioned by the Holy Roman Emperor Maximilian I.  The composite image was printed on 36 large sheets of paper from 195 separate wood blocks.  At 295 × 357 centimetres (116 × 141 in), it is one of the largest prints ever produced, and was intended to be pasted to walls in city halls or the palaces of princes.  It is part of a series of three huge prints created for Maximilian, the others being a Triumphal Procession (1516–18, 137 woodcut panels, 54 metres (177 ft) long) which is led by a Large Triumphal Carriage (1522, 8 woodcut panels, 8 × 1.5 feet (244 × 46 cm)); only the Arch was completed in Maximilian's lifetime and distributed as propaganda, as he intended.  Together, this series has been described by art historian Hyatt Mayor as "Maximilian's program of paper grandeur".  They stand alongside two published biographical allegories in verse, the Theuerdank and Weisskunig, heavily illustrated with woodcuts.
  Very large multi-sheet prints designed to decorate walls were a feature of the early 16th century, although their use in this way means their survival rate is exceptionally low. The prints were intended to be hand-coloured, but only two sets of impressions from the first edition survive with contemporary colouring (held in Berlin and Prague).
caption: Detail of pinnacle from a coloured impression in Brunswick.
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