page_title: La conversione e morte di San Guglielmo
hierarchical_section_title: La conversione e morte di San Guglielmo
caption_attribution_description: English: First page of the only extant manuscript score also containing the comic elements, of the 'sacred drama' by Giovanni Battista Pergolesi, Li prodigi della divina grazia nella conversione e morte di san Guglielmo duca d'Aquitania. The manuscript is kept at the library of the Conservatorio di musica San Pietro a Majella - Naples - NA - [press-mark] 30.4.18-19, and has been digitized at the site OPAC SBN - Catalogo del Servizio Bibliotecario Nazionale. Italiano: Si tratta della prima pagina del manoscritto dell'unica partitura esistente in cui siano contenuti anche gli elementi comici, del dramma sacro di Giovanni Battista Pergolesi, Li prodigi della divina grazia nella conversione e morte di san Guglielmo duca d'Aquitania. Il manoscritto si trova giacente presso la Biblioteca del Conservatorio di musica San Pietro a Majella - Napoli - NA - [collocazione] 30.4.18-19, ed è digitalizzato presso il sito OPAC SBN - Catalogo del Servizio Bibliotecario Nazionale.
context_page_description: La conversione e morte di San Guglielmo is a sacred musical drama in three parts by the Italian composer Giovanni Battista Pergolesi. The libretto, by Ignazio Mancini, is based on the life of Saint William of Aquitaine as recounted by Laurentius Surius. It was Pergolesi's first operatic work, possibly written as a study exercise for his conservatory. The work was premiered at the Monastery of Sant'Agnello Maggiore, Naples in the summer of 1731.
context_section_description: La conversione e morte di San Guglielmo (The Conversion and Death of Saint William) is a sacred musical drama (dramma sacro) in three parts by the Italian composer Giovanni Battista Pergolesi. The libretto, by Ignazio Mancini, is based on the life of Saint William of Aquitaine as recounted by Laurentius Surius. It was Pergolesi's first operatic work, possibly written as a study exercise for his conservatory. The work was premiered at the Monastery of Sant'Agnello Maggiore, Naples in the summer of 1731.
caption: First page of the complete manuscript score kept at the Conservatorio San Pietro a Majella
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