page_title: English literature
section_title: Victorian drama
hierarchical_section_title: English literature / Victorian literature (1837–1901) / Victorian drama
caption_attribution_description: English: 1879 Woodblock-print advertisement for an American production of en:H.M.S. Pinafore, housed at the en:Library of Congress. The Library of Congress site says that they are en:D'Oyly Carte Opera Company productions (see here), but that seems dubious, since Carte's name does not appear on the poster, and he would have been eager to distinguish his production (December 1879) from the many unauthorised productions. The Library of Congress does not make any additional copyright claims to its material, and, given the date, this is clearly out of copyright. Further, see below
context_page_description: However, until the early 19th century, it only deals with the literature of the United Kingdom, the Crown dependencies and Ireland. It does not include literature written in the other languages of Britain.
  The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English. Beowulf is the most famous work in Old English, and has achieved national epic status in England, despite being set in Scandinavia. However, following the Norman conquest of England in 1066, the written form of the Anglo-Saxon language became less common. Under the influence of the new aristocracy, French became the standard language of courts, parliament, and polite society. The English spoken after the Normans came is known as Middle English. This form of English lasted until the 1470s, when the Chancery Standard, a London-based form of English, became widespread.
context_section_description: A change came in the Victorian era with a profusion on the London stage of farces, musical burlesques, extravaganzas and comic operas that competed with productions of Shakespeare's plays and serious drama by dramatists like James Planché and Thomas William Robertson. In 1855, the German Reed Entertainments began a process of elevating the level of (formerly risqué) musical theatre in Britain that culminated in the famous series of comic operas by Gilbert and Sullivan and was followed by the 1890s with the first Edwardian musical comedies. The length of runs in the theatre changed rapidly during the Victorian period. As transport improved, poverty in London diminished, and street lighting made for safer travel at night, the number of potential patrons for the growing number of theatres increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values. The first play to achieve 500 consecutive performances was the London comedy Our Boys, opening in 1875. Its record of 1,362 performances was bested in 1892 by Charley's Aunt.
  Several of Gilbert and Sullivan's comic operas broke the 500-performance barrier, beginning with H.M.S. Pinafore in 1878, and Alfred Cellier and B.C. Stephenson's 1886 hit, Dorothy, ran for 931 performances. After W.S. Gilbert, Oscar Wilde became the leading poet and dramatist of the late Victorian period. Wilde's plays, in particular, stand apart from the many now forgotten plays of Victorian times and have a much closer relationship to those of the Edwardian dramatists such as Irish playwright George Bernard Shaw (1856–1950), whose career began in the last decade of the 19th century, Wilde's 1895 comic masterpiece, The Importance of Being Earnest, holds an ironic mirror to the aristocracy and displays a mastery of wit and paradoxical wisdom.
caption: Gilbert and Sullivan's  H.M.S. Pinafore
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