page_title: St. Francis de Sales Roman Catholic Church (Philadelphia)
section_title: Architecture
hierarchical_section_title: St. Francis de Sales Roman Catholic Church (Philadelphia) / Architecture
context_page_description: St. Francis de Sales Roman Catholic Church, founded in 1890, is a Catholic church at 4625 Springfield Avenue in Philadelphia, Pennsylvania, part of the Roman Catholic Archdiocese of Philadelphia. Its cornerstone laid in 1907, the Guastavino tiled dome of the de Sales parish has been an icon in its neighborhood. The de Sales parish was designed by Philadelphia architect Henry D. Dagit, built in the Byzantine Revival style and incorporates a Guastavino tile dome modeled on that of Istanbul's Hagia Sophia and elements of the Arts and Crafts movement which was at its peak when the church was built.
context_section_description: It is one of the best examples
  of French organ in the United States.
  The Guastavino dome has leaked for the entire life of the church. All of the tiles on the entire dome were replaced in the 1950s by then-pastor Bishop Joseph McShea in an unsuccessful attempt to stop the leaking. It was suggested that the parish go with copper sheathing, but the bishop was reluctant to make such a drastic change. Partners for Sacred Places, a Philadelphia-area interfaith group that works to support the preservation of churches and other houses of worship, is currently working with the parish to restore the dome, the stained-glass windows, and the doors. Exterior restoration and other repairs and preventive maintenance are ongoing.
  St. Francis de Sales is architecturally and culturally so beloved ... the congregation is serving the community in so many wonderful ways, and they have done so much for immigrants.
  The interior was designed by Charles Theodore Biswanger (1879–1944), who was employed by the Dagit architectural firm. The tile arch system, designed by the Raphael Guastavino Co. in 1911, is one of the best examples of the company's work in Philadelphia.
  In 1968, as a result of liturgical changes made by the Second Vatican Council, the church hired the architects Robert Venturi and John Rauch to renovate the altar space to create a free standing altar. The alterations that Venturi and Rauch added included five parts: a new altar, a celebrant's chair, a suspended cathode light and the elevation of the sanctuary floor. These renovations were in an entirely modern style, clashing with the Byzantine architecture of the interior. The renovations were removed almost immediately at the request of the parishioners, who reacted negatively to the renovations.
caption: Church as seen from Springfield Ave.
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